Mac Sabbath announces big fall U.S. tour.

7 Song Vinyl Debut Full Length Album Out Now!

Available at http://www.macsabbath.bigcartel.com

&

https://www.officialmacsabbath.com

The waiting is over! I mean When it comes to “drive-thru metal”, who needs waiters!?! With our debut album release we are about to “pop-up” all over the states for the first time in years! So head over for a triple decker helping of the cheese you need! on sale now!” – Ronald Osbourne

MAC SABBATH will return to the road this Fall to bring America another heaping helping of unhealthy – but irresistible – Drive-Thru Metal on the 2022 Pop-Up-Drive-Thru Tour, featuring special guests Speedealer, southern rock heavier and faster then anything this side of Motorhead and shoulders, and Lung, the electric cello and drums female duo, kicking off one heck of a party feast for the senses! A food fight to the death!

MAC SABBATH will be popping up all over the States – just like in our debut release,” says the band’s perplexing clown faced frontman Ronald Osbourne“Confusing the USA one more time!”

MAC SABBATH on tour:

09/27/22 Great American Music Hall – San Francisco, CA – with Speedealer and Lung – All Ages

09/28/22 Goldfield Trading – Sacramento, CA – with Speedealer and Lung – 21+

09/30/22 Dante’s – Portland, OR – with Speedealer and Lung – 21+

10/01/22 El Corazón – Seattle, WA – with Speedealer and Lung – 21+

10/04/22 Urban Lounge – Salt Lake City, UT – with Speedealer and Lung – 21+

10/06/22 WAVE – Wichita, KS – with Speedealer and Lung – All Ages

10/07/22 Knuckleheads – Kansas City, MO – with Speedealer and Lung – 21+

10/08/22 Wooly’s – Des Moines, IA – with Speedealer and Lung – 21+

10/09/22 Fine Line – Minneapolis, MN – with Speedealer and Lung – 21+

10/11/22 Shank Hall – Milwaukee, WI – with Speedealer and Lung – 21+

10/12/22 Afterlife Music Hall – Lombard, IL – with Speedealer and Lung – 21+

10/13/22 Red Flag St. – Louis, MO – with Speedealer and Lung – 21+

10/14/22 Elevation – Grand Rapids, MI – with Speedealer and Lung – All Ages

10/15/22 Magic Bag – Ferndale, MI – with Speedealer and Lung – 18+

10/18/22 HI-FI Indy & HI-FI Annex – Indianapolis, IN – with Speedealer and Lung – 21+

10/19/22 Beachland Ballroom – Cleveland, OH – with Speedealer and Lung – All Ages

10/20/22 The Crafthouse Stage & Grill – Pittsburgh, PA – with Speedealer and Lung – 21+

10/21/22 Brooklyn Bowl – Brooklyn, NY – with Speedealer and Lung – 21+

10/23/22 Wall Street Theater – Norwalk, CT – with Speedealer and Lung – 21+

10/26/22 The Foundry – Philadelphia, PA – with Speedealer and Lung – All Ages

10/27/22 Black Cat – Washington, DC – with Speedealer and Lung – All Ages

10/28/22 Harrisburg Midtown Arts Center – Harrisburg, PA – with Speedealer and Lung – All Ages

10/29/22 The Underground – Charlotte, NC – with Speedealer and Lung -All Ages

10/31/22 The Grey Eagle Asheville, NC – with Speedealer and Lung – All Ages

11/01/22 EXIT/IN – Nashville, TN – with Speedealer and Lung – 18+

11/03/22 The Charleston Pour House – Charleston, SC – with Speedealer and Lung – 21+

11/04/22 42nd Street Tavern/Reggies – Wilmington, NC – with Speedealer and Lung – 21+

11/05/22 Jack Rabbits Live – Jacksonville, FL – with Speedealer and Lung – All Ages

