Salem 66 to release new compilation of tracks out of print for decades.

Salem 66 were founded by Judy Grunwald, Beth Kaplan and Susan Merriam in Boston in 1982. A major part of a thriving Boston scene that produced bands like Mission of Burma and Dinosaur Jr (Dinosaur Jr’s first New York show was notably an opening slot for Salem 66 at Folk City), the band were ahead of their time.

They were one of the few women-led bands in their scene, and made their mark with an adventurous blend of arty post-punk (they notably covered Wire’s “Fragile”) and melodic pop. Between 1984 and 1990 they released one self-titled EP, 2 singles and 4 albums, 1985’s A Ripping Spin, 1987’s Frequency & Urgency, 1988’s Natural Disasters, National Treasures, and 1990’s Down The Primrose Path (produced by Sean Slade and Paul Q. Kolderie who went on to produce Radiohead’s Pablo Honey and Hole’s Live Through This), all on the venerable New York imprint Homestead Records, label home to bands like Sonic Youth, Big Black and The ChillsThe band earned comparisons to R.E.M., The Talking Heads and The Velvet Underground from The New York Times, and further praise from outlets like Rolling Stone, CREEM, and the Village Voice. They shared stages with The Replacements, Mission of Burma, the Go-Betweens, the Wipers, the Saints and the Raincoats, and toured across the country on multiple occasions, but despite their prominence in the ’80s, the Salem 66 catalog has been out of print for decades and their music has never been available on streaming. 

Today, Don Giovanni Records are announcing a new compilation entitled SALT, and have made the band’s music available on all streaming services for the first time. To mark the announce the band are sharing a recently unearthed video for their song “Lucky Penny.” 

Beth Kaplan says of the reissue:

“We were a long time putting together this re-release, and it has been a journey – from finding the pictures to not finding the master tapes, from writing up some thoughts to deciding which songs to include here. Judy and I picked the songs and it wasn’t easy. After exploring and rejecting more scientific methods, ultimately we decided to just highlight some of our favorites, or, the songs that felt the most like us. So what you see (or hear) here is not necessarily a representative sampling from all of the recordings but it does feel, to me, like a pretty good Salem 66 sampler. Like a cross-stitch. Or a Whitman’s Sampler.

“I hope you enjoy this record. If you were there with us, on the scene, whether in Boston or another town, I hope this brings you back to those youthful, passionate, perfectly imperfect days. If the band or the songs are new to you, or if you were born a generation or two after the fact, I hope you enjoy a glimpse at this sliver of a sliver of history.”

The band’s catalog is available on all streaming services now, and the SALT compilation will be available on June 6th via Don Giovanni

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Smut releases new single that’s anything but “Dead Air.”

Photo Credit: Fallon Frierson

Smut — the Chicago band comprised of vocalist/lyricist Tay Roebuck, guitarist Andie Min, bassist John Steiner, guitarist/synthist Sam Ruschman, and drummer Aidan O’Connor — releases “Dead Air” via Bayonet Records. It’s the first new single from a forthcoming release out later this year and follows their revelatory 2022 Bayonet debut, How the Light Felt, hailed by Under the Radar as “pop perfection.” “Dead Air” starts out with crystalline guitars and fall air-crisp bass. Then Roebuck’s vocals come in. She sounds like Elizabeth Fraser, but more rock ‘n’ roll, shifting her vocals from honeyed and dreamy to a pop punk shriek. It’s patched together Frankenstein-style, with lyrics and riffs the band worked on solo and together. Lyrically, it’s a break up song, a band break up song— a song about relationships ending and changing. “I heard you say forever,” she sings, “Forever.”

Stream “Dead Air”

When setting off to write “Dead Air,” Smut wanted to make something that rocked. They wanted to make something that was as fun to make as it was fun to listen to. They went back to their favorite bands growing up, playing My Chemical Romance and Metric. Green Day and The Fall. Twisting metal riffs into a pop context.

“Dead Air” marks the first track drummer Aidan O’Connor and bassist John Steiner have recorded on as full-fledged members of Smut. Part of what makes the song so electric is the excitement the band felt working in this new iteration. “We have so much energy right now,” says Roebuck. To record, “as live as they could,” they went off to New York to work with Aron Kobayashi-Ritch (Momma) at a studio in Red Hook, Brooklyn. Right before they went off to New York, Roebuck and Min got married. When they were recording, Roebuck had completely blown her voice by the end, chugging lemon and honey and hot water. The band slept on friend’s couches and floors. Smut has always been DIY. Because they love it, they love to work together. They love to collaborate. “Dead Air” is the product of that collaboration.

