Rickshaw Billie’s Burger Patrol announce U.S. tour.

Austin trio Rickshaw Billie’s Burger Patrol announce Spring/Summer U.S. tour dates, including Shaky Knees Festival in Atlanta and Thin Line Festival in Denton. Please see all dates below. Ticket links HERE.

RBBP released their new album Doom Wop in September 2022. Hear Doom Wop on your favorite streaming service HERERevolver Magazine recently premiered the official video for “Heel” HERE. (Direct YouTube.)

With their 5th studio release, Rickshaw Billie’s Burger Patrol is putting a name to the style of fuzzed out, overdriven, melodic, groovy music they have been making since 2016. In 9 concise, no bullshit songs, RBBP demonstrates their ability to blend the merciless low end of Leo Lydon’s 8-String guitar, Aaron Metzdorf’s masterful chordwork on the bass, and Sean St.Germain’s driving drumwork. Lydon and Metzdorf’s vocal melodies cut through the high frequencies to deliver fresh layers to the hooks that RBBP fans have come to love.

As the name implies, Doom Wop is a heavy, melody-driven, party metal album. With riffs as big and dumb as ever, and lyrics that stab at the worst members of society and ourselves (while keeping tongue firmly in cheek), listeners will find all the elements that make up the soul of RBBP on this record. 

Doom Wop is available on CD and download, released on September 23rd, 2022. Vinyl LP coming in May. Pre-orders are available HERE.

RBBP LIVE 2023:

04/21 Houston, TX – Black Magic Social Club

04/22 San Antonio, TX – Paper Tiger

04/29 Denton, TX – Thin Line Fest 

05/06 Atlanta, GA – Shaky Knees Festival 

05/07 Nashville, TN – The 5 Spot 

05/09 Charlotte, NC – Snug Harbor 

05/10 Washington, DC – Quarry House Tavern

05/11 Cambridge, MA – Middle East Upstairs

05/12 Brooklyn, NY – Saint Vitus 

05/13 Philadelphia, PA – Kung Fu Necktie

05/14 Pittsburgh, PA – The Funhouse at Mr. Small’s

05/15 Chicago, IL – The Empty Bottle 

05/17 Oklahoma City, OK – The Blue Note 

06/09 Los Angeles, CA – Permanent Records Roadhouse

06/10 San Francisco, CA – The Kilowatt 

06/13 Seattle, WA – Substation 

06/14 Portland, OR – High Water Mark

06/16 Salt Lake City, UT – Aces High Saloon

06/17 Denver, CO – Hi-Dive

Keep your mind open.

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[Thanks to Dave at US / THEM Group.]

Review: Acid King – Live at Roadburn 2011

Recorded at the famous metal / stoner rock festival in The Netherlands. Live at Roadburn 2011 is a heavy recording of Acid King‘s performance there. The band is legendary among stoner metal enthusiasts, and any release from them is a cause for celebration. They haven’t released a lot of material (although a new album is due in 2023), but what they have released is almost held sacred by their fans.

“All right,” says lead singer and guitarist Lori S. at the beginning of the set, sounding like she’s about to start working on an old motorcycle she’s had in the back of the garage for a couple years. What follows is Peter Lucas‘ growling bass introducing the title track of their famous album, Busse Woods. It’s not unlike a monster awakening from a long slumber, and Lori S.’s guitar is the chant of a high priestess calling the beast forth. You know you’re in for danger once Joey Osbourne‘s drums pound down the walls.

This rolls into “2 Wheel Nation,” a salute to outlaw biker gangs and the idea, at least, of living free on the road. It roars like a 1970s Harley-Davidson ridden by a orc leaving Mordor. “Silent Circle” is anything but silent. It’s heaviness is almost crushing. “On to Everafter” gets all cosmic with Lori S.’s swirling riffs and Osbourne’s desert rock drumming.

