A Place to Bury Strangers release “Fear of Transformation” just in time for the spooky season.

Photo credit: Ebru Yildiz

A Place To Bury Strangers release the new single/video, “Fear Of Transformation,” from their forthcoming album, Synthesizer, to be released digitally October 4th and on vinyl October 25th via Dedstrange. Following lead singles “Disgust,” “You Got Me,” and “Bad Idea,” “Fear Of Transformation” is a snarling, gothic techno-punk track that feels like getting body slammed by a wave out at sea. The track delves into the struggle of overcoming internal barriers. As frontman Oliver Ackermann explains, “Sometimes fear builds up and pins you in a cage. A conversation occurs in my head where I have to convince myself to just fucking do something to break out of it.” “Fear Of Transformation” embodies that internal dialogue, capturing the battle between the compulsion to avoid fear and the push to confront it. The song is a raw, intense conversation with the devil within. 

The accompanying video was created by Chad Crawford Kinkle, director of Dementor and Jugface. A teenage boy sneaks out from his parent’s house to go to his first Furry party, but he has a secret. He’s actually a werewolf.

Watch the Video for “Fear of Transformation”

Synthesizer is the title of A Place to Bury Strangers’ seventh album. It is also a physical entity, a synthesizer made specifically for you to own, too, if you buy the record on vinyl. You can watch Ackermann demonstrate how to play the circuit board and functional synth album cover here. In an era of making music where so little is DIY and so much is left up to AI, to never setting foot in a practice room or a home studio, making something that feels deliberately chaotic, messy, and human, is entirely the point. Synthesizer very much feels like a record of reinvention. And of course, to ever so slightly reinvent one’s sound, one must also build a new instrument, thus again the synth in question. The resulting record is one that is romantic, colorful, loud as hell, wild, and fucked up just like the instrument itself.

Pre-order Synthesizer

Watch the “Disgust” Video

Watch the Video For “You Got Me”

Watch the Video for “Bad Idea”

A Place To Bury Strangers Tour Dates:

Thu. Oct. 3 – Berlin, DE @ Berlin Metropol [Record Release Show] %

Fri. Oct. 4 – Copenhagen, DK @ Loppen %

Sat. Oct. 5 – Oslo, NO @ Goldie %

Sun. Oct. 6 – Gothenburg, SE @ Fangelset %

Mon. Oct. 7 – Stockholm, SE @ Slaktkyrkan %

Wed. Oct 9 – Wroclaw, PL @ Lacznik %

Thu. Oct. 10 – Warsaw, PL @ Hybrydy %

Fri. Oct. 11 – Poznan, PL @ 2progi %

Sat. Oct. 12 – Bmo, CZ @ Kabinet Muz %

Sun. Oct 13 – Jena, DE KuBa Jena %

Fri. Oct. 25 – Washington, DC @ Black Cat &

Sat. Oct. 26 – Raleigh, NC @ Kings &

Sun. Oct. 27 – Asheville, NC @ Grey Eagle &

Mon. Oct. 28 – Atlanta, GA @ The Earl &

Wed. Oct. 30 – Houston, TX @ White Oak &

Thu. Oct. 31 – Austin, TX @ Levitation &

Sat. Nov. 2 – Phoenix, AZ @ Valley Bar #

Sun. Nov. 3 – Los Angeles, CA @ Teragram Ballroom #

Mon. Nov. 4 – San Francisco, CA @ GAMH Psyched Fest #

Thu. Nov. 7 – Portland, OR @ Mississippi Studios #

Fr. Nov. 8 – Seattle, WA @ Freakout Festival ^

Sat. Nov. 9 – Vancouver, BC @ The Pearl

% w/ Stella Rose

& w/ YHWH Nailgun

# w/ Pop Music Fever Dream

^ w/ The Black Angels, Martin Rev, The Black Lips & Shabazz Palaces

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[Don’t be afraid to subscribe!]

[Thanks to Steven at Dedstrange!]

Lambrini Girls kick their boss in the junk with their new single – “Company Culture.”

Photo Credit: Nicole Osrin

After a busy summer of playing Glastonbury, Reading and Leeds Festivals, Green Man, End Of The Road, and supporting Amyl and the Sniffers around the US, Lambrini Girls show no signs of slowing down and today share new single ‘Company Culture’ as well as announcing a massive EU/UK tour for next year.

Speaking on the track, the band explain the theme “Tired of working twice as hard while white, middle-aged men get credit for your ideas? Afraid to report harassment? Constantly second-guessing to avoid conflict? If you’ve answered yes: you’re probably a woman or a queer person.”

