Psychedelic jazz rockers Khruangbinand soul crooner Leon Bridges have come together to create a lovely four-song EP called Texas Sun. It’s a tribute to their home state and the reduction of the self that can happen if you spend a lot of time in the American southwest.
The title track opens the EP and begins with country acoustic guitar before Mark Speer‘s distinctive guitar sound comes in as a perfect match with Bridges’ vocals about driving along warm Texas highways at dusk. Speer puts down some romantic charm on “Midnight,” so much so that I wouldn’t be surprised if the track has scored him a hundred dates by now. Plus, Laura Lee‘s bass groove on it is as seductive as the devil.
Speaking of grooves, the one cooked up by Ms. Lee and drummer Donald Johnson on “C-Side” is so slick that you should probably put a “Caution: Slippery Floor” sign in your living room when you play it. The EP ends with “Conversion,” which brings in some gospel touches to Bridges’ vocals about finding freedom in love.
This EP is a steal at a mere four bucks and a nice way to relax for a little while as you deal with the last days of winter.
As always, there are a lot of good singles out there every year and picking just twenty to highlight is difficult, but here goes.
#20 – Andre Bratten – “HS”
Good heavens, the opening bass on this cut from Pax Americana is alone worth the purchase price. It’s one of the hottest house music singles I’ve heard in years.
#19 – BODEGA – “Shiny New Model”
“You will be replaced by a shiny new model” is the first lyric in this sharp single, and on the album of the same name, by these NYC post-punkers who remind us that not only are we replaceable, but we often encourage others to forget us and don’t even realize we’re doing it.
#18 – Durand Jones and the Indications – “Morning in America”
Speaking of songs that throw a heavy punch at modern times, this soul cut is beautiful and brutal. “It’s morning in America, but I can’t see the dawn” might be the hardest-hitting lyric of the year on the most soulful record of the year.
#17 – CHAI – “Fashionista”
It’s difficult to pick a favorite part of this post-punk jam from Japan. Is it the fun vocals? The fat bass? The sizzling high hat? The message to be yourself and not care what others think of you? It’s probably all of it.
#16 – L7 – “Stadium West”
This song was a triumphant return for L7, who blessed us all with their first new album in 20 years – Scatter the Rats. The track is a solid rocker that keeps their snark and shreds.
Who’s in the top 15? Come back later today to learn!
“…unimpeachable, dripping in decadent four-part harmonies.” — RollingStone
“…immaculate and eternal soul.” — TheGuardian (5/5 Stars)
“It’s reverent soul and never comes close to being just a pastiche of a bygone era.” — Noisey
Today, Durand Jones & The Indications release a video for their new standalone single, “Cruisin’ To The Park.” The song follows their “romantic, political, honest and idealistic” (Paste) sophomore album, American Love Call, released earlier this year via DeadOceans/ColemineRecords. “Cruisin’ To The Park” is lush with harmonizing vocals, lilting guitar, and steady-going percussion. The video presents a celebration of lowrider car culture, which the band was introduced to through their fans:
“We put together our first record in our basement, messing around with different styles of soul music. But it was our sweet-soul tunes that got an overwhelming response from people who introduced us to the world of Chicano soul and lowrider car culture. We’ve gotten so much support from lowriders who love bumping our music in their cars, so we wanted to record a song in celebration of those people who enjoy cruising with friends and loved ones in ranflas across the world.”
The video was directed by JudeGonzalez. “‘Cruisin’ to the Park” to me shows hard work, dedication and family,” says Gonzalez. “Working with the band and bringing our ideas together helped me bring the lyrics to life. Knowing the lowrider community and being able to bring them together was pretty straight-forward, as they were familiar with the band and the music and they were eager to be apart of a band they love.”
“Morning in America b/w Cruisin’ to the Park” limited edition gold vinyl 7″ will be released October18th and is available to preorder now on Colemine Records.
The Indications will bring their famed live show, full of “old-school soul with a new-school honesty” (NPR’s AllThingsConsidered), to the West Coast next month. Additionally, they will tour across Europe later this year. All dates can be found below.