Once you’re in orbit, “Coming Down from Outer Space” brings you back to the surface with the full pull of Earth’s gravity (and the re-entry roar of Lucas’ bass). Somehow, “Electric Machine” hits even harder than that. Lori S.’s vocals echo back from the outer rim of the galaxy, bringing untold legions of alien warriors with it. The set ends with the colossal “Sunshine and Sorrow.”

It’s a good capture of some stoner metal giants playing to an appreciative crowd, and a nice warm-up for Acid King’s next record.

Keep your mind open.

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Stone Nomads unleash sludgy new single – “Fiery Sabbath.”

photo credit: Jefe Michulka

Texas Doom metal purveyors STONE NOMADS have released the new official music video for the thunderous single “Fiery Sabbath,” with the accompanying release of the digital audio extended single “Fiery Sabbath” including new epic B-side “Gallows Walk” and special bonus track “Sign of the Wolf” (featuring guest appearance by Esben Willems of Monolord), available at https://stonenomads.bandcamp.com/album/fiery-sabbath

STONE NOMADS explains “Our new single – ‘Fiery Sabbath’ is a song that really captures a lot of the different elements of our sound. It kicks off with the stoner-ish groove early in the song, which flows in and out of this slow metallic sludge and on into kind of an epic middle section.  We really dig that sludge sound so we try and hit it hard on the ‘low and slow’ parts. We did an official video for it which is premiering on Brave Words today and an extended single with a B-side of a Pentagram cover that turned out really good, we’re super excited for the release.”

Watch “Fiery Sabbath” at BraveWords here.

About STONE NOMADS:

Raised in the Texas fields of doom, STONE NOMADS have forged a sound blending colossal riffs, dynamic groove and all that is heavy… The band, based in Houston, mixes elements of Southern Sludge and Doom Metal on a stoned-out Sabbath trip, featuring Jon Cosky on Guitar & Vocals, Jude Sisk on Bass & Vocals, and Dwayne Crosby on drums. The trio released their debut album Fields of Doom via Gravitoyd Heavy Music in 2022, and the Doom metal scene took notice… The album was ranked #8 on the Doom Charts and saw the band playing festivals and regional tour dates with the likes of scene veterans Elder, Mothership, Spirit Adrift and more. In 2023 the band will embark on a US tour in support of a new album planned to be released mid-year.

Keep your mind open.

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[Thanks to Maria at Adrenaline PR.]

Skull Practitioners set to release first full-length album in January 2023.

Credit: John Bottomley Photography

Proving once again that “power trio” isn’t just a descriptive handle from the distant past, but a louder-than-God 21st Century reality, New York’s Skull Practitioners release their first full-length album, Negative Stars, for In the Red Records on January 20th. The album is the second release for Los Angeles-based In the Red by the trio — guitarist Jason Victor, bassist Kenneth Levine, and drummer Alex Baker, following the band’s acclaimed EP, Death Buy, issued in 2019.

Previously, Victor had established himself as the dazzling co-lead guitarist for Steve Wynn and the Miracle Three -when Wynn revived his ‘80s L.A. Paisley Underground consortium The Dream Syndicate in 2017, Victor took the guitar chair previously occupied by Karl Precoda and Paul Cutler.  Levine was playing in DBCR, a three-piece unit. “We wanted to go to a five-piece, and needed a drummer and another guitar player,” he says. “We put an ad out on Craigslist and met Jason and Alex that way. Alex was just two weeks into living in New York. We played together for a while, and then it just sort of dissolved. Jason, Alex, and I actually had more of a shared, common musical perspective, and the three of us decided, ‘Let’s stick together with just us three.’”

Skull Practitioners recorded a limited cassette-only debut, st1, which they self-released in 2014. The four-song collection, on which Baker was the lone band member to take a vocal, marked the start of a long hunt for the right voice. “We kept looking for a new singer, and that person never came,” says Victor. “None of us wanted to sing at all. After a while, we had been together as a three-piece for so long that we had our thing, and it became difficult for someone to fit into it. So we pulled a Genesis! The best thing about it is that now all three of us will sing, and that takes the pressure off just one of us.” Levine adds, “Whoever writes, sings. It’s their expression, so they should say what they have to say.”

