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Category: Alt rock
Wavves – You’re Welcome
Surf / garage punks Wavves (Alex Gates – guitar and vocals, Brian Hill – drums and vocals, Stephen Pope – bass and vocals, Nathan Winters – guitar and lead vocals) make no bones about what they think of their new record. It’s entitled You’re Welcome. It’s their gift to us, and we should be thankful for it.
Opener “Daisy” is all about wanting to make it with a cute girl, and the title track right after is an uplifting track. Both are fuzzy and catchy and just the kind of carefree rock we need in these turbulent times. The opening distortion on “No Shade” breaks into a wicked performance by the rhythm section and rips past you faster than a cute girl ignoring you as she runs late to the bus station.
“Million Enemies” has Wavves not caring about forces conspiring against them. “I got enemies, a million enemies; but, baby, I’m feelin’ fine.” The guitar solo on it is a great, squeaky mess. I’m sure this song generates a lot of call-back singing when they play it live. The bass on “Hollowed Out” is downright funky, and “Come to the Valley” is a love letter to Wavves southern California neighborhood. “Animal” has more great bass work, and “Stupid in Love” is a great title for a Wavves song because it sums up many of the themes in their work so well. Wavves have always crafted catchy songs about the weirdness of love and attraction, and this fun pop-punk track is a prime example of their knack for such tunes.
“Exercise” isn’t so much about physical activity as it is about exercising your right to protest. Lyrics like “Dancing while the world is burning down,” “I can’t believe the shit they feed to us,” and “They’re lying to our face.” only reinforce the belief. “Under” is about how love can drag us down if we hold onto it too tight. “Close your eyes, I’ll be whatever you want me to be…It builds until I can’t take it. It bends and then you break it.”
“Dream of Grandeur” is about the hopes of a new relationship and quickly realizing those hopes were pipe dreams, and it’s appropriate that an album so heavy on themes of love and strange relationships ends with a track entitled “I Love You.” It’s also appropriate that it sounds like a 1950’s jukebox favorite love song with its vocal harmonies and guitar strumming.
You’re Welcome is probably the most fun record about the weird world of love I’ve heard all year. Thank them for it if you get the chance.
Keep your mind open.
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Chicago’s NE-HI have a sharp new single – “Rattled & Strange.”
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Clutch to release limited picture discs for vinyl collectors and fans.
Flat Worms’ new single, “Pearl,” sure to melt your face.
FLAT WORMS ANNOUNCE SELF-TITLED DEBUT ALBUM,
OUT OCTOBER 20TH VIA CASTLE FACE
WATCH VIDEO FOR DEBUT SINGLE, “PEARL”
https://youtu.be/HA7AU95C_zU
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Ty Segall has a new single for you.
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Live: Kasabian and Slaves – Chicago, IL – September 19, 2017
I still don’t know why Kasabian didn’t sell out their Chicago House of Blues show last week. They sold out Chicago’s Metro a couple years ago when I saw them with Bo Ningen. Yet, here they were with fellow Brits Slaves in a venue about the same size, but tickets were still available at the box office an hour before the show. As one guy behind me in the crowd said, “These guys sell out at Glastonbury. Where the hell is everybody?”
That’s not to say there was barely anyone in the place. The venue was nearly full, and I was happy to see so many people there in time for Slaves’ set. I’ve been keen on this duo since I heard their single “Where’s Your Car, Debbie?” Their newest album Take Control was one of my top records of 2016.
They came out oozing punk attitude and were soon tearing through songs like “Sockets” and “White Knuckle Ride.” My friend, Portia, had just seen them open for Buzzcocks earlier in the month and knew their set. She and I were the only people in the audience, it seemed, who knew how to reply when Slaves’ drummer and lead singer, Isaac Holman, told the story about how a man once asked him, “Where’s your hi-hat?” after a gig. The correct response, by the way, is “Fuck the Hi-Hat.” My friend and I were yelling it so much during the build-up to the song that people around us thought we were angry drunks.
People were still buzzing about them after their too-brief seven-song set, and I’d like to see them in a small venue where they’re the headliners. I’m sure that would be nuts.
Kasabian soon emerged and ripped into a fun set that had the crowd bouncing for most of the show. They started with “Ill Ray” and “Bumblebee” and had the crowd in their hands by the time they reached “Ez-Eh.”
A funny moment happened when they messed up the introduction to “Underdog.” “That’s the first time that’s happened,” said lead singer Tom Meighan. “I’m glad you were all here to see it.” They jumped back on the horse and nailed the song. Everyone laughed with them. Up next were three solid cuts, “Shoot the Runner,” “You’re in Love with a Psycho” (from their newest record, For Crying Out Loud), and “Club Foot.”
The rest of the show was just as fun, with “Empire,” “L.S.F.,” “Bless This Acid House,” “Vlad the Impaler,” and “Fire” being good highlights. It was a fun Tuesday night crowd (perhaps that’s why it didn’t sell out) rocking to two solid bands. It’s too bad if you missed it. Much praise also to the HOB and tour sound crews. The mix for both bands sounded great.
Keep your mind open.
[Don’t forget to subscribe before you go.]
Clutch announces winter tour dates.
Sun, 12-31-17 Columbus, OH at Express Live
Goodbye Honolulu – No Honey
Toronto garage / psych-rockers Goodbye Honolulu (Max Bornstein – drums, Fox Martindale – guitar and vocals, Jacob Switzer – guitar, bass, and vocals, Emmett Webb – guitar, bass, and vocals) bring infectious energy on their debut EP No Honey.
The EP is five fast tunes starting with the catchy, bass heavy hit “Back to Me” – a clever song about the lead singer realizing everyone he knows hates him. He’s on a quest for the good ole days when he wasn’t such a hipster elitist, even if that means he’ll just be “drinking beer and smoking lots of weed.”
“Mother to a Brother” hits hard like a long lost Weezer B-side. The guitars on “Where You Wanna Go” somehow blend garage rock with a bit of reggae chops during the verses.
The title of “Bloody Hands” seems appropriate for how hard the entire band plays on it. It reminds me of early Wavves tracks with its slight surf-vibe. “Typical” closes the EP with jangly psychedelia as the singer laments his routine of loser behaviors such as drinking too much and then calling a former lover.
No Honey is too short, but so are all good EPs. They leave you wanting more. Say hello to Goodbye Honolulu (Am I the first to make that bad joke?).
Keep your mind open.
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Melkbelly announces tour dates with the Breeders and Bully.
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