Category: Punk

So Pretty – Suck It Up

Chicago funk-punks So Pretty (Ashley Holman – guitar, vocals, Stefan Lindgren – drums, vocals, Rachel Manter – guitar, bass, vocals, ukulele, James Seminara – bass, guitar, vocals) seemed to have walked out of a John Waters movie.  They’re brash, a bit trashy, self-deprecating, and snarky.  Their second album, Suck It Up, is like a refreshing gulp of fruit punch that you realized is spiked with gin about thirty seconds later.

I first heard the band, and Suck It Up‘s opener, “Comfort Service,” when I saw them play in Chicago earlier this year.  Manter delivers a fiery rant from the perspective of a 1%’er chewing out hotel staff.  I can’t help but wonder if she works or used to work in a hotel and wrote it as a middle finger to dickweed tenants.  Basil Fawlty would love this tune.

Manter’s vocals and the band’s hard hitting on “Think Again” show they could start a metal project if they wanted.  Holman takes over vocals on “Blueberry Blues,” in which she screams that she wants “to be punk rock royalty.”  She’s well on her way, judging by the vocal and guitar shredding she unleashes on the track.

You can’t help but think of the Violent Femmes (thanks to the ukulele and funky beat) during “Nice Guys,” an ode to guys who treat women well and women who prefer to date douchebags.  The following track, “Whisper Corner,” is like a left hook to the liver after the gentle feint of “Nice Guys.”  It has Seminara and Lindgren unleashing a sonic assault in under two minutes.

“Chub Rub” is probably about what you think it is, and it’s a fun, trashy punk number.  They get funky on “Limbo,” with Seminara singing about the rut of modern living (“I felt a little bit better when I felt a bit strange.”).

“Manhandler” has Holman returning to lead vocals and she and Manter crank the distortion on their guitars.  It’s like a Bikini Kill track, and Holman’s ass-chewing of the song’s subject is great.  Whereas that track reminds me of Bikini Kill, “No Hamburger” reminds me of Sleater-Kinney with its nice double vocals from Holman and Manter.

The album ends with the gloriously weird “Don’t Give Up the Ship” as Seminara sounds like a drunk trying to explain the world’s problems to everyone stopped at the red light.  The whole band goes bonkers by the end of it, ending the album in a frenzy of punk chaos.

This is a fun record.  Fun punk, and especially good fun punk, is hard to find nowadays.  It’s nice to hear So Pretty keeping punk not only alive, but fun.

Keep your mind open.

 

The Damned’s North American tour starts April 6th.

THE DAMNED
40TH ANNIVERSARY NORTH AMERICAN TOUR BEGINS APRIL 6TH IN LOS ANGELES!

CHECK LOCAL TICKETING FOR EXCLUSIVE VIP PACKAGES FOR SHOWS
(INCLUDING LIMITED EDITION 7″ PICTURE DISC OF ‘NEW ROSE’)
NEW ALBUM IN THE WORKS – FOR MORE INFO & PRE-ORDER LINK VISIT: PLEDGEMUSIC
‘DAMNED DAMNED DAMNED’ 40TH ANNIVERSARY DELUXE EDITION OUT NOW VIA BMG

