Live music – Page 5 – 7th Level Music

Live: Pigs Pigs Pigs Pigs Pigs Pigs Pigs and Edging – Lincoln Hall – Chicago, IL – February 22, 2024

The last time I saw Pigs Pigs Pigs Pigs Pigs Pigs Pigs in Chicago, it was their first time there, let alone their first U.S. tour. It was at Chicago’s Sleeping Village, and there were maybe eighty people there. They flattened that place.

Now they were playing Chicago’s Lincoln Hall and the size of their audience had tripled. There were a small number of us who’d been at the Sleeping Village show, and it seemed only a couple dozen more who knew much about them. I envied their innocence. They had no idea what was about to unleashed on them.

First up, however, were Chicago’s own Edging – a wild post-punk band that my friend described as “They look like a bunch of people who all answered the same ‘looking for a roommate’ ad and then decided to start a band.” It’s accurate, and it somehow works. We only got to see the last three songs of their set, but it was wild and fun, and their saxophone player (around whom the band seems to rotate) plays a crazy horn.

The porcine quintet were next and they started out with a psychedelic version of “GNT” that grew into a menacing beast. They barely let up for a moment, with heavy-hitters like “Rubbernecker” and “Big Rig” flooring those people who didn’t know what to expect.

Some mosh pits started a couple times, but they were short-lived and not well attended. I think this is because people were too amazed at the sheer amount of weight they were dropping on the place to even think of moshing. I, too, noticed how much heavier they were from the first time I’d seen them. Songs like “Mr. Medicine” and “Terror’s Pillow” practically laid on you like a weighted blanket…thrown on you from a fourth-floor balcony.

“Sludgy” was a word I heard multiple times as my friend and I walked out of the venue. People who hadn’t experienced a live Pigs Pigs Pigs Pigs Pigs Pigs Pigs show were marveling at the thick, almost viscous sound they’d been pummeled with for a little over an hour (and no encore, as the band said they decided at the start that “Encores are for bullshitters.”)

Don’t miss them. They’re touring the U.S. a lot through the spring. You need this fae-melting stuff in your life to sandblast you out of your doldrums.

Keep your mind open.

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Blushing announce new album, “Sugarcoat,” and single, “Tamagotchi.”

Blushing — the Austin, TX-based dream pop band consisting of the double husband and wife pairs of Christina and Noe Carmona and Michelle and Jacob Soto — announce their new album Sugarcoat, out May 3rd via Kanine, and a North American tour. In conjunction, they present an infectious lead single/video, “Tamagotchi.” On Sugarcoat, Blushing’s dynamism is on full display, flitting effortlessly from spacey psychedelia to twee pop jangle with finesse and panache. Having enlisted Elliot Frazier (Ringo Deathstarr) and Mark Gardener (Ride) for engineering, mixing, and mastering duties, Sugarcoat is a dense, reverb-laden exploration of alt-rock’s 40 year history that conjures up concord from chaos.

Blushing as a band would not exist if not for a dive bar in Austin. Coincidentally, both couples met each other there on different nights. Eventually, the band began in 2015. Michelle had been casually writing songs and had a few rough melodies forged over her rudimentary guitar skills. Soon after reaching out to and jamming with Christina, a classically trained vocalist, they had a batch of ideas and regular practice. While trying to fill out the rest of the band, they were unable to ignore the fact that their husbands happened to be a guitar player (Noe) and a drummer (Jacob). By 2018, Blushing had released two EPs, 2017’s self-released “Tether” and 2018’s “Weak” (Austin Town Hall Records), and were playing shows in Austin fairly regularly. Following a chance encounter with Elliott Frazier (Ringo Deathstarr), who was a fan of Blushing’s prior work, he invited the group to his recording studio, which led to rough demos of what would ultimately be tracks for Blushing’s first full length, self-titled record. Blushing would work with Frazier again on 2022’s Possessions, which channels the dreamlike qualities of 4AD’s most ethereal bands paired with the guitar-forward approach of early 90s American indie rock.