Durand Jones & The Indications’ Tour Dates: Sun. Sept. 15 – Telluride, CO @ Telluride Town Park Tue. Sept. 17 – Tucson, AZ @ 191 Toole Wed. Sept. 18 – Solana Beach, CA @ Belly Up Tavern Thu. Sept. 19 – San Luis Obispo, CA @ Fremont Theater Fri. Sept. 20 – Pioneertown, CA @ Pappy & Harriet’s – SOLD OUT Sun. Sept. 22 – Las Vegas, NV @ LIFE IS BEAUTIFUL Thu. Sept. 24 – San Francisco, CA @ The Regency Ballroom Wed. Sept. 25 – Petaluma, CA @ Mystic Theatre Thu. Sept. 26 – Sacramento, CA @ Ace of Spades Sat. Sept. 28 – Santa Cruz, CA @ The Catalyst – SOLD OUT Sun. Sept. 29 – Santa Cruz, CA @ The Catalyst Sat. Oct. 5 – Lagrange, CA @ Rockweave Festival Mon. Oct. 7 – Stockholm, SE @ Nalen Klubb Tue. Oct. 8 – Copenhagen, DK @ Loppen Wed. Oct. 9 – Hamburg-nord, DE @ Stage Club Fri. Oct. 11 – Berlin, DE @ Lido Sun. Oct. 13 – Amsterdam, NL @ Paradiso Mon. Oct. 14 – Brussels, BE @ Orangerie Tue. Oct. 15 – Paris, FR @ Trabendo Fri. Oct. 18 – Manchester, UK @ Manchester Academy Sun. Oct. 20 – Birmingham, UK @ O2 Academy Mon. Oct. 21 – London, UK @ Islington Assembly Hall Tue. Oct. 22 – Bristol, UK @ Thekla Wed. Oct. 23 – Brighton, UK @ Concorde 2 Sun. Jan. 19 – Wed. Jan. 22 – Quintana, MX @ Sky Blue Sky Festival
Keep your mind open.
[Cruise over to the subscription box while you’re here.]
We’re less than three full months into 2019 and I’ve already found what is likely to be one of the top 10 albums of the year – American Love Call by Durand Jones and the Indications.
Blending soul, jazz, and funk, American Love Call is a love letter, sermon, and warning to the United States in times of sound and fury and fear.
Starting with the beautiful “Morning in America” (My top single of the year so far.), Jones and his crew bring us tales of average people across the country trying hard to just get by while the rich get richer and Congress does nothing but sling mud. “It’s morning in America, but I can’t see the dawn,” Jones sings. It’s a soulful gut punch. The psychedelic touches on “Don’t You Know” take you straight back to vintage soul records from the 1960’s. It makes you want to dress sharp. “Circles” has Jones so spun up in love with someone who doesn’t care about him that he doesn’t know where to turn or what to do next.
“Court of Love” is a soulful ballad with slow-dance guitar and sad doo-wop backing vocals. The groove on the lovely “Long Way Home” is as downright wicked as the lyrics about trying to work one’s way back from sin are relatable to everyone. The love of family, and love in general, is prevalent throughout the record, of course, and this track is a standout on that theme. You’d swear “Too Many Tears” was part of a collection of tracks from early Motown B-sides.
Speaking of Motown, “Walk Away” brings the Temptations to mind with its lush string section and sultry sound (and that flute solo!). “What I Know About You” is another lesson in sexy grooves. The simple organ chords add a layer that almost carries you away with them. Another jaw-dropping groove comes with the drums on “Listen to Your Heart” – a song about giving into love and passion that the band does so well. It’s probably on five thousand make-out playlists by now.
“Sea Gets Hotter” is a song about holding it together with the one you love while the world falls apart around you. “How Can I Be Sure” has a bass groove suitable for a 1970’s bachelor pad in outer space. The closer is the slow dance-inducing “True Love.” The drum beats in this are slicker than clarified butter in a hot skillet.
I wrote earlier that American Love Call is a love letter, sermon, and warning to America. It’s a love letter to the country that inspires so many, a sermon to a country that needs to embrace love more than ever, and a warning against turning away from love and chasing after things that will only bring heartache in the end. Embrace your neighbors, lovers, friends, strangers, and foes. It’s the call we all must heed.
Keep your mind open.
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“The Indications get even better on new LP ‘American Love Call,’ which contains frequent jolts of Frankie Lymon falsetto from drummer Aaron Frazer. Much of contemporary R&B is forceful and rugged; on tracks like ‘Court of Love’ and ‘Sea Gets Hotter,’ the Indications stay wonderfully delicate.” — Rolling Stone
Just ahead of the release of their sophomore album, American Love Call (out March 1st on Dead Oceans/Colemine Records), Durand Jones & the Indications are thrilled to share the album’s third single, “Long Way Home.”