Photo: Dod Morrison

Formed in 1976, The Damned really need no introduction… As well as releasing the first ever British punk single and album, they also broke further new ground as the first UK punk act to tour America. Cited as one of the most influential punk groups of all time, they also contributed vastly to the gothic rock genre and influenced an entire generation of future hardcore punk bands such as Black Flag and Bad Brains, with their fast paced energetic playing style and attitude, as well as heavyweights such as Green Day and Guns ’N’ Roses (the latter acknowledged the debt when they covered “New Rose” on their 1993 album, ‘The Spaghetti Incident’). Along with the Sex Pistols and The Clash, the Damned helped spearhead the punk movement in the UK and they continue to wave the flag for originality, stick two fingers up to mediocrity and celebrate a DIY punk ethos in the face of plastic entertainment and scripted reality, four decades and ten albums later (and still on the road).
The band’s hugely influential classic debut single, ‘New Rose‘, celebrated its 40th anniversary last November with a limited edition 7” release via BMG. Featuring original artwork, picture disc and exclusive fold out poster, it’s a must have collectable release of one of the most influential records of all time. Their classic debut long-player, ‘Damned Damned Damned’ (the very first British punk album), was originally released by Stiff Records on February 18th 1977 and, to celebrate the 40th anniversary of the band’s dramatic breakthrough, BMG also released a very special Art Of The Album: Deluxe Edition of that incredible debut album on February 17th, almost exactly 40 years to the day since its original issue.
David Vanian, Captain Sensible, Monty Oxymoron, Andrew ‘Pinch’ Pinching, and Stu West headed into the studio this winter to start work on a brand new album, their first since 2008’s ‘So, Who’s Paranoid?‘ A pre-order link for the CD, colored vinyl, as well as exclusive merch (and experiences) is available at PledgeMusic.  Stay tuned for more info.
Currently on an extensive world tour, which includes a two month North American run beginning April 6th in Los Angeles, they will also play a series of UK festivals this summer (check the band’s website for details).
See The Damned live – it will be a night out that you will remember for a very long time…
NORTH AMERICAN SHOWS:
April 6 – Los Angeles, CA – Belasco Theater <<<
April 7 – San Diego, CA – House Of Blues ***
April 8 – Anaheim, CA – House Of Blues ***
April 9 – Las Vegas, NV – House Of Blues ***
April 11 – San Francisco, CA – The Fillmore ***
April 12 – Sacramento, CA – Ace Of Spades ***
April 14 – Portland, OR – Crystal Ballroom ***
April 15 – Vancouver, BC – The Commodore ***
April 16 – Seattle, WA – The Showbox ***
April 18 – Salt Lake City, U – The Depot ***
April 19 – Denver, CO – Summit Music Hall ***
April 21 – St. Louis, MO – Delmar Hall ***
April 22 – Minneapolis, MN – Fine Line ***
April 23 – Chicago, IL – House Of Blues ***
April 24 – Louisville, KY – Mercury Ballroom ***
April 26 – Indianapolis, IN – Deluxe at Old National Ctr. ***
April 27 – Cincinnati, OH – Bogart’s ***
April 28 – Cleveland, OH – House Of Blues ***
April 29 – Detroit, MI – St. Andrews Hall ^^^
April 30 – Toronto, ON – Phoenix Theatre ^^^
May 2 – Montreal, QC – Club Soda ^^^
May 4 – Boston, MA – Paradise Rock Club ^^^
May 5 – Brooklyn, NY – Warsaw ^^^ SOLD OUT
May 6 – Asbury Park, NJ – Stone Pony ^^^
May 7 – Philadelphia, PA – TLA ^^^
May 9 – Baltimore, MD – Sound Stage ^^^
May 11 – Atlanta, GA – Masquerade/Heaven ^^^
May 12 – Lake Buena Vista, FL – House Of Blues ^^^
May 13 – St, Petersburg, FL – State Theater ^^^
May 14 – Fort Lauderdale, FL – Revolution ^^^
May 16 – New Orleans, LA – House Of Blues ^^^
May 17 – Houston, TX – House Of Blues ^^^
May 18 – Dallas, TX – House Of Blues ^^^
May 19 – Austin, TX – Mohawk Outdoors ^^^
May 21– Phoenix, AZ – Marquee Theater ^^^

