Mamby on the Beach artist spotlight: Cut Copy

Australia’s Cut Copy will bring their electro-pop to Chicago’s Mamby on the Beach festival June 25th.  What started as a home recording project in 2001 has bloomed into a four-man band within the last sixteen years.  I’m hoping they’ll play a lot of tracks off their upcoming (and as yet unnamed) album.  It would be a delight to hear them before a good chunk of the world.

Keep your mind open.

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Mamby on the Beach artist spotlight: STRFKR

Portland, Oregon’s STRFKR strives to make danceable pop music, and they’re succeeding.  Their stuff combines electro, disco, rock, new wave, and a little funk.   They don’t take themselves too seriously, which is a rare delight in the music industry nowadays.  They’ll be playing Mamby on the Beach June 25th, so check out their set if you want to party with a bunch of people who don’t really care about labels, your hang-ups, or mainstream music.

Keep your mind open.

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Goodbye Honolulu releases “Typical” single from upcoming album.

Goodbye-Honolulu_L-R_Jacob-Switzer_Fox-Martindale_Emmett-Webb

Goodbye Honolulu share single “Typical”

Typical – YouTube // The 405

QUOTES
“Featuring a slight stoner vibe — a perfect companion to the laid-back guitar jangling of the tune.”
The 405

Toronto’s Goodbye Honolulu may fall into the “slacker rock” category, but they’re hard workers when it comes to churning out new tunes.
Exclaim!
Announcing No Honey EP out September 01, 2017 via Fried Records, produced by Mike Turner (Our Lady Peace).

RIYL – The Black Lips, Ty Segall, New Swears, Cage the Elephant, Beck

We all know how these band biographies go, right? Friends meet in high school, start jamming, form band in parents’ garage and everyone lives happily ever after.

Well Goodbye Honolulu DID meet in high school but they didn’t just form one band. They formed 5 individual projects and started their own record label while still in school, the 100% local Toronto label Fried Records. While other kids were cramming for exams or wasting away playing video games, the Goodbye Honolulu boys were busy playing in bars (attempting to sneak their underage friends in), honing their live skills, writing songs and self releasing multiple albums a year.

These teenage years were laying the foundations and as they hit their 20s Emmett, Jacob, Fox and Max decided to join forces and focus their song-writing and energy to one project, say “hello” to Goodbye Honolulu.

Goodbye Honolulu, evoke a 90s slacker vibe mixing vintage garage rock n roll history with modern elements, it’s not exactly pop and it’s not exactly punk.

Goodbye Honolulu is best known for their live shows and in best form when every member is screaming their heads off with shout along choruses. Whether it’s Emmett’s fuzz-layered guitar, Jacob’s gnarly vocals, Fox’s Bowie-inspired vocal inflections or Max beating his drum kit to death, Goodbye Honolulu make their audience the VIP guests to their rock n roll party.

Highlights of Goodbye Honolulu’s ride so far include a USA tour supporting their pals Hinds and releasing their debut album Heavy Gold in 2016.

Goodbye Honolulu
Emmett Webb (Guitar/Bass/Vocals)
Fox Martindale (Guitar/Vocals)
Jacob Switzer (Guitar/Bass/Vocals)
Max Bornstein (Drums)

Tour Dates:
June 21 – Divan Orange, Montreal QC
July 15 – Lee’s Palace, Toronto ON w/ New Swears

Goodbye Honolulu – No Honey (Fried Records)
Release Date: September 01, 2017
Pre-Order: https://goodbyehonolulu.bandcamp.com/

Goodbye Honolulu Links
Official: http://www.goodbyehonolulu.com/
Soundcloud: https://soundcloud.com/goodbye-honolulu
Facebook: https://www.facebook.com/GoodbyeHonolulu/
Instagram: https://www.instagram.com/goodbyehonolulu/
Twitter: https://twitter.com/goodbyehonolulu

Feltworth interview – May 30, 2017.