Listen to ‘Company Culture’ HERE

“If these challenges hold you back, it’s entirely your fault. And if you succeed, you’ll feel like a fraud. No matter how hard you work, you won’t be taken seriously. Your boss wants to shag you, HR thinks you’re hysterical—so maybe just shut the fuck up and smile. Many girls would kill for your position, stop complaining or it’s back to the kitchen. Welcome to the boys’ club.”

Recently releasing singles ‘God’s Country’ and ‘Body Of Mine’, both of which were BBC6 Music Playlisted, the two piece are Phoebe Lunny (Vocals/Guitar – she/they) and Lilly Macieira (Bass – she/they) originally from Brighton.

They’ve made a name for themselves through unforgettable live performances and support from the likes of Variety Magazine, BBC Radio 1, NME, The Line Of Best Fit, KEXP, Consequence, Evening Standard, CLASH, So Young, and covered Kerrang! Magazine alongside Sleater-Kinney, bagged a nomination for Rolling Stone UK’s Rising Stars Award, and even Iggy Pop is a fan.

Lambrini Girls announce live dates for Europe and the UK next year, with tickets on sale now.

Tour Dates


Fri Sep 19 – Reeperbahn Festival, Hamburg – Germany*
Thurs Oct 10 – Zinnober Festival, Essen – Germany*
Sat Oct 12 – Keroxen – Canary Islands*
Sat Oct 19 – SWN Festival – Cardiff*
Sat Oct 26 – Croc The Rock, Etagnières – Switzerland*
Tue Nov 5 – Mutations Festival – Brighton (DJ Set)*
Fri Nov 8 – Iceland Airwaves, Reykjavik – Iceland*
Sun Nov 10 – Sonic City, Kortrijk – Belgium*

Fri Nov 29 – Alexandra Palace – London #
Sat Nov 30 – Alexandra Palace – London #


Tue Dec 3 – Brooklyn, NY, Union Pool – USA

Tue Feb 25 – Lille, Aeronef – France
Wed Feb 26 – Nantes, Stereolux – France
Thu Feb 27 – Paris, La Maroquinerie – France
Sat Mar 1 – Ravenna,  Hana Bi – Italy
Mon Mar 3 – Prague, Bike Jesus – Czech Republic
Tue Mar 4 – Leipzig, Moritzbastei – Germany
Wed Mar 5 – Berlin, Neue Zukunft – Germany
Fri Mar 7 – Stockholm, Hus7 – Sweden
Sat Mar 8 – Oslo, John Dee – Norway
Sun Mar 9 – Goteborg, Pustervik – Sweden
Tue Mar 11 – Copenhagen, Ideal Bar – Denmark
Wed Mar 12 – Hamburg, Nochtspeicher – Germany
Thu Mar 13 – Rotterdam , Rotown – Netherlands
Fri Mar 14 – Amsterdam, Melkweg – Netherlands
Sat Mar 15 – Eindhoven, Effenaar – Netherlands
Mon Mar 17 – Cologne, Bumann & Sohn – Germany
Wed Mar 19 – Luxembourg, Rotondes – Luxembourg
Thu Mar 20 – Reims, La Cartonnerie – France
Fri Mar 21 – Rouen, Le 106 – France

Tue Apr 1 – Bristol, The Fleece – UK
Wed Apr 2 – Southampton, Joiners – UK
Thu Apr 3 – Birmingham, Hare & Hounds – UK
Fri Apr 4 – Birkenhead, Future Yard – UK
Sat Apr 5 – Dublin, Whelans – Ireland
Mon Apr 7 – York, The Crescent – UK
Tue Apr 8 – Leeds, Brudenell – UK
Wed Apr 9 – Glasgow, Stereo – UK
Thu Apr 10 – Manchester, Gorilla – UK
Fri Apr 11 – Nottingham, Bodega – UK
Sat Apr 12 – Brighton, Chalk – UK
Thu Apr 17 – London, Electric Brixton – UK

# supporting IDLES

*Festival 

Tickets available HERE

Keep your mind open.

[Don’t forget to subscribe!]

[Thanks to Amy at After Hours PR.]

Friko encourage us to “Get Numb to It!” as they roll through a massive tour.

Photo Credit: Pooneh Ghana

Chicago band Friko — vocalist/guitarist Niko Kapetan and drummer Bailey Minzenberger — shares a new video for “Get Numb To It!,” a standout track from their 2024 breakout album Where we’ve been, Where we go from here, out now on ATO Records. Following a summer with performances at LollapaloozaNewport Folk Festival, and Fuji Rock, spring tours with Water From Your EyesWILLIS and Mind’s Eye, Friko begins a North American tour tonight supporting Royel Otis before their first European headline tour in November. The “Get Numb To It!” video, directed by Alec Basse, fittingly includes footage from the band’s recent performances and time on the road.