Immediately after the band wrapped the recording sessions for Possessions, they began writing songs that would become Sugarcoat. Noe or Christina would upload a new song idea to a Google Drive almost daily, and within the hour Michelle would have melody and lyrics fully formed. They didn’t want to create an album where each song was made to fit into the same mold. Instead, they decided to run with each idea no matter which direction it was facing, resulting in an album that is somewhat of a sampler of the group’s collective influences. While there are certainly tracks immediately recognizable as “Blushing” songs, this album is where the band get to explore their love for expanding genres, from post-punk, psych-gaze, grunge-pop, indie-pop, slowcore, and beyond. Lyrically the album asks many questions, reaching out for someone to provide answers or for the answers to come from within. There is a lot of uncertainty in the world as well as personally. Getting older, questioning past decisions, and the constant unknown of the future.

Bursting with playfulness, today’s first taste “Tamagotchi” crunches and wails through an energetic, anthemic chorus harkening back to the most feverish nineties alt-rock style. It tells a tale of indecision of the heart and the desire to be a playable character in the game of love and have the big decisions made for you. Would you still feel heartache if someone else was pushing the buttons? The accompanying video, directed by and featuring the band, is vibrant and charming.

Watch Blushing’s Video for “Tamagotchi”

Between their recent Japan tour with Softcult, extensive stateside touring, multiple appearances on live-session staples like LEVITATION, SXSW showcases, and sharing stages with Snail Mail, Blonde Redhead, Beabadoobee and countless others, it’s clear that Blushing’s mastery of their craft is hardly mysterious. On their newly-announced North American tour, they’ll support Slater and Airiel, along with headline dates in Chicago, Seattle, Los Angeles, Phoenix, and more. Tickets are on sale now and a full list can be found below.

Pre-order Sugarcoat

Blushing Tour Dates
Fri. March 15 – Austin, TX @ Hotel Vegas (SXSW official showcase)
Thu. May 2 – Austin, TX @ Hotel Vegas (album release show)
Wed. May 15 – San Antonio, TX @ Vibes Underground *
Thu. May 16 – Dallas, TX @ Club Dada *
Sat. May 18 – Houston, TX @ White Oak Music Hall *
Sun. May 19 – McAllen, TX @ The Gremlin *
Fri. June 14 – Oklahoma City, OK @ Resonant Head
Sat. June 15 – Fayetteville, AR @ George’s Majestic Lounge
Sun. June 16 – Nashville, TN @ 5 spot
Tue. June 18 – Washington, DC @ Pie Shop %
Wed. June 19 – Philadelphia, PA @ Johnny Brenda’s %
Thu. June 20 – Brooklyn, NY @ Baby’s All Right %
Fri. June 21 – Boston, MA @ Deep Cuts %
Sat. June 22 – Burlington, VT @ Higher Ground %
Sun. June 23 – Montreal, QC @ Bar Le Ritz %
Mon. June 24 – Toronto, ON @ The Garrison %
Wed. June 26 – Pittsburgh, PA @ Mr Smalls Funhouse %
Thu. June 27 – Detroit, MI @ Small’s %
Fri. June 28 – Cleveland, OH @ Beachland
Sat. June 29 – Chicago, IL @ Schubas
Mon. July 1 – Denver, CO @ Skylark Lounge
Wed. July 3 – Seattle, WA @ Chop Suey
Thu. July 4 – Portland, OR @ The Six
Fri. July 5 – San Francisco, CA @ Kilowatt
Sat. July 6 – Los Angeles, CA @ Moroccan Lounge
Sun. July 7 – Phoenix, AZ @ Rebel Lounge
Mon. July 8 – El Paso, TX @ Rosewood

* = w/ Slater
%= w/ Airiel

Keep your mind open.

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[Thanks to Jaycee at Pitch Perfect PR.]

A Place to Bury Strangers urge us to “Change Your God” with their new single.