11/06/22 Tuffy’s Bottle Shop/Lounge/Music Box – Sanford, FL with Speedealer and Lung – 21+

11/08/22 Lafayette’s Music Room – Memphis, TN – with Speedealer and Lung – 21+

11/09/22 Chelsea’s Cafe – Baton Rouge, LA – with Speedealer and Lung – 18+

11/10/22 Zony Mash Beer Project – New Orleans, LA – with Speedealer and Lung – 21+

11/11/22 Come and Take It Live Austin, TX – with Speedealer and Lung – All Ages

11/12/22 Trees – Dallas, TX – with Speedealer and Lung – 21+

11/14/22 Paper Tiger – San Antonio, TX – with Speedealer and Lung – 21+

11/15/22 RockHouse Bar & Grill – El Paso, TX – with Speedealer and Lung – All Ages

11/16/22 Meow Wolf – Santa Fe, NM – with Lung – 21+

11/18/22 Marquis Theater – Denver, CO – with Speedealer and Lung – All Ages

11/19/22 Mesa Theater – Grand Junction, CO – with Speedealer and Lung – All Ages

12/16/22 Vinnie’s Bar & Grill with TBA – Concord, CA – 21+

12/17/22 The Catalyst with TBA – Santa Cruz, CA 16+

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[Thanks to Maria at Adrenaline PR.]

“Congratulations” to Alex Lahey on her new single!

Photo by Pooneh Ghana

Alex Lahey returns with a new single/video, “Congratulations,” the first taste in a long-awaited new chapter from Lahey, out today via Liberation Records. Marking her first new music since last year’s “Spike The Punch” and “On My Way” – the latter being the theme song for Sony Picture Animation’s Oscar-nominated The Mitchells vs The Machines, Netflix’s biggest animated release of all time – “Congratulations” is Lahey putting the focus back into her own project after a lengthy stint of collaborating with other artists as both a songwriter and producer. An examination of old relationships, “Congratulations” captures the all-too-familiar feeling of when your ex (or in Lahey’s cases, exes), move on and settle down. “Two of my exes got engaged within an improbably short space of time of one another. What are the odds? I couldn’t not write a song inspired by it.” The song itself features Lahey’s powerful alto and trademark confessional lyrics, all backed by stadium-ready guitar. The accompanying, “deeply unhinged” video (according to Lahey) was written by Lahey herself and co-directed by Jon Danovic“It felt like the perfect time to execute a long standing concept I had of making out with myself on camera,” says Lahey. “Now both the song and the video feel like a message about choosing yourself over anyone else.”
 

Watch Alex Lahey’s Video for “Congratulations”

Stream/Purchase “Congratulations” by Alex Lahey
 

Fresh off her tour with The Regrettes, Lahey will head to the UK where she will open for Manchester Orchestra. Additionally, she will play headline shows across the UK and Australia where she’ll road test new material. A full list of dates can be found below and tickets for all shows are on sale now. Stay tuned for more Alex Lahey news in the coming months.
 

Alex Lahey Tour Dates:

Thu. Sep. 15 – Manchester, UK @ Manchester Academy – SOLD OUT *
Fri. Sep. 16 – London, UK @ O2 Forum Kentish Town – SOLD OUT *
Sun. Sep. 18 – Bristol, UK @ The Louisiana
Mon. Sep. 19 – Glasgow, UK @ Broadcast
Tue. Sep. 20 – Leeds, UK @ Brudenell Social Club
Wed. Sep. 21 – London, UK @ Omeara
Fri. Sep. 23 – Hamburg, DE @ Reeperbahn Festival 2022
Wed. Oct. 26 – Sydney, AU @ Oxford Art Factory
Thu. Oct. 27 – Melbourne, AU @ The Corner Hotel
Fri. Oct. 28 – Ballarat, AU @ Volta
Sun. Oct. 30 – Wollongong, AU @ La La La’s
Tue. Nov. 1 – Newstead, AU @ The Triffid
Thu. Nov 3 – Adelaide, AU @ Fat Controller
Fri. Nov. 4 – Canberra, AU @ ANU Kambri
 
* = opening for Manchester Orchestra

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Tinariwen re-release rare 1992 album previously available solely on cassette.

