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Category: Alt rock
Rewind Review: Big Audio Dynamite – Megatop Phoenix (1989)
Big Audio Dynamite (Dan Donovan – keyboards and vocals, Mick Jones – guitar and vocals, Don Letts – effects and vocals, Greg Roberts – drums and vocals, Leo “E-Zee Kill” Williams – bass and vocals) were a big part of my high school years, and their final album, Megatop Phoenix, was a great way to go out on top. I had it on a mix tape for years, so it was high time I bought a proper copy of it. Recorded not long after Mick Jones nearly died of pneumonia (special thanks are given to his doctors and nurses in the album’s liner notes), the album is a reflection on the band’s history and a look to the future.
“Rewind” is a battle cry to all of us to stay strong in the face of adversity and to never count out the underdog. The kick-in of Williams’ bass after the first verse still gives me chills. It’s a great blend of their raga / post-punk / new wave / electro mix that made them so innovative. “Union, Jack” is Jones, Letts, and Williams’ call to British people to get back up on their feet in the Reagan / Thatcher years that were grinding them down into complacency. It opens with a sample of the British national anthem and then kicks in some of the slickest beats by Roberts. Lyrics like “Now in the classroom I was told about the Empire, how you were bold. A pint of beer, life passes by, your spirit’s squashed just like a fly.” continue to resonate today.
“Contact” is a song about Jones’ inner struggle to express himself to perhaps a lovely lady or even his own band mates. This was B.A.D.’s last album, after all. His guitar has nice heaviness to it when it comes in during the chorus. “Dragon Town” has Jones expressing the band’s wonder at being lost in a Chinatown while looking for an exotic woman.
“Baby, Don’t Apologize” is, on its surface, about Jones telling a lover not to be sorry things didn’t work out because he can’t or won’t change. It’s probably a veiled reference to the end of the band, however. Jones had a life-changing experience with his pneumonia, Don Letts was becoming a producer and DJ, and the other band members were also involved in other projects. Jones was worried about how he might be perceived (“My head is in the stock. It rains refuse, some shout abuse, and others throwing rocks.”), but as he puts it, “What I am is loud and clear for all to see, for all to hear.”
“Around the Girl in 80 Ways” is a straight-up love song from Jones and Letts as they teach how to woo the lady of your choice. They suggest everything from “a bunch of flowers” to playing it cool. “James Brown” was written after the Godfather of Soul was involved in a domestic violence case and a police pursuit that landed him in jail. Jones and Letts tell the story from Brown’s perspective, paying tribute to him and calling him out on his bad behavior at the same time. The beats are wicked, as is the verbal takedown of American celebrity culture (which is just as bad in Britain nowadays).
“Everybody Needs a Holiday” sounds better than ever in this world that has only gotten smaller, busier, and less personal since 1989. “House Arrest” is a tale of partying on Saturday night until six in the morning when the cops show up. It’s a floor-bumper with heavy bass and kick ass drum licks. Letts gets to take lead vocals on it as he sings about “bouncers, bimbos, lager louts” and “cops and dogs in transit vans.”
“The Green Lady” is a clever and slightly bittersweet song (with great guitar work by Jones) about a man who falls in love with a Chinese woman in a mass-produced photograph hanging in his flat. “London Bridge” is about the Americanization of London, but Jones professes his love for his town with catchy hooks. “Stalag 123” is about Jones and crew being stuck in the studio working on a record while the building’s basement is flooded and they have to deal with “no windows, no air, and secondhand gear.”
B.A.D. didn’t sound like anything that came before them, and no one has really matched their mix of genres since. They had a successful reunion tour a few years ago, and we can always hope for another. If not, there’s always their excellent catalog and this fine end to it.
Keep your mind open.
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Omni’s new album due out Sept. 22nd, but you can hear the first single now.
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Jane’s Addiction to release live version of “Ritual De Lo Habitual” this August.
Alt-rock legends Jane’s Addiction recently announced they’ll release a live version of their classic album Ritual De Lo Habitual on August 25, 2017. This was recorded on their 2016 tour and features all the original members of the band. They play the album in its entirety and include four encore tracks (“Mountain Song,” “Just Because,” “Ted, Just Admit It,” and, of course, “Jane Says”).
The album will be available for download (for a mere nine bucks) and on red or blue vinyl. Get it while it’s hot.
Keep your mind open.
https://www.youtube.com/watch?v=6fzF_S5jG0E
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Midnight Sister’s debut album, “Saturn Over Sunset,” due out this September.
Out September 8th On JagjaguwarWatch The Video For New Single, “Blue Cigar”
https://www.youtube.com/watch?
Catch Them On Tour This Fall With D.D Dumbo
“Sounding at times like early Perfume Genius, L.A. band Midnight Sister shows off a knack for blending orchestral pop and psychedelia…” – The FADER
“alluring and wonderfully timeless” – Gorilla vs. Bear
Giraffe, 23, a daughter of an LA disc jockey, was raised almost exclusively on disco and Bowie. Her lyrics and lyrical melodies, informed very much by her filmmaking background, were composed gazing out from a tiny retail window on Sunset Boulevard. Her “Rear Window”-like longing allowed her imagination to run wild and cook up the wild narratives that would fill Balouzian’s compositions. Balouzian, 27, classically trained and already a go-to arranger for odd-pop names like Tobias Jesso Jr. and Alex Izenberg. Midnight Sister represents a first for both of them. It’s Giraffe’s first time writing and performing music. And it’s Balouzian’s first foray into playing true pop music.
