Metal – Page 6 – 7th Level Music

Roadkiller’s new single is “Slicker Than Oil,” and hotter than a refinery fire.

The Philly punk scene is a powerful thing. It should come as no surprise that this bastion of hard hitting punk rock would be a lodestone for some of the best metal punk talent in the world! Such was the case for vocalist/guitarist Phillipa Tank of California Motorhead tribute band Motorbabe, and now frontwoman of the hard hitting punk thrash band, Roadkiller. After an initial burst of shows, Roadkiller quickly recorded their self-titled debut EP, a record fated to make your ears bleed in all the right ways. Created with the goal of fusing punk, hard rock and crossover thrash whilst still remaining uniquely Roadkiller, Phillipa is on a mission to write songs to get your blood pumping. With dreams of constant touring and a dedication to quality songwriting, Roadkiller is more than just another punk band. We are witnessing the birth of a well oiled machine, representing the magic of all the underground has been and will be.

“Slicker than Oil” premiered today on Metal Injection. Watch here: https://metalinjection.net/video/roadkiller-streams-slicker-than-oil-featuring-municipal-wastes-drummer

Phillipa Tank shares “This is the second single off of my upcoming record Pick of the Litter, featuring the inimitable Dave Witte (Municipal Waste, Melt Banana, Discordance Axis) who nailed my song ‘Slicker than Oil’. We shot down at Graffiti Pier, directed and filmed by my awesome crust-lord, drone pilot friend, Botgrinder.”
Dave Witte adds “Phillipa Tank‘s ROADKILLER songs are rocking and full of energy. It was really fun to play the tune and film a cool video to boot! Also to be included among a really great group of drummers playing on the record is equally as exciting.“
2022 will see the release of Roadkiller‘s first full length record “Pick of the Litter“, featuring stacked guest spots of iconic drummers across the heavy music spectrum.

About ROADKILLER:
Phillipa Tank is ROADKILLER. Phillipa is the vocalist, singer and composer of the music and lyrics of all of the songs on the record. She is also the guitarist and founding member of all girl Motorhead tribute band, Motorbabe. Five guest
drummers participated in the recording of the upcoming ROADKILLER album, Pick of the Litter: Dave Witte (Municipal Waste), Jess Margera (CKY), Donald Tardy (Obituary), Tommy Akerholdt (Turbonegro) and Adrian Aguilar (Exmortus). Phillipa invited each drummer to record a song that best fit each drummer’s style of playing. Each session was filmed and a total of five videos will be produced.

ROADKILLER Social Media Links:
facebook.com/roadkillerhq
instagram @roadkillerofficial

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[Thanks to Maria at Adrenaline PR.]

Trip Villain have “Won” with their new single.

Trip Villain is a Brooklyn-based power duo that fuses synth-laden psychedelia with the prehistoric stomp of doom metal. Trip Villain is Josh Musto (Tragedy, ex-ShitKill, ex-Netherlands) and Damien Moffitt (Leach, ex-ShitKill, ex-Netherlands).
Today, Trip Villain released their new dance-punk single/title track “Won.” This is the third single off their upcoming debut LP, Won, which drops February 22nd. Accompanying the single is a live in-studio performance of the song shot at Rad Hazard Studios.

Watch “Won”HERE!

Guitarist Josh Musto and drummer Damien Moffitt share “The title track, ‘Won’ was the first jam we came up with as Trip Villain. The prompt we gave ourselves was ‘heavy, sexy, dancey,’ and once our friend, Trip-Pop artist, Leach recorded a guest vocal, it gelled beautifully. Lyrically, ‘Won’ is about breaking free from bad relationships and controlling your own destiny.

Preorder details: Digital album and 7” Flexi-Disc preorders open on Jan 21st. https://tripvillain.bandcamp.com/album/won

An instant digital download via Bandcamp of the three singles “Won”/ “The Villain”/”Is This Love?” comes with a preorder of either the digital album Won or the two-track 7″ flexi-disc of “The Villain” & “Ego Death.”