On Negative Stars, Levine performs “Dedication” and “What Now,” and Victor sings “Exit Wounds,” “Leap,” “Intruder,” and “Ventilation.” The album’s expansive instrumental tracks are “Fire Drill” and Skull Practitioners’ longtime club highlight “Nelson D,” which first appeared on st1 in a live version. You can hear a multitude of influences coming off each other in Skull Practitioners’ music, ranging from The Gun Club to Sonic Youth to Joy Division, Black Flag, and beyond. Each player brings something uniquely his own to the mix.

“Black Flag was huge for me,” says Victor. “There is that element of improv, and of aggression, that I was attracted to in that band. With our band, there’s definitely an aggressive angle there, and absolutely an improvisational one. We’re all willing to give everyone the space for contributing ideas. This band really does function as a democracy, which is nice.” Levine adds, “All of us were into different things, and there’s some kind of overlap and we kind of influence each other, and there’s stuff that we turn each other on to.”

Everything on Negative Stars coheres so seamlessly, but like with so many others, its recording was hampered, and protracted, by the COVID-19 pandemic.“The main album session was a few years ago,” Baker says. “That was when we went into the studio for a couple of days with our friend, engineer Ted Young, and we tracked the bulk of the album there. We recorded the instrumental parts first, then started vocal tracking in January of 2021. It took us so long to decide that all the instruments were done at that point. The vocals were actually done at our practice space. We just set up the mics and did that ourselves.”

Levine adds, “The record was in mid-flight, and then the pandemic hit, so we were just sitting around for six months or a year, and we said, ‘Well, we may never finish this.’ So we wound up literally sitting in a room with masks on during most of the vocal tracking. If we’d waited to go into a real studio, it would have come out even later. Alex did all the engineering on that, and we’re very appreciative of all his engineering prowess.”

With their album finally complete and the pandemic lifting, Skull Practitioners have begun to take to the stage more regularly: they have opened shows for Lydia Lunch, Hammered Hulls, Live Skull, and In the Red label mates the Wolfmanhattan Project (Kid Congo Powers, Mick Collins, and Bob Bert). They plan to get on the road in the near future. 

Says Levine, “I think the band is represented at its best in a live setting. That’s where we’re in our element. Playing live, we’re out for blood.” Victor adds, “With the live thing, we just want to destroy, in the nicest, most friendly way — we’re nice people. Someone said about us, ‘These guys look like a bunch of accountants.’ People don’t really know what to expect before they hear us. I think they’re all a little surprised, maybe, and we like having that element of surprise — ‘We’re gonna blow your minds a little.’”

Keep your mind open.

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[Thanks to Jo Murray.]

Greg Puciato releases his first live album December 20, 2022.

Photo credit: Stephen Odom

Greg Puciato, who has released both his critically-acclaimed debut and sophomore solo albums in the short span of two years, has set a Dec. 20 release date for his inaugural live album, 11/11/22 Los Angeles.

“You don’t get many first shows,” says Puciato of his Nov. 11 outing at Los Angeles’ Don Quixote. “Having the ability to properly document one and get high quality audio and video…I didn’t wanna regret not doing that. It’s gonna be killer to look back at this 100 or even five shows from now and see how much further along the live versions of these songs are. When I hear these recordings, I instantly feel transported to that room, that night, with my bandmates onstage and friends and everyone there in attendance. A lot of love and support and passion and hard work and talent in the room. I hope it does the same for you if you were there, and resonates as strongly for people who weren’t able to attend. I can’t wait to do more of this and see everyone again and more of you in other places down the line.”