“Aaron [Frazer] was playing something on guitar and I felt like it really went with something I was writing in my journal, a reflection on my experience with the justice system in America,” says Jones. “Aaron liked what I had and added his own perspective to it, about refugees, immigrants and the systemic obstacles they face on arrival. I can’t help but think of the brothers and sisters in America’s prison system whose lives are ruined over minor convictions. How some of my friends at home now navigate their young adult lives as felons, and all the barriers— social, political and economic— that come along with that. I also think of how we are not walking these trials alone. And if you’re willing to give a hand to help something, it usually comes back around when you need it. We have to show up for each other.”
Helmed by foil vocalists Jones and Frazer (drums), The Indications’ sound of “old-school soul with a new-school honesty” (NPR’s All Things Considered) is rounded out by Blake Rhein (guitarist), Kyle Houpt (bassist), and Steve Okonski (keyboard). The Indications will tour the US extensively this spring in support of American Love Call. A full list of tour dates are below.
Watch/Share: “Long Way Home” stream – https://youtu.be/o0P1dkvNSMI
“Morning In America” video – https://www.youtube.com/watch?v=SANEafqL5io
“Don’t You Know” video – https://youtu.be/A9rDPXoGSDg
Durand Jones & the Indications’ Tour Dates: Mon. March 18 – Houston, TX @ White Oak Music Hall Tue. March 19 – Dallas, TX @ Club Dada Thu. March 21 – Santa Fe, NM @ Tumbleroots Fri. March 22 – Phoenix, AZ @ Crescent Ballroom — SOLD OUT Sat. March 23 – San Diego, CA @ Casbah — SOLD OUT Mon. March 25 – Tustin, CA @ Marty’s On Newport — SOLD OUT Tue. March 26 – Los Angeles, CA @ Teragram Ballroom — SOLD OUT Wed. March 27 – Los Angeles, CA @ Teragram Ballroom — SOLD OUT Thu. March 28 – Santa Barbara, CA @ SOhO Restaurant & Music Club — SOLD OUT Fri. March 29 – Oakland, CA @ The New Parish — SOLD OUT Sat. March 30 – San Francisco, CA @ The Independent — SOLD OUT Mon. April 1 – Portland, OR @ Wonder Ballroom Tue. April 2 – Seattle, WA @ Neumos Thu. April 4 – Salt Lake City, UT @ The State Room Fri. April 5 – Denver, CO @ Bluebird Theater Sat. April 6 – Kansas City, MO @ recordBar Sun. April 7 – Omaha, NE @ The Waiting Room Tue. April 9 – Minneapolis, MN @ 7th Street Entry Wed. April 10 – Madison, WI @ High Noon Saloon Thu. April 11 – Chicago, IL @ Thalia Hall Fri. April 12 – Columbus, OH @ A&R Music Bar Sat. April 13 – Carrboro, NC @ Cat’s Cradle Sun. April 14 – North Charleston, SC @ High Water Festival Tue. April 16 – Washington, DC @ Rock & Roll Hotel Wed. April 17 – Brooklyn, NY @ Music Hall of Williamsburg Fri. April 19 – Philadelphia, PA @ First Unitarian Church Sat. April 20 – Uncasville, CT @ Wolf Den at Mohegan Sun Resort Sun. April 21 – Boston, MA @ Brighton Music Hall Mon. April 22 – Baltimore, MD @ Ottobar Wed. April 24 – Cincinnati, OH @ The Woodward Theater Fri. April 26 – Nashville, TN @ The Basement East Sat. April 27 – Oxford, MS @ Double Decker Arts Festival Sun. April 28 – Atlanta, GA @ Terminal West Sat. May 11 – Bloomington, IN @ Indiana University w/ Neko Case Fri. June 14 – Flagstaff, AZ @ Pepsi Amphitheater w/ Rebelution Sat. June 15 – Chula Vista, CA @ North Island Credit Union Amphitheater w/ Rebelution Sun. June 16 – Santa Barbara, CA @ Santa Barbara Bowl w/ Rebelution Mon. June 17 – Los Angeles, CA @ The Regent Theater Wed. June 19 – Fresno, CA @ Woodward Park Amphitheater w/ Rebelution Thu. June 20 – San Luis Obispo, CA @ Avila Beach Golf Resort w/ Rebelution Fri. June 21 – Sacramento, CA @ Papa Murphy’s Park (Bonney Field) w/ Rebelution Sat. June 22 – Berkeley, CA @ The Greek Theatre at UC Berkeley w/ Rebelution Sun. June 23 – Bend, OR @ Les Schwab Ampitheater w/ Rebelution Thu. June 27 – Boise, ID @ Idaho Botanical Garden – Outlaw Field w/ Rebelution Fri. June 28 – Eugene, OR @ Cuthbert Amphitheater w/ Rebelution Sat. June 29 – Redmond, WA @ King’s County Marymoor Park w/ Rebelution Sun. June 30 – Bonner, MT @ KettleHouse Amphitheater w/ Rebelution
Pre-order American Love Call* – https://ffm.to/americanlovecall
*Dead Oceans exclusive bundle includes the album on limited transparent orange vinyl, limited edition transparent purple “Morning in America b/w Cruisin’ to the Park” Colemine Records white label promo 7”, a 7” adapter and poster.
