Screaming Females – All at Once

It’s been a little while since we’ve had a full album from power trio Screaming Females, and now they’re back with a double album no less – All at Once.  I’m intrigued by the title, as it seems to imply the world at large – especially in First World nations.  Everything is available to us any time we want it, yet most of us are dissatisfied with what we have.  Thanks to the internet, we can be everywhere all at once, yet many of us are lonely or limit human contact as much as possible.

Screaming Females explore this dichotomy right away on the opening track, “Glass House.”  Lead singer and guitarist Marissa Paternoster sings about her desire to break out of a controlling relationship that she willingly entered, but knowing that doing so will shatter both parties (“I’m locked in is this glass house, impossible to get out.”).

Bassist Mike Abbate and drummer Jarrett Dougherty put down a hard groove for Paternoster as she unloads Helmet-like guitar fuzz on “Black Moon.”  Another possible meaning to the album’s title is the raw energy of Screaming Females that comes at you all at once during their live shows.  The album adeptly catches their turn-on-a-dime precision and angry wolverine power.

“I’ll Make You Sorry” is not only scorching, but also catchy as Paternoster tries to warn a new lover.  “I was once in love before you,” she sings.  She’s been down a path that didn’t end well, and wants to give it another shot, but perhaps cutting loses now is easier for everyone.  Paternoster’s solo on it flies around like a frisky blue jay.

“Dirt” has a bit of a post-punk sound to it that I love, and I’m happy to say that they add this flavor to a couple other tracks, like the excellent, sharp-angled “Fantasy Lens” and the funky bass-laden “Drop by Drop.”  “Agnes Martin” could easily be a metal song if they doubled the speed, but they smartly keep it between garage rock and stoner metal as Paternoster sings about seeking companionship, but only away from others (“Take me under your wing, the sun destroys me.”).  Dougherty’s chops are slick as axel grease on this, and Paternoster unleashes some of her trademark shredding.  Her vocals get distorted (and backed by what sounds like a church organ) on “Deeply” as she sings about how hard she tends to fall in love when the opportunity arises.

I think Abbate and Paternoster might’ve rushed Dougherty to a Ready-Med clinic after they recorded “Soft Domination” because his groove on it is wickedly sick.  “Tell me you’ll lift me up, tell me you’ll take me out of this place,” Paternoster pleads, desperate to get away from…what?  A specific place?  Life in general?  “End of My Bloodline” has a bit of a dub feel to it with Abbate’s creeping bass, Dougherty’s nice high-hat work, and Paternoster’s slightly distorted vocals.

“Chamber of Sleep I” and “Chamber of Sleep II” walk into psychedelia, and the world is better for it.  In both parts, Paternoster unloads her guitar like a flame thrower on a stack of articles that still refer to her as a “female guitarist.”  “Bird in Space” is downright lovely, with Paternoster singing once more of taking flight from the moment / reality and putting on a guitar clinic.

“My Body” has Paternoster singing about disconnection from a lover and the world (“I’m sleeping in this chair, while you sleep in the hallway…When they come to find me, then please burn my body.”).  All at Once ends with the fuzzed-out, massive (and abrupt) “Step Outside.”  Screaming Females encourage us to get away from the internet, our comfort zones, or even prepare for a fight.  The whole band cooks with gas and definitely unleashes in the spirit of the album’s title.  All you can do it sit back and let it hit you.

All at Once is a great addition to Screaming Females‘ catalogue.  Paternoster writes biting lyrics about love, heartbreak, and the weird complexities of relationships like few others in the rock business.  She is like one of those plasma nebula balls, glowing and swirling with a hypnotizing calm until you get too close, and then she arcs lightning at you.  She’s the lightning, Abbate is the thunder, and Dougherty is the driving wind and rain.  All three come at you all at once, and you can’t stop them.

Keep your mind open.

[I promise not to make you sorry if you subscribe.]

Radiohead announces U.S. tour for summer 2018.