Where we’ve been, Where we go from here has catapulted Friko into the national spotlight, with glowing reviews from Pitchfork, SPIN, Rolling Stone, Alternative Press, Chicago Sun-Times, Paste, and more, along with placement on several “Best Of 2024” lists including Vulture/New York MagazineNPR MusicA.V. Club, and Paste, who named “Where We’ve Been” as their #1 song of the year so far. The band has seen radio play on SiriusXMU, WXRT, KUTX, and more, and the album charted in the top 10 on the NACC TOP 200 College Radio chart.

Watch the Video For “Get Numb To It!”

An essential new addition to Chicago’s long lineage of forward-thinking indie rock, Friko transforms every song into a moment of collective catharsis. Known for their high-energy live show, Friko aims to deliver a live experience that’s fantastically disorienting in its emotional arc. Mastered by Heba Kadry (Björk, Big Thief) and engineered by Jack Henry and Scott Tallarida, Where we’ve been, Where we go from here embodies a sonic complexity befitting of a band that names Romantic-era classical music and the more primal edges of art-rock among their inspirations. Friko hopes that their music’s emotional potency might have a galvanizing impact on audiences.

Purchase Where we’ve been, Where we go from here

Listen to “Weird Fishes/Arpeggi” (Radiohead Cover)
Watch Friko’s “Where We’ve Been” Video
Watch “Crashing Through” Video
Watch “For Ella” Video
Watch “Crimson to Chrome” Lyric Video
Listen to Friko’s “Get Numb To It!”

Friko Tour Dates:
Mon. Sept. 23 – Philadelphia, PA @ Union Transfer %
Wed. Sept. 25 – Brooklyn, NY @ Brooklyn Steel %
Thu. Sept. 26 – Brooklyn, NY @ Brooklyn Steel %
Fri. Sept. 27 – Washington, DC @ 9:30 Club %
Sat. Sept. 28 – Boston, MA @ House of Blues %
Mon. Sept. 30 – Atlanta, GA @ The Eastern %
Tue. Oct. 1 – Nashville, TN @ Brooklyn Bowl %
Mon. Oct. 14 – Los Angeles, CA @ The Bellwether %
Tue. Oct. 15 – Los Angeles, CA @ The Bellwether %
Wed. Oct. 16 – Los Angeles, CA @ Palladium %
Fri. Oct. 18 – Oakland, CA @ The Fox %
Sun. Oct. 20 – Portland, OR @ McMenamins Crystal Ballroom %
Mon. Oct. 21 – Seattle, WA @ Moore Theatre %
Tue. Oct. 22 – Vancouver, BC @ PNE Forum %
Sat. Nov. 2 – Amsterdam, NL @ Bitterzoet
Sun. Nov. 3 – Brussels, BE @ Les Nuits Weekender
Tue. Nov. 5 – Rennes, FR @ L’Antipode
Thu. Nov. 7 – Paris, FR @ Pitchfork Avant Garde
Sat. Nov. 9 – London, UK @ Pitchfork Festival London
Sun. Nov. 10 – Bristol, UK @ Louisiana
Tue. Nov. 12 – Manchester, UK @ YES
Wed. Nov. 13 – Glasgow, UK @ King Tuts
Thu. Nov. 14 – Dublin, IR @ Workman’s Club
Sat. Nov. 16 – Weissenhäuser Strand, DE @ Rolling Stone Weekender

% supporting Royel Otis

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[Thanks to Jaycee at Pitch Perfect PR.]

A Place to Bury Strangers have a “Bad Idea” for their new single.

Photo credit: Ebru Yildiz

New-York based band A Place To Bury Strangers release their new single/video, “Bad Idea,” from their forthcoming album, Synthesizer, to be released digitally October 4th and on vinyl October 25th via Dedstrange. Following lead single “Disgust,” described as “one hell of a feedback-ridden ride” (Consequence), and the “addictive” (New Noise) single “You Got Me,” “Bad Idea” showcases the raw creativity of bassist John Fedowitz. “He came to the studio with a simple looping drum beat, thinking he didn’t have any good ideas—thus, the song was his ‘bad idea,’” says frontman Oliver Ackermann. “We each penned some lines on paper, and he sang the ones that resonated. After a few instrumental passes, the recording was complete. The result is an innovative track born from spontaneous collaboration and a touch of self-doubt, turned into something uniquely captivating.”

The video director for “Bad Idea,” Nick Kulp says, “While touring with the band doing visuals and lighting since 2022,  I’ve been lucky enough to experience the band perform new songs and see the development of Synthesizer. In 2023, they started performing ‘Bad Idea’ and I was immediately hooked. It’s one of those live songs that really just takes you along for the ride and is really fun to do visuals and lights for. As the year went on we started talking about videos and elements for the new album and I was approached to do a video for this song and was immediately happy and grateful. I’ve been filming the band on tour and in their practice studio since December of 2023 and have been taking my Hi8 camera on the road and filming the shows. I tried my best to capture as much of the chaos of seeing the band live that I could — it’s an intense journey!”

