Melkbelly’s debut album due October 13th.

MELKBELLY ANNOUNCE DEBUT ALBUM, NOTHING VALLEY, OUT 10/13 ON WAX NINE/CARPARK

WATCH THE VIDEO FOR “KID KREATIVE”
https://www.youtube.com/watch?v=3mJoRmdYTo0

Noisy, subversively catchy and rhythmically sophisticated, Chicago quartet Melkbelly emerge from Chicago’s DIY spaces with their debut album, Nothing Valley, out Oct. 13th on Wax Nine Records, a sister label to Carpark Records headed by Sadie Dupuis of Speedy Ortiz.

Melkbelly’s members live and breathe Chicago’s art and music underground where their paths crossed and alliances were forged. Vocalist/guitarist Miranda Winters played solo in folk rock project reddelicious. Brothers Bart and Liam Winters (the tall fellas playing guitar and bass in Melkbelly) ran an influential show space in Chicago. Drawn together by their passion for East Coast noise, particularly the flavor originating from Miranda’s previous homebase of Providence, RI, Miranda and Bart of Coffin Ships recruited James Wetzel, who studied jazz drums in college, from improvisational free-drum/noise duo Ree-Yees. This new group of friends orbiting the loft and art scene, began collaborating on each other’s projects, formalizing in a more guitar-driven quartet Melkbelly in 2014.

Melkbelly’s debut EP Pennsylvania came out that same year. Engineered by Cooper Crain of Cave/Bitchin’ Bajas, the record came easily. The Chicago Reader enthused for single “Doomspringa” with its “noisy guitar freak-outs” and “beautifully melodic verses” and compared Melkbelly, accurately, to a hybrid of the Breeders and Lightning Bolt.

In 2016, the band tested the waters with new material. Inspired by the geography of a West Coast tour, shared band experiences, the van “as a magical place” and failed touristic detours at a meteor crater (it was closed) and Spiral Jetty (not van-friendly), the band gathered material written by Miranda and spawned from recorded jams for its next album. In early 2017, Melkbelly recorded with Dave Vettraino at Chicago’s Public House, writing about half the album in the studio and tracking it to 8-track analog tape. The result is Nothing Valley, organized noise and thoughtful freneticism, a fusion of dreamy vocal lines and cantankerous guitar racket. Today they share the video for “Kid Kreative.” “Kid Kreative is about creating a unique aesthetic in art or music only to have it hijacked and manhandled by someone else who reaps the rewards,” explains Miranda Winters. “It was inspired by existing as a woman in the predominantly male space of loud-music where it’s easy to be both looked over and ‘borrowed’ from.”

WATCH “KID KREATIVE” VIDEO
https://www.youtube.com/watch?v=3mJoRmdYTo0

PRE-ORDER NOTHING VALLEY
wax nine – smarturl.it/nothingvalley_wax9
itunes – smarturl.it/nothingvalley_itunes
apple music – smarturl.it/nothingvalley_apple

NOTHING VALLEY TRACKLISTING
1. Off The Lot
2. Kid Kreative
3. R.O.R.O.B.
4. Greedy Gull
5. Petrified
6. Middle Of
7. Twin Lookin Motherfucker
8. RUNXRN
9. R2PCM
10. Cawthra
11. Helloween

MELKBELLY TOUR DATES
Wed. Sep 6 – Pittsburgh, PA @ Cattivo w/ Protomartyr
Thu. Sep. 7 – Baltimore, MD @ Metro Gallery w/ Protomartyr
Fri. Sep 8 – Raleigh, NC @ Hopscotch Festival
Sat. Sep. 9 – Asheville, NC @ Mothlight w/ Protomartyr
Sun. Sep. 10 – Cincinnati, OH @ Northside Yacht Club w/ Protomartyr
Fri. Oct. 13 – Chicago, IL @ The Hideout (Record Release Show)
Melkbelly Online:
https://melkbelly.bandcamp.com
https://www.facebook.com/melkbelly/
https://www.instagram.com/melkbelly/
https://twitter.com/melkbelly
http://www.waxnine.com/artists/melkbelly/