The 7” Flexi-Disc is two tracks (The Villain, Ego Death) and comes with a full album download via Bandcamp. 7” Flexi-Discs will not ship until late-March.

Trip Villain explains“Won is the culmination of the two of us playing together in various bands since we were thirteen. We wanted to make an album that punches as hard as the riffy metal bands we grew up with, but with the emotional depth and synthy sparkle of the psychedelic music we’re influenced by as adults. Since most of these songs were born out of improvised jams, our seventeen years of musical chemistry is front and center. The sound we ended up with lands somewhere between the metallic grooves of Helmet and the tripped out ecstasy of The Flaming Lips, all with a deep reverence for the almighty RIFF.”

Two previously released singles from the upcoming album, Won, “Is This Love?” and “The Villain”are also currently streaming HERE on Spotify

Check out the animated video for “The Villain” by visual artist duo Gregory Stovetop & B.A. Miale: https://www.youtube.com/watch?v=eyqE7TtfnI0

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[Thanks to Maria at Adrenaline PR.]

Review: Motörhead – Everything Louder Forever

How do you even attempt to create a collection of Motörhead‘s forty-year career? If you’re BMG Records, you put together Everything Louder Forever, which they describe as “the definitive assembly of Motörhead songs that have created [a] cultural phenomenon, and represents the first time all the eras of the band’s recorded history have been represented in one place.”

Starting with the classic, frantic “Overkill,” Everything Louder Forever packs so much power into two CDs / four LPs that it’s bursting at the seams. Lemmy Kilmister‘s heavy bass comes to the forefront on “We Are Motörhead” and never leaves for the rest of the collection. “Fast” Eddie Clarke‘s guitar solo on “Snaggletooth” (a song named after the band’s logo) is stunning. Brian “Robbo” Robertson‘s piano pounding adds a fun touch to “Rock It.”

The fuzz of “Orgasmatron” never gets old. Mikkey Dee‘s drums on “Sacrifice” are bonkers and make you stop in your tracks and pay attention. “Killed by Death” is still one of Motörhead’s wittiest tracks, as is “Smiling Like a Killer,” in which Kilmister takes on the persona of a happy man with a dark, deadly secret. “Keys to the Kingdom” is a good example of how well Motörhead could groove.

The double kick drum on “Burner” is perfect for the afterburner energy of it. “Just ‘Cos You Got the Power” has Kilmister at some of his angriest on the vocals and some of Micheal “Würzel” Burston‘s best guitar work. “R.A.M.O.N.E.S.” is a fun tribute to fellow rockers. “I Ain’t No Nice Guy” features Ozzy Osbourne on guest vocals and Slash on guitar. The compilation ends, appropriately, with “Motörhead.”

It’s full of great tracks, too many to list and review here. It works as both an introduction to the band and a fine addition to an established collection.

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[Thanks to Maria at Adrenaline PR.]

Top 15 live shows of 2021: #’s 5 – 1

These are my top five shows of 2021. I hope to see more than 30 bands in 2022, but the future is now – so let’s get to it.

#5: Ty Segall – Psycho Music Festival – August 20th

Playing on a stage atop a wave pool, Ty Segall and his band put on one of the loudest, fiercest sets of the 2021 Psycho Music Festival. The power coming across the water was stunning.

#4: Clutch – Ft. Wayne’s Piere’s – September 29th

Clutch are always a top tier live band, and this show kept their reputation intact. They played a few new cuts and a lot of stuff from early in their catalogue they hadn’t played in a long while.

#3: Devo – Riot Fest – September 19th

I’m not sure I saw a more delighted crowd at any show in 2021. Everyone stopped caring about the heat and humidity, the overpriced food, and the terrible screamo bands on the lineup and started cheering, dancing, and singing.