Formed a decade ago in Cincinnati, OH, Smut have conquered national tours with BullySwirliesNothing, and Wavves since their founding. Where their 2020 EP Power Fantasy dipped its toe into the experimental, their most recent album, How the Light Felt (mastered by Heba Kadry), dives head-first into 90s influences — brit-pop, shoegaze, and trip-hop, taking Smut’s sound to exciting heights, with more new music to be released in the coming months.

Stream/Purchase How the Light Felt

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Autogramm releases “Randy” – a song about and dedicated to their drummer’s cat.

Photo Credit: Tyler McLeod

Autogramm, synth-driven power-poppers from Seattle, Chicago and Vancouver, have just released their latest single on Dirt Cult Records and Germany’s Goodwill Records. The vinyl seven-inch single features the band’s newest composition “Randy” and is backed with the song “Jenny’s In A Sleep World” by Toronto’s punk legends The Diodes. Originally released in 1979, The Diodes enthusiastically endorsed the synthed-up cover version of the song. The new single follows Autogramm’s tradition of crafting sing-along new wave anthems, but this time with a humorous twist. “Randy” was originally slated to be released as part of their latest album Music That Humans Can Play, but was omitted as the subject of the lyrics became inaccurate. Being a self described “cat band” they naturally – after some deliberation – decided to re-record the vocals and dedicate the content of the lyrics to their drummer’s cat, Randy.

Drummer The Silo explains the lyrics he penned for the song. “It’s a letter to a good friend, in need of a little confidence push. Everyone needs an ego boost sometimes. Even if they’re a cat.” Listeners will delight in lines like “If you think you wanna jump up on that countertop, well baby you’ve got the tools. The world’s looking for a pretty cool dude, and maybe that dude is you.” “Randy” will remind listeners of DEVO, with tick-tack rhythms, motorik basslines and a quirky bounce that subtly points to influences like The Dead Milkmen and The Cars. Guitarist Lars Von Seattle aptly describes the new release as, “Nuevo juevo punk pop for allergic feline lovers. Blazing guitars, squiggly synths, bumping bass, and deftly thrashing drums collide in a spirit of uplift for the irrepressible Randy in all of us”. The new Autogramm single comes in conjunction with the announcement of their Spanish tour dates this March.

LIVE IN SPAIN MARCH  2025

Sat March 22  COX – TNT BLUES 

Sun March 23 GRANADA – PLANTA BAJA 

Mon March 24 SPAIN – TBA 

Tue March 25 SEVILLA – EVEN 

Wed March 26 CÓRDOBA  – HANGAR 

Thu March 27 VALLADOLID – CIENTOCERO

Fri March 28 SPAIN – TBA

Sat March 29 MADRID – FUN HOUSE

The Spanish tour will also be in support of their latest album Music That Humans Can Play released on vinyl and digital formats world-wide on Stomp Records (and Beluga Records EU). The album has already graced the pages of international press like PasteExclaim, Under the Radar, Goldmine, Austin Town Hall, Visions (DE), Musik Express (DE), Happy Mag (AU), and Rock ‘n’ Roll Army (ES). With their new album Music That Humans Can Play the band dedicated themselves to bringing in sounds from influences like The Fixx, David Bowie, Cheap Trick, The Boys, The Dickies, Jay Reatard, and Prince. The result is a decisively cohesive album that will fit in easily to the 80s section of your record collection, with songs so well-crafted they probably deserve to be on the soundtrack of Fast Times at Ridgemont High

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Valerie June brings us “Joy, Joy!” with her new single.

Photo Credit: Travys Owen

GRAMMY-nominated singer, songwriter, and multi-instrumentalist Valerie June announces her new album, Owls, Omens, and Oracles, out April 11th via Concord Records, and releases its lead single “Joy, Joy!” alongside an accompanying video. Rooted in the belief that what we focus on is what we manifest, June dreams a songpath forward with Owls, Omens, and Oracles that leaves no one behind. Halfway through a decade of immense and rapid global change, June asserts a multidimensional Blackness steeped in laughter, truth, magic, delight, and interdependence. This album is a radical statement to break skepticism, surveillance, and doom scrolling – let yourself celebrate your aliveness. Connect, weep, change, open.