Soul / gospel superstar Mavis Staples once said that she thought London’s Union Chapel was the best place in the world to sing. I’m willing to believe her from the sound of this great, powerful album she recorded there over the course of two nights not long ago. Live in London is a strong statement about the political state of the U.S., a funky soul record, and a high contender for best live album of 2019.
Starting with the soulful “Love and Trust,” Staples rightly declares, “The simplest things can be the hardest to do.” as her killer band breaks in with a killer groove (The album is full of them, really.). The song is about how everyone, sinners and saints alike, are looking for the same thing – love. “Who Told You That” is a smoky, subtle, sexy jam. Her cover of Talking Heads‘ “Slippery People” is a standout that she’s been singing since at least the 1980’s. It’s such a downright jam that you can’t help but shake and shimmy when hearing it.
“What You Gonna Do” is a classic blues track about preparing for death. “Take Us Back” has Staples proclaiming, “I’ve got friends, and I’ve got family. I’ve got help from all the people who love me.” She’s been in the business for decades and admits that she wouldn’t be where she is without those who supported her all those years.
Staples starts getting political on “You Are Not Alone” as she sings to those isolated and afraid in places of hostility, war, and poverty. “Every tear on every face tastes the same,” she sings. That’s truth. “No Time for Cryin'” has Staples calling us to action (“I’m going to march right up to that big [White] house. We got work to do.”) and railing against gun violence and “taking babies away from their mothers” while her guitarist plays a sizzling solo.
“Can You Get to That” has a solid groove that will keep Jack White awake at night wishing he’d come up with it. Her cover of Curtis Mayfield‘s “Let’s Do It Again” is one of the best make-out songs you’ve heard in a while. “Dedicated” starts with a lovely guitar solo and drifts into a lovely song about perseverance and those who sacrificed in the civil rights struggle. “We’re Gonna Make It” is an uplifting song about overcoming financial struggles, but Staples adds an urgency to it that reflects keeping your hopes up for better times in America.
“There just ain’t no stopping me, is it?” Staples says before launching into the album’s closer, “Touch a Hand,” a song about reaching out to strangers and neighbors alike in these times of narcissism and anger.
Live in London makes you want to catch Staples live as soon as possible (like any good live album should). Do it if you can.
Keep your mind open.
[Slip and slide over to the subscription box before you go.]
“…its exploration of social and economic challenges (‘It’s morning in America/But I can’t see the dawn’) makes it resonate deeply in the present…” – Billboard, on “Morning In America”
“Is it any wonder that y’all about to blow up!” – Robin Roberts, Good Morning America
“…I can attest that witnessing Jones live is very much akin to how I imagine the early shows of his heroes from the ‘60s and ‘70s – tight as hell, bursting with raw emotion and drenched in sweat.” – Variety
“Durand Jones & The Indications bathe in the glimmering afterglow of early ’70s soul on this stunning track, with occasional nods to heartland folk.” — Bandcamp, on “Don’t You Know”
“From the start, the band’s laid-back, early-’70s groove, when paired with the two impossibly smooth vocalists at the forefront of the project, allowed Jones & The Indications to reach an almost nostalgic, ridiculous level of cool.” — Paste
Durand Jones & The Indications will release their sophomore album, American Love Call, on March 1st via Dead Oceans/Colemine Records. After sharing lead single, “Don’t You Know”, the band returns with the follow-up cut: the poignant, politically charged album opener, “Morning In America”. “It’s a fraught moment in our history. ‘Morning in America’ is a song for this moment,” says the band. Penned by drummer Aaron Frazer, the band has this to say regarding the track:
“The lyrics speak to how many of us feel every day in this time of political and environmental uncertainty— flitting between anger, despair, anxiety but ever returning to a sliver of hope that there’s still a path forward.