#2: Frankie and the Witch Fingers – Psycho Music Festival – August 22nd

This set stunned everyone at the Mandalay House of Blues. It was my first time seeing FATW live, and the first time many in the crowd had heard them. It was their first gig in two years, and they came out gunning. I heard someone in another crowd later raving about them and telling everyone he could to listen to them. I can’t put it better than that.

#1: Osees – Psycho Music Festival – August 22nd

Holy crap. Osees closed the 2021 Psycho Music Festival’s outdoor stage on the last night of the four-night festival. They went bonkers. Yes, I know every Osees show is bonkers, but you could tell they had a lot of pent-up energy from not being able to play in front of a crowd for two years. People were charging through the wading pool in front of the stage, throwing beer buckets full of water on each other, or stumbling backwards on the beach as the wall of sound hit us like a bulldozer.

Everyone stay healthy in 2022 so we can see more shows.

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Top 15 live shows of 2021: #’s 10 – 6

I saw over 30 bands last year, despite many shows being cancelled or postponed, and here are the ones that made the top ten.

#10: Frankie and the Witch Fingers – Ft. Wayne’s Brass Rail – October 08th

This was the third time I’d seen Frankie and the Witch Fingers in as many months (and the last time I’d see them in 2021), and they played a wild set in a small club that included some new, unreleased material.

#9: Danzig – Psycho Music Festival – August 21st

I’m not sure how I hadn’t seen Danzig in concert until now, but he and his crew put on a good show. They played Lucifuge in its entirety and plenty of other tracks – including a long encore missed by at least half the crowd.

#8: Claude Fontaine – Psycho Music Festival – August 20th

In the middle of the Psycho Music Festival, which is heavy on metal of all sorts, Claude Fontaine came onstage at the Mandalay Bay House of Blues and put on the most beautiful set of the entire festival. Backed by two percussionists and a guy on acoustic guitar, she performed gorgeous bossa nova and dub tracks for her first show ever in the Sin City. Shame on you if you missed it.\

#7: Death Valley Girls – Psycho Music Festival – August 19th

Playing as the sun set and the moon rose, Death Valley Girls were a highlight of the “Psycho Swim” opening night of the 2021 Psycho Music Festival in Las Vegas. Like pretty much everyone there, it was their first gig in nearly two years and their excitement was palpable.

#6: The Flaming Lips – Psycho Music Festival – August 21st

It’s always a joy to see The Flaming Lips, and hearing their uplifting songs and soaking up the energy from the loving crowd was just what we needed as we returned to live music and hope. This show will always have a special place in my heart, as it was the last time my late wife was able to see them. Their shows always boosted her spirit.

Who’s in the top five? You’ll have to wait until tomorrow to learn!

Keep your mind open.

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Mötorhead releases massive compilation – “Everything Louder Forever.”

Leading the charge for their entire 40 year career was the cultural icon Ian ‘Lemmy’ Kilmister, who swashbuckled around stages, streets and overseas like a glorious Mad Max pirate truthsayer, roaring for the good and screaming at the wankers. With his propulsive sound and lyrical might leading the charge, MOTÖRHEAD released 22 studio albums over those four decades, amassing chart topping records worldwide, a Grammy award and racking up around 20 million sales. Their hit song “Ace Of Spades” became MOTÖRHEAD’s anthem, perfectly capturing their attitude for millions, and punching giant holes in stereos worldwide to this day. Nothing was harder, nothing was faster, nothing packed more raw attitude and certainly nothing was louder, making MOTÖRHEAD a cultural elixir that was regularly imbibed across all genre lines. Don’t take our word for it, look around any heavy metal, punk or alternative gig, and you’ll see the indomitable warpig logo and MOTÖRHEAD gothic script on a t-shirt, a jacket, even an arm or leg or back (MOTÖRHEAD tattoos are everywhere), all sitting on the bodies of rockers, metalheads, punks, bikers, rebels, outcasts, freethinkers and even athletes all around the world. Yeah, that’s right, MOTÖRHEAD’s cultural reach remains virtually peerless to this very day (the one you’re living right now as you read this), and it continues to span fans young and old, igniting their adrenaline and giving them both entertainment and identity.