June has been softening and clarifying her sound since the 2013 release of Pushin’ Against A Stone, through The Order of TimeThe Moon and Stars: Prescriptions for Dreamers, and Under Cover. “A willed and unblinking optimism courses through Valerie June’s songs” (New York Times); this newest work shows her own spiritual growth and the opening of ancestral channels into both her dynamic and distinct voice and her tender lyrics. June is not alone in crafting this sacred field for the contemplation of love and being human. Produced by M. Ward (Mavis Staples, She & Him) and engineered by Pierre de Reeder (Rilo Kiley, Jenny Lewis), Owls, Omens, and Oracles also features a cast of contributors, including The Blind Boys of Alabama and Norah Jones.

An instant foot-stompin’ hip-shaker, lead single “Joy, Joy!” opens the album with an undeniable exuberance. June, playing acoustic guitar, sings: “And when you feel you’re not enough / Has this old been hard and rough / A golden seed beneath dark soil / To seek the sun is often rough” while backed by Kaveh Rastegar on bass (John Legend, Beck), Steven Hodges on drums (Tom Waits, David Lynch), and keys and horn arrangements by Nate Walcott (Bright Eyes, Conor Oberst and the Mystic Valley Band). In line with praise by the New Yorker, “[June’s] every quiver bespeaks emotional honesty.”

Reflecting on “Joy, Joy!,” June says: “Everyone has felt moments of darkness, depression, anxiety, stress, ailments, or pain. Some say it takes mud to have a lotus flower. This song reflects on the hard times we might face: to fail, to fall, to lose, to be held down, to be silenced, to be shut out yet still hold onto a purely innocent and childlike joy. I come from a heritage of ancestors who lived this truth by inventing blues music. Generations after they’ve gone, the inner joy they instilled in us radiates and lifts cultures throughout the world. From the world to home, what would a city council focused on inspiring inner joy for all of a town’s citizens look like? As the times are changing across the planet, what would it look like to collectively activate our superpowers of joy?”

Watch the Video for “Joy, Joy!”

Listen to “Joy, Joy!”

Owls, Omens, and Oracles is expansive, growing from June’s psychedelic folk, indie rock, Appalachian, bluegrass, country soul, orchestral pop, and blues root system into an intergalactic web of wisdom. Every single note she sings is dusted with her “unorthodox, howling tin-pan of a voice” (ELLE), “like raw silk–intimate, elegant and strong” (Garden & Gun). The visceral twists and fierce raw emotion of her voice threads textures and tones through the needle of a multi-genre American quilt. Gracefulness and gentleness harmonize with edginess and precarity, evoking a tenderness within even the hardest heart as June holds the complexity of “My life is a country song,” and “I am multidimensional, beyond category.”

June recently announced the Owls, Omens, and Oracles Tour, which kicks off the week after the album release and runs through late June. All shows are full band; a full list of dates can be found below, and tickets can be purchased here.

Portions of the above text are pulled from an Owls, Omens, and Oracles bio by adrienne maree brown.

Pre-order Owls, Omens, and Oracles

Valerie June Owls, Omens, and Oracles Tour Dates
Thu, Mar. 27 – Gettysburg, PA @ Majestic Theater
Tue. Apr. 15 – Philadelphia, PA @ World Cafe Live
Wed. Apr. 16 – Alexandria, VA @ The Birchmere Music Hall
Thu. Apr. 17 – Richmond, VA @ The National
Fri. Apr. 18 – Annapolis, MD @ Rams Head Onstage
Sat. Apr. 19 – Annapolis, MD @ Rams Head Onstage
Tue. May 6 – New York, NY @ Town Hall
Wed. May 7 – Norwalk, CT @ District Music Hall
Thu. May 8 – Brownfield, ME @ The Stone Mountain Arts Center
Fri. May 9 – Albany, NY @ Swyer Theatre @ The Egg
Sat. May 10 – Northampton, MA @ Iron Horse Music Hall
Sun. May 11 – Boston, MA @ City Winery
Tue. May 27 – Ferndale, MI @ The Magic Bag
Wed. May 28 – Chicago, IL @ Park West
Thu. May 29 – Milwaukee, WI @ Vivarium
Fri. May 30 – Madison, WI @ Majestic Theatre
Sat. May 31 – Minneapolis, MN @ State Theatre
Sun. June 1 – Iowa City, IA @ The Englert Theatre
Tue. June 3 – Indianapolis, IN @ Hi-Fi Annex
Wed. June 4 – Louisville, KY @ Headliners Music Hall
Fri. June 13 – San Diego, CA @ Music Box
Sat. June 14 – Los Angeles, CA @ The Fonda Theatre
Sun. June 15 – Santa Barbara, CA @ Lobero Theatre
Tue. June 17 – Santa Cruz, CA @ Rio Theatre
Wed. June 18 – San Francisco, CA @ Palace of Fine Arts Theatre
Fri. June 20 – Portland, OR @ Revolution Hall
Sun. June 22 – Seattle, WA @ The Showbox