Watch the Video for “Bad Idea”

Synthesizer is the title of A Place to Bury Strangers’ seventh album. It is also a physical entity, a synthesizer made specifically for you to own, too, if you buy the record on vinyl. You can watch Ackermann demonstrate how to play the circuit board and functional synth album cover here. In an era of making music where so little is DIY and so much is left up to AI, to never setting foot in a practice room or a home studio, making something that feels deliberately chaotic, messy, and human, is entirely the point.

The writing sessions for Synthesizer started in 2022 in the band’s Queens studio, shortly after the release of See Through You. A Place to Bury Strangers re-formed with a new lineup, Oliver Ackermann still at the helm, now featuring friends John and Sandra FedowitzSynthesizer very much feels like a record of reinvention. And of course, to ever so slightly reinvent one’s sound, one must also build a new instrument, thus again the synth in question.

The resulting record is one that is romantic, colorful, loud as hell. This is a band that is meant to be witnessed in a live setting, where the songs take on a new energy in the presence of a crowd. Ackermann founded the storied DIY space (and now effects pedal factory) Death By Audio. DBA, as a venue, had a collaborative, creative spirit of chaos and collectivity. That essence appears all over the band’s work, and Synthesizer is a raw collection of songs, wild and loud and fucked up just like the instrument itself.

Pre-order Synthesizer

Watch the “Disgust” Video

Watch the Video For “You Got Me”

A Place To Bury Strangers Tour Dates:
Sat. Sep. 21 – Groningen, NL @ Vicefest
Mon. Sep. 23 – London, UK @ The Shacklewell Arms
Tue. Sep. 24 – Wed. Sep. 25 – London, UK @ No90 Live Hackney Wick
Thu. Sep. 26 – Manchester, UK @ Deaf Institute %
Fri. Sep. 27 – Dublin, IE @ The Grand Social %
Sat. Sep. 28 – Belfast, IE @ Oh Yeah %
Sun. Sep. 29 – Glasgow, UK @ Stereo %
Mon. Sep. 30 – Bedford UK @ Esquire %
Thu. Oct. 3 – Berlin, DE @ Berlin Metropol [Record Release Show] %
Fri. Oct. 4 – Copenhagen, DK @ Loppen %
Sat. Oct. 5 – Oslo, NO @ Goldie %
Sun. Oct. 6 – Gothenburg, SE @ Fangelset %
Mon. Oct. 7 – Stockholm, SE @ Slaktkyrkan %
Wed. Oct 9 – Wroclaw, PL @ Lacznik %
Thu. Oct. 10 – Warsaw, PL @ Hybrydy %
Fri. Oct. 11 – Poznan, PL @ 2progi %
Sat. Oct. 12 – Bmo, CZ @ Kabinet Muz %
Sun. Oct 13 – Jena, DE KuBa Jena %
Fri. Oct. 25 – Washington, DC @ Black Cat &
Sat. Oct. 26 – Raleigh, NC @ Kings &
Sun. Oct. 27 – Asheville, NC @ Grey Eagle &
Mon. Oct. 28 – Atlanta, GA @ The Earl &
Wed. Oct. 30 – Houston, TX @ White Oak &
Thu. Oct. 31 – Austin, TX @ Levitation &
Sat. Nov. 2 – Phoenix, AZ @ Valley Bar #
Sun. Nov. 3 – Los Angeles, CA @ Teragram Ballroom #
Mon. Nov. 4 – San Francisco, CA @ GAMH Psyched Fest #
Thu. Nov. 7 – Portland, OR @ Mississippi Studios #
Fr. Nov. 8 – Seattle, WA @ Freakout Festival ^
Sat. Nov. 9 – Vancouver, BC @ The Pearl

% w/ Stella Rose
& w/ YHWH Nailgun
# w/ Pop Music Fever Dream
^ w/ The Black Angels, Martin Rev, The Black Lips & Shabazz Palaces

Keep your mind open.

[It’s a good idea to subscribe.]

[Thanks to Patrick at Pitch Perfect PR.]

John Cale announces reissues of two classic albums coming November 15, 2024.

Photo Credit: Ed Thrasher, 1972

Following the release of POPtical Illusion earlier this year, John Cale announces the Paris 1919 Deluxe Edition and The Academy in Peril reissue, out November 15th via Domino. Both remastered by Heba Kadry, this is the first artist sanctioned reissue of these beloved records. Paris 1919 includes previously unreleased outtakes and liner notes by Grayson Haver Currin, and features a brand new recording, “Fever Dream 2024: You’re a Ghost,” and The Academy of Peril includes bonus track, Temper.” Both will be available on CD, vinyl and digitally.