Feltworth

“Kids rock” legends Feltworth were kind enough to let me interview them recently about their inevitable foray into serious rock music.  I learned a lot about their influences, how they met, and what kind of barbecue Cozy prefers.

7th Level Music: I’ll start with one for Manny and Dezi.  How did you two decide to start a band and how did you meet Morris and Cozy?
Dezi (left) and Manny with their new single – “You Turn Me On”
DEZI: Manny and I have been playing together for as long as we can remember. Cozy answered an ad we put out in a music paper. We thought he was too crazy to be in our band but he brought Morris with him and when we heard Morris play we begged him to join. He didn’t want to but we said we would take Cozy if he joined so he agreed.
7LM: Cozy, I know you played some saxophone on Feltworth’s “Super Duper” album, so do you plan on bringing it back with the new rock-oriented material?
DEZI: That was just for the photo shoot. That whole album is predominantly MIDI sounds. If you think you hear a sax on the first record, it’s a fake.

COZY: Bring it back? Bring it back??? Have you not heard of The Saxpocalypse©? Every song in the 50’s: sax solo. Every song in the 80’s: sax solo. If you follow my math you’ll realize that the Saxpocalypse© is nigh! Every thirty years the sax takes over for 10 years. All artists/all genres. This is no different for Feltworth. I’d be shocked and disappointed if the band erased all of the major sax I blew all over our next LP.

MANNY: Ctrl-Alt-Delete-Sax. Ok, actually I don’t mind a little sax…Little Richard, Springsteen’s Born To Run album, “Let’s Dance” by Bowie. Dezi says sax makes all music sound like the Saturday Night Live band. What was Steve Albini’s quote? “New York’s alright if you like saxophones?”

7LM: Your agent has stated that you guys are performing and putting your music out there for free.  Is this right?  I think it’s great to see people making art for the sake of art.  How did this decision come about, and was it a difficult one?
DEZI: I was initially defiant when we were being booed by kids and moms but I did have a bit of a freak out when it hit me that we had closed the doors on a lot of our money making opportunities. I think I have arrived at a place of acceptance.

COZY: Wait, I’m not being paid for this?

MANNY: I like to think we’re in our “investment period.”
 
MORRIS:  It could be argued that we have been releasing children’s music under duress.  Lately we’ve been composing and recording our music freely.  “Freely” is not quite the same as gratis, if you catch my drift. 
Cozy (left) and Morris
7LM: How has the crowd response been so far?  Was it difficult to make the transition from playing to crowds of children and their parents to crowds of hipsters, old school rockers, and music bloggers like yours truly?
DEZI: As I said, there was an excitement in the chaos of the bad press and poor reaction. I guess we are hoping to reach music bloggers like you. We are currently at 230 Instagram followers so go tell your nerd friends.

COZY: It’s weird. The moms still come backstage after the shows to meet (and greet!) us it’s just this time around they get a little more dolled up – no more worries about baby barf!

 
MORRIS:  If I never have to play to another whinging three-year-old again, I certainly won’t complain.
7LM: A follow-up to that: Are you surprised that people are surprised you guys decided to make a rock record?  It seems like you guys have been hinting at this all along with your cover of the Rolling Stones’ “Monkey Man” and how the cover of your self-titled album was a parody of Boston’s self-titled debut.
DEZI: The Boston parody was for our 4th album, Beanbagtown, which I think is musically the best of our records. We had the most freedom to produce it the way we wanted. It wasn’t as big a seller as the first few, but it did get some good critical reaction. Maybe that gave us the confidence to take the step.

MANNY: Right, I guess there have been hints through our children’s records that we appreciate rock and pop history, so perhaps some parents may have caught on. I attempted to do a more kid-centric version of an early Velvet Underground track by renaming it “All Tomorrow’s Birthday Parties” for Beanbagtown, but that was left in the can.
7LM: Do you tend to write grooves first or lyrics first?  Or does it depend on the song?
DEZI: Who says “grooves”? Ew! Anyway, music first most of the time although songs where you start with the lyrics often tend to be the best. It’s just harder to do. I have more musical ideas. I don’t often find myself in a coffee shop with a journal.