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Free Range announces new album, “Lost & Found,” and new single, “Hardly.”

Photo Credit: Alexa Viscius

Free Range, the project of Chicago-based musician Sofia Jensen (they/them), announces their second album Lost & Found, out March 28th via Mick Music, and unveils its lead single “Hardly.” Lost & Found follows their sharp 2023 debut, Practice, which “confront[ed] and reflect[ed] on youthful confusion and alienation, and the feelings that inspired them” (Chicago Reader)Lost & Found is about the logical next step of trying to feel like an adult. Much of the album stems from the experiences of 21-year-old Jensen, who formed Free Range when they were 15, moving out from their parents’ house and expanding their world in the Chicago music scene. Amid these changes, Jensen experienced feelings common in one’s early twenties but pervasive throughout adulthood: striving for connection even when you’re surrounded by people, and struggling to be emotionally open.

“I have a pretty easy time being honest lyrically and in music, and it feels like such an avenue for me to just express,” Jensen says. “But in my daily life, I’m a pretty private person and have a hard time telling people exactly how I feel…Being truly vulnerable with other people is a lot harder than you think.” Lost & Found is filled with nuanced, mature reflections on how tough forthrightness can be.

Lead single “Hardly” is a full-on overdriven electric guitar barn-burner about what it feels like to really lean on someone, and how that can lead to an uneven and slightly dysfunctional relationship. Jensen sings “I hardly notice when I measure you / against me / but I could tell when you were pulling me through / the darkness in this room / cause all I wanted was just someone to look to / you hardly notice when I glance at you.” It also navigates the role that broken communication plays in a relationship where two people do care about each other, but can’t seem to find themselves on the same page.

Watch the video for “Hardly”

Jensen demoed most of Lost & Found in October 2023 in Silsbee, Texas, where producer Tommy Read, his sister Hannah Read (Lomelda), and Eric Adams (Acre Memos) helped Jensen whittle down 50 songs to a batch of 15. Jensen returned to Texas in January 2024 to record with the full Free Range band: bassist Bailey Minzenberger, drummer Jack Henry, and new member Andy Krull on pedal steel.

Next month, Free Range will support Horsegirl on a North American tour. A full list of dates can be found below and all tickets are on sale now. 
 

Pre-order Lost & Found

Free Range Tour Dates
Fri. Mar. 21 – Philadelphia, PA @ First Unitarian Church %
Sat. Mar. 22 – Washington, DC @ Black Cat %
Sun. Mar. 23 – Raleigh, NC @ Kings %
Mon. Mar. 24 – Richmond, VA @ The Warehouse %
Wed. Mar. 26 – Hamden, CT @ Space Ballroom %
Thu. Mar. 27 – Somerville, MA @ Arts at The Armory %
Fri. Mar. 28 – Woodstock, NY @ Bearsville Theater %
Sat. Mar. 29 – Brooklyn, NY @ Warsaw %
 
% w/ Horsegirl

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Versus Machine unleash new single – “Seafoam” – from upcoming album.

Lancaster, PA trio Versus Machine share the official video today for “Seafoam” from their forthcoming sophomore album via Echoes & Dust. Watch/share “Seafoam” HERE. (Direct YouTube HERE.) (And now on all DSPs HERE.)

It’s Psychedelic Baby Magazine recently launched the lead track “Seafoam” in an extensive interview HEREProgRock Journal recently hosted “Red Queen” single with an interview HERE.

Versus Machine is an innovative and genre-blending rock band whose members bring together years of experience from diverse musical backgrounds. The band’s core is made up of singer/guitarist Stephen Tilley, bassist Michael James Stipe, and drummer Brian Doherty, with the group’s formation rooted in both past musical connections and newfound collaborations.