<<< w/ Alice Bag & The Sissy Bears

*** w/ Bleached
^^^ w/ The BellRays

“…a rage of rude bamalama and embedded pop-song smarts that, with time and sense, now sounds as consistent and fundamental as the Clash and Sex Pistols hymnals.” Rolling Stone
“The Damned are a band of infinite depth and a wide variety of pleasures. Their catalog includes high-quality blurs of melodic punk, Beach Boys-ish flowery psych-pop, chiming, bittersweet post-punk, Moody Blues-ish bombastmopherics, spiraling goth and soaring faux soul, all brilliantly executed…With their predilection for both massive power and chaos and highly developed and subtle songwriting, they continue to be an effective and dramatic touring act, to this day.”  New York Observer
“The show was anything but a by the numbers nostalgia fest….The Damned delivered a performance that would leave many bands half their age in jealous awe.” Concert Addicts
“The Damned are 40 this year and still punk as fuck. Or goth as fuck. Or something in between that was never quiet the Ramones or Bauhaus, but Dave Vanian dressed like a vampire and Captain Sensible wore gonzo plaid. Something for every counterculture.” Diabolique Magazine
“For a band in their 40th year, The Damned surprisingly still have more energy than many groups half their age. Founding members singer Dave Vanian and guitarist Captain Sensible are all over the stage, moving almost constantly as they work their way through one song after another.” Chunky Glasses
“…across two sets, the band — which still features vampiric vocalist Dave Vanian and guitarist Captain Sensible — worked their way backwards, more or less, through their entire catalogue, delivering most of their best-loved songs along the way. Vanian’s voice is still in top form, and Captain Sensible provided the riffs and comic relief. Fantastic show.” Brooklyn Vegan

Rewind Review: The MC5 – The Big Bang! Best of the MC5 (2000)

I once read a YouTube comment on a video of the MC5 (Michael Davis – bass and vocals, Wayne Kramer – guitar, piano, bass, vocals, Fred Smith – guitar, organ, harmonica, vocals, Dennis Thompson – drums, percussion, vocals, Rob Tyner – lead vocals, harmonica, percussion) in concert that said going to one of their shows was akin to an act of defiance. The MC5 embraced a punk rock political ethic before anyone knew what punk rock was, and their angry, wall-flattening sound and blatant references to sex, drugs, and sticking it to the Man were shocking at the time. The Big Bang! The Best of the MC5 is a great collection from Rhino Records that documents the band’s growth from garage rockers to Midwest rock giants who wouldn’t get their full due in other parts of the country until well after they called it quits.

Opening with one of their earliest singles, “I Can Only Give You Everything,” you can hear the band creating the raucous sound that would become their trademark. Wayne Kramer’s guitar riffs influenced everyone from the Smithereens to Nirvana. “Looking at You” is so fuzzy and frenetic that I’m sure Ty Segall plays it every night before he goes to bed. Kramer’s guitars on it are like something from a horror movie score. “I Just Don’t Know” is sweaty, dirty blues with thumping bass from Davis and Kramer’s guitars attacking you from all directions.

The next four tracks are from the band’s debut album, Kick Out the Jams, which was a live recording no less. “Ramblin’ Rose” begins with a testimonial call to arms by a friend of the band, Brother J.C. Crawford (“I wanna hear some revolution out there! Brothers and sisters, the time has come for each and every one of you to decide if you are going to be the problem or you are going to be the solution!”), before the MC5 make you feel like that guy in the chair from the Memorex ad and Kramer (who takes a turn at lead vocals) sings to the rafters. Their biggest hit, “Kick Out the Jams,” follows. It is so powerful that it feels like it might open a rift in space-time and pull you back to Halloween 1968 in Detroit when they recorded it. “Come Together” is a cheeky song about sex in which Tyner pretty much details getting off with his lady. “Rocket Reducer No. 62 (Rama Lama Fa Fa Fa)” is almost relentless as it hits with heavy grooves and chanting vocals.

The next eight tracks are from their second album, Back in the U.S.A. “Tonight” calls for kids to “get together and have a ball” and reveals the band’s love of blues (especially in Davis’ bass). “Teenage Lust” calls to every one of their fans; as does “High School” (“Kids want a little action, kids want a little fun.”), which most likely inspired a good chunk of the Ramones’ catalogue. “Call Me Animal” has some of Thompson’s best drumming. The whole song has a beat you can’t shake. “The American Ruse” is a great example of the MC5’s political leanings (“They told you in school about freedom, but when you try to be free they don’t let ya.”). Tyner’s lyrics are scathing and still hold weight today. “Shakin’ Street” is another salute to American youth, this time with Smith on lead vocals. The title of “The Human Being Lawnmower” made it too risqué for much radio play, which is a shame because it’s a crazy, near-psychedelic freak-out of a tune. The title track to the album is a cover of the Chuck Berry classic. The MC5 worshipped at Berry’s altar, and they do him great homage.