Rewind Review: Big Audio Dynamite – Megatop Phoenix (1989)

Big Audio Dynamite (Dan Donovan – keyboards and vocals, Mick Jones – guitar and vocals, Don Letts – effects and vocals, Greg Roberts – drums and vocals, Leo “E-Zee Kill” Williams – bass and vocals) were a big part of my high school years, and their final album, Megatop Phoenix, was a great way to go out on top. I had it on a mix tape for years, so it was high time I bought a proper copy of it. Recorded not long after Mick Jones nearly died of pneumonia (special thanks are given to his doctors and nurses in the album’s liner notes), the album is a reflection on the band’s history and a look to the future.

“Rewind” is a battle cry to all of us to stay strong in the face of adversity and to never count out the underdog. The kick-in of Williams’ bass after the first verse still gives me chills. It’s a great blend of their raga / post-punk / new wave / electro mix that made them so innovative. “Union, Jack” is Jones, Letts, and Williams’ call to British people to get back up on their feet in the Reagan / Thatcher years that were grinding them down into complacency. It opens with a sample of the British national anthem and then kicks in some of the slickest beats by Roberts. Lyrics like “Now in the classroom I was told about the Empire, how you were bold. A pint of beer, life passes by, your spirit’s squashed just like a fly.” continue to resonate today.

“Contact” is a song about Jones’ inner struggle to express himself to perhaps a lovely lady or even his own band mates. This was B.A.D.’s last album, after all. His guitar has nice heaviness to it when it comes in during the chorus. “Dragon Town” has Jones expressing the band’s wonder at being lost in a Chinatown while looking for an exotic woman.

“Baby, Don’t Apologize” is, on its surface, about Jones telling a lover not to be sorry things didn’t work out because he can’t or won’t change. It’s probably a veiled reference to the end of the band, however. Jones had a life-changing experience with his pneumonia, Don Letts was becoming a producer and DJ, and the other band members were also involved in other projects. Jones was worried about how he might be perceived (“My head is in the stock. It rains refuse, some shout abuse, and others throwing rocks.”), but as he puts it, “What I am is loud and clear for all to see, for all to hear.”

“Around the Girl in 80 Ways” is a straight-up love song from Jones and Letts as they teach how to woo the lady of your choice. They suggest everything from “a bunch of flowers” to playing it cool. “James Brown” was written after the Godfather of Soul was involved in a domestic violence case and a police pursuit that landed him in jail. Jones and Letts tell the story from Brown’s perspective, paying tribute to him and calling him out on his bad behavior at the same time. The beats are wicked, as is the verbal takedown of American celebrity culture (which is just as bad in Britain nowadays).

“Everybody Needs a Holiday” sounds better than ever in this world that has only gotten smaller, busier, and less personal since 1989. “House Arrest” is a tale of partying on Saturday night until six in the morning when the cops show up. It’s a floor-bumper with heavy bass and kick ass drum licks. Letts gets to take lead vocals on it as he sings about “bouncers, bimbos, lager louts” and “cops and dogs in transit vans.”

“The Green Lady” is a clever and slightly bittersweet song (with great guitar work by Jones) about a man who falls in love with a Chinese woman in a mass-produced photograph hanging in his flat. “London Bridge” is about the Americanization of London, but Jones professes his love for his town with catchy hooks. “Stalag 123” is about Jones and crew being stuck in the studio working on a record while the building’s basement is flooded and they have to deal with “no windows, no air, and secondhand gear.”

B.A.D. didn’t sound like anything that came before them, and no one has really matched their mix of genres since. They had a successful reunion tour a few years ago, and we can always hope for another. If not, there’s always their excellent catalog and this fine end to it.

Keep your mind open.