Stephen Tilley and Brian Doherty grew up together, forming a deep musical bond during their early years. Although they spent nearly a decade apart from playing together, their shared passion for music never faded. In 2021, Doherty reached out to Tilley, reigniting their creative partnership and rekindling a sense of musical chemistry that had been dormant for years. Their reunion marked the beginning of something fresh and exciting, laying the groundwork for what would eventually become Versus Machine.

To bring their musical vision to life, Doherty and Tilley enlisted Michael James Stipe, a bassist known for his work with the band Babel Map. Stipe, with his distinct style and musical sensibilities, quickly became a key member of the group. It was Stipe who coined the band’s name, Versus Machine, a title that encapsulated the band’s blend of raw energy, modern aggression, and intricate songwriting.

In 2022, Versus Machine recorded their debut album at Noisy Little Critter Studios with renowned producer Mike Bardzik. The album marked the band’s arrival, showcasing their ability to fuse elements of post-grunge, alternative rock and psychedelia with an infectious energy and emotional depth. The record quickly gained attention from both fans and critics for its bold sound and honest, often introspective lyrics.

Following the success of their first album, Versus Machine continued to evolve. In 2024, they recorded their highly anticipated follow-up LP, set for release in February 2025. The new album is shaping up to be an even more ambitious project, blending hard-hitting rhythms, complex melodies, and daring sonic experimentation. The band’s sound has matured, and the new record promises to push boundaries even further, establishing them as one of the most exciting acts in the modern rock scene.

In addition to their work as Versus Machine, Tilley has been involved in several high-profile musical collaborations. He has worked with Kellii Scott, the acclaimed drummer of Failure, on two EPs. The second of these EPs is also slated for release in 2025, further cementing Tilley’s place in the alternative rock landscape.

Meanwhile, bassist Michael James Stipe and drummer Brian Doherty have garnered recognition for their contributions to Babel Map’s new album, Teeth, which was produced by Kurt Ballou of Converge. The duo’s work on the album earned them a prominent feature on the front page of Bandcamp Daily highlighting their growing influence in the underground and alternative music scenes. Doherty and Stipe are also slated to work with Martin “Youth” Glover in 2025 on their 4th album with their band Northern Gloom.

With the release of their follow-up album on the horizon, Versus Machine is poised to expand their fanbase and continue making waves in the rock world. Their combination of relentless drive, musical innovation, and heartfelt lyrics has already established them as one of the most promising and dynamic bands in the genre today. As they prepare to take the stage once again in 2025, all eyes are on Versus Machine, eager to see where their bold musical vision will take them next.

II will be available for download and streaming on February 27th, 2025. Pre-order HERE, pre-save HERE.

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Robert Ascroft teams up with Kid Congo Powers to unleash “Devil Opens the Door.”

Credit: Luz Gallardo

Visionary director, photographer and producer, Robert Ascroft unveils a captivating musical odyssey akin to the cinematic allure of Wim Wenders’ “Until The End Of The World” and evoking the ethereal resonance found in 4AD’s This Mortal Coil.

His upcoming album Echo Still Remains is now set for a February 14th release date (moved from its original January 31st release date due to complications from the Los Angeles fires) on Hand Drawn Dracula. Drawing from a diverse array of talented friends, Ascroft curates a mesmerizing ensemble of vocal performances featuring luminaries such as Christopher Owens (Girls), Britta Phillips (Luna, Dean & Britta), Tess ParksRuth Radelet (Chromatics), Guy Blakeslee (The Entrance Band), Ora Cogan and Zumi Rosow (Black Lips).

Kid Congo Powers (The Cramps, Gun Club) is featured on his latest single “Devil Opens The Door,” out today.

On the track, Kid Congo Powers shares, “”Devil Opens The Door” is a swampy, gritty groove courtesy of my friend Robert Ascroft’s wicked songwriting and guitar playing. For my vocal I let loose with Devilish screams that would make even the underworld blush, while Roger Brogan’s primal drumbeat keeps your hips moving underneath. In the video directed by Robert, I channel my inner televangelist, preaching fire and brimstone about the dangers lurking on your TV screen. It’s loud, raw, and just naughty enough—exactly how rock ’n’ roll is meant to be.”

Check out the video on YouTube, and pre-save the album here.