The next five tracks are from High Time, starting with the powerful “Sister Anne” – a song about a tough, foxy nun (and listen to that harmonica solo!). “Baby Won’t Ya” brings a bit of soul to the MC5’s heavy rock as Tyner sings about a familiar subject – wanting sex – and Kramer sizzles on guitar. “Miss X” starts with simple piano chords, but then the guitars stroll into the room like professional hitmen and the song takes on a sinister edge for the next five minutes as Tyner sings a ballad, believe it or not. “Over and Over” is another biting rant not only at politicians, but also at people who only give lip service to revolutionary action. Tyner goes for broke on it, his voice nearly cracking multiple times throughout the track. “Skunk (Sonically Speaking)” brings in a full horn section, adding a wild funk the band was exploring just before they split up for good.

The compilation ends, wisely, with another live track – “Thunder Express.” It’s a great jam with Kramer making it sound easy on guitar and Thompson sounds like he’s having a ball behind his kit.

The MC5 were up for induction into the Rock and Roll Hall of Fame last year, and they will (and damn well should) get in one of these years. They still influence bands to this day, their live performances couldn’t be touched, and finding bands that match their fury today is difficult. They made a big bang in the 1970’s, and it still resonates.

Keep your mind open.

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Boss Hog set to release first album in 17 years this March.

Boss Hog in New York City on June 5, 2016.

Noise punks Boss Hog are set to release their first album in 17 years, Brood X, next month.  Fronted by Jon Spencer and his wife Christina Martinez, the band’s original lineup is back together and just wrapped up a European tour.  They only have five U.S. dates slated through spring, so don’t miss them if they’re in your town.

You can hear “17” off the upcoming album at the band’s website.  It’s a welcome return of rock and roll.

Keep your mind open.

Burger Boogaloo 2017 announces lineup with John Waters returning as host.

BURGER BOOGALOO, JULY 1-2 IN OAKLAND, ANNOUNCE 2017 LINE-UP!

IGGY POP, JOHN WATERS, X, BUZZCOCKS, GUITAR WOLF, AND MORE!

“I’ve been a punk at heart even before there was such a thing and hosting Burger Boogaloo always ups my street cred. I’m the oldest juvenile delinquent there.”
– John Waters

Today, Oakland’s favorite music festival (as voted by the readers of the East Bay Express), Burger Boogaloo, which happens July 1st & 2nd at Mosswood Park, announces its line-up for 2017, and whoo-boy it’s a doozy. The most ambitious lineup yet, Burger Boogaloo is celebrating its 5th year at Mosswood by announcing Iggy Pop, Buzzcocks, X, Guitar Wolf, and many more will be joining this year’s festivities. And naturally, the event will be hosted by the inimitable John Waters yet again (his third year as host! If that’s not a seal of approval, we don’t know what is!). Every year the Burger Boogaloo surprises the audience with its unique, over-the-top stage sets and productions. Last year the Mummies drove in to the park in their 1966 Pontiac Bonneville Mummies Mobile, and played their headlining set on top of the car. What surprises are in store this year? Who the hell knows?

Because Mosswood Park has always been so generous to the Boogaloo, this year, the festival donated 100% of the first week of early bird ticket sales to the park to help rebuild their recreation center, which burned down last year. If you’d like to contribute to Mosswood Park’s Rec Center fund, you can do so here. Burger Boogaloo would like to thank all who purchased those tickets for their donations to Mosswood.

Tickets go on sale at 10 AM PST/1PM EST, with 2-day general admission passes for $129 and VIP 2-day passes for $199 (includes a swag bag with mixtape, a college diploma, and more, as well as unlimited exit/reentry privileges!). Single-day tickets can be purchased for Saturday and Sunday at $99 and $69, respectively. Tickets can be purchased here: http://burgerboogaloo.com/.

 SATURDAY, JULY 1ST
Iggy Pop
Guitar Wolf
NoBunny
Baby Shakes
Bloodshot Bill
Personal & The Pizzas
Wounded Lion
Car Crash

SUNDAY, JULY 2ND
Buzzcocks
X
NRBQ
Roy Loney (Flamin’ Groovies)
Shannon & The Clams
Quintron & Ms. Pussycat
La Luz
Jacuzzi Boys
Glitter Wizard

Burger Boogaloo Online:
http://burgerboogaloo.com/

Live – Partner, Faux Furrs, So Pretty – Chicago, IL – January 22, 2017

I was happy to learn just a couple weeks ago that Canadian pop-punk band Partner were playing at Schuba’s.  I wanted to see Partner at Chicago’s Riot Fest last year, but my plans (and theirs) to attend fell through and I couldn’t make the festival.