Just in time to celebrate the twenty-fifth anniversary of their debut album, Pablo HoneyRadiohead have announced a 2018 U.S. tour beginning in July and running through August.  The dates are as follows:

Sat-Jul-07 – Chicago – United Center

Tue-Jul-10 – New York – Madison Square Garden

Wed-Jul-11 – New York – Madison Square Garden

Fri-Jul-13 – New York – Madison Square Garden

Mon-Jul-16 – Montreal – Bell Centre

Tue-Jul-17 – Montreal – Bell Centre

Thu-Jul-19 – Toronto – Air Canada Centre

Fri-Jul-20 – Toronto – Air Canada Centre

Sun-Jul-22 – Detroit – Little Caesars Arena

Mon-Jul-23 – Columbus – Schottenstein Center 

Wed-Jul-25 – Cincinnati – US Bank Arena

Thu-Jul-26 – Pittsburgh- PPG Paints Arena

Sat-Jul-28 – Boston – TD Garden

Sun-Jul-29 – Boston – TD Garden

Tue-Jul-31 – Philadelphia- Wells Fargo Center

Wed-Aug-01 – Philadelphia – Wells Fargo Center

Tickets go on sale tomorrow.  Don’t wait to get them.  They will sell out, and resale prices will be high enough to enrage you and them (Radiohead have railed against ticket scalpers for years.).

Keep your mind open.

[Don’t wait to subscribe either.]

Smashing Pumpkins announce (almost) reunion U.S. tour for 2018.

Smashing Pumpkins on 5/10/91 in Chicago, Il. (Photo by Paul Natkin/WireImage)

Smashing Pumpkins have had a countdown clock on their website for days now, and it finally ended to reveal a 34-city not-quite-a-reunion tour for 2018.  It’s not a full reunion because front man Billy Corgan and original bassist D’arcy Wretzky have been involved in a public feud via social media regarding Wretzky not being asked to join the tour.

Regardless, Corgan and guitarist James Iha and drummer Jimmy Chamberlin are soon criss-crossing the U.S.  on the “Shiny and Oh So Bright Tour.”  Tickets go on sale February 23rd, and I suggest not waiting too long to get them.  I’m sure many venues will sell out fast.

July 12 — Glendale, AZ @ Gila River Arena
July 14 — Oklahoma City, OK @ Chesapeake Energy Arena
July 16 — Austin, TX @ Frank Erwin Arena
July 17 — Houston, TX @ Toyota Center
July 18 — Dallas, TX @ American Airlines Center
July 20 — Nashville, TN @ Bridgestone Arena
July 21 — Louisville, KY @ KFC Yum! Center
July 22 — Atlanta, GA @ Infinite Energy Arena
July 24 — Miami, FL @ AmericanAirlines Arena
July 25 — Tampa, FL @ Amalie Arena
July 27 — Baltimore, MD @ Royal Farms Arena
July 28 — Philadelphia, PA @ Wells Fargo Center
July 29 — Uncasville, CT @ Mohegan Sun Arena
July 31 — Boston, MA @ TD Garden
August 1 — New York, NY @ Madison Square Garden
August 4 — Pittsburgh, PA @ PPG Paints Arena
August 5 — Detroit, MI @ Little Caesars Arena
August 7 — Montreal, QC @ Centre Bell
August 8 — Toronto, ON @ Air Canada Centre
August 11 — Columbus, OH @ Schottenstein Center
August 13 — Chicago, IL @ United Center
August 16 — Kansas City, MO @ Sprint Center
August 17 – Indianapolis, IN @ Bankers Life Fieldhouse
August 19 — St. Paul, MN @ Xcel Energy Center
August 20 — Omaha, NE @ CenturyLink Center
August 21 — Sioux Falls, SD @ Denny Sanford Premier Center
August 24 — Seattle, WA @ KeyArena
August 25 — Portland, OR @ Moda Center
August 27 — Oakland, CA @ Oracle Arena
August 28 — Sacramento, CA @ Golden 1 Center
August 30 — Los Angeles, CA @ The Forum
September 1 — San Diego, CA @ Viejas Arena
September 2 — Las Vegas, NV @ T-Mobile Arena
September 4 — Salt Lake City, UT @ Vivint Smart Home Arena
September 5 — Denver, CO @ Pepsi Center
September 7 — Boise, ID @ Ford Idaho Center

Keep your mind open.

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L7 unleash new single, “I Came Back to Bitch,” and U.S. spring tour dates.