The album takes on a further rich and dynamic sound with the recording contributions of Grammy Award winning audio engineer Ted Young (Rolling StonesKurt VileSonic Youth), the mixing of Larry Crane (Elliott SmithThe ShinsShe & Him), additional production by Manny Nieto (Kim Deal, The Breeders) and mastering by Josh Bonati (Mac DeMarco, Wild NothingSlowdive).

Echo Still Remains transcends traditional musical boundaries, beckoning listeners into a world crafted from Ascroft’s vivid imagination. Each track unfolds like a technicolor scene in a cinematic narrative, with each melody and lyric evoking a sense of profound introspection and wonder. Accompanied by stylized music videos in Ascroft’s distinct visual world, Echo Still Remains” emerges as a multifaceted work of art, inviting listeners to stir the soul and lose themselves in a world of sound and sensation.

Emerging as a prominent photographer in the 2000s, Ascroft forged his path through collaborations with luminaries of the OscarsGrammysTonys, and Emmys from Cate BlanchettRyan Gosling, to The Killers, Mark Ronson and A$AP Rocky. With an innate ability to capture the essence of his subjects through his camera lens, he redefines photography, infusing it with depth, emotion, and narrative. A classically trained guitarist turned music producer, Ascroft weaves intricate melodies and evocative songwriting with cinematic narratives.

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Jaco Jaco announces his new album, “Gremlin,” and releases its first single – “Woman.”

Photo by Autumn Kidd

Jaco Jaco — the project of Philadelphia-based musician, visual artist, and former member of beloved indie-rock trio Sports, Jacob Theriot — announces his new album, Gremlin, out March 21st, and shares its lead single, “Woman.” The music Theriot makes as Jaco Jaco straddles genre: a little funk, a little psych, a little dreamy 70s AM rock. The follow up to Jaco Jaco’s 2024 debut SplatGremlin is a playful, elegant record that isn’t directly inspired by the movie Gremlins, but honors the movie’s use of kitsch and camp to explore a prevailing mood of irreverence and introspection. “This record came from a somewhat confused and lonely state of mind,” says Theriot, “It’s a journey through reflection and longing for something real—an inner dialogue giving me advice on navigating life when it feels like it’s working against you.”

Following last year’s Brazilian Jazz-funk-inspired “Favorite Kind of People,” “Woman”  is anchored by slick, wet bass, bright guitars, and light distortion. The lyrics are abstract, but behind that abstraction, there’s something deeper: an exploration of the complexities and nuances of relationships. It is a meditation on honesty and acceptance, being real with yourself, and being real with your partner.

Recalling the song’s creation Theierot says  “‘Woman’ was one of those rare, serendipitous type songs that just kinda happened. Everything fell into place pretty quick, lyrics and all. I played guitar along to some random breakbeat and out came the guitar riff(s). I was big into Black Messiah (D’Angelo) at the time, so that influence may have seeped in a bit, maybe? No comparison though, of course. I just wanna be like Pino Palladino when I grow up.”

Stream “Woman”

Hailing from Tulsa, Oklahoma, Theriot began writing and recording music in grade school with his brother and childhood friend. The musical relationship eventually resulted in the band Sports. After three successful albums and international tours with Sports, Theriot then decided to venture out on his own, using all of the skills he learned as a producer and composer to breathe life into something new.  

Gremlin, above all else, is a mature work from an artist who has been perfecting his craft for his entire life. It’s also a visual marvel that is aesthetically inspired by the early ‘90s sitcom “Dinosaurs,” Les Blank docs, and the world of alternative comic books. Theriot is thoroughly enthralled by the extremes of both “absurd cartoons and animatronic puppets,” lending even more of the prevailing feeling of playfulness throughout the artwork. Gremlin is a seductive record, beautiful and meticulously arranged. “It’s written in the third person,” Theriot says, “but really it’s in the first person. It’s a form of therapy. It’s like journaling.”

Stream “Favorite Kind of People”

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Review: Gus Baldwin & The Sketch – The Sketch

Gus Baldwin is one of the hardest working dudes in the Austin, Texas music scene. When he’s not cranking out solo material, he’s often working with The Black Angels, or Christian Bland and The Revelators, or collaborating with Danny Blackwell of Night Beats, or he’s teaming up with his pals in The Sketch to create The Sketch album, and, since he’s so busy, he and his pals recorded it in one day.

Opening with “Part I,” “Part II,” and “Part III,” the album is raucous right out of the gate with guitars that sound like a battleship groaning as it collides with an iceberg. The album moves back and forth between garage punk and trash rock. The fourth track, “Itch,” is a wild punk barn-burner. “Steady on It” lands somewhere between Frankie and The Witch Fingers and Ty Segall, but with extra-funky bass for good measure.