Today, the long-running New York band A Place To Bury Strangers announce the single/video, “Change Your God,” from their new 7-inch series, The Sevens, via Dedstrange. “Change Your God” appears alongside “It Is Time” in the first installment of the series, out digitally today and physically this Friday, February 23rd. The Sevens are four 7-inch vinyl records on white vinyl being released each month from now through April. They unveil a treasure trove of previously unreleased tracks from A Place To Bury Strangers’ critically acclaimed sixth album, See Through You. Renowned for their visceral sonic assault and immersive live performances, A Place To Bury Strangers has cemented the end-all-be-all space for over-the-top post-punk/shoegaze destruction. With this special vinyl collection, the band invites listeners to delve deeper into their sonic universe, exploring uncharted territories and hidden gems.

“When looking back at the recordings that were done around the time of See Through You, there were a bunch of great tracks that just captured life back then and really had something incredible going on,” says frontman Oliver Ackerman. “Even though they are a bit raw and a bit personal, I thought it would be a mistake if they didn’t come out. I thought it would be best to go back to my roots and put out a series of 7-inches the way A Place To Bury Strangers started. That strange weird format where the tracks each speak for themselves; no album context to muddy the water. These tracks are such a contrast to the way I am feeling now and the current songs we’ve been working on so slip back into this moment in time.”

Watch the Video for “Change Your God”

Fans all over the globe know: Oliver Ackermann always brings surprises. The singer and guitarist of New York City’s A Place To Bury Strangers has been delighting and astonishing his audience for close to two decades, combining post-punk, noise-rock, shoegaze, psychedelia, and avant-garde music in startling and unexpected ways. As the founder of Death By Audio, creator of signal-scrambling stomp boxes and visionary instrument effects, he’s exported that excitement and invention to other artists who plug into his gear and blow minds. In concert, A Place To Bury Strangers is nothing short of astounding — a shamanistic experience that bathes listeners in glorious sound, crazed left turns, transcendent vibrations, real-time experiments, brilliant breakthroughs.

And just as many of his peers in the New York City underground seem to be slowing down and settling in, Ackermann’s creativity is accelerating. He’s launched a label of his own: Dedstrange, dedicated to advancing the work of sonic renegades worldwide. He’s also refreshed the group’s lineup, adding bassist John Fedowitz and drummer Sandra Fedowitz, and the band has never sounded more current, or more courageous, or more accessibly melodic. The Hologram EP was the first release from the new lineup, and the group released their highly anticipated sixth album See Through You in 2022 to critical acclaim, touring incessantly since then. In addition to The Sevens, the group is preparing for seventh album due out this fall.

Stream/Purchase “Change Your God”/“It Is Time” + The Sevens:

A Place To Bury Strangers Tour Dates:

Thu. Mar. 21 – Boise, ID @ Treefort Festival [The Sevens Release Show]

Fri. Apr. 5 – Nijmegen, NL @ Doornroosje $

Sat. Apr. 6 – Köln, DE @ Club Volta &

Sun. Apr. 7 – Karlsruhe, DE @ P8 &

Tue. Apr. 9 – Milan, IT @ ARCI Bellezza &

Wed. Apr. 10 – Bologna, IT @ Coco Club &

Thu. Apr. 11 – Rome, IT @ Monk &

Fri. Apr. 12 – Palermo, IT @ Candelai *

Sat. Apr. 13 – Messina, IT @ Retronouveau †

Mon. Apr. 15 – Zurich CH @ Bogen F &

Tue. Apr. 16 – Bern, DH @ ISC Club *

Wed. Apr. 17 – Marseille, FR @ La Make &

Thu. Apr. 18 – Toulouse, FR @ Le Rex &

Fri. Apr. 19 – Barcelona, ES @ Barcelona Psych Fest [The Sevens Release Show]

Sat. Apr. 20 – Madrid, ES @ El Sol *&

Sun. Apr. 21 – San Sebastián, ES @ Dabadaba &

Tue. Apr. 23 – Paris, FR @ Petit Bain ^

Wed. Apr. 24 – Lille, FR @ Le Grand Mix ^

Thu. Apr. 25 – Maastricht, NL @ Muziekgieterij ^

Fri. May 31 – Brooklyn, NY @ TBA [The Sevens Release Show]

* With Ceremony East Coast

& With Maquina (PT)

^ With Plattenbau (DE)

† With Patriarchy (US)

$ With ERRORR (DE)

Keep your mind open.