I was still able to catch them on only the third show they’ve played in the U.S., however, and shame on you if you weren’t there.

First up were local post-punks So Pretty, who were like a combination of X-Ray Spex, Witch Mountain, and Bikini Kill.  Guitarist / co-lead vocalist Rachel Manter unleashed vocal fury at our new President on “Progress,” lead guitarist and co-lead vocalist Ashley Holman screamed about wanting to be “punk rock royalty” on “Blueberry Blues,” and they got funky on “Limbo” (with bassist James Seminara on vocals).

So Pretty

Next up was another local band – Faux Furrs.  They played a neat mix of shoegaze, surf, Americana, and dream pop.  There were songs about everything from robots falling in love to building a colony on the moon.  They had a clean, crisp sound that’s hard to pull off live.

Faux Furrs

Partner closed the show, and told me before their set that they hoped everyone would like it.  Kevin, their bassist for the tour, said they were very happy about the number of people there.  The people there were happy they showed up because Partner knocked their first Chicago show out of the park.  Seriously.  You will be upset that you missed this show when Partner become the Next Big Thing out of Canada.

Partner

Opening with “Born to Rock,” and proceeding to blast Schuba’s harder than a New Brunswick blizzard, Partner ripped through soon-to-be big hits like “Personal Weekend” and “Hot Knives.”  “The ‘Ellen’ Page” is better live than you can imagine.  Other fun moments were “Gross Secret,” “Everybody Knows You’re High,” and “Sex Thing.”

A typical day at the office for Josee Caron and Lucy Niles.

One of the best parts of Partner’s set was their reaction when it was finished.  They were humbled at the outpouring of praise from everyone afterwards and elated that their first foray into the States had been full of great audiences.

“That wasn’t even the full album (which, hopefully, is coming this fall),” Josee Caron told me after their set.  “We’ve got about fifty songs.”

Let’s hope for more stuff soon.  They’ve whet our appetites and left us craving more.  Again, you’re going to regret missing this show.

There are enough power chords in this photo to jump start a Ford F250 pick-up.

Keep your mind open.

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My top 25 live shows of 2016 – #’s 10-6

We’re in the top ten of the my favorite live shows of 2016.

#10 – The Flaming Lips at Middle Waves Fest in Ft. Wayne, Indiana September 17th

It was a triumphant return to Fort Wayne after nearly 30 years for them.  The show was big, bright, and full of love.  It was in the middle of the election season and just what we all needed at the time.

#9 – Earthless at the Empty Bottle in Chicago December 2nd

Earthless is easily one of the best live acts out there right now, and this was my first time seeing them in a small venue.  I don’t know how the Empty Bottle was still standing by the time they were done because it was among the loudest and heaviest sets I’ve seen there.

#8 – John Carpenter at the Masonic Temple Theatre in Detroit July 15th

“I got a movie and a concert,” my wife said after seeing a screening of Escape from New York and then John Carpenter, his son, his godson, and the rest of his band play a fantastic retrospective of his film score music.  It was also in a huge gothic structure, so that made it all the better.

#7 – Screaming Females at the Brass Rail in Ft. Wayne, Indiana June 26th

I’d wanted to see them for a couple years, and seeing them an hour’s drive away with my best friend in a venue not much bigger than the bottom floor of my house was one of my favorite memories of 2016.  They were even kind enough to let me interview in their tour van.  They crushed it, leaving most of the crowd dumbstruck.

#6 – L7 at the Metro in Chicago August 6th

Another band I’d waited years, even decades, to see was L7 and their sold-out reunion tour show in Chicago was one of the best performances I’d seen from any band in years.  They hadn’t lost a thing and showed pretenders how it’s done.

Good grief!  If these shows were so good, who’s in the top five?  Come back tomorrow and see!

Keep your mind open.

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My top 25 albums of 2016 – #’s 10-6

We’re into the top ten!