L7, as usual, aren’t screwing around.  Case in point, their new single, “I Came Back to Bitch.”  This will soon be your new favorite song and is already sure to be one of my top ten singles of 2018.

They’ve also announced some spring U.S. tour dates.  Don’t miss them.  They were great when I saw them in Chicago a couple years ago.  They haven’t lost an inch.

04/11 – Boston, MA @ Paradise
04/13 – Philadelphia, PA @ Trocadero
04/15 – Cleveland, OH @ Beachland Ballroom
04/16 – Milwaukee, WI @ Eagles Club
04/18 – Indianapolis, IN @ Vogue
04/19 – Minneapolis, MN @ First Avenue

Keep your mind open.

[I’ll come back to your e-mail if you subscribe.]

Unknown Mortal Orchestra’s new album, “Sex & Food,” due April 6th.

UNKNOWN MORTAL ORCHESTRA ANNOUNCE NEW ALBUM,
SEX & FOOD, OUT 4/6 ON JAGJAGUWAR

WATCH THE VIDEO FOR “AMERICAN GUILT”
https://www.youtube.com/watch?v=4-JlcmCxIXU

Today, Unknown Mortal Orchestra proudly announce their new record, Sex & Food, which will be released April 6th via Jagjaguwar. The follow-up to their critically acclaimed record Multi-Love, Sex & Food sees UMO mastermind Ruban Nielson tap into both familiar and unexpected territory. The delightfully shape-shifting album filters real-deal serious themes such as “What are we consuming? How is it affecting us, and why does everything feel so bad and weird sometimes?” through a vibrant sonic lens that spans battered drum-machine funk, doomy and thrashing rock, and pink-hued psychedelic disco. It’s not a dark record, per se. Even the album’s title, Sex & Food, focuses on two of the most undeniably pleasurable experiences in life; positivity despite the strangeness of our times. The album was recorded in a variety of locales from Seoul and Hanoi to Reykjavik, Mexico City, and Auckland, not to mention Nielson’s home base studio in Portland. It is a practical musical travelogue, traversing the world as well as a wide spectrum of human experience. Nielson grapples with new, sometimes dismal realities, but succeeds in pulling the epiphanies from the chafe. Watch the video for the first single, “American Guilt,” and pre-order the album below. Additionally, here is some context behind “American Guilt” from Ruban Nielson:

“American Guilt” is an attempt to capture some of the feelings floating around these days. In a perverse way I wanted to embrace this abandoned genre of rock music that I keep reading is “dead” and invite people to hear what this living dead genre sounds like in the UMO universe. It was recorded in Hanoi, Vietnam during monsoon season in a studio built for traditional Vietnamese music. Additional recording was done in Mexico City but our sessions were interrupted by one of the devastating earthquakes that occurred there last year. As we slept in the Parque de Mexico, unable to get back to our Airbnb, we heard a man yell “viva la Mexico!” and I put this in the song out of respect for them.

WATCH “AMERICAN GUILT” VIDEO
https://www.youtube.com/watch?v=4-JlcmCxIXU

EMBED:
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PRE-ORDER SEX & FOOD
https://unknownmortalorchestra.lnk.to/sexandfood 

SEX & FOOD TRACKLISTING
1. A God Called Hubris
2. Major League Chemicals
3. Ministry of Alienation
4. Hunnybee
5. Chronos Feasts on His Children
6. American Guilt
7. The Internet of Love (That Way)
8. Everyone Acts Crazy Nowadays
9. This Doomsday
10. How Many Zeros
11. Not in Love We’re Just High
12. If You’re Going to Break Yourself
 