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[Thanks to Steven at Dedstrange.]

Live: Deap Vally and Sloppy Jane – Thalia Hall – Chicago, IL – February 09, 2024

In case you weren’t aware, Deap Vally are on their final tour. The power-duo from California have decided to amicably walk away from the band to, among other things, be full-time moms (“jennylee [of Warpaint] is pretty much my personal clothes shopper. I have two kids. I don’t have time to shop,” guitarist / lead singer Lindsey Troy told me during a meet-and-greet when I commented on her killer boots.). So, they’re going out with a big tour that is taking them all over the U.S. and to Europe, playing their debut album, Sistrionix, in its entirety and then a second set of hits and whatever else they want.

First up in Chicago was Sloppy Jane, which I can best describe as part-orchestral rock, part-post-punk, part-acid jazz, part-performance art, and all fascinating. Frontwoman Haley Dahl commands the stage from arrival to departure, singing songs about heartbreak, death, anger, love, and hope. I really want to see her team up with Gary Wilson. She and her bandmates won over a lot of people that night.

Deap Vally came onto the stage in boxing robes that made me think (“Why aren’t those at the merch booth?”) and proceeded to tear into Sistrionix‘s opening track – “End of the World.” It had been several years since I’d seen them, and it was such a delight to not only see them crushing a stage but also hearing their power. Julie Edwards is one of the best rock drummers around, and how Ms. Troy gets so much sound out of one guitar is beyond me.

The Sistronix set was great, with “Raw Material” being a personal favorite that oozed with sexy menace. After a brief break, they came back with wild hits like “Smile More,” “Ain’t Fair,” a crazy, punked-out version of “Perfuction,” and a stunning version of “Royal Jelly” to close the show.

Don’t miss them if they’re near you. They’ll be missed. They’re one of those bands people will discover later and wish they’d seen when they had the chance. Their friend and merch booth manager, Nate, told us at the meet-and-greet that, “Maybe after the kids are grown up and starting their own band I can work on them to do a ten-year Femijism anniversary tour.”

Good luck, Nate. I hope you pull it off.

Keep your mind open.

Thanks to the lucky lady who scored this for letting me snap a photo of it.

Thanks to Julie and Lindsey for being so kind to chat with us VIPs and sign so much stuff.

#swoon. I’ve met DV each time I’ve seen them, and this time was the most delightful. Thanks for everything, Julie and Lindsey. Have fun. Best of all to you both.

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Review: Failure – We Are Hallucinations

Recorded during the 2022 “Wild Type Droid” tour, Failure‘s We Are Hallucinations is the live album version of the concert film of the same name. The production is sharp as a razor, which is no surprise from Ken Andrews, Greg Edwards, and Kellii “Motherfucking” Scott.

The set covers new and classic tracks, starting with the hammering, powerful “Submarines” to knock you back in your seat. “Mercury Mouth” is just as stunning, with Andrews’ vocals filling the room during the verses and then breaking down walls on the choruses. “Macaque” is a Failure classic that always has a bit of a menacing undertone to it. “Wonderful Life” is a good example of their deceptive lyrics that often reflect themes of struggle and loneliness. It’s also a good example of how Kellii Scott locks in on a groove and will not release it for any price.

“Sent away to have my head checked, no more playing in the sands. Frogs are leaping off my brain stem. They don’t seem to understand,” Andrews sings on the walloping “Frogs” – a song about madness that is so good it’s almost frightening. All three members deliver more power than bands with twice as many members on it. Edwards and Andrews share lead verse vocals on “Atom City Queen,” and Scott’s beats on it are like a Chinese puzzle box in their complexity.