A preview of the 11-song collection arrives today with the Jim Louvau and Tony Aguilera directed video for “Deep Set (Live)” (https://youtu.be/6U3IGUQmV1o). Puciato noted: “’Deep Set’ feels good to lead with. One of my favorite memories of the tracking of Child Soldier: Creator of God were the vocals to this song…incidentally recorded at the same time of year as this show. The song was always meant to feel loose and live; the recorded vocal was a front-to-back one-take that we did in a shed in Nick Rowe’s (producer and live guitarist) backyard…so bringing it to life onstage with him, and Chris (Hornbrook) for the first time felt like a nice, symbolic full circle.”

11/11/22 Los Angeles will be available exclusively via Bandcamp, with the album streaming on Dec. 20, and vinyl pre-orders launching the same day. The collection will arrive on additional streaming services following its vinyl release in the Spring.

Joining Puciato for the live performance, and featured in this video, are the aforementioned Nick Rowe (guitar), Chris Hornbrook (drums), James Hammontree (guitar), and Jeff “Manwolf” Geiser (bass).

Keep your mind open.

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[Thanks to Monica at Speakeasy PR.]

Rewind Review: Rickshaw Billie’s Burger Patrol – Burger Time Classics (2017)

The debut EP from Austin, Texas’ Rickshaw Billie’s Burger Patrol, Burger Time Classics, is a protein-packed wallop in just six songs.

I mean, the opening chords and vocals of “Born to Lose” alone will smack you upside the head – and that’s before the heavy snare pounding and cymbal sizzling enters the fray. “Dickhead” starts sounds like an old Weezer track they never released and then drops chugging guitars that Weezer still dreams of playing.

“Maggot” is almost sludge metal. “Kill for the Thrill” is so hot and that it’s practically charbroiled. It’s hard to tell which instrument is putting out the most volume in it. The title of “All Beef, Patty” is not only funny, but it also lets you know what’s in store for you over the next three minutes and thirty-seven seconds: pure beefy rock with a little extra grease. “Maniac” has touches of thrash metal sprinkled in for good measure.

It’s short, but satisfying – not unlike a slider.

Keep your mind open.

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Motörhead set to unleash new version of their “Bad Magic” album – “Bad Magic: Seriously Bad Magic” – with bonus tracks and a full live album.

Motörhead, the iconic Godfathers of heavy metal, released their 23rd (and final) studio album Bad Magic in 2015. Instantly hailed as one of the best the beloved trio had recorded in many years, Bad Magic: SERIOUSLY BAD MAGIC enjoys a bonus-packed refresh, adding two previously unreleased tracks from those furious sessions:

Bullet in Your Brain and “Greedy Bastards” as well as a snarling, fangs-out live performance from that subsequent tour at the giant Mt Fuji Festival in Japan in 2015. Fans will also get “War, Love, Death and Injustice”, an audio interview with Lemmy conducted by Motörhead expert Robert Kiewik during the tour, and should the desire to have a chat with Lem or anyone beyond this mortal coil arise, the box-set will exclusively contain a MURDER ONE ouija board (complete with the Ace of Spades planchette to spell out the conversation). 

A new video for “Bullet In Your Brain”, featuring exclusive, never before seen footage of Motörhead in the studio for the Bad Magic sessions, is available right now. A foot-down, fist-pumping, Lemmy-bass-driven stomper with a deliciously dirty Campbell riff, and Dee-driven dynamics, both the song and footage are a tremendous treat for fans who have craved new Motörmaterial.