“We so often divide ourselves by our differences. Acknowledging those differences is crucial; listening to those different from us is crucial. But viewed solely through that lens, we are fragmented and few. When we look at the country along economic lines, however, a different picture emerges. Suddenly people of all of colors, in every part of this country, can find themselves on the same side, united by a shared struggle to simply survive in the richest nation to ever exist.
“This song was inspired by The Poor People’s Campaign, a movement started by Martin Luther King Jr. shortly before his assassination. It functions today as a nonpartisan organization that promotes intersectionality and inter-movement unity as a tool of addressing systemic injustices.”
It’s accompanying video, directed by Ellie Foumbi, find’s immense inspiration in the song’s message. “It’s impossible to hear this song and not connect its message to the current political climate in America,” says Foumbi. “It makes you stop and question the ways in which our country has changed and whether we’re as far along as we should be. The themes of inequality, social and economic oppression, and the disparity between the haves and the have-nots jumped out at me. The juxtaposition between past and present, rich and poor, black and white are so prevalent in our society that it only felt right to highlight them in the video.”
Watch Video For “Morning In America” – https://www.youtube.com/watch?v=SANEafqL5io
Helmed by foil vocalists Jones and Frazer, The Indications’ sound of “old-school soul with a new-school honesty” (NPR’s All Things Considered) is rounded out by Blake Rhein (guitarist), Kyle Houpt (bassist), and Steve Okonski (keyboard). The Indications will tour the US extensively this spring in support of American Love Call. A full list of tour dates are below.
Watch Video For “Don’t You Know” – https://youtu.be/A9rDPXoGSDg
Durand Jones & The Indications’ Tour Dates : March 18 – Houston, TX @ White Oak Music Hall Tue. March 19 – Dallas, TX @ Club Dada Thu. March 21 – Santa Fe, NM @ Tumbleroots Fri. March 22 – Phoenix, AZ @ Crescent Ballroom Sat. March 23 – San Diego, CA @ Casbah — SOLD OUT Mon. March 25 – Tustin, CA @ Marty’s On Newport — SOLD OUT Tue. March 26 – Los Angeles, CA @ Teragram Ballroom — SOLD OUT Wed. March 27 – Los Angeles, CA @ Teragram Ballroom — SOLD OUT Thu. March 28 – Santa Barbara, CA @ SOhO Restaurant & Music Club Fri. March 29 – Oakland, CA @ The New Parish — SOLD OUT Sat. March 30 – San Francisco, CA @ The Independent — SOLD OUT Mon. April 1 – Portland, OR @ Wonder Ballroom Tue. April 2 – Seattle, WA @ Neumos Thu. April 4 – Salt Lake City, UT @ The State Room Fri. April 5 – Denver, CO @ Bluebird Theater Sat. April 6 – Kansas City, MO @ recordBar Sun. April 7 – Omaha, NE @ The Waiting Room Tue. April 9 – Minneapolis, MN @ 7th Street Entry Wed. April 10 – Madison, WI @ High Noon Saloon Thu. April 11 – Chicago, IL @ Thalia Hall Fri. April 12 – Columbus, OH @ A&R Music Bar Sat. April 13 – Carrboro, NC @ Cat’s Cradle Sun. April 14 – North Charleston, SC @ High Water Festival Tue. April 16 – Washington, DC @ Rock & Roll Hotel Wed. April 17 – Brooklyn, NY @ Music Hall of Williamsburg Fri. April 19 – Philadelphia, PA @ First Unitarian Church Sat. April 20 – Uncasville, CT @ Wolf Den at Mohegan Sun Resort Sun. April 21 – Boston, MA @ Brighton Music Hall Mon. April 22 – Baltimore, MD @ Ottobar Wed. April 24 – Cincinnati, OH @ The Woodward Theater Fri. April 26 – Nashville, TN @ The Basement East Sat. April 27 – Oxford, MS @ Double Decker Arts Festival Sun. April 28 – Atlanta, GA @ Terminal West Sat. May 11 – Bloomington, IN @ Indiana University w/ Neko Case Sun. Sep. 15 – Telluride, CO @ Blues & Brews Festival
Pre-orderAmerican Love Call* – https://ffm.to/americanlovecall
*Dead Oceans exclusive bundle includes the album on limited transparent orange vinyl, limited edition transparent purple “Morning in America b/w Cruisin’ to the Park” Colemine Records white label promo 7”, a 7” adapter and poster.