MOTÖRHEAD are proud to announce they are teaming up with MÖVEMBER for their annual fundraising campaign this year. Supporters are encouraged to ‘shave down’ on 31^st October and grow a moustache – or in this case your very own ‘Lemmy Mo’, through the month of November, to raise funds and awareness. All funds go directly toward supporting men’s health projects across mental health and suicide prevention, prostate cancer, and testicular cancer.

By joining team MOTÖRHEAD and growing your own Lemmy Mo’ you’ll be raising much needed funds for MÖVEMBER and all the great work that they do. The biggest fundraisers will have a chance to win a selection of very special MOTÖRHEAD prizes!

Do you want to see what you might look like with a Lemmy Mo? Then you can try this handy filter!https://motorhead.lnk.to/LemmyMoPR

To sign up to grow your own mo’, visit www.movember.com/lemmy

Everything Louder Forever
This collection is the definitive assembly of MOTÖRHEAD songs which have created this cultural phenomenon, and represents the first time all eras of the band’s recorded history have been represented in one place. And we feel that if in this mad, mad world we’re living in, some aliens decide to drop by your house for tea and demand an explanation as to, “what the fuck is this ‘MOTÖRHEAD’ is that we keep hearing and feeling bits of in our extra-terrestrial houses millions of miles away,” you could happily play Everything Louder Forever and know that the question will be thoroughly answered. Buy two copies though, because you know they won’t leave without taking one themselves! Or something like that anyway…

Be sure to visit www.iMotorhead.com for news and updates!

Keep your mind open.

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[Thanks to Maria at Adrenaline PR.]

RidingEasy Records set to unleash “Scrap Metal vol. 1” – a horde of rare metal from the 1970s – 1980s.

The curators of the popular Brown Acid compilation series of long-lost vintage 60s-70s proto-metal singles share a new track today via Decibel Magazine from the first edition of a new series titled Scrap Metal. Following chronologically where Brown Acid leaves off, Scrap Metal scours the world for long-lost, rare and unreleased Heavy Metal from the late-70s through late-80s. Hear/share The Beast‘s (featuring Scott Ruth, later of Dim Mak and Ripping Corpse) 1983 punk-metal hybrid “Enemy Ace” HERE. (Direct YouTube and Bandcamp.)

Album opener Rapid Tears‘ anthem “Headbang” premiered previously via Metal Injection HERE (And YouTube.) “69 in a 55”, a 1983 track from Bay Area band Air Raid launched via Ultimate Classic Rock HERE (and YouTube.)

Brown Acid & Scrap Metal series are created and compiled by L.A. based RidingEasy Records and Permanent Records.

By now you’re probably familiar with our wildly popular Brown Acid series of rare, lost and unreleased proto-metal and stoner rock singles from the 60s-70s. In the endless pursuit of those glorious gems, we often uncover equally brilliant rarities from the late-70s to late-80s Golden Age of Heavy Metal that also just must be heard, but they don’t fit the series’ aesthetic. Scrap Metal: Volume 1 collects some of the greatest unknown and lost Heavy Metal tracks, long buried beneath the avalanche of the era’s classic output.

We all know the old adage that history is told by the winners. But sometimes the losers tell the best stories. And while none of these bands found fame and fortune, this artifact and the volumes to come are testament to the enduring power of heavy music. You can hear the blood, sweat and beers that went into each of these singles. The recordings may be low budget, but the inspiration and talent is immutable. Not only are the amps turned up to 11, the boyish sexual innuendo is cranked to 69. You can hear the convergence of influences — NWOBHM, thrash, glam metal, doom, etc — colliding at once as the era birthed a wellspring of subgenres.