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Omni’s new album due out Sept. 22nd, but you can hear the first single now.

 

OMNI ANNOUNCE NEW ALBUM, SHARE “EQUESTRIAN

MULTI-TASK OUT SEPTEMBER 22ND ON TROUBLE IN MIND

Atlanta, GA trio Omni charged out of the gate in 2016, stunning everyone within earshot with their debut long-player, Deluxe, a dizzyingly refreshing amalgam of wiry post-punk jitters & a dash of zen cool. Multi-task, being released September 22nd via Trouble in Mind, is their latest offering & all signs point to the coveted goal of “next level.” As with Deluxe, Multi-task was recorded with friend & engineer Nathaniel Higgins at his studio as well as a remote cabin in the woods near Vienna, Georgia. “It gave a true peace/piece of mind away from the city” Frobos says, “We could work with no distractions or limitations at our own pace.”

Multi-task is a more musically adventurous step forward for the band, keeping the frantic, fleet-fingered fingerpicking of Broyles’ guitar work & Frobos’ dead-cool delivery while expanding their musical palette & to include whispers of post-Roxy glam & Postcard Records pop. Multi-task balances the band’s trademark off-kilter & unconventional jams with an elegance not found with many of their contemporaries. Their underlying seductive sophistication creates an aura of romance that many post-punk bands dare not tread, and Omni pulls it off with grace & style.  Their minimalist funk-fused agit-pop whirrs while simultaneously creating an album that is awash in the excitement of new love, or fleeting attraction. Listen to the first single, “Equestrian,” which the band say is “a song for and about the privileged and self-loathing. It can be unknowingly fun and disgusting at the same time to live in the now. Despicable/Applicable.”

STREAM “EQUESTRIAN”
http://bit.ly/2uqHRQu

WATCH A TEASER FOR THE RECORD:
https://youtu.be/9ZXgJ-I234s

MULTI-TASK TRACKLISTING
1. Southbound Station
2. Equestrian
3. Choke
5. Tuxedo Blues
5. After Dinner
6. Supermoon
8. Date Night
9. Calling Direct
10. Heard My Name
11. Type

OMNI TOUR DATES:
Thu. July 20 – Atlanta, GA @ The Earl: Irrelevant Music Fest
Wed. July 26 – Nashville, TN @ 5 Spot
Thu. July 27 – Indianapolis, IN @ State Street Pub
Fri. July 28 – Madison, WI @ The Terrace: Univ. of Madison
Sun. July 29 – Chicago, IL @ The Hideout
Thu. Aug. 3 – Athens, GA @ Caledonia Lounge
Fri. Aug. 4 -Birmingham, AL @ Secret Stages
Mon. Aug. 7 – Asheville, NC @ The Mothlight
Tie. Aug. 8 – Bloomington, IN @ The Bishop Bar w/ Kevin Krauter / Peter Oren
Wed. Aug. 9 – Memphis, TN @ Growler’s
Thu. Aug. 31 – Amsterdam, NL @ OT301
Fri. Sep. 1 – Larmar Tree Gardens, UK @ End of the Road Festival
Sat. Sep. 2 – Manchester, UK @ Strange Waves Festival
Sun. Sep. 3 – Bristol, UK @ Louisiana
Mon. Sep. 4 – Paris, FR @ Point Ephemere
Tue. Sep. 5 – Toulouse, FR @ Pavilion Sauvage
Wed. Sep. 6 – Madrid, ES @ Sirocco
Thu. Sep. 7 – Santiago De Compostela, ES @ WOS
Fri. Sep. 8 – Barcelona, ES @ Altaveu
Sat. Sep. 9 – Marseille, FR @ L’Emeobineuse
Mon. Sep. 11 – Basle, CH @ Renee
Wed. Sep. 13 – Zurich, CH @ Katakombe @ Sender
Thu. Sep. 14 – Bologne, IT @ Freakout
Fri. Sep. 15 – Lyon, FR @ Le Sonic
Sat. Sep. 16 – Orleans, FR @ Hop Hop
Sun. Sep. 17 – Lille, FR @ DIY
Mon. Sep. 18 – London, UK @ Moth Club
Tue. Sep. 19 – Birmingham, UK @ Hare & Hounds
Wed. Sep. 20 – Dublin, IRE @ Whealan’s
Thu. Sep. 21– Glasgow, UK @ Hug & Pint
Fri. Sep. 22 – Liverpool, UK @ Liverpool Psychfest
Sat. Sep. 23 – Brighton, UK @ Sticky Mike’s Frog Bar