MANNY: I sometimes see Morris in a coffee shop with a journal. Or maybe that’s the wine list. But yes, usually music first for me as well.
MORRIS: Understandably, most of my lyrical contribution has been cloistered within the bound confines of my diary.  With that in mind, even the most untrained ear can hear the inherent tension as I express myself on the keyboards.
7LM: Morris, is it just me or do I hear touches of Jerry Lee Lewis in some of your playing on “Forget This Feeling?”  I also wondered if you were influenced by some of the great French jazz pianists like Martial Solal or Jacques Loussier since you grew up in France?
DEZI: I think Morris is more influenced by Jerry Lewis than Jerry Lee. He is originally from France after all.

MORRIS:  I will always have a soft spot for the music I grew up on, but I will not lean back on the fundamentals of greats like Solal and Loussier.  America in all of it’s youthful bravado and naïve innocence has unveiled its charms clumsily.  “He shook my nerves and he rattled my brain…”  Does that make sense when I express it in English?
7LM: I know you’ve done some gigs with Animal Eyes, Situation Bad, and a few other indie acts.  Are there other bands you’re hoping to jam with soon?
DEZI: We share a rehearsal space with those bands. I wouldn’t say we are fans per se. Most of our favourite bands have human beings in them.

COZY: Quite frankly I’m hoping to take over for Gregg Allman in the Allman Brothers Band. Rest easy, MidnightRider.

MANNY: Hmmm…I’m not big on jamming. I guess it’s fun though. Animal Eyes are a half-decent KISS cover band. Not alot of room for jamming with those guys. The only brothers I’m interested in are the Hudson Brothers…kids music to rock cross-over geniuses.

7LM: You guys have a wide variety of influences ranging from the Beach Boys and Beatles to the Clash and Joy Division, so I’m wondering what range of material we might hear on a future full-length album?
DEZI: I like those groups. I don’t know much about Joy Division, but I know about them and I know a few songs. I would say we are less nihilistic. Cheap Trick is a good example of a band I wouldn’t mind being confused with. If you ask me, Robin Zander is the best singer in the world. 
COZY: Cheap Trick YEAH! Anybody that has a drummer named after bread (Bun E. Carlos) is okay in my book! I would also like to write more songs that are closer in style to the band Bread. They are so mellow it’s HEAVY. Heavy mellow!

MANNY: I think the material on our album will kinda bridge the gap between pop/rock and rock/pop. I prefer New Order to be honest.
MORRIS: I think that we shall have to strike a happy balance between “agreeing to disagree” and “having our cake and eating it, too.”
 
7LM: Speaking of influences, Cozy you mentioned barbeque is a major influence on you.  Do you prefer Kansas City style, Texas style, Memphis dry rub, or another type?
COZY: Texas all the way! I mean, you’d be a fool to think otherwise. My idea of heaven on earth is the family special at Salt Lick BBQ, Driftwood, Texas. ALL YOU CAN EAT for $24.95!!!! I have an endorsement deal with those guys. Twice a year they slather me up in their Whiskey Barrel BBQ Sauce and all I have to do in return is mention them in interviews.  Mission accomplished?
7LM: Which Indiana Jones film is the best?
DEZI: I saw the second one but not the third one. So, the first one – Raiders of the Lost Ark. Karen Allen is the shit!

COZY: Who?

MANNY: When I was a kid, my friends were all going to see Poltergeist, but I was nervous to see such a scary film so I tried instead to convince them to see Raiders of the Lost Ark… for the third time. No luck. But yes, the first is the best.

MORRIS: Am I the only one who finds the late River Phoenix captivating in “The Last Crusade?”
7LM: Lastly, is everything okay between you guys and Tame Impala?
DEZI: They are one band we can agree on on the tour bus. Except when we saw them play live, the dude had bare feet. 

COZY: We plan on getting our manager Skip to drop the hammer on ’em. See you in court guys, may the best lawyer win!