“Counterfeit Sky” is one of many Failure tracks that sounds like an alien transmission, or perhaps what you’d have playing as you entered a strange planet from orbit. The guitar work on it blends psychedelia and shoegaze with masterful skill. The opening guitar on “Force Fed Rainbow” reminds me of early 2000’s David Gilmour riffs. The guitar on “Bring Back the Sound” swirls around you like a slow-moving disco ball casting languid lights in a dark club.

The bass on “Bad Translation” is like some creature rising out of a dark pool of water at the back of a temple on a cold moon. Andrews singing “We are hallucinations.” is almost a sermon to us to remember we are more non-physical than physical. Edwards sings lead on “Half Moon,” a haunting track that seems to reveal his (and, I’m sure, the band’s) love for George Harrison. The live version of “Headstand” on this is nothing short of stunning, with the trio clicking on every level. You can’t really pick out one particular element because everything is perfect.

The last six tracks are selections from their classic album Fantastic Planet. Starting with “Segue 3” to warm up the already-frenzied crowd and then roaring into favorites like “The Nurse Who Loved Me,” “Another Space Song,” “Stuck on You,” “Heliotropic” (in which it sounds like Edwards’ guitar is going to die from exhaustion at any moment), and a crushing rendition of “Daylight.”

This is a must not only for Failure fans, but also fans of shoegaze, 1990s rock, and high-quality music in general. Do not miss it, and never miss Failure when they tour.

Keep your mind open.

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Review: GOAT – Levitation Sessions

Praise be to the good folks at the Reverberation Appreciation Society for conjuring up another excellent Levitation Sessions live performance recording. Their track record on these sessions is exemplary, and this latest one, featuring Swedish psych-mystics GOAT, is no exception.

The opening track, “Tarot Will Teach You,” pretty much lets you know what you’re in for if you’ve never heard a GOAT record. Jangling, shaking, slithering hand percussion, Mellotron chords, tribal drums, guitars that sound like they’re coming from inside a temple carved into a cliff…It lets you float into a nice space before “Golden Dawn” drops fast funk and one of the singers is asking, “Are you ready to go?” She doesn’t care what your answer is, really, because she and the rest of the band are taking off and will leave you behind if necessary. “Under No Nation” is a great cut with a top-notch guitar solo about how easy it is to forget we are all citizens of the world, not just these little enclaves in which we find ourselves, and that global and local conflicts are worthless endeavors.

“Behind the Plank” is over seven minutes of psych-jazz jamming with killer saxophone work and percussion throughout it. “Do the Dance” makes you want to do exactly that with its pulse-raising beats and power guitar chords played at just the right time. “Fill My Mouth” is the naughtiest song GOAT has released so far, and this live version is raw and funky, and of course there’s a lot of flute in it.

“Lorcan” is nearly seven minutes of krautrock synths and hand percussion. “Queen of the Underground” is vintage GOAT, with heavy riffs, sultry double female vocals, slinky bass, and trance-inducing percussion. “Let It Burn” moves like a fire in a hidden forest clearing, or perhaps atop of cold mountain, with people dancing around it well into the night. The album ends with a tidbit of “Midnight Madness,” which, in the original streamed version of the session, is over seven minutes long. The two-and-a-half minute slice here is a great tease of psych-synth music, leaving all of us wanting more.

It’s always great to hear new stuff from GOAT, who can and have disappeared at will for long stretches of time, only to come back like they never left. Time isn’t linear for them, and their perception of space is probably beyond the senses of many. This live session might help you get there, too.

Keep your mind open.

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Dry Cleaning to reissue their first two EPs on March 08th and play a tour of smaller venues.

Dry Cleaning will reissue their first two EPs, Boundary Road Snacks and Drinks / Sweet Princess, on March 8th, 2024. Remastered to celebrate the release, Boundary Road Snacks and Drinks and Sweet Princess will be pressed as one single vinyl record. The former will be available on cassette for the first time and include an exclusive bonus single, a demo of New Long Leg single, “Strong Feelings,” recorded during the sessions for Boundary Road Snacks and Drinks. Today, the band has shared a new visualizer for the song “Sit Down Meal,” the first in a series of new visualizers created for all tracks across the EP by original ‘Magic of Meghan’ video collaborator Lucy Vann.