PRAISE FOR DELUXE

“Atlanta trio Omni is only on their first album, but they’ve already caught that essential combination of steely rigor and fiery energy, ripping out quick gems that exude control without sacrificing guts.” – Pitchfork

“On Atlanta trio Omni’s debut album, Deluxe, nothing was surplus. Every snare, every inquisitive, jagged little guitar line, every melody from Philip Frobos’s throat—it was all essential.” – Noisey

“A modern-day paragon of the infinite possibilities, and rewards, of the post-punk form.” – Aquarium Drunkard

“Channeling the likes of Devo and Pylon, their music is a blissful trip back in time to the arty, danceable rhythms of the new wave movement, but with a rough lo-fi flair.” – Stereogum

Hi-res images/album art – http://pitchperfectpr.com/omni/

Pre-order Physical – http://bit.ly/2u4th0D
Pre-order Digital – http://apple.co/2sWcrT6

Omni Online:
https://www.facebook.com/omniatl
https://www.instagram.com/omnideluxe/
https://soundcloud.com/omni-band
http://www.troubleinmindrecs.com/
http://pitchperfectpr.com/

Jane’s Addiction to release live version of “Ritual De Lo Habitual” this August.

Alt-rock legends Jane’s Addiction recently announced they’ll release a live version of their classic album Ritual De Lo Habitual on August 25, 2017.  This was recorded on their 2016 tour and features all the original members of the band.  They play the album in its entirety and include four encore tracks (“Mountain Song,” “Just Because,” “Ted, Just Admit It,” and, of course, “Jane Says”).

The album will be available for download (for a mere nine bucks) and on red or blue vinyl.  Get it while it’s hot.

Keep your mind open.

https://www.youtube.com/watch?v=6fzF_S5jG0E

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Midnight Sister’s debut album, “Saturn Over Sunset,” due out this September.

Midnight Sister Announce Debut Album, Saturn Over Sunset,
Out September 8th On JagjaguwarWatch The Video For New Single, “Blue Cigar”
https://www.youtube.com/watch?v=dk8Ag-Vn06U

Catch Them On Tour This Fall With D.D Dumbo

 

“Sounding at times like early Perfume Genius, L.A. band Midnight Sister shows off a knack for blending orchestral pop and psychedelia…” – The FADER

“alluring and wonderfully timeless” – Gorilla vs. Bear

Midnight Sister are pleased to announce their debut album, Saturn Over Sunset, out September 8th on Jagjaguwar. Along with the announcement, they’re sharing the official video for their new single, “Blue Cigar.” Curious smoke curls across your face as some terrifying, glamorous woman whisper-sings into your ear over jumpy keys and squawking, oddly charming horns. You can’t quite remember how you ended up here with these questionable characters. But you can’t get out of the booth, not now. It’s too late for you, I’m afraid.Midnight Sister — the project of intense creatives Juliana Giraffe and Ari Balouzian — is brought to you by the isolating landscape of the San Fernando Valley — its colors, its diners, its lunatics, its neon lights. Both lifelong residents of this storied valley, Giraffe and Balouzian have only become more inspired by the area’s mythology over the years, it’s two-faced magical wonderland and tragic circus. And Saturn Over Sunset works almost as an album version of Robert Altman’s Short Cuts, each song a character study of the valley’s odd personae.

