Levitation France has announced its full (?) lineup for 2025, and they’ve packed a lot of good bands into just two nights.
Vendredi (Friday) brings in Italy’s New Candys (whose new album, so far, sounds pretty cool), UK’s Ditz (a sharp new post-punk band), Spain’s Hinds (also promoting a new album), Danish metal giants Kadavar, and the U.S.’ own Blonde Redhead.
Samedi (Saturday) has Angers post-punkers Rest Up, UK’s mysterious HONESTY, goth-queen Heartworms, experimental psych-rockers Bryan’s Magic Tears, and psych-proggers bdrmm, plus the U.S.’ synthwave duo Boy Harsher, and finally French psych heavyweights The Limiñanas.
It’s a good lineup with some serious rock in it this year, and it’s in a new location – a pyramid on a lakefront, no less. Don’t miss it.
I have yet to see Flat Worms live. This seems like a crime to me. They’re a great power trio with darkly humorous lyrics and power you cannot deny. So, Live in Los Angeles (recorded in 2019) will have to do until I can catch them at a somewhat dingy venue that feels like a sweatbox and smells like beer mixed with incense.
“Pearl” starts off the raucous set with Will Ivy‘s guitars sounding like a sped-up hotel fire alarm and his vocals bringing angry post-punk lyrics about keeping up with the Joneses to the crowd. “Motorbike” roars like its namesake and Justin Sullivan‘s chops on the drums turn on a dime at any given moment. The live version of “Into the Iris” slows it down a bit but doesn’t lack in power. It’s almost a sludge rock tune in the first half and then kicks into near-punk fury for the second half. It’s songs like this in which Tim Hellman excels on bass. He can lock down any track at any speed and in seemingly any genre, and he plays like a time bomb is about to off on “Plaster Casts.”
“Condo Colony,” a great takedown of gated communities and HOA madness, absolutely slays on this. It’s impossible to choose which of the three is killing it more. The short-instrumental “Scattered Palms” explodes into the snarky “11816.” The album ends with “Red Hot Sand,” and yes, it’s blistering. Hellman’s bass is frantic, Ivy’s guitar is a race car tearing up a dirt track, and Sullivan’s drums threaten to crack the floor under you.
It’s a great capture of a trio clicking on all fronts and crushing everything around them. If you can’t see them live, this is a worthy alternative.
The good folks at Levitation and the Reverberation Appreciation Society have unveiled the full lineup for the 2025 Austin Psych Fest.
They’re playing heavy this year. The first night alone unleashes Explosions in the Sky, Godspeed You! Black Emperor, Black Mountain, Kadavar, and Blackwater Holylight on you. Kim Gordon shows up Saturday night to wallop you, and then Dinosaur Jr. closes Sunday night. That’s a lot of decibels in three nights.
As if that weren’t a big enough announcement, they also announced the first three bands for Levitation France this year: Blonde Redhead, Boy Harsher, and Kadavar. Three powerhouses already booked, and that’s just the start.
Tickets are on sale now for both festivals. Don’t miss either.
Here they are: My top five concerts of 2024. They were doozies.
#5: Slift – Reggie’s Music Joint, Chicago, IL, October 18, 2024
This was the first time I saw Slift in 2024, and the second time I’d seen them in a small venue. It had been a while since I’d been to a show at Reggie’s, and I’d forgotten how small it is. I figured Slift were going to blow off the back wall with their cosmic rock, and I was right. I don’t know how the building didn’t collapse.
#4: Osees – Thalia Hall, Chicago, IL, October 19, 2024
Yes, I saw Slift one night and then Osees the next. This was the second of two shows at Thalia Hall for Osees (another yearly tradition for them), and seeing them on a bare stage with a fun crowd in one of my favorite venues was outstanding. It was, as always, a blast and the pit crowd is like a reunion of pals you haven’t seen in a year.
#3: LCD Soundsystem – Aragon Ballroom, Chicago, IL, May 26, 2024
It’s always good to see LCD Soundsystem, and this was night three of a four-night residency at the Aragon for them. It was also my girlfriend’s first time seeing them, and experiencing that with her was delightful. They had a nice tribute to Steve Albini during “Someone Great.”
#2: King Gizzard and the Lizard Wizard – Huntington Bank Pavilion, Chicago, IL, September 01, 2024
It had been a couple years since I’d been to a KGATLW show, and this was my first three-hour marathon set by them I was able to attend. Good grief, they slayed this stage, playing everything from Nonagon Infinity cuts to a short techno set. They even went longer than three hours by ending the show with a nearly twenty-minute version of “Head On / Pill.” The massive crowd was in heaven.