Touareg collective Tinariwen are thrilled to announce the reissue of Kel Tinariwen, marking the project’s first-ever official release since it appeared in 1992 locally in Mali on cassette, out November 4th via Wedge. In conjunction, they share its lead single and album closer, “Arghane Manine.” The track skips with percussion, grooving bass, and twangs of electric guitar. Across “Arghana Manine,” vocals call back and forth to each other. Kel Tinariwen will see release alongside two additional Tinariwen reissues, Aman Iman: Water Is Life and Imidiwan: Companion, out for the first time on vinyl the same day via Craft Recordings.
 

Listen to “Arghane Manin” by Tinariwen

 
A revelatory discovery in the Tinariwen archives, Kel Tinariwen is an early cassette tape recorded in the early 90s that never received a wider release, and sheds new light on the band’s already rich history. Not having yet developed the fuller band sound they became internationally established with, Kel Tinariwen features their trademark hypnotic guitar lines and call-and-response vocals weaving in between raw drum machine rhythms and keyboard melodies that almost evoke an Arabic take on 80s synth-pop.
 
In the summer of 1991, four members of Tinariwen traveled to Abidjan in Ivory Coast to record the band’s first official release, Kel Tinariwen. They were Abdallah Ag AlhousseyniHassan AgTouhami aka ‘Abin Abin,’ Kedou Ag Ossad and Liya Ag Ablil aka ‘Diarra.’ The project was the brainchild of Keltoum Sennhauser, a painter, poet and songwriter of mixed parentage (her father was a Sonhrai, her mother a Touareg), who grew up partly in Bamako, partly in the Kidal region of north-eastern Mali, the homeland of all the members of Tinariwen. Like so many Touareg from that region, Keltoum and her family had been forced to emigrate by the droughts that tore the Touareg world apart in the mid-1970s and 1980s, as well as all the oppression and suffering that had followed independence in 1960. Keltoum became deeply involved in the Touareg struggle for freedom and self-determination and saw music in general and music of Tinariwen in particular as an essential part of that struggle.
 
Kel Tinariwen was never heard outside of the local community that traded cassettes back in 1992 – an activity that was important to the movement, as Keltoum explains: “I think the cassette played a crucial role as a tool of communication, a tool that was very dear to us. It served to raise awareness and awaken the consciences of those who felt that everything was already lost, or that we didn’t have the wherewithal to win our struggle. It allowed the Touareg world to develop its own conscience and move forward. In our milieu, the only thing that can make us question ourselves is music. Because we listen to a lot of music, we love music, we love poetry. We don’t read. We’re not a people who read. So, the only reading we have, about ourselves and about the outside world, is music.” Thirty years later, the album is finally seeing an official release, on vinyl, CD, and cassette to pay homage to its original format.
 
There’s distinct parallels with the sounds found on this tape and the work uncovered in recent years by crate-digger labels such as Awesome Tapes From Africa, Sahel Sounds and Sublime Frequencies. Aman Iman: Water Is Life and Imidiwan: Companion are Tinariwen’s third and fourth studio albums respectively. It’s a blend of West African traditional music and electrified rock’n’roll – a sound that critics have called “desert blues.”
 
Alongside Kel Tinariwen, Tinariwen are also reissuing Aman Iman: Water Is Life and Imidiwan: Companions – their third and fourth studio albums respectively. A blend of West African traditional music and electrified rock’n’roll –a sound that critics have called “desert blues.” Aman Iman: Water Is Life was Tinariwen’s third studio album, originally released in 2007, and recorded in Mali’s capital, Bamako. Produced by Justin Adams (Robert Plant’s guitarist and producer of the Tinariwen’s debut album The Radio Tisdas Sessions), and recording engineer Ben Findlay. The whole Tinariwen story breathes through its twelve songs, beginning with the first Touareg rebellion of 1963, which lies at the root of so much pain and trauma in the Malian Touareg mindset and which is vividly recalled by Ibrahim in his brooding song ‘Soixante Trois..’
 