Keep your mind open.
[I’m sending out a love call for you to subscribe.]
Here we are at my top 10 albums of the year. Read on to see who made the cut.
#10: Khruangbin – Con Todo El Mundo– I was a bit late to the Khruangbin party, but I’m glad I showed up. This three-piece makes beautiful psychedelic jazz with few vocals. The tones they produce are so clear they’re almost like Tibetan mediation singing bells.
#9: Janelle Monae – Dirty Computer– Ms. Monae is a genius. She can blend hip-hop, R&B, electro, jazz, and rock with such ease that it sounds like she’s cloned herself at least five times and each of those clones studied a different genre to mastery. Knowing her love of androids and science fiction, this wouldn’t surprise me at all if it were true.
#8 – Cookin’ Soul and MF DOOM – DOOM XMAS– I don’t remember how I stumbled upon this album after Christmas Day, but I’m glad I did. It’s a wicked mix of lyrics by MF DOOM and Christmas-inspired beats by Cookin’ Soul. Any DOOM is good DOOM, and this collaboration is among his best.
#7: Throw Down Bones – Two – I stumbled upon this excellent electro / industrial / rave album on Bandcamp and it turned out to be the best electronic music record I heard all year. This will be booming in your favorite club soon if it isn’t already.
#6: Ron Gallo – Stardust Birthday Party– I’ve enjoyed Mr. Gallo’s garage punk music since I saw him open for Screaming Females in a dive bar a couple years ago. Now he’s put out a Zen-punk record that blew my mind and included my top single of the year – “Always Elsewhere.”
The top five will be revealed tomorrow!
Keep your mind open.
[You can give me an early or late – depending on how you look at it – by subscribing.]
#5: “Limp Wrist” by Bev Rage and the Drinks – This queercore punk delivers a wallop in under two minutes. This song floored me when I heard it, and I started telling everyone I knew about Ms. Rage and her band.
#4: “How Did This Happen!? by BODEGA – The return of post-punk continues with this great NYC band and this single that trashes hipsters. I couldn’t stop listening to this once I heard it.
#3: “Blinded by the LEDs” by Lindstrom – If you need an amazing EDM track, floor-filler, workout playlist topper, or just something to be stunned by, look no further.
#2: “Make Me Feel” by Janelle Monae – Easily the sexiest song of the year. I can’t describe it any better than that.
#1: “Always Elsewhere” by Ron Gallo – This Zen-punk jam became my mantra after hearing it. It was a much-needed crack with a Zen master’s stick during months of chaos both local and domestic. Gallo‘s suggestion that we embrace presence instead of the willful scattering of our attention is a battle call.
Thanks for reading. Up next, the top 30 live acts I saw in 2018.
“Is it any wonder that y’all about to blow up!” – Robin Roberts,Good Morning America
“…I can attest that witnessing Jones live is very much akin to how I imagine the early shows of his heroes from the ‘60s and ‘70s – tight as hell, bursting with raw emotion and drenched in sweat.” –Variety
Today,Durand Jones & The Indicationsare proud to announce their return withAmerican Love Call, a fierce album that reckons with how to balance love and fury of modern day America, dueMarch 1stviaDeadOceans/ColemineRecords. Hailed byNPR’sAll Things Consideredas “old-school soul with a new-school honesty,” The Indications conjure the dynamism ofJackieWilson,CurtisMayfield,ANDTheImpressions. This young band of twenty-somethings are students of soul. Watch the video forAmerican Love Call’s lead single,“Don’t You Know,”featuring both Jones and drummer/singerAaronFrazeron vocals, below.
Helmed by foil vocalists Jones and Frazer, and rounded out byBlakeRhein(guitarist),KyleHoupt(bassist), andSteveOkonski(keyboard), The Indications released theirself-titled debut albumto much acclaim on renowned Midwestern soul label,ColemineRecords. The album quickly picked up steam on the back of the band’s booming live show and the enthusiastic recommendation of independent record store clerks across the country.