Giraffe, 23, a daughter of an LA disc jockey, was raised almost exclusively on disco and Bowie. Her lyrics and lyrical melodies, informed very much by her filmmaking background, were composed gazing out from a tiny retail window on Sunset Boulevard. Her “Rear Window”-like longing allowed her imagination to run wild and cook up the wild narratives that would fill Balouzian’s compositions. Balouzian, 27, classically trained and already a go-to arranger for odd-pop names like Tobias Jesso Jr. and Alex Izenberg. Midnight Sister represents a first for both of them. It’s Giraffe’s first time writing and performing music. And it’s Balouzian’s first foray into playing true pop music.

Saturn Over Sunset is a shared musical vision of Hollywood’s oddest corners. It is the baroque, eldritch alley you must pass through to find the speakeasy night of your life. You’ll come out bleary-eyed and the sunrise will be pouring all pink and orange through the smog and palm trees.

Watch Midnight Sister’s “Blue Cigar” Video:
https://www.youtube.com/watch?v=dk8Ag-Vn06U

Watch “Leave You” Video:
https://youtu.be/Jot8NY3wq1k

Midnight Sister Tour Dates:
9/8 – Los Angeles, CA @ Teragram Ballroom (w/ D.D Dumbo)
9/9 – San Diego, CA @ Casbah (w/ D.D Dumbo)
9/11 – Santa Cruz, CA @ Atrium at The Catalyst (w/ D.D Dumbo)
9/12 – San Francisco, CA @ Independent (w/ D.D Dumbo)
9/14 – Portland, OR @ Doug Fir (w/ D.D Dumbo)
9/15 – Seattle, WA @ Barboza (w/ D.D Dumbo)
9/16 – Vancouver, BC @ The Biltmore Cabaret (w/ D.D Dumbo)
9/19 – St Paul, MN @ Turf Club (w/ D.D Dumbo)
9/20 – Chicago, IL @ Schubas (w/ D.D Dumbo)
9/22 – Philadelphia, PA @ Johnny Brendas (w/ D.D Dumbo)
9/23 – New York, NY @ Bowery Ballroom (w/ D.D Dumbo)
Saturn Over Sunset Tracklist:
1. Canary
2. Leave You
3. Blue Cigar
4. Showgirl
5. The Drought
6. The Crow
7. Daddy Long Legs
8. Neon
9. Shimmy
10. So Young
11. The View From Gilligan’s Island
12. Hitman
13. Clown
14. Their Eyes

Pitchfork Music Festival artist spotlight: NE-HI

Chicago’s NE-HI formed to score a friend’s film and ended up becoming indie rock darlings.  I’m guessing they took their name from the mostly forgotten brand of soda, but perhaps I’m wrong.  I do know that their catchy psychedelic rock hooks are good and I’m confident a lot of their hometown fans will be at their Pitchfork Music Festival set on July 16th to cheer them.

Keep your mind open.

https://www.youtube.com/watch?v=gmZ8AwqyqN4

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Pitchfork Music Festival artist spotlight: P.J. Harvey

Singer, songwriter, multi-instrumentalist, actress, and sculptor P.J. Harvey will be playing Chicago’s Pitchfork Music Festival on July 15th.  Ms. Harvey is an alt-rock, feminist giant who has crafted complex songs she insists aren’t about her, but many suspect otherwise.  She is bold and beautiful, serious and sexy, charming and chaotic.  Her set will surely be packed and one of the highlights of the festival.

Keep your mind open.

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Pitchfork Music Festival artist spotlight: Thurston Moore Group

Thurston Moore doesn’t need much introduction.  The former lead singer and guitarist of Sonic Youth has influenced more bands and musicians than we can probably count and is a guitar hero to many (much to his chagrin, I’ve heard).  His new band puts out great “wall of sound” fuzz rock, and I’d hoped to catch them at Levitation Austin in 2016, but that was cancelled due to bad weather.  He’ll be performing at the Pitchfork Music Festival on July 14th, so it will be good to catch up with him.