“Revisiting work from the past is a double-edged sword for me.  Of course, it’s bound to happen when you’ve been making music for 60 years or so. . . What’s unique about this process with Domino, is their desire to get it right.  Not merely re-issue something for the sake of an anniversary or racking up a catalogue favorite – but finding new treasures and highlighting what made it special in the first place.  After hearing the test pressings, it occurred to me that the new mastering was a major part of how these works will be presented, rather than simply being preserved. There are moments of clarity and even a laugh or two had by revisiting not only the music, but recalling the sessions (and antics) that made up what became these two recordings. It is my pleasure to share these with you . . . again.”
– John Cale, September 2024

John Cale was never very kind to his solo debut, Vintage Violence. Released in early 1970, Cale had been out of The Velvet Underground for less than two years, and had been wanting to prove he could be the songwriter behind which a band could work. “I was masked on Vintage Violence,” he wrote much later. “You’re not really seeing the personality.” Indeed, Cale’s personality as a polyglot seemingly interested in everything emerged more and more on his next two solo albums and only two for Reprise: 1972’s bracing and exploratory classical sojourn, The Academy in Peril, and 1973’s masterclass in anxious but accessible songcraft, Paris 1919. By reissuing both records in tandem, Domino—Cale’s home now for a dozen years—affirms the artistic fearlessness Cale then fostered at the edge of 30, when all of music seemed like one inviting playpen.

When Cale arrived in Los Angeles from New York in the early ’70s, he was a pinball in the world; out of The Velvet Underground, out of a marriage with designer Betsey Johnson, no longer a vital piece of a New York scene. He had just kicked heroin, too. In California, he entered a chaotic new relationship, starting his new industry gig, and found his West Coast drug of choice, cocaine. Despite its reputation as Reprise’s first classical album, The Academy in Peril indulges that extreme upper energy, bouncing among ambitious ideas with unguarded zeal. Warner Brothers spent $120,000 on The Academy in Peril, and Cale even enlisted the Royal Philharmonic Orchestra to play on several of its tracks. Still, there is an early punk energy to it all, with a frantic pace of making from idea to execution, where he created his own secret fusion and ignored the strictures of expectation.

The frantic pace of making The Academy in Peril, though, taught Cale an important lesson: take the time you need to make the album you want to hear. And that is precisely what he did on Paris 1919. Arriving at the studio with songs already written, he worked with Little Feat and bassist Wilton Felder at Sunwest Studios in Hollywood, and fully relinquished production duties to English producer Chris Thomas. This remastered and expanded reissue of Paris 1919 is a testament to the progress and the patience that engendered it. In previously unreleased tapes, Cale teases his new chemical habits as he tries to find his way through “Half Past France,” then attempts new vocal arrangements for its beginning in an alternate version. A brilliant “Drone Mix” of “Hanky Panky Nohow,” with Cale’s viola seesawing in hypnotic waves, shows just how much he and Thomas were willing to tinker with these tunes and test the bounds of songcraft. Appended at the end of these extras, “Fever Dream (You’re a Ghost)”—a new Cale composition that perfectly flows out of yet another mix of “Hanky Panky Nohow”—shows that he’s still doing just that into his 80s.

Pre-order Paris 1919 Deluxe Edition
Pre-order The Academy in Peril

As previously announced, John Cale’s POPtical Illusion tour begins in Europe on February 28th. 

John Cale POPtical Illusion Tour Dates
Fri. Feb. 28 – Groningen, NL @ De Oosterpoort
Sat. Mar. 1 –  Maasmechelen, BE @ CC Maasmechelen
Mon. Mar. 3 – Paris, FR @ Le Trianon
Tue. Mar. 4 – Brussels, BE @ Cirque Royal
Thu. Mar. 6– Karlsruhe, DE @ Tollhaus
Fri. Mar. 7 – Munich, DE @ Alte Kongresshalle
Sun. Mar. 9 – Stuttgart, DE @ Theaterhaus
Mon. Mar. 10 – Esch-sur-Alzette, LU @ Rockhal
Wed. Mar. 12 – Nurnberg, DE @ Markgrafenhalle
Thu. Mar. 13 – Leipzig, DE @ Haus Auensee
Fri. Mar. 14 – Berlin, DE @ Columbiahalle
Sun. Mar. 16 – Hamburg, DE @ Laeiszhalle
Mon. Mar. 17 – Utrecht, NL @ TivoliVredenburg
Tue. Mar. 18 – Cologne, DE @ Carlswerk Victoria
Thu. Mar. 20 – Nottingham, UK @ Playhouse
Fri. Mar. 21 – London, UK @ Royal Festival Hall
Sun. Mar. 23 – Birmingham, UK @ Town Hall
Mon. Mar. 24 – Glasgow, UK @ Pavilion
Tue. Mar. 25 – Newcastle, UK @ New Tyne Theatre
Thu. Mar. 27 – Bexhill on Sea, UK @ De La Warr Pavilion
Sat. Mar. 29 – Cardiff, UK @ Wales New Theatre
Sun. Mar. 30 – Liverpool, UK @ Philharmonic Hall
Mon. Mar. 31 – Dublin, IE @ Vicar Street

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[Thanks to Jessica and Patrick at Pitch Perfect PR.]