UNKNOWN MORTAL ORCHESTRA TOUR DATES:
April 22 – Northampton, MA @ Pearl Street w/ Makeness
April 23 – Portland, ME @ Port City Music Hall w/ Makeness
April 25 – Brooklyn, NY @ Brooklyn Steel w/ Makeness
April 26 – Brooklyn, NY @ Brooklyn Steel w/ Makeness
April 27 – Washington, DC @ 9:30 Club w/ Makeness
April 28 – Philadelphia, PA @ Union Transfer w/ Makeness
April 30 – Boston, MA @ Royale w/ Makeness
May 1 – Montreal, QC @ Corona Theatre w/ Makeness
May 2 – Toronto, ON @ Danforth Music Hall w/ Makeness
May 3 – Chicago, IL @ Vic Theatre w/ Makeness
May 4 – Minneapolis, MN @ First Avenue w/ Makeness
May 7 – Seattle, WA @ The Moore Theatre w/ Makeness
May 8 – Vancouver, BC @ Commodore Ballroom w/ Makeness
May 9 – Portland, OR @ Roseland Theater w/ Makeness
May 10 – Oakland, CA @ Fox Theater w/ Makeness
May 11 – Los Angeles, CA @ The Wiltern w/ Makeness
May 12 – Pioneertown, CA @ Pappy and Harriet’s w/ Makeness
May 18 – Hamburg, Germany @ Uebel & Gefährlich w/ Makeness
May 19 – Berlin, Germany @ Kesselhaus w/ Makeness
May 20 – Heidelberg, Germany @ Karlstorbahnhof w/ Makeness
May 21 – Düsseldorf, Germany @ zakk w/ Makeness
May 22 – Paris, France @ La Gaîté Lyrique w/ Makeness
May 24 – London, United Kingdom @ Roundhouse w/ Makeness
May 25 – Bristol, United Kingdom @ SWX w/ Makeness
May 26 – Manchester, United Kingdom @ Strange Waves
May 27 – Leeds, United Kingdom @ World Island
May 28 – Brussels, Belgium @ Ancienne Belgique w/ Makeness
May 31 – Barcelona, Spain @ Primavera Sound

June 10 – Hilvarenbeek, Netherlands @ Best Kept Secret Festival
July 6 – Richmond, VA @ The National w/ Shamir
July 7 – Asheville, NC @ The Orange Peel w/ Shamir
July 8 – Atlanta, GA @ Variety Playhouse w/ Shamir
July 9 – Athens, GA @ Georgia Theatre w/ Shamir
July 11 – New Orleans, LA @ Republic w/ Shamir
July 12 – Houston, TX @ White Oak Music Hall w/ Shamir
July 13 – Austin, TX @ Stubbs BBQ w/ Shamir
July 14 – Dallas, TX @ Granada Theater w/ Shamir
July 16 – Englewood, CO @ Gothic Theatre w/ Shamir
July 17 – Ogden, UT @ Ogden Amphitheater w/ Sylvan Esso, Shamir
July 18 – Las Vegas, NV @ Vinyl at Hard Rock
July 19 – Phoenix, AZ @ Crescent Ballroom
August 10-11 – Copenhagen, Denmark @ Haven

 

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Keep your mind open.

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Caroline Rose releases new single, “Getting to Me,” and new tour dates.

LISTEN TO CAROLINE ROSE’S “GETTING TO ME”
https://youtu.be/9JV4wU9Axsk

NEW ALBUM, LONER, OUT MARCH 23RD VIA NEW WEST

MORE MARCH AND APRIL TOUR DATES ANNOUNCED

(photo credit – CJ Harvey)
“there’s a sharp crackle of anxiety beneath the crushed velvet pop sheen of ‘Getting to Me’ . . . an expert dissection of the mind-numbing monotony inherent in profound loneliness.”
— NPR Music “Songs We Love”

“Rose is a fascinating person, and from DIY production trickery to her multi-role star turns in her videos, LONER represents her at her best.” — Stereogum “Artist to Watch”

“With her newly honed interest in producing, Caroline Rose has made an unwaveringly entertaining album filled to the brim with songs that are at once contemplative and coax the listener to get out of their seat and dance.” — Rookie