The group’s second effort,American Love Call, is an album made the way the Indications dreamed it’d sound, a sprawling and limitless equation; grand and cinematic, yet focused on fleeting details.
Recorded at Brooklyn’sStudioGearlier this summer,American Love Callis an expansion of the band’s sound, making a leap forward in both style and songwriting. Pulling influence from a variety of sounds like R&B, gospel, early folk rock, and classical music, the Indications’ second effort has a newfound confidence, with Jones’ bellowing voice and Frazer’s soothing falsetto filled out by backing vocals and instrumentation. Thematically, the album covers tough ground, like the danger of simplifying and romanticizing the past, but it also attempts to reconcile, searching for unifying commonalities. Brooding, bold, and pensive,American Love Callis the result of the band fleshing out its craft and elevating its dreamy, old-soul sound.
The Indications will tour the US extensively this spring in support ofAmerican Love Call. A full list of tour dates are below.
American Love CallTracklist:
01. Morning In America
02. Don’t You Know (feat. Aaron Frazer)
03. Circles
04. Court Of Love (feat. Aaron Frazer)
05. Long Way Home
06. Too Many Tears (feat. Aaron Frazer)
07. Walk Away
08. What I Know About You (feat. Aaron Frazer)
09. Listen To Your Heart
10. Sea Gets Hotter (feat. Aaron Frazer)
11. How Can I Be Sure (feat. Aaron Frazer)
12. True Love
Durand Jones & The Indications’ Tour Dates:
Tue. Jan. 22 – London, UK @ Dingwalls
Wed. Jan. 23 – Paris, FR @ La Maroquinerie
Fri. Jan. 25 – Amsterdam, NL @ Paradiso-Noord
Sun. Jan. 27 – Cologne, DE @ Artheater
Mon. Jan. 28 – Berlin, DE @ Lido
Mon. March 18 – Houston, TX @ White Oak Music Hall
Tue. March 19 – Dallas, TX @ Club Dada
Thu. March 21 – Santa Fe, NM @ Tumbleroots
Fri. March 22 – Phoenix, AZ @ Crescent Ballroom
Sat. March 23 – San Diego, CA @ Casbah
Mon. March 25 – Tustin, CA @ Marty’s On Newport
Wed. March 27 – Los Angeles, CA @ Teragram Ballroom
Thu. March 28 – Santa Barbara, CA @ SOhO Restaurant & Music Club
Fri. March 29 Oakland, CA @ The New Parish
Sat. March 30 – San Francisco, CA @ The Independent
Mon. April 1 – Portland, OR @ Wonder Ballroom
Tue. April 2 – Seattle, WA @ Neumos
Thu. April 4 – Salt Lake City, UT @ The State Room
Fri. April 5 – Denver, CO @ Bluebird Theater
Sat. April 6 – Kansas City, MO @ recordBar
Sun. April 7 – Omaha, NE @ The Waiting Room
Tue. April 9 – Minneapolis, MN @ 7th Street Entry
Wed. April 10 – Madison, WI @ High Noon Saloon
Thu. April 11 – Chicago, IL @ Thalia Hall
Fri. April 12 – Columbus, OH @ A&R Music Bar
Sat. April 13 – Carrboro, NC @ Cat’s Cradle
Sun. April 14 – North Charleston, SC @ High Water Festival
Tue. April 16 – Washington, DC @ Rock & Roll Hotel
Wed. April 17 – Brooklyn, NY @ Music Hall of Williamsburg
Fri. April 19 – Philadelphia, PA @ First Unitarian Church
Sat. April 20 – Uncasville, CT @ Wolf Den at Mohegan Sun Resort
Sun. April 21 – Boston, MA @ Brighton Music Hall
Mon. April 22 – Baltimore, MD @ Ottobar
Wed. April 24 – Cincinnati, OH @ The Woodward Theater
Fri. April 26 – Nashville, TN @ The Basement East
Sat. April 27 – Oxford, MS @ Double Decker Arts Festival
Sun. April 28 – Atlanta, GA @ Terminal West
Sat. May 11 – Bloomington, IN @ Indiana University w/ Neko Case
*Dead Oceans exclusive bundle includes the album on limited transparent orange vinyl, limited edition transparent purple “Morning in America b/w Cruisin’ to the Park” Colemine Records white label promo 7”, a 7” adapter and poster.