MORRIS: Okay!?  We’ve already got two domesticated rabbits, a monkey (?), and a cat.  I think there’s plenty of room for Impala in the Feltworth camp.
7LM: Thanks for your time.  I wish you all the best.

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“Kids rock” rockers Feltworth return with new emphasis on power-pop rock.

FELTWORTH (Canadian Puppet Power-Pop)
*Premiere debut music video “Forget This Feeling
*Release AA-side 7-inch “Forget This Feeling / You Turn Me On”
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FELTWORTH –“Forget This Feeling” / “You Turn Me On” 7-inch
(out June 02, 2017)

Share new video “Forget This Feeling”  YouTube // Brooklyn Vegan
“Both songs are super-catchy pop, reminiscent of The Beatles or The Sweet, or Canadian bands who like The Beatles and The Sweet.”Brooklyn Vegan

“There’s no Juno category for Best Musical Performance By a Puppet — but if there were, Feltworth would likely have it locked down.”CBC
“Forget This Feeling” is a rollicking slice of pure power-pop built on an insistent piano part from Morris and stellar brotherly harmonies, all loving smothered in appropriately fuzzy guitars. For Feltworth the near future is bright…orange.”
The Line Of Best Fit
Feltworth is a 4-piece rock band consisting of Dezi Feltworth (bass, vocals), his brother Manny Feltworth (guitar, vocals), Morris Katzenburd (piano, keyboards) and Cozy Balboa (drums, tambourine). You may, of course, know of them already if you have children at arm’s length. Feltworth has been an outrageously successful act on the children’s music scene for many years. They burst into the limelight early in their career with their first album of music for youngsters called Super DuperThey followed that smash record with both Felty, Felty Places and We’re Feltwortha pair of multi-platinum releases that saw the “fabric four” begin to add more original material to their repertoire of tried and true children’s classics. Their game changing fourth album, Beanbag Townwas their first album of all original songs for kids. It’s still considered a high water mark on the spectrum of adolescent entertainment.

Though regarded as financially and commercially successful, the fellows of Feltworth didn’t feel creatively satisfied by being pigeon-holed as children’s act. So, against their manager’s wishes, they’ve embarked on making a real pop/rock record that reflects their own personality and their influences – be it The Sweet, Paul McCartney, Brian Eno or Rupert Holmes. With the change in direction, they are challenging their core audience and seeking new listeners. It’s been a tough-sell to their manager and label, so the band has decided to self-finance the new recordings that will be released via their own Dezman Productions label. The first release from this brand new batch of activity is a limited edition orange coloured 7” single featuring the rocking “Forget This Feeling” (lead vocals by Manny) and the longing romanticism of “You Turn Me On” (lead vocals by Dezi). There’s more music to come. The past is behind them. The future awaits-ish.

Feltworth – Forget This Feeling / You Turn Me On
Release Date: June 02, 2017
Pre-order: https://feltworth.bandcamp.com/

Feltworth Links
Official: http://feltworth.com/​
Instagram: https://www.instagram.com/feltworth/
Twitter: https://twitter.com/feltworth​
Facebook: https://www.facebook.com/feltworth/
YouTube: https://www.youtube.com/Feltworth

The Districts release new single from upcoming “Popular Manipulations” album.

The Districts Share New Single, “If Before I Wake”
Listen HerePopular Manipulations Out August 11th On Fat Possum


Photo by Pooneh Ghana

“‘Ordinary Day’ is the first chapter of a new book in the band’s creative growth.” – NPR Music

“The album’s chock-full of emotional anthems.” – Noisey

Last month, The Districts announced their new album, Popular Manipulations, and shared the video for lead single “Ordinary Day.” Today, they’re back with another anthem, “If Before I Wake,” premiering via NME.

Rob Grote from the band says, “The lyrics were written the morning after actually waking up during a storm that felt like it was right over my room. It was refreshing to work on as a band because we had been talking about ideas of restraint and contrast, removing chord changes and toying with droning notes, and this one felt like we synthesized some of those ideas more by second nature as we had been exploring those ideas for a while at this point.”