#1: Orbital – Radius, Chicago, IL, March 23, 2024
This show was like stepping into a time machine and emerging into a 1995 rave. I wasn’t sure I’d ever see Orbital, and they hadn’t been in Chicago in many years. This was also my girlfriend’s first “rave” of sorts, and the crowd was a mix of Gen Xers like us, new rave kids, goths, and even senior citizens. I hadn’t danced that much in a long while.
I’m looking forward to shows in 2025. I already have tickets to see Viagra Boys this year, and will soon have tickets for King Buffalo‘s current tour. Other bands I hope to catch this year are George Thorogood and The Destroyers, Mdou Moctar, Helmet, Kelly Lee Owens, Soft Play, Gang of Four, Amyl and The Sniffers, A Place to Bury Strangers (again), Diana Krall, Alison Krauss, King Gizzard and The Lizard Wizard (again), and Osees (again).
The top 15 live shows I saw in 2024 range from doom metal to post-punk. Read on!
#15: The Well – Stubb’s BBQ – Levitation Austin, November 03, 2024
The Well never disappoint. They opened this night of metal at Levitation Austin’s main stage and set a high bar right away. The mix of older material with upcoming stuff from (hopefully) a new record landing this year was top notch.
#14: The The – Salt Shed, Chicago, IL, October 25, 2024
Here’s a band I wasn’t sure I’d ever get to see live. Matt Johnson returned with a new The The album and then a world tour. It was his first time in the U.S. in over two decades. They played two sets: The first being The The’s new album, Ensoulment, in its entirety and the second being a “time traveler’s set” of classic material. Johnson still sounds great.
#13: A Place to Bury Strangers – Stubb’s BBQ – Levitation Austin, October 31, 2024
Here’s another band who never disappoint. It was my girlfriend, Holly’s, first time seeing APTBS. I told frontman Oliver Ackermann (dressed, like his bandmates, as a vampire for Halloween) before the show that I envied her innocence. Her review? “I need a neck adjustment after that.” I don’t think I can sum it up better.
#12: Jon Spencer – Stockroom East, South Bend, IN, July 11, 2024
Holy $#!+. Jon Spencer and the rhythm section of The Bobby Lees played a forty-minute drive from my house. This small venue almost couldn’t handle their energy. The small crowd at this show got a great gift from them.
#11: Gang of Four – Far Out Lounge – Levitation Austin, November 01, 2024
Here’s another band I wasn’t sure I’d get to see live. This great set by Gang of Four was one of the top highlights of 2024’s Levitation Austin Music Festival for me. Everyone in this crowd was hyped to see them, and Jon King smashing a microwave with an aluminum ball bat was gold.
My top ten shows of 2024 include some old favorites and one final (?) tour. Come back tomorrow for more!
As always, it was a fun year for live music and there were plenty of great shows that I was lucky enough to catch in 2024. Who made the top 25? Let’s get started.
#25: Dry Cleaning – Far Out Lounge, Levitation Austin, November 01, 2024
It was a nice warm night in Austin, just a day after Halloween, when Dry Cleaning played a wild, fascinating set at Levitation Austin. They’re always intriguing, and they rock harder than most people realize.
#24: Mac Sabbath – Bell’s Eccentric Café, Kalamazoo, MI, August 27, 2024
This was part of Mac Sabbath‘s tenth anniversary tour, and the crowd was really into it. A lot of people at this gig hadn’t seen them before, and most of them were laughing the entire time.
#23: Death Valley Girls – Parish, Levitation Austin, November 02, 2024
This was my first time seeing Death Valley Girls‘ new guitar-less lineup, and the uplifting spooky music they now create is stellar. They were one of the most talked-about bands at the 2024 Levitation Music Festival.
#22: Grocery Bag – Hotel Vegas, Levitation Austin, November 02, 2024
These Austinites were a pleasant discover this year. They threw down a strong set, changing instruments multiple times, and fired up everyone at Hotel Vegas…and they did all of this opening for Osees no less. I hope they get out of Austin for a tour soon.
#21: Meatbodies – Far Out Lounge, Levitation Austin, November 01, 2024
This was the second time I saw Meatbodies in 2024, and this fun, loud set at Levitation was a blast and even had added bonus tracks I hadn’t heard in their first set.