“Luxury Television” teems with Osees-like intensity and mania as Baldwin sings “I got a strange addiction. Your hate is my prescription.” You don’t get much more punk than that. “Slacker’s Prom” and “(She’s Gone) Arigato” continue the punk fun, and the latter even brings in a bit of 50s-ish doo-wop on the backing vocals.

“What the Freaks Say” could fit right in on any college radio playlist, and by the end, “Sympathy for Sunday,” they go all-in on heavy psych-rock.

It’s a wild ride, and over before you know it. It’s also a good launch for Baldwin and The Sketch. They’ll be ones to watch in 2025.

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Lord Huron teams up with Kristen Stewart to ask “Who Laughs Last?”

Photo credit: Christian Waite

Lord Huron returns with “Who Laughs Last?,” a new single featuring Academy Award nominated actress Kristen Stewart and an accompanying music video directed by Tony Wilson and starring Stewart. The band also announces a 2025 world tour, taking place after the upcoming Strange Trails 10th Anniversary run “Who Laughs Last?” marks the multiplatinum Los Angeles band’s first original release in two years, and also serves as the debut recording by Kristen Stewart [SpencerLove Lies Bleeding]. “Who Laughs Last?” represents just the first piece of a sonic, aesthetic, and sensory puzzle meant to be assembled with care.

Watch the Video for “Who Laughs Last? (feat. Kristen Stewart)”

Stream “Who Laughs Last? (feat. Kristen Stewart)”

“Who Laughs Last?” finds Lord Huron evolving at lightspeed. With Stewart in the driver’s seat, they traverse a lonely and lost highway soundtracked by a rumbling palm-muted bass riff and a high octane beat. The groove picks up as samples of garbled news broadcasts echo in waves over strings. While she grips the wheel, Stewart’s poetic spoken word chills. At one point, she confesses that staring at an oncoming storm “made me feel something I never felt before…something between awestruck and horrified…I kept my eyes on the long white lines.” Turning on a dime, the momentum picks up and frontman Ben Schneider’s vocals take hold around a hard-hitting hook, “You don’t remember what I said, but you’ll remember what I did. Starring Stewart,the accompanying visual evokes a Lynchian film noir on screen. 

About the single, Schneider commented “I didn’t know Kristen previously but I’d been a big fan since seeing her work with Olivier Assayas, which my wife introduced me to. I kept hearing her voice when I was writing this song and just thought “what the hell, I’ll reach out and see,” thinking it was a long shot. But she said she was interested so we met up and hit it off talking about books, movies and music. She immediately got what I was going for and had great ideas to boot. She’s just a great person and so creative and open. She added a lot to the video concept as well. It was the kind of collaboration you dream of, honestly.” 

“I’ve always loved the band and immediately sparked to the manic drift of the song and to the mood,” says Stewart. “I love when a song is something you can kind of seep into and imagine. Ben is the nicest, I was so into reading his words… there’s nothing like making new friends through projects like these that just crop up. Lucky stuff.”

Lord Huron’s 2025 world tour is the band’s biggest North American headline tour to date. The trek commences on July 18th and visits legendary venues, including Madison Square Garden in New York City, Climate Pledge Arena in Seattle, and the Moody Center in Austin before concluding at Kia Forum in Los Angeles. Select dates will feature support from artists including Waxahatchee, Feist, Kevin Morby and more.

Prior, Lord Huron embarks on the previously announced Strange Trails 10th Anniversary Tour, beginning this May in Reno, NV, and includes their annual Red Rocks Amphitheatre dates. This very special run commemorates the 10th anniversary of the release of their album, Strange Trails, which featured the multi-platinum single “The Night We Met.” Artist presale tickets for newly announced dates begin Tuesday, January 28th at 1PM local time. General on-sale launches on Friday, January 31st at 10am local time. A full list of dates can be found below.

There will be more news from Lord Huron in the coming months.