Watch the visualizer for “Sit Down Meal”

To coincide with the reissues, Dry Cleaning will head back on the road this March and April for headline sets that will lean heavily on songs from Boundary Road Snacks and Drinks and Sweet Princess. The tour will offer fans the chance to see the band play in more intimate venues and honor US shows that were postponed in 2020 (including SXSW). Tickets are on sale. Full tour dates are listed below and for tickets and information, head HERE.

The EPs will be reissued on vinyl featuring the original artwork and lyric sheet. Boundary Road Snacks and Drinks / Sweet Princess will be available digitally, on standard black LP, transparent blue LP (indie variant), CD and cassette on March 8th. To pre-order head HERE.

After a prolific 18-month period releasing two critically acclaimed John Parish-produced studio albums, New Long Leg (2021) and Stumpwork (2022), as well as last year’s companion release the five-track Swampy EP, South London’s Dry Cleaning are taking a moment to reflect on their journey and pay homage to their roots.

Dry Cleaning’s origin story is well known by now. Guitarist Tom Dowse, drummer Nick Buxton, and bassist Lewis Maynard had been friends and musical collaborators for years, and invited mutual friend Florence Shaw – a visual artist, picture researcher and drawing lecturer – to join the band in 2017. With clear musical influences from the Feelies, the Necessaries, the B52s and Pylon, and constrained by the small garage space they rehearsed in, Dry Cleaning were drawn to making simple music; direct and uncomplicated, anything superfluous was left behind.

By March 2018 the group had recorded the six-track debut EP Sweet Princess with producer Kristian Craig Robinson at Total Refreshment Centre in a single day. Two months later, in May 2018, the band played their first live show in Dalston at the Shacklewell Arms, and released the EP in August. Sweet Princess was a thrilling debut, its dizzying and restless instrumentals with Shaw’s sardonic vocals delivering a satirical collage of witty observations and social commentary. A further 6 songs in the form of the Boundary Road Snacks and Drinks EP quickly followed two months after. It was named in tribute to the band’s rehearsal space in Maynard’s family’s south London (Sidcup) home, and to his mother Susan whose home-cooked meals sustained the four friends in between sessions. With singles like “Sit Down Meal” and “Viking Hair,” Boundary Road Snacks and Drinks is a powerful companion to Sweet Princess. They share a similar pent-up energy, unsurprising given they came to life in the same environment those EPs were created in, an environment that had a huge influence on the band during those formative years.

Boundary Road Snacks and Drinks / Sweet Princess Tracklisting:
Boundary Road Snacks and Drinks:
A1. Dog Proposal
A2. Viking Hair
A3. Spoils
A4. Jam After School
A5. Sit Down Meal

Sweet Princess:
B1. Goodnight
B2. New Job
B3. Magic of Meghan
B4. Traditional Fish
B5. Phone Scam
B6. Conversation

Dry Cleaning 2024 Tour Dates:
Sun. Mar. 10 – Chicago, IL @ Empty Bottle
Mon. Mar. 11 – Chicago, IL @ Empty Bottle
Wed. Mar. 13 – Sat. Mar. 16 – Austin, TX @ SXSW
Mon. Mar. 18 – Los Angeles, CA @ Roxy
Tue. Mar. 19 – Los Angeles, CA @ Roxy
Thu. Mar. 21 – San Francisco, CA @ The Independent
Fri. Mar. 22 – San Francisco, CA @ The Independent
Sat. Mar. 23 – Boise, ID @ Treefort Festival
Mon. Mar. 25 – New York, NY @ Bowery Ballroom
Tue. Mar. 26 – New York, NY @ Bowery Ballroom
Fri. Apr. 5 – Glasgow, UK @ Saint Luke’s
Sat. Apr. 6 – Newcastle, UK @ The Grove
Sun. Apr. 7 – Birkenhead, UK @ Future Yard
Tue. Apr. 9 – Dublin, IE @ Whelan’s
Wed. Apr. 10 – Dublin, IE @ Whelan’s
Fri. Apr. 12 – Leeds, UK @ Brudenell Social Club
Sat. Apr. 13 – Leeds, UK @ Brudenell Social Club
Mon. Apr. 15 – Birmingham, UK @ Hare and Hounds
Tue. Apr. 16 – Birmingham, UK @ Hare and Hounds
Thu. Apr. 18 – London, UK @ EartH Theatre
Sat. Apr. 20 – Rotterdam, NL @ Motel Mozaique
Sun. Apr. 21 – Antwerp, BE @ Trix Hall
Tue. Apr. 23 – Munster, DE @ Gleis 22
Wed. Apr. 24 – Berlin, DE @ Halle am Berghain
Fri. Apr. 26 – Paris, FR @ La Gaite Lyrique
Fri. May 24 – Madrid, ES @ Tomavistas Festival
Sat. Jun. 29 – North Adams, MA @ Solid Sound Festival