#10 

If you know me well, then you shouldn’t be surprised that a new record by Deap Vally made it into my top test list of any given year.  Femejism, besides having the greatest album title of the year, is solid beginning to end with the sizzling guitar, sexy / snarling vocals, and powerhouse drumming they do so well.

#9 

The debut LP from Goggs (or is it “G0ggs?”) is the loudest, wildest punk rock record I’ve heard all year.  Ty Segall, who plays guitar on the record, has quickly become one of the most prolific artists in music, and everything he puts out is worth hearing.

#8 

Of course a Radiohead record was going to be in the top 10.  A Moon Shaped Pool continues the band’s metamorphosis into this generation’s Pink Floyd.  It’s beautifully crafted, but a heavy listen.  It might be the saddest break-up (Thom Yorke from his long-time girlfriend) record of 2016.

#7 

“Holy crap” is the way I described my reaction upon first hearing A Tribe Called Quest‘s We Got It from Here…Thank You 4 Your Service to a friend.  This friend, Dee Tension, is a hip-hop producer, beat maker, and MC in Boston, and he claimed he’d been listening to it daily since its release.  You might, too, upon hearing it.  It’s not only a loving tribute to founding member Phife Dawg, but also a sharp critique on race, politics, gentrification, and much more.

#6 

Speaking of great returns, Underworld had another one we needed in 2016.  Barbara, Barbara, We Face a Shining Future is the most uplifting and optimistic record of the year.  Every song is about seeing good times ahead and remembering how every moment is divine.

We’re almost there.  Who makes the top 5?  Tune in tomorrow!

Keep your mind open.

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My top 25 albums of 2016 – #’s 25-21.

Don’t let anyone tell you that there’s no good music anymore.  There is always good music.  You just have to find it.  I hope this list and this blog helped you discover some good stuff in 2016.

I reviewed close to 50 albums released in 2016 last year, so I’ve decided to highlight the top 25.   Here are numbers 25-21.
25.Slaves bring great British punk that skewers not only the elite rich, but also Millennial slackers and even the stupidity of drunk driving.

24.Dunsmuir is a metal supergroup featuring members of Clutch, Fu Manchu, The Company Band, and Black Sabbath.  Their debut is a concept record about a shipwrecked crew fighting monsters on a remote island.

23.

Canadian psych-rockers Elephant Stone have yet to put out a bad record, and this one added electro touches to their mix of 1960’s psychedelia and bhangra.

22. 

Birth is a fine piece of stoner rock from this three-piece Australian outfit.  I was on a big stoner rock kick in 2016 and ORB certainly fit the bill.

21. 

Klaus Johann Grobe were a delightful discovery this year, and their latest album, Spagat Der Liebe, is a fun electro / lounge record suitable for both late night parties and making out.

Who cracks the top 20?  Come back tomorrow to find out!

Keep your mind open.

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Ty Segall offers rare test pressing vinyl LP’s for charity.

 Ty Segall Auctions Test Pressings For Charity

The shittiest year in recent memory is almost over, but it doesn’t have to end on such a lousy note. To help extinguish the flaming garbage heap that is 2016 and in the spirit of giving, Ty Segall is auctioning off his own personal copies of test pressings for 2010’s Melted, 2012’s Twins and 2014’s Manipulator! Hand decorated by the man himself, each item is one of a kind and one of the literal handful of tests that were even pressed. Every single cent of the proceeds for these items will go directly to support a charity of Ty’s choice—in this case he’s raising money for the American Civil Liberties Union, Planned Parenthood and the Standing Rock Sioux Tribe.

It’s a chance to hear it the way Ty first heard these songs on vinyl, as test pressings straight from the plant, and the opportunity to synchronously give in to the gluttonous desire of being a completest collector while also exercising a moral duty to help out others in need in end times…trust us, these will go fast!

All auctions are available on EBAY and linked below:

Ty Segall– Manipulator 2xLP TEST PRESSING, proceeds go to Planned Parenthood

Ty Segall– Twins TEST PRESSING, proceeds go to Dakota Access Pipeline Donation Fund

Ty Segall– Melted TEST PRESSING, proceeds go to the ACLU