Sleepbomb release “It Was a Good Plan” from their upcoming album due January 24, 2025.

Photo by Fred Aube
Following winter’s release of ‘The Cabinet of Dr. Caligari’, Sleepbomb returns with another slab of cinematic sound – ‘The Sleeping Dead’ coming out January 24, 2025. Hear the first single from the doom-metal band, ‘It Was A Good Plan‘.
Subtitled “Excerpts from their score for George Romero’s 1968 ‘Night of the Living Dead” and based on their full length score for the film, The Sleeping Dead is an epic serving of filmic doom. Starting with the drum parts fully synchronized with the cinematic imagery, during the recording process each track was pared down to the essential character of each scene from the most influential zombie film of them all. ‘Unlike ‘The Cabinet of Dr. Caligari’, we knew that the final product would not be a fully synchronized score due to rights issues and the large amount of dialogue in the film.’states Sleepbomb‘s Tim Gotch.
Sleepbomb is a San Francisco-based psychedelic doom project focused on full, original scores for genre films including the German Expressionist silent masterpieces – The Cabinet of Dr. Caligari, Nosferatu and Metropolis. Historically a live experience, Sleepbomb has performed their scores across the West coast of the US since 2003 and now has set their sights on expanding to the East coast and the world for 2025. 
Originally stylistically close to a chaotic version of Throbbing Gristle vs Black Sabbath, Sleepbomb has been exploring experimental sounds and forms, guided by the band’s love of Godspeed You! Black Emperor, Coil, Neurosis, Sunn 0))), Ulver and Swans, among others. Settling on a drone influenced style of doom metal as the overarching theme while exploring other genres as appropriate for each film’s particular style, Sleepbomb’s goal is to re-contextualize the experience of these well-known films. They succeed in this goal. 
Sleepbomb joined Bill Gould’s Koolarrow records and Belgium’s Consouling Sounds in 2023 for the release of their score for the classic 1920 German Expressionist film The Cabinet of Dr. Caligari. They are overjoyed to repeat this collaboration for their January 2025 release of The Sleeping Dead: excerpts from an alternate score for George Romero’s Night of the Living Dead!
● Charlie Hernandez: guitars
● Tim Gotch: basses, synths
 Rob Johnson: drums and percussion.
● Claire Hamard: vocals, synths, electronics
SLEEPBOMB ON SOCIALS:
Linktree Facebook Instagram Bandcamp

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[Thanks to Dan from Discipline PR.]

Merope announce new album due November 05, 2024 with new single – “Namopi.”

Photo by Tina Herbots

Today Merope announce details of their forthcoming new album ‘Vėjula’, which is set for release on November 5th via STROOM, and have shared new track Namopi featuring Laraaji and Shahzad Imsaily.

There’s a sense of spontaneity and playfulness hanging in the air around Merope’s fifth album that’s palpable from the very beginning. The duo of Lithuanian singer and kanklės player Indrė Jurgelevičiūtė and guitarist/producer Bert Cools, Merope are kissed by the winds of change on ‘Vėjula’, a self-styled musical rebirth that confidently fosters their ongoing narrative. It’s their most experimental and open-minded full-length to date, spreading its arms to embrace collaborations with like-minded artists Shahzad Ismaily, Laraaji and Bill Frisell. And while ‘Vėjula’still roots itself in Lithuanian folk forms, it sprouts out spiritedly from that point into unfamiliar landscapes, muddling ancient themes with contemporary philosophies, concepts and technologies.

Following previously shared tracks Aglala and Koumu Lil”, today they share Namopi” – a collaboration with legendary American multi-instrumentalist Laraaji and the band’s old friend Shahzad Ismaily, a versatile Pakistani-American player, composer and producer who’s spent the last couple of decades traveling the world and working with artists such as Arooj Aftab, Laurie Anderson, Marc Ribot and Sam Amidon.

Together, Ismaily, Laraaji and Merope find harmony in their fusion of not-so-distant worlds. Ismaily plays moog, bass, drums and adds backing vocals that drape around Laraaji’s unmistakable zither chimes and transcendent synth bleeps, while Jurgelevičiūtė and Cools provide the track’s adhesive, conducting a modest ensemble that breathes with warmth.