Keep your mind open.

[Don’t forget to subscribe before you go.]

[Thanks to Jacob at Pitch Perfect PR.]

Mr. Bungle announces 2024 U.S. tour dates.

Mr. Bungle continue to extend their 2024 world tour, adding headlining dates to cities the band has not visited since the turn of the millennium, with newly announced performances now also slated for the Southeastern and Midwestern U.S.:

May 6 Dallas, TX House of Blues

May 7 Austin, TX Emo’s

May 8 Houston, TX House of Blues

May 11 Atlanta, GA Tabernacle

May 12 Raleigh, NC The Ritz

May 14 Nashville, TN Brooklyn Bowl

May 15 Indianapolis, IN Egyptian Room

May 19 Minneapolis, MN First Avenue

Tickets are on-sale this Friday, Jan. 26 at 10 am local time. Ipecac alum, Otto Von Schirach opens on all headlining dates. Ticketing links are available at Ipecac.com/tours.

Full list of Mr. Bungle tour dates:

February 28 Tokyo, JP Toyosu Pit

February 29 Osaka, JP Namba Hatch

March 3 Auckland, NZ Auckland Town Hall +

March 6 Melbourne, AUS Festival Hall +

March 7 Adelaide, AUS Hindley Street Music Hall +

March 9 Sydney, AUS Hordern Pavilion +

March 10 Brisbane, AUS Fortitude Music Hall +

March 12 Perth, AUS Metro City +

May 6 Dallas, TX House of Blues #

May 7 Austin, TX Emo’s #

May 8 Houston, TX House of Blues #

May 10 Daytona Beach, FL Welcome to Rockville

May 11 Atlanta, GA Tabernacle #

May 12 Raleigh, NC The Ritz #

May 14 Nashville, TN Brooklyn Bowl #

May 15 Indianapolis, IN Egyptian Room #

May 17 Columbus, OH Sonic Temple

May 18 Milwaukee, WI Milwaukee Metal Fest

May 19 Minneapolis, MN First Avenue #

June 16 Zurich, CH X-Tra %

June 17 Milan, IT Magnolia %

June 19 Berlin, DE Huxley’s %

June 20 Copenhagen, DK Copenhell

June 23 Luxembourg Atelier %

June 24 Tilburg, NL 013 Poppodium %

June 27 Oslo, NO Tons of Rock

June 29 Clisson, FR Hellfest

+ with Melvins

% with Oxbow & Spotlights

# with Otto Von Schirach

Keep your mind open.

[Don’t forget to subscribe before you go.]

[Thanks to Monica at Speakeasy PR.]

Top 10 live shows of 2023: #’s 5 – 1

And here we are with my favorite concerts of 2023.

#5: Be Your Own Pet – Headliners, Louisville, KY, Otober 29^th

It’s so good to have them back, and it was so good to finally see them live. Their reputation as a wild live band is not lightly given. They tore up this stage, moving from one song to the next with no written set list, playing audience requests, and blowing the minds of the small crowd at Headliners. Shame on you if you were in Louisville and didn’t go to this show.