Lord Huron Tour Dates
(new dates in bold)
Sat. April 26 – Charleston, NC @ Highwater Festival
Thu. May 22 – Reno, NV @ The Grand Theatre at Grand Sierra Resort – SOLD OUT *
Fri. May 23 – Boise, ID @ Outlaw Field at the Idaho Botanical Garden – SOLD OUT *
Sun. May 25 – Missoula, MT @ KettleHouse Amphitheater – SOLD OUT *
Mon. May 26 – Missoula, MT @ KettleHouse Amphitheater – SOLD OUT *
Wed. May 28 – Morrison, CO @ Red Rocks Amphitheatre – SOLD OUT *
Thu. May 29 – Morrison, CO @ Red Rocks Amphitheatre – SOLD OUT *
Sat. May 31 – Salt Lake City, UT @ Sandy Amphitheater – SOLD OUT *
Sun. June 1 – Denver, CO @ Outside Festival
Fri. July 18 – Indianapolis, IN @ Everwise Amphitheater at White River State Park ^
Sat. July 19 – Chicago, IL @ Fairgrounds at Salt Shed ^
Sun. July 20 – Chicago, IL @ Fairgrounds at Salt Shed ^
Tue. July 22 – Minneapolis, MN @ Armory %
Wed. July 23 @ Milwaukee, WI Miller High Life Theatre %
Fri. July 25 – Nashville, TN @ The Pinnacle %
Sat. July 26 – Nashville, TN @ The Pinnacle %
Sun. July 27 – Atlanta, GA @ Cadence Bank Amphitheatre at Chastain Park %
Tue. July 29 – Columbia, MD @ Merriweather Post Pavilion #
Wed. July 30 – New York, NY @ Madison Square Garden #
Fri. Aug. 1- Philadelphia, PA @ TD Pavillion at The Mann %
Sun. Aug. 3 – Boston, MA @ MGM Music Hall at Fenway %
Tue. Aug. 5 – Raleigh, NC @ Coastal Credit Union Music Park at Walnut Creek %
Thu. Aug. 7 – Pittsburgh, PA @ Stage AE Outdoors) @
Fri. Aug. 8 – Columbus, OH @ KEMBA Live! Outdoor @
Sat. Aug. 9 – Rochester Hills, MI @ Meadow Brook Amphitheatre @
Thu. Sept. 4 – Oslo, NO @ Sentrum Scene
Fri. Sept. 5 – Stockholm, SE @ Annexet
Sat. Sept. 6 – Copenhagen, DK @ Poolen
Mon. Sept. 8 – Berlin, DE @ Tempodrom
Tue. Sept. 9 – Warsaw, PL @ Stodola
Wed. Sept. 10 – Vienna, AT @ Gasometer
Thu. Sept. 11 – Zurich, CH @ Halle 622
Sat. Sept. 13 – Paris, FR @ L’Olympia
Sun. Sept. 14 – Utrecht, NL @ TivoliVredenburg – Ronda
Mon. Sept. 15 – Cologne, DE @ E-Werk
Tue. Sept. 16 – Brussels, BE @ Ancienne Belgique
Thu. Sept. 18 – Bristol, UK @ Bristol Beacon
Fri. Sept. 19 – London, UK @ Eventim Apollo
Sat. Sept. 20 – Glasgow, UK @ O2 Academy Glasgow
Sun. Sept. 21 – Manchester, UK @ O2 Apollo Manchester
Wed. Oct. 15 – Berkeley, CA @ Greek Theatre at UC Berkeley !
Fri. Oct. 17 – Portland, OR @ Moda Center !
Sat. Oct. 18 – Seattle, WA @ Climate Pledge Arena !
Sun. Oct. 19 – Spokane, WA @ Spokane Pavilion !
Tue. Oct. 21 – Salt Lake City, UT @ The Union Event Center !
Thu. Oct. 23 – Omaha, NE @ Steelhouse Omaha !
Fri. Oct. 24 – St. Louis, MO @ Chaifetz Arena !
Sat. Oct. 15 – Independence, MO @ Cable Dahmer Arena !
Mon. Oct. 27 – Irving, TX @ The Pavilion at Toyota Music Factory !
Wed. Oct. 29 – Houston, TX @ 713 Music Hall !
Thu. Oct. 30 – Austin, TX @ Moody Center $
Sat. Nov. 1 – Phoenix, AZ @ Arizona Financial Theatre $
Sun. Nov. 2 – Los Angeles, CA @ Kia Forum $

* with Molly Lewis
^ with Indigo De Souza
% with Lee Fields
# with Waxahatchee
@ with S.G. Goodman
! with Kevin Morby
$ with Feist

Keep your mind open.

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[Thanks to Patrick at Pitch Perfect PR.]