The distinctly intense sound of Popular Manipulations—charging guitars, thunderous drumming, and Grote’s searing vocals—was brought on by a few cited influences, from shoegaze’s aggressive swirl to the Velvet Underground’s impeccable drone-rock sound. But don’t mistake easy comparisons for a lack of originality: on Popular Manipulations, the Districts are in a lane entirely their own, exploring lyrical themes of isolation and abandonment in a way that ups the music’s already highly charged emotional quotient.

For such weighty thematic material, though, Popular Manipulations is purely life-affirming rock music, bursting with energy that cuts through the darkness of the world that surrounds us. “We’re a much better distillation of who we wish to be as a band,” Grote reflects on the journey that has led the Districts to this point. “We’ve figured out how to distill the things we’ve been trying to accomplish as a band, musically and lyrically. We’ve always viewed making music as something we’re trying to do better the whole time.”

The Districts tour throughout the coming year in support of Popular Manipulations including dates with My Morning Jacket. They’ll make stops at Lollapalooza, Osheaga, Reading and Leeds Festivals, and more. Their live show is not to be missed. Every song is epic and heart-stopping. A full list of dates is below.

Listen To The Districts’ “If Before I Wake”:
https://soundcloud.com/fatpossum/the-districts-if-before-i-wakeWatch & Listen:
“Ordinary Day” video – https://youtu.be/zEdWd1W3cV0
“Ordinary Day” stream – https://soundcloud.com/fatpossum/the-districts-ordinary-day

The Districts Tour Dates:
5/22 – Paris, FR – La Maroquinerie
5/23 – London, UK – The Dome
5/25 – Berlin, DE – Badehaus Szimpla
5/26 – Amsterdam, NL – London Calling @ Paradiso
6/4 – Lancaster, PA – Long’s Park Amphitheater
6/21 – Charlotte, NC – Visualite
6/22 – Charleston, SC – Royal American
6/23 – Orlando, FL – The Social
6/24 – Athens, GA – Georgia Theatre
6/26 – Houston, TX – Raven Tower
6/27 – Austin, TX – Sidewinder
6/29 – Santa Fe, NM – Meow Wolf
6/30 – Tucson, AZ – Club Congress
7/01 – Los Angeles, CA – Troubadour
7/03 – San Francisco, CA – The Independent
7/06 – Portland, OR – Doug Fir
7/07 – Seattle, WA – Tractor Tavern
7/08 – Vancouver, BC – Cobalt
7/10 – Salt Lake City, UT – Kilby Court
7/11 – Denver, CO – Globe Music Hall
7/13 – Kansas City – Record Bar
7/14 – St. Louis, MO – Off Broadway
7/15 – Indianapolis, IN – The Hi-Fi
8/04 – Chicago, IL – Lollapalooza
8/04-06 – Montreal, QC – Osheaga
8/07 – Cambridge, MA – The Sinclair
8/08 – Hamden, CT – The Ballroom at The Outer Space
8/10 – Columbus, OH – Express Live *
8/11 – Philadelphia, PA – Union Transfer
8/12 – North Adams, MA – Mass MoCA *
8/16 – New York, NY – Bowery Ballroom
8/18 – Washington, DC – 9:30 Club
8/25 – Reading , UK – Reading Festival
8/26 – Leeds, UK – Leeds Festival
8/27 – Hull, UK – Fruit
8/29 – Newcastle, UK – Cluny
8/30 – Edinburgh, UK – Caves
8/31 – Glasgow, UK – King Tuts
9/3 – Cambridge, UK – Portland Arms
9/5 – Nottingham, UK – Bodega
9/6 – Manchester, UK – Gorilla
9/7 – Cardiff, UK – Clwb Ifor Bach
9/11 – Brighton, UK – Haunt
9/14 – Monthey, CH – Pont Rouge
9/15 – Milan, IT – Serraglio
9/17 – Darmstadt, DE – Golden Leaves Festival
9/18 – Zurich, CH – Werk 21
9/19 – Munich, DE – Strom
9/20 – Vienna, AT – Flex
9/25 – Brussels, BE – Rotonde

* supporting My Morning Jacket

Live – Midnight Oil and Boytoy – Chicago, IL – May 18, 2017

“You know what the coolest thing is about this show?” Said a man next to me in the Vic Theatre where young Aussie rockers Boytoy and Aussie rock legends Midnight Oil were about to perform. “No one here is under thirty!”