Many of these singles are self-released and were thus limited to a small run of copies. Those that remain are hoarded by collectors and sold for exorbitant amounts. We’ve collected the best of the best for you here. As with Brown Acid, all of these tracks are licensed legitimately and the artists all get paid. Because it’s the right thing to do.

Scrap Metal: Vol. 1 will be available everywhere on LP, CD and download on November 12th, 2021 via RidingEasy Records. Pre-orders are available for digital at Bandcamp, physical pre-orders at RidingEasy Records.

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[Thanks to Dave at US / THEM Group.]

Witch Fever deliver “In Birth” ahead of their debut EP.

Creating buzz in the music scene since their inception, Manchester’s Witch Fever are not long away from their debut EP Reincarnate which will be released digitally on 29th October and physical 12” on 3rd December, via Sony’s Music For Nations. Pre-order HERE.

Following title track ‘Reincarnate’ (here), and the lyrical mash up ‘In The Resurrect’ (here), today they share new single ‘In Birth’. It’s lyrics are semi-autobiographical from singer Amy and deal with the consequences of being born into a Charismatic Christian church where patriarchal structures and predatory behaviour were rife.

“‘In Birth’ has been kicking around for a little while now, so it’s nice to finally exorcise it into the world.”, says Amy. “Whilst the theme of a lot of our songs is reclamation, empowerment and catharsis, it’s definitely far more vulnerable. It felt right to juxtapose this with big chuggy riffs and noisy, cymbal heavy drums. The power that Alisha, Alex and Annabelle create on this track accompanies the anger in my lyrics perfectly.”

Watch the video for ‘In Birth’ HERE.

She continues, “We created and directed the video with Sam O’Leary and it’s a tongue in cheek way of presenting the narrative. We wanted something camp and fun, but still powerful and angry. Plus, everything’s better with a bucket of fake blood!”

Witch Fever also announce an in-store performance and signing at the legendary Rough Trade East for 4th December 2021. Free with vinyl purchase at Rough Trade, or tickets on sale.

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[Thanks to Amy at Prescription Music PR.]

Motörhead to release “Everything Louder Forever” compilation this October.

MOTÖRHEAD…a life force, an energy, an attitude and the loudest, meanest, dirtiest music to smash the 20^th and 21^st centuries. With a bastard sound comprising an unholy synergy of rock, punk and heavy metal, MOTÖRHEAD comes coated in relentless, ear-curdling power. They were life-changing for millions, carrying a spirit and approach to life and music which proudly said, “Honey, we’re hoo-oome and don’t bother cleaning because we’re here to enjoy ourselves!” The ‘off’ switch was never employed in the MOTÖRHEAD lust for life, and they became legends as a result.

Leading the charge for their entire 40 year career was the cultural icon Ian ‘Lemmy’ Kilmister, who swashbuckled around stages, streets and overseas like a glorious Mad Max pirate truthsayer, roaring for the good and screaming at the wankers. With his propulsive sound and lyrical might leading the charge, MOTÖRHEAD released 22 studio albums over those four decades, amassing chart topping records worldwide, a Grammy award and racking up around 20 million sales. Their hit song “Ace Of Spades” became MOTÖRHEAD’s anthem, perfectly capturing their attitude for millions, and punching giant holes in stereos worldwide to this day. Nothing was harder, nothing was faster, nothing packed more raw attitude and certainly nothing was louder, making MOTÖRHEAD a cultural elixir that was regularly imbibed across all genre lines. Don’t take our word for it, look around any heavy metal, punk or alternative gig, and you’ll see the indomitable warpig logo and MOTÖRHEAD gothic script on a t-shirt, a jacket, even an arm or leg or back (MOTÖRHEAD tattoos are everywhere), all sitting on the bodies of rockers, metalheads, punks, bikers, rebels, outcasts, freethinkers and even athletes all around the world. Yeah, that’s right, MOTÖRHEAD’s cultural reach remains virtually peerless to this very day (the one you’re living right now as you read this), and it continues to span fans young and old, igniting their adrenaline and giving them both entertainment and identity.