Watch/Listen to “Bullet In Your Brain” here

At the time of its release back in 2015, Bad Magic arrived as a massive kick in the teeth for anyone who believed Motörhead were going to amble along into a peaceful little pasture containing fluffy little lambs, folk music and perhaps the odd medieval lute here and there. Big-rig head crushers such as “Thunder & Lightning” and “Teach Them How To Bleed” brought such people to their knees begging for forgiveness, as the album unfurled into their toughest, leanest, meanest and most uncompromising album in aeons. Much of this came down to long-time producer Cameron Webb getting the band to record live at NRG North Hollywood, Maple Studios and Grandmaster in California together for the first time in the Kilmister/Campbell/Dee era, and from the crackling punk energy of “Electricity” to Brian May of Queen’s scintillating guest-appearance on “The Devil”, a vast wealth of aggression, attitude, and excellent songwriting was cultivated in that furious working environment. Phil Campbell didn’t just record possibly his finest guitars, he threw down most certainly his best solos for decades, while Mikkey Dee’s drumming found new tribal resonance with the Motörhead sound he had helped nurture. There was also one of Lemmy‘s rawest lyrical life reflections on “Till The End”, and a cover of The Rolling Stones’ “Sympathy For The Devil” which made the song feel like one of their own. One of the hidden gold-dust additions to Bad Magic: SERIOUSLY BAD MAGIC, is Motörhead’s famous, and internationally acclaimed, version of David Bowie’s classic “Heroes”. Originally slated for inclusion on the last release only to be withdrawn at the last minute, it was a cover version which Lemmy had a great affection for, and as such its inclusion here is both fitting and just.

As the title says, this is Motörhead delivering some SERIOUSLY BAD MAGIC.

Bad Magic: SERIOUSLY BAD MAGIC will be released on Double 12” Vinyl, CD Digipak with Bonus Disc, Limited Edition Boxset, Digital Download and Streaming. The Limited Edition Boxset will contain the CD Digipak with Bonus Disc, Double 12” Vinyl, exclusive Lemmy War, Love, Death and Injustice audio interview on 12” vinyl and exclusive edition Motörhead – MURDER ONE Ouija Board and Planchette. Pre-order all formats at this location

Bad Magic: SERIOUSLY BAD MAGIC Track List:

1. Victory Or Die

2. Thunder & Lightning

3. Fire Storm Hotel

4. Shoot Out All of Your Lights

5. The Devil

6. Electricity

7. Evil Eye

8. Teach Them How To Bleed

9. Till The End

10. Tell Me Who To Kill

11. Choking On Your Screams

12. When The Sky Comes Looking For You

13. Sympathy For The Devil

14. Heroes

15. Bullet In Your Brain

16. Greedy Bastards

Live at Mt Fuji Rock Festival 2015 – Sayonara Folks! Track List:

1. We Are Motörhead

2. Damage Case

3. Stay Clean

4. Metropolis

5. Over the Top

6. String Theory

7. The Chase is Better Than the Catch

8. Rock It

9. Lost Woman Blues

10. Doctor Rock

11. Just ‘Cos You Got the Power

12. Going to Brazil

13. Ace of Spades

14. Overkill

Keep your mind open.

[It might be seriously bad magic if you don’t subscribe.]

[Thanks to Maria at Adrenaline PR.]

Levitation Austin 2022 recap: Day Three

We had enough time for a long disco nap before heading back to Stubb’s for a night of Australian psych-rock: The Murlocs, Tropical Fuck Storm, and King Gizzard and the Lizard Wizard were all on the same bill. The line to get in was almost two blocks long and went around the corner. The Murlocs were playing an energetic set by the time we got into the outdoor stage area.

The Murlocs

Tropical Fuck Storm came afterwards with their strange blend of psychedelia, garage rock, post-punk, and stuff you can’t quite define.

Tropical Fuck Storm

The headliners, King Gizzard and the Lizard Wizard, came out with a set packed full of musical styles (from thrash metal to electro) and riffs. They opened with an extended version of “Rattlesnake” that blew everyone’s minds and then only let up to swap guitars for the rest of their set. The crowd was fired up and singing every track.

King Gizzard and the Lizard Wizard

We split at the end of their set so we could make a power walk to Antone’s to see local doom metal trio The Well. It was our first time at Antone’s, which is odd considering all the years I’ve been attending the festival. It’s a nice venue, mostly known for hosting blues acts, but they stepped up to help the festival after Parish caught on fire (no injuries, thank heavens). We wandered through hundreds of people on the street our for various Halloween parties at the bars on 6th Street. Sexy cowgirls, Jesus, Hunter S. Thompson, witches, devils, and vampires were the most popular costumes we saw. The Well weren’t in costumes, but they did deliver a loud, heavy set of spooky doom that was a great way to cap the night.