Speaking on the track, Merope comment “Searching for a common ground, a place we can call home, music is a place like that.Besides playing with our dearest friend Shahzad Ismaily, we were very happy to meet Laraaji. Namopi was a beautiful first meeting.”

Listen to “Namopi feat. Laraaji & Shahzad Ismaily” on YouTube: https://youtu.be/qMdcOI9VXPE?si=mCTstg7hwRMrMp46

Merope emerged over a decade ago in 2012, hitting their stride in 2018 when they released the nocturnal ‘Naktės’.Since then, they’ve developed a considerable reputation for their whimsical fusion of folk and ambient music; their last album, ‘Salos’, released on Belgium’s STROOM imprint and recorded with Vilnius-based chamber choir Juana Muzika and conductor Vaclovas Augustinas, received universal acclaim, described by Boomkat as “effortlessly enchanting” and supported by none other than Björk.

‘Vėjula’ moves their music forward by examining its beating heart, weaving delicate instrumental sequences and ethereal vocals into a rich tapestry of subtle synth work, evocative field recordings and enigmatic processes. Dazzlingly modest, the album strips down Merope to their essence, rediscovering the joy in creation and collaboration.

‘Vėjula’ is an album that reaches into the unknown without losing its tight grip on the past. Merope are in a new creative phase of their career, and they’ve never sounded quite so universal, or so vital.

‘Vėjula’ track list:
1 Koumu Lil – stream
2 Namopi feat. Laraaji and Shahzad Ismaily stream
3 Lopšinė feat. Bill Frisell
4 Vija
5 Spindulė
6 Aglala – stream
7 O Underhill feat. Shahzad Ismaily
8 Rana

Merope live dates:
08/11 – Le Guess Who? – Utrecht, NL 
20/11 – Viernulvier (Ruiskamer) – Gent (double bill with Alex Zhang Hungtai) 
23/11 – Explore The North – Leeuwarden, NL
28/11 – BRAND! – Mechelen, BE
29/11 – Het Bos – Antwerpen
01/12 – Bozar – Brussel

Keep your mind open.

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[Thanks to Katie at Stereo Sanctity.]

Just in time for Halloween, Motörhead to release “We Take No Prisoners” singles collection on October 25, 2024.

Photo by Gene Kirkland

Back in the golden era of the single of the 1970’s and 80’s, Motörhead would regularly assault the ears of chart listeners on a Sunday afternoon with a string of hit smashes in the rock charts of the time. The single as a format may have been less prominent from the 90’s onwards due to the dawn of the CD, but that didn’t diminish the calibre of the singles and promos that Motörhead continued to release. These mostly CD singles are now rare and highly collectable, so it only feels fitting for this era of the band’s bullet belt full of hits to be reappraised and released on the format that singles were born for, 7” vinyl.

We Take No Prisoners is a collection of the bands singles spanning 1995 to 2006, and available as a nine 7” single box set and expanded double CD and digital editions. From crowd pleasers like the pummeling ‘Sacrifice’, through their unique cover of Sex Pistols, ‘God Save The Queen’ to the semi-acoustic roots vibes of ‘Whorehouse Blues’, no one could deny their song writing prowess was still second to none. With a selection of rare live and radio edits thrown in for good measure and a long lost promo interview with Lemmy and Mikkey Dee from 2004, this is a definitive collection of this era of the band and the songs that drove the success of the albums they were lifted from.

See below for full details of the We Take No Prisoners releases and be sure to visit www.iMotorhead.com for news and updates!

7” BOX SET TRACKLISTING

DISC ONE 

A – Sacrifice

B – Over Your Shoulder (Live)”

DISC TWO

A – I Don’t Believe A Word 

(Single Edit)*

B – Overnight Sensation (Live)”

DISC THREE

A – Love For Sale

B – Take The Blame

DISC FOUR

A – God Save The Queen

B – One More Fucking Time

DISC FIVE

A – Shut Your Mouth

B – See Me Burning

DISC SIX

A – Whorehouse Blues

B – Killers

DISC SEVEN

A – God Was Never On Your Side

B – Trigger

DISC EIGHT

A – R.A.M.O.N.E.S.

 (2006 version)

B – R.A.M.O.N.E.S. (Live)”

DISC NINE

A/B: Inferno Interview – Bel Age Hotel, California, April 2004”

(w/ Mikkey Dee and Lemmy)
CD EDITION TRACKLISTING
DISC ONE

1. Sacrifice
2. Order / Fade to Black
3. Over Your Shoulder (Live)
4. I Don’t Believe a Word (Single Edit)
5. Overnight Sensation (Live)
6. Love for Sale
7. Take the Blame
8. God Save the Queen
9. One More Fucking Time

DISC TWO

1. Shut Your Mouth (Single Edit)
2. See Me Burning
3. Whorehouse Blues
4. Killers
5. God Was Never on Your Side
6. Trigger
7. R.A.M.O.N.E.S.
8. Devil I Know
9. R.A.M.O.N.E.S. (Live)
10. ‘Inferno’ Interview
11. ‘Inferno’ Interview – Bel Age Hotel, California, April 2004”
(w/ Mikkey Dee and Lemmy)

Pre-order here: https://motorhead.lnk.to/prisonersWE 

Keep your mind open.