Keep your mind open.

Wand’s new album, “Plum,” is due out in September, but you can hear the title track now.

WAND ANNOUNCE PLUM, NEW ALBUM OUT SEPTEMBER 22ND
ON DRAG CITY RECORDS, AND TOUR

WATCH VIDEO FOR LEAD SINGLE, “PLUM”
https://youtu.be/FZXI6Pw_CgE

(above image by Abby Banks)

“they pack both a purist intent and an inescapable weirdness into songs
as adventurous as they are catchy.”  – NPR Music

“a wonderful retro-futuristic mess” – Los Angeles Times

“spacey, proggy, psych detour.” – Rolling Stone “Artist You Need To Know”

“Theirs is a fuzz-shrouded kind of rock ‘n roll displaying an imaginative urge to re-smear the already kaleidoscopic boundaries of the inventive modern crop of modern psychedelic music.”
– Paste “Best of What’s Next”

Los Angeles-based Wand announce the release of Plum, out September 22nd via Drag City Records, as well as lead single, “Plum,” and its accompanying video, and a tour that embarks on the heels of the album’s release. Plum is Wand’s fourth LP since the band formed in late 2013, but their first new album since 2015. After a whirlwind first two years of writing, recording, and touring, their newest document focuses teeming, dense, at times wildly multichromatic sounds into Wand’s most deliberate statement to date, with a long evening’s shadow of loss and longing hovering above the proceedings.

In late winter of 2016, the band — Cory Hanson (guitar, vocals), Lee Landey (bass) and Evan Burrows (drums) — expanded their core membership to include two new members — Robbie Cody (guitar) and Sofia Arreguin (keyboards, vocals). The change in lineup naturally led to a shift in working method. The songwriting process was relocated to the practice space, where for several months on and off the band improvised, while recording and archiving as much as they could manage. And while previously Wand songs had often been brought to the group substantially formed by Hanson, now seedling songs were harvested from a growing cloudbank of improvised material, then fleshed out and negotiated collectively. This new process demanded more honest communication, more vulnerability, better boundaries, more mercy and persistence during a year that meanwhile delivered a heaping serving of romantic, familial and political heartbreak for everyone involved. The resulting Plum delicately locates the band’s tangent of escape from the comfortable shallows of genre anachronism.

Watch the video for “Plum” below. As Hanson describes it, “The song transpires between our collective harmony and individual dissent. It felt like we were each trying to obstruct a clear path in order to discover new space. As a total accident, ‘Plum’ wound up being a miniature blueprint to the musical language we developed together over months of dedicated writing.”

Watch “Plum” Video –
https://youtu.be/FZXI6Pw_CgE

Plum Tracklisting:
1. Setting
2. Plum
3. Bee Karma
4. Charles De Gaulle
5. High Rise
6. White Cat
7. The Trap
8. Ginger
9. Blue Cloud
10. Driving

Pre-order Plum:
http://itunes.apple.com/album/id1252054166
https://wand.bandcamp.com/album/plum