Songwriter/producer Caroline Rose will release LONER, her darkly comedic second album, on February 23rd via New West. Capturing the cheeky satire, comical musings, and often jarring mood swings that make up much of Rose’s personality, LONER marks a significant leap forward both sonically and emotionally, unleashing a burgeoning confidence teeming with character. After sharing high-energy numbers, “Money” and “Soul No. 5,” Rose now presents a more contemplative side of LONER with “Getting To Me.” Rose handled string arrangements for “Getting To Me,” which also features Paul Butler (who co-produced LONER alongside Rose) on percussion and synths, Rob Moose on violin, viola and additional string arrangement, and Tomoya Aomori on double bass.
“’Getting To Me’ is one of my favorite songs on LONER because it transports me to the moment when I wrote it,” comments Rose. “It’s a song about feeling extremely isolated and lonely. I remember walking down the street during a Vermont winter, seeing couples lining the entire block, walking hand in hand under the Christmas lights. I popped into a restaurant and went straight to the counter. For anyone who spends a lot of time alone, counters feel like they were designed for us so that waitresses don’t have to discard a setting at a table set for two. When you’re already feeling like an outsider, you really start to notice things like that, things in even numbers designed for couples. The song is filled with references to feeling like an outsider.”
Listen to Caroline Rose’s “Getting To Me” –
https://youtu.be/9JV4wU9Axsk

Watch :
“Soul No. 5” video – https://youtu.be/zzIfmtKSLTE
“Money” video – https://youtu.be/NcOPz7Kby1A

Pre-order LONER
http://geni.us/crloner?track=pr

Caroline Rose Tour Dates:
(new shows in bold)
Fri. March 2 – Woodstock, NY @ The Colony *
Sat. March 3 – Pittsburgh, PA @ The Smiling Moose *
Mon. March 5 – Columbus, OH @ Rumba Café *
Tue. March 6 – Lexington, KY @ Cosmic Charlie’s *
Thu. March 8 – Athens, GA @ Caledonia Lounge *
Fri. March 9 – Savannah, GA @ Savannah Stopover Music Festival
Sun. March 11 – Macon, GA @ Creek Stage
Wed. March 14 – Sat. March 17 – Austin, TX @ SXSW
Fri. March 23 – Austin, TX @ Antone’s #
Sat. March 24 – Dallas, TX @ Dada #
Sun. March 25 – New Orleans, LA @ Gasa Gasa #
Tue. March 27 – Nashville, TN @ The High Watt
Wed. March 28 – Atlanta, GA @ The Earl
Thu. March 29 – Asheville, NC @ The Mothlight
Fri. March 30 – Chapel Hill, NC @ Local 506
Sat. March 31 – Washington, DC @ Songbyrd
Tue. April 3 – Brooklyn, NY @ Rough Trade
Wed. April 4 – Boston, MA @ Great Scott
Thu. April 5 – Philadelphia, PA @ Johnny Brendas
Fri. April 6 – New Haven, CT @ Cafe Nine
Sat. April 7 – South Burlington, VT @ Higher Ground Showcase Lounge
Fri. April 11 – Buffalo, NY @ Buffalo Iron Works ^
Sat. April 12 – Cleveland, OH @ Beachland Tavern ^
Sun. April 13 – Grand Rapids, MI @ The Pyramid Scheme +
Mon. April 14 – Kalamazoo, MI @ Bell’s Eccentric Café – Back Room +
Tue. April 15 – Indianapolis, IN @ Hi-Fi +
Thu. April 17 – Davenport, IA @ Redstone Room +
Fri. April 18 – Chicago, IL @ The Hideout +
Sat. April 19 – Detroit, MI @ El Club +
Sun. April 20 – Toronto, ON @ The Dakota Tavern +
Sun. April 21 – Toronto, ON @ The Dakota Tavern +
Fri. May 18 – Gulf Shores, AL @ Hangout Music Festival

* = co-headline with The Nude Party
# = with The Weeks
^ = with Marco Benevento
+ = co-headline with The Go Rounds

Keep your mind open.
[Get to the subscription box and drop in your e-mail address, won’t you?]

Unknown Mortal Orchestra releases crunchy new single, “American Guilt,” ahead of upcoming tour.

UNKNOWN MORTAL ORCHESTRA SHARES NEW SONG
“AMERICAN GUILT,” ANNOUNCE 2018 TOUR DATES

Today, Unknown Mortal Orchestra returns to the world with a new song and a bounty of tour dates that span the globe. The new song, “American Guilt,” hints at more new material to come, while the dates indicate that this will be a busy year for the band. Purchase tour tickets at www.unknownmortalorchestra.com.