Saturn Over Sunset is a shared musical vision of Hollywood’s oddest corners. It is the baroque, eldritch alley you must pass through to find the speakeasy night of your life. You’ll come out bleary-eyed and the sunrise will be pouring all pink and orange through the smog and palm trees.
https://www.youtube.com/watch?
Watch “Leave You” Video:
https://youtu.be/Jot8NY3wq1k
Midnight Sister Tour Dates:
9/8 – Los Angeles, CA @ Teragram Ballroom (w/ D.D Dumbo)
9/9 – San Diego, CA @ Casbah (w/ D.D Dumbo)
9/11 – Santa Cruz, CA @ Atrium at The Catalyst (w/ D.D Dumbo)
9/12 – San Francisco, CA @ Independent (w/ D.D Dumbo)
9/14 – Portland, OR @ Doug Fir (w/ D.D Dumbo)
9/15 – Seattle, WA @ Barboza (w/ D.D Dumbo)
9/16 – Vancouver, BC @ The Biltmore Cabaret (w/ D.D Dumbo)
9/19 – St Paul, MN @ Turf Club (w/ D.D Dumbo)
9/20 – Chicago, IL @ Schubas (w/ D.D Dumbo)
9/22 – Philadelphia, PA @ Johnny Brendas (w/ D.D Dumbo)
9/23 – New York, NY @ Bowery Ballroom (w/ D.D Dumbo)Saturn Over Sunset Tracklist:
1. Canary
2. Leave You
3. Blue Cigar
4. Showgirl
5. The Drought
6. The Crow
7. Daddy Long Legs
8. Neon
9. Shimmy
10. So Young
11. The View From Gilligan’s Island
12. Hitman
13. Clown
14. Their Eyes
Midnight Sister online:
https://www.facebook.com/
https://twitter.com/_
https://midnightsister.
http://jagjaguwar.com/
http://billions.com/
http://pitchperfectpr.com/
Pitchfork Music Festival artist spotlight: NE-HI
Chicago’s NE-HI formed to score a friend’s film and ended up becoming indie rock darlings. I’m guessing they took their name from the mostly forgotten brand of soda, but perhaps I’m wrong. I do know that their catchy psychedelic rock hooks are good and I’m confident a lot of their hometown fans will be at their Pitchfork Music Festival set on July 16th to cheer them.
Keep your mind open.
https://www.youtube.com/watch?v=gmZ8AwqyqN4
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Pitchfork Music Festival artist spotlight: P.J. Harvey
Singer, songwriter, multi-instrumentalist, actress, and sculptor P.J. Harvey will be playing Chicago’s Pitchfork Music Festival on July 15th. Ms. Harvey is an alt-rock, feminist giant who has crafted complex songs she insists aren’t about her, but many suspect otherwise. She is bold and beautiful, serious and sexy, charming and chaotic. Her set will surely be packed and one of the highlights of the festival.
Keep your mind open.
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Pitchfork Music Festival artist spotlight: Thurston Moore Group
Thurston Moore doesn’t need much introduction. The former lead singer and guitarist of Sonic Youth has influenced more bands and musicians than we can probably count and is a guitar hero to many (much to his chagrin, I’ve heard). His new band puts out great “wall of sound” fuzz rock, and I’d hoped to catch them at Levitation Austin in 2016, but that was cancelled due to bad weather. He’ll be performing at the Pitchfork Music Festival on July 14th, so it will be good to catch up with him.
Keep your mind open.
Wand’s new album, “Plum,” is due out in September, but you can hear the title track now.
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Rewind Review: The New Pornographers – Brill Bruisers (2014)
The New Pornographers returned in 2014 after a far too long absence to bring us another masterfully crafted album of power pop. The Canadian supergroup’s Brill Bruisers sounds like a long-lost ELO record and is a fine piece of work desperately needed in this world of pop divas, TV show idols, bro’ rock, country-rap, and booty call music.
The opener (and title track) starts with blaring guitars, powerful drums, vocals that swirl with great melodies, and a touch of psychedelic synths. Vocalist / guitarist A.C. Newman and his crew seem to channel the stadium-filling power of early ELO records on it. “Champions of Red Wine” doesn’t refer to my wife and one of her best friends, but is rather a fun song from outer space (judging by the poppy space lounge keyboards) sung by the always mesmerizing Neko Case. The band knocks this one out of the park.
“Fantasy Fools” will have you jumping and dancing, as it’s nothing but joyful. The keyboards on it are the hidden key to the song’s power. Those same keyboards are front and center during “War on the East Coast,” in which Dan Bejar worries more about potentially botching a relationship than about world chaos and bad news. “Backstairs” brings back the ELO influence and is big, booming, and wonderful. I can’t wait to hear this one live. It swirls into mind trip material and is all the better for it. “Marching Orders” is peppy with happy keyboards and Neko Case’s happy vocals. You can visualize her dancing in the recording booth as she sings. I love the way “Born with a Sound” dabbles in electro. The New Pornographers have the luxury of being able to do whatever the hell they want, so an electro-rock cut doesn’t jar the flow of the album at all (and Kathryn Calder’s backing vocals on it are excellent).
If you’re worried the New Pornographers are turning into an electro band, have no fear. “Dancehall Domine” sounds like something off The Electric Version with its big guitars, great Newman and Case vocal trades, and straight-up rock drums, and “Spidyr” sounds like it could’ve been a track from Mass Romantic. “Hi-Rise” and the closer, “You Tell Me Where,” dive back into the synth-heavy sounds, but it all works. “You Tell Me Where” is a nice grand finale and I’m sure is a big set-ender at their live shows.
We needed this record. It’s refreshing and lovely – the best kind of porn, really.
Keep your mind open.
https://www.youtube.com/watch?v=v0sTOcXe584
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