It wasn’t true, but it was definitely an older crowd at the Vic. It had been over twenty years since my wife and I had seen Midnight Oil in concert, and you could tell the entire crowd in the hot, packed venue was ready to go nuts once Midnight Oil hit the stage.

Boytoy were first. They were three young ladies who were playing some good garage rock when we walked into the place, but they transformed into a stoner rock band by the end of their set, which elated me to no end. I need to track down their stuff.

Boytoy

Speaking, sort of, of stoner rock, the guy next to me tapped me on the shoulder, pointed at my rolled-up tour poster and said, “I thought that was a bong! I thought, ‘This guy’s the coolest guy in here!’” He even grabbed it at one point during Boytoy’s set and took an imaginary hit off it.

The guy in the teal shirt behind me thought this tour poster was a bong at first glance.

Midnight Oil came out to a roaring welcome and then got right down to business. They hadn’t lost a step in the time they’d been off working on other projects or, in the case of lead singer Peter Garrett, serving in the Australian Parliament.

“Why hasn’t he aged?” My wife asked about Garrett. My best guess is that he’s either a vampire or the food is much better in Australia because she was right. He looked like he’d barely grown older since we saw them in the early 1990’s.

He was, of course, politically outspoken. You don’t go to a Midnight Oil show and not expect to hear some political commentary.

Garrett started fairly early in the set. “Fact one: Thanks for waiting for so long. Fact two: It’s nice to be back in Obama territory. Fact three: There will be no alternative facts here tonight. Fact four: We don’t have short memories.” They then tore into “Short Memory” and had everyone bouncing.

He would touch on compulsory voting (“I don’t think you-know-who would’ve gotten in.” (if we had it here in the U.S.)), the environment (“We have a Mother Earth who takes care of us.”), universal health care (“If you make tacos for a living, you pay a little bit. If you have fifty million in a hedge fund and support the governor, you pay a bit more. We don’t call this socialism. We call it common sense.”), and equal rights (“Everyone, no matter their race, sex, age, or religious beliefs deserves to be treated with respect.”) before the night was over, and he wore a shirt that read “To sin by silence when one should protest makes cowards of men.”

Among the many great spots in their set were an acoustic version of “My Country,” a funky rendition of “When the Generals Talk,” roaring versions of “Read About It” and “Kosciusko,” and a killer performance of “Dreamworld” to end the set that had everyone pumping their fists and chanting.

A stunning rendition of “My Country.”

They played two encores. The first started with “Put Down that Weapon,” and I couldn’t help but think they chose to play that in Chicago as a message toward the high rate of gun violence there the last two years. “Truganini” and “Forgotten Years” rounded out the mini-set, and then they came out once more to dedicate “Sometimes” to people working hard to help others.

“Sometimes”

It was a trip back in time to songs that are still relevant today. Midnight Oil is globetrotting for this tour, so catch them if they come near you. This is one of the best and most welcome tours of the year.

Keep your mind open.

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Rest in peace, Chris Cornell.

I’m not sure what I can add to the thousands of words already written on the death of Soundgarden and Audioslave lead singer Chris Cornell.  He was one of the best rock singers of my generation, and even sang the Bond theme for the modern version of Casino Royale – “You Know My Name.”

I’ll always remember him for his work on Soundgarden’s masterpiece album Superunknown.  The whole record is a stunning piece of work, and Cornell’s voice ranges from screaming metal work to psychedelic wanderings to doom metal growls.