LISTEN TO “AMERICAN GUILT”
Spotify: http://spoti.fi/2n3TzOb
Apple Music: https://apple.co/2F1OcpP
 

Linkfire: https://unknownmortalorchestra.lnk.to/americanguilt

“American Guilt” Single Artwork
UNKNOWN MORTAL ORCHESTRA TOUR DATES:
April 22 – Northampton, MA @ Pearl Street w/ Makeness
April 23 – Portland, ME @ Port City Music Hall w/ Makeness
April 25 – Brooklyn, NY @ Brooklyn Steel w/ Makeness
April 26 – Brooklyn, NY @ Brooklyn Steel w/ Makeness
April 27 – Washington, DC @ 9:30 Club w/ Makeness
April 28 – Philadelphia, PA @ Union Transfer w/ Makeness
April 30 – Boston, MA @ Royale w/ Makeness
May 1 – Montreal, QC @ Corona Theatre w/ Makeness
May 2 – Toronto, ON @ Danforth Music Hall w/ Makeness
May 3 – Chicago, IL @ Vic Theatre w/ Makeness
May 4 – Minneapolis, MN @ First Avenue w/ Makeness
May 7 – Seattle, WA @ The Moore Theatre w/ Makeness
May 8 – Vancouver, BC @ Commodore Ballroom w/ Makeness
May 9 – Portland, OR @ Roseland Theater w/ Makeness
May 10 – Oakland, CA @ Fox Theater w/ Makeness
May 11 – Los Angeles, CA @ The Wiltern w/ Makeness
May 12 – Pioneertown, CA @ Pappy and Harriet’s w/ Makeness
May 18 – Hamburg, Germany @ Uebel & Gefährlich w/ Makeness
May 19 – Berlin, Germany @ Kesselhaus w/ Makeness
May 20 – Heidelberg, Germany @ Karlstorbahnhof w/ Makeness
May 21 – Düsseldorf, Germany @ zakk w/ Makeness
May 22 – Paris, France @ La Gaîté Lyrique w/ Makeness
May 24 – London, United Kingdom @ Roundhouse w/ Makeness
May 25 – Bristol, United Kingdom @ SWX w/ Makeness
May 26 – Manchester, United Kingdom @ Strange Waves
May 27 – Leeds, United Kingdom @ World Island
May 28 – Brussels, Belgium @ Ancienne Belgique w/ Makeness
June 10 – Hilvarenbeek, Netherlands @ Best Kept Secret Festival
July 6 – Richmond, VA @ The National w/ Shamir
July 7 – Asheville, NC @ The Orange Peel w/ Shamir
July 8 – Atlanta, GA @ Variety Playhouse w/ Shamir
July 9 – Athens, GA @ Georgia Theatre w/ Shamir
July 11 – New Orleans, LA @ Republic w/ Shamir
July 12 – Houston, TX @ White Oak Music Hall w/ Shamir
July 13 – Austin, TX @ Stubbs BBQ w/ Shamir
July 14 – Dallas, TX @ Granada Theater w/ Shamir
July 16 – Englewood, CO @ Gothic Theatre w/ Shamir
July 17 – Ogden, UT @ Ogden Amphitheatre w/ Sylvan Esso, Shamir
July 18 – Las Vegas, NV @ Vinyl at Hard Rock
July 19 – Phoenix, AZ @ Crescent Ballroom
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The Coathangers announce winter and fall tours.

The Coathangers are heading out on tour this winter and spring, starting on the west coast, to promote an upcoming live album.  Some of these dates include shows with Death Valley Girls, Dengue Fever, and Minus the Bear.  Catch them if you can!

Keep your mind open.

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Ty Segall – Freedom’s Goblin

It’s hard not to like an album that opens with a song about the lead singer’s dog.

That’s exactly what Ty Segall does on his newest record, Freedom’s Goblin, a sprawling double-album with rock riffs galore, wild horn sections, funk jams, new wave trips, ballads, and psychedelic freak-outs.  The opening track, “Fanny Dog,” launches like a Polaris missile with a full brass accompaniment and Segall shredding his guitar like his dog probably shreds a stuffed animal.