Austin trio Rickshaw Billie’s Burger Patrol today announce yet ANOTHER tour today, this time adding Western US headlining shows following their January & February East Coast tour with Lip Critic supporting.
RBBP is currently on tour with King Buffalo in the Southwest.Complete EU & UK tour dates for Spring 2025 will also be announced soon. See current dates below.
All March tickets Artist pre-sale on December 11th at 10am local timeHERE. (password: bigdumbtour)
March tickets general on sale December 13th at 10am local time.
BIG DUMB RIFFS is available on digital, LP and cassette, released May 10th, 2024. Order/stream the album on all formats HERE.
Mosswood Meltdown, “one of the premiere underground rock festivals in the country” (CBS Bay Area), returns to Oakland’s Mosswood Park July 19th & 20th, 2025. Today, the fest announces a lineup teaser, with tickets on sale now with a special, limited holiday pricing while supplies last. The line-up thus far includes a one-of-a-kind performance by famed new wave band Devo, legendary psych-rock punks Osees, celebrated Oakland rapper Kreayshawn for her first appearance in a decade, The Exploding Hearts led fearlessly by guitarist Terry Six, and Belgian punk rock band The Kids. And as in years’ past, it wouldn’t be Mosswood Meltdown without its incomparable host, John Waters.
Stay tuned to more news from Mosswood Meltdown – many more artists will be announced in the coming months.
MOSSWOOD MELTDOWN 2025 LINEUP Devo Osees Kreayshawn The Exploding Hearts The Kids & more to be announced
We decided to end Levitation 2024 with a lot of metal.
My girlfriend slept and relaxed during the day, while I went to End of an EarRecords (where Drop Nineteens were doing a signing) and scored some fun CD compilations of everything from Italian late 1970s disco to classic British punk.
We were famished by late afternoon, and I realized that my girlfriend hadn’t yet experienced Stubb’s for their food, so it was an easy decision to go there. She fell in love with their Serrano cheese spinach.
I was surprised that the show that night, featuring Gran Moreno, The Well, Rickshaw Billie’s Burger Patrol, Pentagram, and The Sword, didn’t sell out right away – especially since it included The Sword reunion set. Lo and behold, it did sell out before day four arrived and the crowd was massive.
There’s about another third of this crowd behind us in this photograph. The turnout was wild. I hadn’t been around that many metal fans since probably Psycho Las Vegas in 2020. The line to buy The Sword’s merch was over an hour long for some people, and people were dropping money like mad. Metal fans always bring cash to spend.
We missed the first part of Gran Moreno’s set, but what we heard was a lot of heavy Latino garage rock from the duo. Up next were local doom darlings The Well, who crushed it as always and teased their upcoming album with “Christmas Lights.” The night crept in during their set, which was appropriate for their material.
The Well casting a Darkness 150′ radius spell.
Up next were another Austin trio, Rickshaw Billie’s Burger Patrol, or, as I saw them listed on a fan’s shirt, “Rickshaw Billie’s Burger Whatever the Fuck.” The mosh pit for their show of what I call “goofy metal” (I mean, they have a song called “Peanut Butter Snack Stix,” after all – which they played.) was insane. Their drummer is impressive, laying down thunderous stuff. They also teased new material coming soon.
Metal legends Pentagram showed they still have chops and commanded the stage with wizard-like power. The gray hair and beards only seemed to be lightning erupting from their bodies.
The crowd was at full capacity by the time The Sword hit the stage, and everyone was singing / yelling “Barael’s Blade” with them for the opener. “Cloak of Feathers” was a welcome addition, as was “The Hidden Masters.” Crowd surfers were abundant and everyone was going bonkers for most of their set.
It was a heroic return for them, as big as some of the epic tales they spin on their albums. “I didn’t know there were so many different kinds of metal,” my girlfriend said.
It was another fun year in Austin. The vibe was, as always, great, and the people were all lovely.
On Day Three, at the Hotel Vegas “Levitation Lounge,” I chatted with a father, Eric, and his son, Charlie from Minneapolis. Charlie had convinced Eric to come with him for the festival, and Eric was surprised to discover “This is all my music.” He was stunned at the sounds he was hearing, and loved how “You tell people you’re here for this festival, and they don’t know what you’re talking about. I love that. It’s like they don’t know it’s going on.”
Levitation still, somehow, feels like a secret even though it brings in some of the best bands in the world. “The level of musicianship here is amazing,” my girlfriend said after experiencing the festival for the first time.