The Well

We had one more night to go in Austin, and it would bring some of the trippiest stuff we’d see and hear all weekend.

Keep your mind open.

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Review: Rickshaw Billie’s Burger Patrol – Doom Wop

As soon as you hear the opening riffs of Rickshaw Billie’s Burger Patrol‘s Doom-Wop on the first track, “Shoo In,” you know you’re in for a wild ride. The heavy thump of the fuzzed bass, Sean St. Germain‘s crashing cymbals, the crunchy guitars, and the slightly post-punk vocals all combine for a crazy party mix.

The vocals on “Fly Super Glide” are almost frantic cries for love. “Chew” chews up the room with bass that growls like a hungry lion and angry vocals of telling a lover to pound sound – and that’s mildly putting it. Leo Lydon‘s eight-string guitar work on the title track chugs along like a steam engine one moment, and then tears down the road like a Hemi ‘Cuda the next. “Just ’cause you feel, doesn’t mean that you’re not the heel,” they sing / wail on “Heel” – a song about realizing you’re not the one screwing up a relationship, the other person is.

“The Room” has this heavy grind to it that reminds me of a thunderstorm rolling in from over a mountain. “I’m the Fuckin’ Man” slaps party-bros across their smug faces with Aaron Metzdorf‘s sledgehammer bass. “Jesus Was an Alien” is a funny, fuzzy cut about, I think conspiracy theorists and / or religious fanatics. “The Bog” brings their love of 1970s garage rock to the forefront, and then slaps a thick layer of doom upon it.

The album has just nine tracks, but it packs enough wallop for eighteen. Give it a spin and get rockin’!

Keep your mind open.

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[Thanks to Dave at US / THEM Group.]

Rattlesnake Venom Trip takes us to a “Dead Empire” on their shredding new single.

Rattlesnake Venom Trip premieres “Dead Empire” video today at Metal Injection.  The song and debut album were recorded by Micah Carli of Hawthorne Heights and mixed by Adam Dutkiewicz of Killswitch Engage.

Kevin Schindel, vocalist and guitarist for RVT shares Dead Empire is about getting older and seeing that life has passed you by. Pouring all your time and effort into your work and realizing you don’t have anything to show for it at the end. The video is capturing you looking back at yourself with heavy judgment and wishing to change your outcome. If only you could warn yourself somehow.”    

The song is catchy as much as it is windmilling worthy, and comes alongside a music video directed by Kyle Moore.” – Greg Kennelty, Metal Injection

 Watch “Dead Empire”at Metal Injection here:

Based out of Dayton, Ohio, the band formed in September of 2019. Rattlesnake Venom Trip is a heavy rock/metal band with a lot of variety, saluting to classic bands like early Metallica, Black Sabbath, Alice in Chains, to more modern bands like Queens of the Stone Age, Mastodon, and Uncle Acid and the Deadbeats. RVT‘s collective love of classic rock, heavy metal, and psychedelic music has helped craft a compilation of songs with a wide array of musical dynamics. With each track the band ventures into new territory, creating a unique landscape for listeners to explore.

Although Rattlesnake Venom Trip is a new band, its members are certainly not strangers to the road, the stage, or the recording studio. They each have a long history of playing in bands and releasing music over the years. Featuring members of the metalcore act Twelve Tribes, post metal outfit Mouth of the Architect, and stoner rock band Neon Warship, the band plans on continuing from where their previous projects left off and making their own mark in time. “We cannot wait to see where this new music takes us”, shares RVT.

Full length album Dead Empire is coming to streaming services on October 19, 2022!

Recorded at Popside Studio with Micah Carli of Hawthorne Heights

Mixed at Wicked Good Productions by Adam Dutkiewicz of Killswitch Engage

Mastered at Sterling Sound by Ted Jensen.

Keep your mind open.

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[Thanks to Maria at Adrenaline PR.]