Segall makes a hard right turn on “Rain,” which seems to reveal his admiration for Radiohead with its simple piano chords, unadorned vocals, slightly warped horns (which are all over this record, really) and lyrics about pining for a lover.  His cover of Hot Chocolate’s “Every 1’s a Winner” is outstanding, and one of the best covers anyone has put out in a couple years.  Segall and his crew keep the funk but up the fuzz on it, and we’re all winners for it.  Speaking of funk, the bass on “Despoiler of Cadaver” is downright slick, and the rest of the tune is a weird, disco / new wave fun zone.

“When Mommy Kills You” is appropriately hard-hitting.  “My Lady’s on Fire” is a ballad that displays Segall’s love for 1960’s folk rock, and the saxophone solo on it  immediately gets your attention.  “Alta” is stadium rock brilliance.  Want more cowbell?  There’s plenty of it on the groovy “Meaning,” which blends hot beats with guitar freak-outs.  “Cry Cry Cry” isn’t a cover of the Johnny Cash song, but it does sound like a nice salute to ELO‘s ballads.  “Shoot You Up” is a slugging, chugging song that I think is about the dark side of the record industry, or fame, or both.

“You Say All the Nice Things” and “The Last Waltz” are two love songs, one about love in the now and one about a love lost to death.  One of the longest tracks on the record, “She,” is a wild jam that would be appropriate for any lady wrestler’s entrance music or the theme song for any metal-loving dominatrix.  “Talkin’ 3” is almost a free-form acid jazz session, but with a noise rock band playing at the same time.  “The Main Pretender,” with its skronking, squealing saxophone by Mac DeMarco, was one of my top 10 singles of 2017.  “I’m Free” gets back to Segall’s love of 1960’s folk, and “5 Ft. Tall” has some 1960’s power pop touches to it and then evolves into a garage rock fuzz-fest.  The closer, “And, Goodnight,” is a twelve-minute psychedelic jam and a great finale.

As you can guess, Segall is all over the map on Freedom’s Goblin, but it all works.  He’s created a record that embraces his many influences and is having a great time exploring all of them.  It’s a treat for us as well.

Keep your mind open.

https://www.youtube.com/watch?v=XSvPXLIJYWo

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L7 – Detroit (live)

There aren’t many better ways to start a new year than a release from L7, and it’s ever better when it’s a recording of a crazy 1990 live show in Detroit.  Detroit begins with the band apologizing for arriving late, co-lead vocalist and guitarist Donita Sparks making fun of a drunk guy in the crowd, and then having issues with guitarist / co-lead vocalist Suzi Gardner‘s microphone before unleashing a sonic assault with “Fast and Frightening.”  Thankfully, Gardner’s microphone works just fine for “(Right on) Thru” as she belts out the vocals like a professional boxer.

“Scrap” chugs along like a monster truck.  “Broomstick” is a forgotten metal classic.  “Packin’ a Rod” seems to fly by at 100mph (and ends with more great banter of Sparks taking down the rude drunk).  The inclusion of one of their earliest hits, “Cat-O’-Nine-Tails” is a welcome one, and the first time I’ve heard it live.  It’s crazier (and better) than I’d hoped it would be.  “Deathwish” is like a saw slicing through a log while the lumber mill is being swarmed by killer bees.  It ends with more fun banter like Sparks promising she’ll learn how to play guitar before their next tour.

“Till the Wheels Fall Off” has drummer Dee Plakas going bonkers through the whole track and probably terrifying most of the men in the crowd.  Gardner’s vocals on “Shove” are, as always, more like a hockey check than a push.  They end on “Bloodstains” before coming back for a fiery encore.  They initially offer to take requests, but that quickly devolves into drunken chaos in the crowd and Sparks dealing with tuner problems.  Bassist Jennifer Finch briefly teases playing some Black Sabbath before they announce “This is really going to suck, but we’re gonna do it anyway,” and launch into “Shitlist.”  This was when “Shitlist” hadn’t reached its levels of popularity that it has today.  This is the first time I’ve heard reverb effects on Sparks’ vocals (as she dedicates the song to her broken tuner), and they push her voice to the back wall of the venue.

Detroit is a welcome edition to L7‘s catalogue, and a nice time capsule of raw 1990’s rock.  By the way, they haven’t lost a thing.  They still hit as hard almost thirty years later.

Keep your mind open.

[Shove your e-mail address in the subscription box before you go.]