He was open about his drug addictions, and there is already talk that his death might be the result of suicide.  I wish him peace and his bandmates and fans strength.

Keep your mind open.

 

Beach Fossils deliver new single from upcoming album.

Beach Fossils Share New Single, “Down The Line”
Watch The Video Here

Somersault Out June 2nd on Bayonet Records

Photo by Rebekah Campbell

Beach Fossils have shared their latest single from Somersault titled, “Down The Line.” The song features many hallmarks of Somersault – a buoyant bassline, a propulsive, wayward guitar. Beach Fossils have charted into new musical territory with a refined songwriting style. On “Down The Line,” Dustin Payseur sings, “I don’t want your Wall Street / Don’t got no degree / Written on the concrete / A.C.A.B.” They’ve expanded their range both musically and lyrically. This is a band in bloom.

The song is paired with a video directed by Payseur and features the members of Beach Fossils exploring New York City after hours. Shots of McGolrick Park, the Williamsburg Bridge, the JMZ line and the sunrise loom large. The “Down The Line” video mirrors the band’s previous video for “Saint Ivy,” which pays homage to New York City artists. Somersault captures flashes of life in New York grounded in personal experience.

Later this month, Beach Fossils will play some of their first shows in support of Somersault with a weekend in South America including a festival playing alongside Slowdive. Come July, the band will tour the west coast with support from She-Devils and Ablebody capping it off at FYF before making their way to the UK in August. A full list of dates is below.

Somersault is out June 2nd on Bayonet Records.

Watch Beach Fossils’ “Down The Line” Video:
https://youtu.be/zdfjCivNxGY

Watch The “Saint Ivy” Video:
http://hyperurl.co/SaintIvyYT

Listen To “This Year”:
http://hyperurl.co/BFThisYearYT

Beach Fossils Tour Dates:
Fri. May 12 – Buenos Aires, AR @ Niceto Club
Sat. May 13 – Huechuraba, CL @ Espacio Riesco
Fri. July 7 – Fresno, CA @ Strummer’s
Sat. July 8 – San Francisco, CA @ The Fillmore
Mon. July 10 – Vancouver, BC @ Biltmore Cabaret
Tue. July 11 – Seattle, WA @ The Crocodile
Wed. July 12 – Portland, OR @ Holocene
Fri. July 14 – Boise, ID @ Neurolux
Sat. July 15 – Salt Lake City, UT @ Kilby Court
Sun. July 16 – Denver, CO @ Marquis Theater
Tue. July 18 – Santa FE, NM @ Meow Wolf
Wed. July 19 – Phoenix, AZ @ Crescent Ballroom
Thu. July 20 – San Diego, CA @ Casbah (early & late shows)
Fri. July 21 – Sun. July 23 – Los Angeles, CA @ FYF
Sat. Aug. 26 – Leeds, UK @ This Must Be The Place
Wed. Aug. 30 – London, UK @ Oslo Hackney

Somersault artwork

*Pre-order regular black LP / limited white+red splatter LP + goodies / CD / Cassette tape: http://hyperurl.co/BFsomersault
*Pre-order limited edition white+red splatter LP + goodie bag + signed poster: http://hyperurl.co/BFsomersaultextraLTD
*iTunes pre-order: http://hyperurl.co/BFsomersaultitunes

Beach Fossils online:
http://www.beachfossils.com/
https://www.facebook.com/beachfossils/
https://twitter.com/beachfossils
https://www.instagram.com/beachfossilsnyc
https://bayonetrecords.com/

Kane Strang’s new album due June 30th.

Kane Strang Announces New Album, Two Hearts and No Brain,
Out June 30th On Dead Oceans

Listen To New Single, “My Smile Is Extinct”
https://youtu.be/Q1fVG1IctmA
https://soundcloud.com/deadoceans/kane-strang-my-smile-is-extinct-3

Kane Strang has announced his new album, Two Hearts and No Brain, out June 30th on Dead Oceans. Along with the announcement he’s sharing the new single, “My Smile Is Extinct.” It’s the follow up to lead single, “Oh So You’re Off I See,” his first taste of new music since 2016’s Blue Cheese, which was shared ahead of Kane’s first ever North American tour last month.