This collection is the definitive assembly of MOTÖRHEAD songs which have created this cultural phenomenon, and represents the first time all eras of the band’s recorded history have been represented in one place. And we feel that if in this mad, mad world we’re living in, some aliens decide to drop by your house for tea and demand an explanation as to, “what the fuck is this ‘MOTÖRHEAD’ that we keep hearing and feeling bits of in our extra-terrestrial houses millions of miles away,” you could happily play Everything Louder Forever and know that the question will be thoroughly answered. Buy two copies though, because you know they won’t leave without taking one themselves! Or something like that anyway…
Everything Louder Forever will be released October 29 via BMG Records. See below for full details of the Everything Louder Forever and be sure to visit www.iMotorhead.com for news and updates!

2CD & 4LP track listing:

Overkill
We Are Motörhead
Snaggletooth
Rock It
Orgasmatron
Brotherhood Of Man
In The Name Of Tragedy
Bomber
Sacrifice
The Thousand Names Of God
Love For Sale
Killed By Death
I’m So Bad (Baby I Don’t Care)
Smiling Like A Killer
Sharpshooter
Queen Of The Damned
Keys To The Kingdom
Cradle To The Grave
Lost Johnny
The Game

Ace Of Spades
Burner
Stone Dead Forever
Bad Woman
Just Cos You Got The Power
Stay Out Of Jail
No Class
I Am The Sword
The Chase Is Better Than The Catch
God Save The Queen
R.A.M.O.N.E.S.
Iron Fist
Rock Out
Dirty Love
Shine
Overnight Sensation
On Your Feet Or On Your Knees
I Ain’t No Nice Guy
Sucker
1916
Choking On Your Screams
Motörhead

Also available as 2CD, 2LP, 4LP, digital download, streaming and 360 Reality Audio.

Keep your mind open.

[Thanks to Maria at Adrenaline PR.]

Review: Deathchant – Waste

Imagine Thin Lizzy fronted by a guy who looks like a heftier Frank Zappa but with a voice like Lemmy Kilmister (T.J. Lemieux), and you’ll pretty much have the sound of Deathchant and their second album, Waste.

The seven-track album rips by you faster than a drag strip car, barely coming in over half an hour in length. These guys don’t fool around or waste time. The first track, “Rails,” sounds like the album is about to come off them after the first drum fill by Colin Fahrner. Deathchant’s melodic heavy metal instantly makes you want to customize a Dodge van and hit the road with a foxy lady dressed in bellbottom hip-huggers and an American flag bikini top…while you’re possibly being chased by a wizard. “Black Dirt” has you stomping the gas in that van in order to make it past a haunted mesa before dusk. “Holy Roller” is one of the album’s heaviest cuts. Lemieux and fellow guitarist / vocalist John Belino simply unload twin machine guns on it, and George Camacho‘s bass is like a sledgehammer taking out any survivors.

The whole band’s stunning ability to just jam is apparent on “Gallows.” The title track is over five minutes long, which seems like an epic poem from Deathchant, and it’s suitable for a heroic journey to a dark land to vanquish a monster and return with a mystical orb. The thing starts like squealing race car tires and then bursts from the starting line and never looks back.

“Plague” has neat guitar work balanced well between Lemieux and Belino while Belino sings of bodies lying in the streets. The album ends with “Maker,” a rocking track that features a friendly competition between Camacho and Fahrner – almost like they’re trying to see which of them might stumble first upon the driving rhythm of the track.

Waste is a solid rock record, and Deathchant seem to have had a blast making it – judging by how fun it is to hear.

Keep your mind open.

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[Thanks to Dave at US / THEM Group.]