Uncategorized – Page 2 – 7th Level Music

Live: Screaming Females, the Dead Records, Ron Gallo – June 26, 2016 – Ft. Wayne, IN

L-R: “King” Mike Abbate, yours truly, Marissa Paternoster, Jarrett Dougherty

I’ve wanted to see Screaming Females live since 2012 (when I discovered them while working for WSND), and was delighted to see they were playing barely over an hour’s drive from my house last Sunday at the Brass Rail in Fort Wayne, Indiana. They were gracious with their time and kind enough to let me interview them while sitting in their touring van. I’ll have a full transcript of that interview soon, and I’m working on an audio version that I’ll play on a future show on WSND.

The night started with the Ron Gallo 3, a fun punk trio who played a loud set of songs like “Kill the Medicine Man,” “All the Punks Are Domesticated,” and “Why Do You Have Kids?”

Up next were Ft. Wayne’s own Dead Records, who dropped a loud, fast, screaming set on the crowd of friends and new fans.

Screaming Females then got on stage for their first gig in Ft. Wayne. I’m not sure how many people there knew who was about to play, but I saw a few of us singing along within moments. Everyone else stood dumbfounded for the first three songs because Marissa Paternoster, Jarrett Dougherty, and “King” Mike Abbate almost flattened the place.

I’d seen videos of their performances, so I had a slight idea of how powerful they are live (especially in a small venue like the Brass Rail). The videos don’t do them justice. They have a chemistry that can only be created through lots of performances and deep friendships. Paternoster, who is without question one of the best guitarists today, emotes power through her vocals as well as her axe (which she straps around her waist instead of over her shoulder, giving her even more of a gunslinger presence).

As much as Paternoster wields her guitar like Clint Eastwood in A Fistful of Dollars, Dougherty hits his drums like Franco Nero blasts a Gatling gun in Django and Abbate drops his bass riffs like James Coburn drops dynamite in Duck You Sucker. The two guys in the band get into heavy grooves that make Abbate break into grins and Dougherty to go into what appears to be Zen-like meditative trances.

The fans had snapped out of their stunned state by the time the band played “Empty Head” from Rose Mountain. Paternoster thanked everyone for coming to their first Ft. Wayne gig. “Please move here!” A man yelled, echoing the thoughts of everyone in the room.

“Leave It All Up to Me” and “Ripe” were other crowd favorites, and they were cooking with gas by that point.

They closed with the powerful, stunning “Triumph,” which is a fitting end for such a set. It was a triumphant debut for them in a town they hadn’t played in before then.

A friend of former bandmate of mine, Chad, saw the show with me, and he’d only heard one song (“Hopeless”) by the band before seeing them live. He was shaking his head in a bit of disbelief by the end of their set.

“She’s not fucking around, is she?” Chad said.

“No, she’s not,” I told him.

And now I’m telling you. Screaming Females aren’t fucking around.

Keep your mind open.

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[Thanks to Jarrett for getting me a press pass to the show, and to him, Marissa, and Mike for being such groovy cats.]

Live: Ceu – June 24, 2016 – Chicago, IL

Barely anyone paid attention to the candles.

I showed up at Chicago’s City Winery in plenty of time to get a good free parking spot a block away and order a Right Bee cider before the show started. The City Winery is a nice, small venue not much bigger than a couple campground pavilions, and Brazilian siren Ceu was playing that night. I’ve been a fan of hers since stumbling onto her self-titled first record back in 2005. I’d missed all her previous Chicago dates, and now I was seeing her from about twenty feet from my table while I munched braised duck tacos.

Her opening band was an electro two-piece called Kauf from Los Angeles. They got the show off to a fine start with a groovy set that had people nodding their heads and drumming on their tables. One man behind me said, “They’re like an 80’s synth kind of thing.” That’s true, but a bit of a simplistic description. Add a bit of dark wave and Caribou and you’re there.

Kauf bringing fine electro to the City Winery.

By now I’d learned that the couple across from me (named, I kid you not, Tom and Jerry) were seeing Ceu for the fourth time and hadn’t missed one of her Chicago dates yet. This was the first time they’d seen her with a guitarist in the band. We had a great time being wowed by her and sharing flatbread pizza.

She came out in a dark orange dress with light sparkles throughout it and a pair of bad-ass silver sequined high heels. It was at this moment that I realized Ceu looks like Jane Russell, and I about fainted in my chair. I almost fainted again when she started singing and her gorgeous voice filled the room.

She played a lovely, intimate set with her sharp as a tack backing band. They played many cuts from her fine new album, Tropix, as well as cuts going all the way back to 2005. She was dancing by the second song, “Perfume Invisibel,” and people were already breaking the “candle rule” to stay quiet during the show (Tom, Jerry, and I included). They were dancing in one corner by the end of her main set and all through the encore.

She and her band spanned multiple music styles. They played stuff ranging from bossa nova, electro dance songs, reggae, and modern disco cuts to early 80’s synth tracks you might hear on a Berlin album.

As good as her voice is on her albums, it is even better live. I won’t miss her if she comes through the Midwest again, and neither should you.

Ceu’s set list for the night. Sadly, I didn’t get a physical copy of it, but thanks to the man who let me take this photo of his copy.

[Thanks to Andre Bourgeois for making press pass arrangements for me for this show. He rules.]

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Levitation Chicago Night 3 – Natural Information Society and Bitchin’ Bajas, Night Beats, Earthless, Faust, Chelsea Wolfe

The last night of Levitation Chicago was a good one. It started with local acts Natural Information Society and Bitchin’ Bajas. They played a beautiful set of trance-inducing instrumentals combining jazz, world music, and electro.

Up next were one of my favorite bands, Night Beats. They get better with each performance and are slaying it right now. They never turn in a bad performance. I got to chat with them after their set. They were all humble and appreciative. Drummer James Traeger was surprised that I’d been promoting them since 2013.

Another group of humble, appreciative guys I got to talk with were Earthless. They flattened the place with an epic three-song set of their space / stoner rock. Afterwards, a young man next to me asked if all their songs were so big and long. “Yes,” I said. “All of their stuff is that epic.”

“They just don’t stop,” he said. “They just keep going.” He’s right. They lift off and like a rocket and don’t come back for a while.

I took a break and came back for part of Faust‘s set. They had four women knitting on stage to “keep things from getting out of control.” It was weird and quirky.

The night ended with a loud, powerful dark wave set from Chelsea Wolfe. Her voice is as powerful as her heavy sound. She slithers like a snake and sings like a siren.

It was a good end to the festival. I’d like to come back next year, and need to track down more new music now.

Keep your mind open.

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Greetings from the 7th Level.

Looking for your new favorite band? Do you like anything that’s good, no matter what genre? Then you’re going to enjoy 7th Level Music.

I’m going to open your mind to new music. “New music” doesn’t always mean the latest releases. Anything you’ve never heard before is new to your ears and neural pathways. An early 1970’s dub record is new music if you hear it for the first time in 2016.

7th Level Music will cover music that comes from yesterday as well as today and tomorrow. You’ll see a lot of reviews for what have become my favorite genres – psychedelic and shoe gaze – but don’t be surprised if you see a hip hop album or an outlaw country record reviewed here.

There will be reviews of records and live events, news on upcoming records and re-releases, interviews, artwork, videos, and a segment now and then called “Thrift Store Thursdays.” Look for guest posts in the future from people I respect in the music industry and from fellow fans.

Thanks for stopping by and being a fan of music. Keep an open mind, everyone.