Recorded in his hometown of Dunedin at the notoriously haunted Chick’s Hotel studio, Kane teamed up with producer Stephen Marr from trip hop group Doprah for Two Hearts and No Brain. The collaborative result is a razor sharp blend of intelligent alt-rock, bearing the signatures of grunge/alt rock swiftly executed with careful, meticulous precision over 11 tracks. Marr’s influence brings a pristine, retro-futuristic sheen which complements Strang’s perfectionist recording style, sharp melody, and verbose lyrical neuroticism. Taking to well-worn subject matter (heartbreak, loneliness, family) with a disarmingly frank scalpel, Strang’s wryly deadpan lines never miss a beat – the results often sardonic, and always captivating.

Two Hearts and No Brain is pure pop genius from start to finish. It’s hard to imagine who else could convincingly fuse fuzzy synths with slide guitar; crunchy chords with chiming vocals in such a kaleidoscopic pop vision. The album’s cover art, featuring a refracted analogue photograph taken of Kane atop of a rocky precipice; echoes the spirit of lean guitar-pop shining through a truly contemporary, innovative lens. His attention to detail shows up the fat slack present in the work of many of Kane’s contemporaries; yet his sound remains emotive and playfully laced with a tongue-in-cheek nostalgia – timelessly old and new in the same breath.

What sets Kane apart from the rafts of DIY indie songwriters is a willingness to push further. Having mastered the lo-fi aesthetic, he’s stretched his already limber songwriting legs and production chops to new unexpected spaces on Two Hearts and No Brain. Kane’s vision of extending his sound far beyond the bedroom promises international touring and releases the world over. With a live show that exhibits his unpredictable and exhilarating command on stage, Kane’s amassed a band of cohorts to execute his vision with arresting impact, sure to charm crowds with his sideways slant of guitar pop.

Listen To Kane Strang’s “My Smile Is Extinct”:
https://youtu.be/Q1fVG1IctmA
https://soundcloud.com/deadoceans/kane-strang-my-smile-is-extinct-3

Watch & Listen:
“Oh So You’re Off I See” video – https://www.youtube.com/watch?v=Y0mAC5NldNg
“Oh So You’re Off I See” audio – https://www.youtube.com/watch?v=l1VLO17X3Is&feature=youtu.be

Two Hearts and No Brain tracklist:
1. Lagoons
2. Silence Overgrown
3. Not Quite
4. Oh So You’re Off I See
5. See Thru
6. Summertime In Your Lounge
7. My Smile Is Extinct
8. Two Hearts and No Brain
9. It’s Not That Bad
10. Don’t Follow Me (I’m Lost)
11. Good Guy

Kane Strang UK/EU Tour Dates:
Sat. May 13 – Zurich, CH @ Stall 6 (Lauter Festival) (tickets)
Mon. May 15 – Manchester, UK @ Gullivers (tickets)
Tue. May 16 – Leeds, UK @ Headrow House (tickets)
Wed. May 17 – London, UK @ The Lexington (tickets)
Thu. May 18 – Brighton, UK @ The Great Escape (tickets)
Fri. May 19 – Brighton, UK @ The Great Escape (tickets)
Fri. May 19 – Brighton, UK @ The Mucky Duck (The Great Escape) (tickets)
Sat. May 20 – Antwerp, BE @ Trix
Mon. May 22 – Berlin, DE @ Privatclub (tickets)
Tue. May 23 – Paris, FR @ La Mecanique Ondulatoire
Wed. May 24 – Kortrijk, BE @ De Kreun (tickets)
Thu. May 25 – London, UK @ Greenman Presents Courtyard at Kings X (tickets)
Sat. May 27 – Amsterdam, NL @ Paradiso Upstairs (London Calling) (tickets)