[Don’t forget to subscribe!]

[Thanks to Maria at Adrenaline PR!]

William Tyler releases new single – “Flight Final.”

Photo Credit: Angelina Castillo

Today, the Nashville-based guitarist/composer William Tyler releases his new single “Flight Final” via Psychic Hotline, his first piece of new music since last year’s lauded collaboration with Four Tet’s Kieran Hebden. Written after Tyler left Los Angeles for Nashville in the confused hurry of early 2020, where he left behind most of his recording rig, Tyler rendered new musical sketches with an iPhone and an old tape machine he found while cleaning out his late grandfather’s Mississippi office. He leaned into this admixture of distortions new and old, welding guitar and electronics to connect past echoes to the present.
 
Tyler’s new single “Flight Final” explores these liminal spaces, with time and tone bending until the whole world blurs. Samples and sequences first spell out a counting game, pulses and numbers phasing into a Steve Reich fantasia for one. But sighing steel guitar and wistful country licks confuse the chronology even more, pulling the seconds apart until they seem to stretch toward forever, an endless horizon of confusion and wonder. This is a soundtrack to realizing that moving forward never entirely means escaping what is behind you. “Final Flight” is also a tease; expect more music from Tyler, exploring these same deep veins, in 2025.

 
Listen to “Flight Final”
 
William Tyler Tour Dates
Sat. Sept. 7 – Oxford, UK @ Septembersong
Sun. Sept. 8 – London, UK @ TBD
Mon. Sept. 9 – Bournemouth, UK @ ICA
Wed. Sept. 11 – Bristol, UK @ The Lantern
Thu. Sept. 12 – Falmouth, UK @ The Cornish Bank
Sat. Sept. 14 – Birkenhead, UK @ Future Yard
Sun. Sept. 15 – Todmorden, UK @ The Golden Lion (Early Show)
Mon. Sept. 16 – Newcastle, UK @ Cluny 2
Tue. Sept. 17 – Glasgow, UK @ The Glad Cafe
Thu. Sept. 19 – Lyon, FR @ Sonic
Fri. Sept. 20 – Paris, FR @ Chair de Poule
Tue. Sept. 24 – Middelburg, NL @ De Spot
Wed. Sept. 25 – Haarlem, NL @ Patronaat
Thu. Sept. 26 – Zwolle, NL @ Hedon
Sat. Sept. 28 – Barcelona, ES @ Casa Montjuic
Sun. Sept. 29 – Valencia, ES @ Centro Excursionista
Wed. Oct. 2 – Lisboa, PT @ Bota
Fri. Oct. 4 – Braga, PT @ Generation
Sun. Oct. 6 – San Sebastian, ES @ dabadabass

Keep your mind open.

[Fly over to the subscription box while you’re here.]

[Thanks to Jacob at Pitch Perfect PR.]

Data Animal is “Dancing with the Devil” on their new single.

LISTEN TO “DANCING WITH THE DEVIL” HERE

BUY “DANCING WITH THE DEVIL” HERE

BUY THE “CHEMICAL COWBOY / DANCING WITH THE DEVIL” SINGLE HERE

Get ready to unleash the chaos with Data Animal‘s explosive new electro punk single, “Dancing with the Devil ”! With a relentless blend of searing synths, thrashing guitars, and raw, unapologetic vocals, this track is a sonic rebellion against the mundane. “Dancing with the Devil” captures the ferocity and spirit of the underground scene, delivering a blistering anthem that’s destined to ignite mosh pits and set the night ablaze. Out August 27th – only on Dedstrange.

Data Animal is bursting out of Berlin’s underground music scene mixing the sounds of NYC’s No Wave legends Suicide, psychedelic godfathers Spacemen 3 and the drum machine, noise driven racket of early The Jesus and Mary Chain and making it completely their own. Founded between Berlin and New Zealand and signed to Oliver Ackermann’s (Death by Audio / A Place To Bury Strangers) label Dedstrange in the midst of a global pandemic, the group is headed up by Mitchell James O’Sullivan and joined by a rotating cast of Berlin’s music scene luminaries. The band has grown in notoriety for their blistering live set including shows with The Brian Jonestown Massacre, A Place To Bury Strangers, GIFT, and YHWH Nailgun following their highly regarded debut album Future Primitive.

Keep your mind open.

[Dance over to the subscription box while you’re here.]

[Thanks to Steven at Dedstrange!]