Like any other marathon, the three-quarter mark is when it really starts to hit you. The same can be said of Levitation Austin, as Day Three is when the festival starts culling the weak and you begin to hear people saying things like, “I tapped out at one a.m.,” “He wanted me to go to another show last night, but I just couldn’t,” and “Austin is kickin’ my ass today.”
It’s also when you start having weird synchronous moments with people you’ve seen at the festival. My girlfriend and I have seen the same woman at all but two of the shows we’ve attended so far. She’s come all this way from England to express her love for a festival cameraman. He’s married, by the way, and this woman’s friend isn’t happy that he’s been dismissive of her. There’s also “blond guy,” who looks and dresses like a character from an early 1990s video game and I think has been on some kind of illegal drug for three days, “Asian guy with a splint on his right index finger,” and “Guy with the big King Gizzard and the Lizard Wizard patch on his jacket.”
We started Day Three with some friends and great BBQ (as one does in Austin at least once where you’re here) at a place called KG BBQ that mixes Texas BBQ with Egyptian flavors. It’s great. We then headed to Hotel Vegas for the “Levitation Lounge,” where no one bothered to check out RSVP tickets, and we had free drinks while listening to a DJ set by Death Valley Girls.
Death Valley Girls dropping science.
I was wearing my “Death Valley Girls Official Fan Club” shirt and was spotted by Bonnie Bloomgarden, the leader of DVG. She remembered me as the guy who keeps his phone set on black and white and, in a moment of joy for me, from this blog. They’d opened for Osees the previous night there and I told her I was excited to hear their new “Earth, Wind & Fire-sized line-up” later that night at Parish.
My DVG shirt proved to be popular. I had more comments on it than any other shirt I’ve worn all weekend. At least four people pointed at me and said, “Great shirt,” and then told me how they’d seen their Hotel Vegas set the previous evening and were amazed by it.
The surprisingly tall Dry Cleaning walked in not long after my lovely conversation with Ms. Bloomgarden. I thanked them for their set at the Far Out Lounge the previous night, and they told me how much they love playing in Austin. They were all delightful people and played a fun DJ set of their own that dropped in some classic Sade and Wham! tracks.
Dry Cleaning towering over the decks.
We wanted to stay for the Black Angels DJ set, but it was Day Three and we needed a disco nap. It turned out to be the right call because Austin got slammed with rain for about an hour and we would’ve been soaked on the walk back to our pad.
We came back to Hotel Vegas to first see local shredders Grocery Bag take the stage, and they played a wild set of fierce garage rock. Be sure to look them up.
Paper, plastic, or power?
After that was night number three of Osees’ four-night residency at Hotel Vegas. They ripped into it straight out of the gate (as always) and immediately floored by girlfriend, who was seeing them for the first time. She was amazed by their manic energy and how “they just go for it.” They threw in some punk ragers with a couple psych-rock cuts, showing how they can change shape faster than a D&D doppelgänger.
We then walked six blocks along 6th Street, maneuvering around stumbling drunks and people still in Halloween costumes lining up to cram into a small club spinning overplayed dance tracks from the early 2000s, to get to Parish and see DVG perform their heart-lifting yet spooky set of psychedelia. It was strange at first to see them with no guitars (apart from Sammy Westervelt on bass), replacing them with saxophone. “They sound like a spooky version of Morphine,” I thought. My girlfriend loved them and empowerment and spiritual healing messages they convey in their lyrics.
We headed to the Parish’s small lounge after the set and another guy pointed out my DVG shirt. It turned out he and his friend were at KG BBQ and noticed my shirt there. They’d seen DVG’s Hotel Vegas set and fell in love with them. One of them, Shafiq, got my “spooky Morphine” reference, and they were both from Chicago and frequented a lot of the same bar. The other, Imran, had been at the same Slift and Meatbodies show I attended at Reggie’s Music Joint weeks earlier. We all bonded over Gen X bands and chai.
Wine Lips, whom Shafiq had seen before (“First tickets I bought.”) and described as “The Toronto Osees,” came out and just went nuts. That might be the best way I can describe their set of crazy garage-psych. It was damn impressive. They barely let you take a breath.
Wine Lips drunk with shredding.
We stopped at a shawarma food truck on the way back, where I was again complimented on my DVG shirt, and then got back in time to settle down with my overflowing chicken and falafel wrap and watch the opening scenes of Godzilla vs. Mechagodzilla. You can’t wrap up a festival day much better than that.