Wand Tour Dates:
Sat. Sep. 23 – Los Angeles, CA @ Troubadour #
Sun. Sep. 24 – San Diego, CA @ Casbah #
Mon. Sep. 25 – Las Vegas, NV @ Bunkhouse #
Wed. Sep. 27 – Denver, CO @ Lost Lake #
Thu. Sep. 28 – Lincoln, ME @ Lincoln Calling
Fri. Sep. 29 – Minneapolis, MN @ Triple Rock Social Club #
Sat. Sep. 30 – Chicago, IL @ Lincoln Hall #
Mon. Oct. 2 – Toronto, ON @ Baby G #
Tue. Oct. 3 – Montreal, QC @ Bar Le Ritz #
Wed. Oct. 4 – Cambridge, MA @ Cambridge Elks Lodge #
Fri. Oct. 6 – New York, NY @ Bowery Ballroom #
Sat. Oct. 7 – Philadelphia, PA @ Everybody Hits #
Sun. Oct. 8 – Washington, DC @ DC9 #
Tue. Oct. 10 – Raleigh, NC @ Kings #
Wed. Oct. 11 – Atlanta, GA @ 529 #
Thu. Oct. 12 – New Orleans, LA @ Gasa Gasa #
Fri. Oct. 13 – Austin, TX @ Barracuda #
Sat. Oct. 14 – Dallas, TX @ Dada #
Sun. Oct. 15 – Norman, OK @ The Opolis #
Wed. Oct. 18 – Salt Lake City, UT @ Metro Bar #
Thu. Oct. 19 – Boise, ID @ Neurolux #
Sat. Oct. 21 – Vancouver, BC @ The Cobalt #
Sun. Oct. 22 – Seattle, WA @ The Vera Project #
Tue. Oct. 24 – San Francisco, CA @ The Chapel #
Tue. Jan. 23 – Brighton, UK @ Patterns
Wed. Jan. 24 – London, UK @ Dome
Thu. Jan. 25 – Bristol, UK @ Louisiana
Fri. Jan. 26 – Manchester, UK @ Soup Kitchen
Sat. Jan. 27 – Glasgow, UK @ Garage 2
Sun. Jan. 28 – Leeds, UK @ Brudenell (main room)
Mon. Jan. 29 – Birmingham, UK @ Hare & Hounds (room 2)

# = with Darto

(Plum cover artwork)

Rewind Review: The New Pornographers – Brill Bruisers (2014)

The New Pornographers returned in 2014 after a far too long absence to bring us another masterfully crafted album of power pop. The Canadian supergroup’s Brill Bruisers sounds like a long-lost ELO record and is a fine piece of work desperately needed in this world of pop divas, TV show idols, bro’ rock, country-rap, and booty call music.

The opener (and title track) starts with blaring guitars, powerful drums, vocals that swirl with great melodies, and a touch of psychedelic synths. Vocalist / guitarist A.C. Newman and his crew seem to channel the stadium-filling power of early ELO records on it. “Champions of Red Wine” doesn’t refer to my wife and one of her best friends, but is rather a fun song from outer space (judging by the poppy space lounge keyboards) sung by the always mesmerizing Neko Case. The band knocks this one out of the park.

“Fantasy Fools” will have you jumping and dancing, as it’s nothing but joyful. The keyboards on it are the hidden key to the song’s power. Those same keyboards are front and center during “War on the East Coast,” in which Dan Bejar worries more about potentially botching a relationship than about world chaos and bad news. “Backstairs” brings back the ELO influence and is big, booming, and wonderful. I can’t wait to hear this one live. It swirls into mind trip material and is all the better for it. “Marching Orders” is peppy with happy keyboards and Neko Case’s happy vocals. You can visualize her dancing in the recording booth as she sings. I love the way “Born with a Sound” dabbles in electro. The New Pornographers have the luxury of being able to do whatever the hell they want, so an electro-rock cut doesn’t jar the flow of the album at all (and Kathryn Calder’s backing vocals on it are excellent).

If you’re worried the New Pornographers are turning into an electro band, have no fear. “Dancehall Domine” sounds like something off The Electric Version with its big guitars, great Newman and Case vocal trades, and straight-up rock drums, and “Spidyr” sounds like it could’ve been a track from Mass Romantic. “Hi-Rise” and the closer, “You Tell Me Where,” dive back into the synth-heavy sounds, but it all works. “You Tell Me Where” is a nice grand finale and I’m sure is a big set-ender at their live shows.

We needed this record. It’s refreshing and lovely – the best kind of porn, really.

Keep your mind open.

https://www.youtube.com/watch?v=v0sTOcXe584

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