#4: Les Claypool’s Fearless Flying Frog Brigade – Kemba Live!, Columbus, OH – May 31^st

Another surprise reunion. I figured the days of Les Claypool’s Fearless Flying Frog Brigade touring the nation were long gone and we would have to be content with the one live album released many years ago. Nope. He brought in Sean Lennon, who can tear up a lead guitar, and some other pals and put on a cool show – playing Pink Floyd‘s Animals in its entirety in the middle of the set.

#3: Viagra Boys – Salt Shed, Chicago, IL – February 24th

This show was either a sell-out or very close to it. The band claimed it was the biggest show they’d played in the U.S. so far, and I believe it. The Salt Shed was jammed, sweaty, and jumping. You easily forgot that snow and ice were coating the landscape outside. The whole crowd was buzzing throughout the set, and Viagra Boys further cemented their reputation of being one of the best bands out there right now.

#2: Pigs Pigs Pigs Pigs Pigs Pigs Pigs – Sleeping Village, Chicago, IL – March 28^th

I almost didn’t go to this show due to other plans I had that week, but I knew I had to be there when I learned it was not only Pigs Pigs Pigs Pigs Pigs Pigs Pigs‘ first show in Chicago, it was also their first U.S. tour. It turned out to be another one of those “Shame on you if you missed it.” shows, because the porcine quintet pretty much flattened Sleeping Village and still had time to chat with anyone who wanted to chat after the gig. They’re now on my “I’ll see them any chance I get.” list of bands – and I already have a ticket to see them in Chicago again at Lincoln Hall in February.

#1: Love and Rockets – Riviera, Chicago, IL – June 06^th

I figured I was never going to see Love and Rockets live. I’d seen David J perform an acoustic set, and thought, “Well, that’s the closest I’ll get.” Lo and behold, they surprised everyone with a reunion tour and they sounded great. They were in full rock star mode and everyone in the crowd was jubilant to see and hear them. It was a dream-come-true show for me and gave everyone hope of a new record soon.

There you have it. Onto more gigs in 2024!

Keep your mind open.

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Top 10 live shows of 2023: #’s 10 – 6

I didn’t get to see as many bands last year as I would’ve liked thanks to many work conflicts and other travel that kept me away from music festivals, but there were some gems. Here’s the first half of the top ten.

#10: Mac Sabbath – The Vogue, Indianapolis, IN – October 18^th

I’d been meaning to see Mac Sabbath for a couple years, and they finally came close by (relatively speaking), so a buddy and I went to see them in Indianapolis. I knew there would be lots of Black Sabbath parody songs, but I didn’t know there was going to be so much performance art and comedy. It was a fun mix, not unlike a Harlem Globetrotters show.

#9: King Buffalo – Bell’s Eccentric Café, Kalamazoo, MI – April 22nd

I don’t know how King Buffalo have the time to make new records because they always seem to be touring – giving Reverend Horton Heat a run for their money. Seeing them in a small venue like this is becoming rarer and rarer a treat, because they’re playing more festivals in the U.S. and Europe each year. Don’t miss them.

#8: The Well – Reggie’s, Chicago, IL – April 05^th

Speaking of bands you don’t want to miss, The Well are among them. They never disappoint and always put down a heavy doom set. They also are always smiling whenever I see them play, clearly having a good time while playing songs about creepy things in the shadows, weird cults, and groaning spirits.

#7: Playboy Manbaby – The Vogue, Indianapolis, IN – October 18^th

No one at the Vogue knew what to make of these guys as they began their set. Were they an emo band? A punk band? A new wave band? I still don’t know. I just know they were a blast and had the whole crowd engaged within three songs, even holding a small election at one point.

#6: The Cybertronic Spree– The Vogue, Indianapolis, IN – October 18^th

The middle band of this triple bill turned out to have the best set, as these robots-in-disguise rockers shredded the entire time, leaving a lot of us slack-jawed with amazement. The lead guitarist played most of the set with one broken string, and barely anyone noticed. You have to be good to pull off a gimmick like this, and The Cybertronic Spree are very good, indeed.

Who made the top five? Come back to tomorrow and see!

Keep your mind open.

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