Imidiwan: Companions was the band’s fourth album, and it possesses all the elements that have made them so alluring; raw simplicity, melodic beauty, songs ranging from the epic and universal to the intimate and personal. The 13-track album, produced by Jean-Paul Romann, was recorded in Tessalit, the Malian desert village home of band members Ibrahim Ag Alhabib and Hassan Ag Touhami.
 
In advance of the three reissues’ release, Tinariwen will return stateside for a North American tour this September and October. Tinariwen will kick off their North American tour in Chicago on Fri. Sept. 9th. Tickets are on-sale now and available at tinariwen.com/tour.

 
Pre-order Kel TinariwenAman Iman: Water Is Life and Imidiwan: Companions Reissues
 
Kel Tinariwen Tracklist:
1. À L’Histoire
2. Khedou Khedou
3. Adounia Tarha
4. Matadjem Yinmexan
5. Awa Idjan War Infa Iman
6. Sendad Eghlalan
7. Sendad Eghlalan
8. Arghane Manine
 
Aman Iman: Water Is Life Tracklist:
1. Cler Achel
2. Mano Dayak
3. Matadjem Yinmixan
4. Ahimana
5. Soixante Trois
6. Toumast
7. Imidiwan WinakaliN
8. Awa Didjen
9. Ikyadarh Dim
10. Tamatant Tilay
11. Assouf
12. Izarharh Tenere
 
Imidiwan: Companions Tracklist:
1. Imidiwan Afrik Tendam
2. Lulla
3. Tenhert
4. Enseqi Ehad Didagh
5. Tahult In
6. Tamodjerazt Assis
7. Intitlayaghen
8. Imazighen N Adagh
9. Tenalle Chegret
10. Kel Tamashek
11. Assuf Ag Assuf
12. Chabiba
13. Ere Tasfata Adounia
 
Tinariwen Tour Dates:
Fri. Sept. 9 – Chicago, IL @ Metro
Sat. Sept. 10 – Minneapolis, MN @ The Cedar Cultural Center
Mon. Sept. 12 – Denver, CO @ Bluebird Theater
Tue. Sept. 13 – Salt Lake City, UT @ Urban Lounge
Thu. Sept. 15 – Seattle, WA @ Neumos
Fri. Sept. 16 – Vancouver, BC @ Imperial Theatre
Sat. Sept. 17 – Portland, OR @ Mississippi Studios
Mon. Sept. 19 – Berkeley, CA @ The UC Theatre
Tue. Sept. 20 – Los Angeles, CA @ Fonda Theatre
Wed. Sept. 21 – Phoenix, AZ @ Musical Instrument Museum Theater
Fri. Sept. 23 – Austin, TX @ Mohawk – Indoor
Sat. Sept. 24 – Fort Worth, TX @ Tulips
Sun. Sept. 25 – Houston, TX @ The Heights Theater
Tue. Sept. 27 – New Orleans, LA @ House of Blues
Thu. Sept. 29 – Saxapahaw, NC @ Haw River Ballroom
Fri. Sept. 30 – Alexandria, VA @ The Birchmere
Sat. Oct. 1 – Philadelphia, PA @ Underground Arts
Mon. Oct. 3 – New York, NY @ Webster Hall
Tue. Oct. 4 – Providence, RI @ Columbus Theatre
Wed. Oct. 5 – Cambridge, MA @ The Sinclair Music Hall
Fri. Oct. 7 – Montreal, QC @ Rialto Theatre
Sat. Oct. 8 – Toronto, ON @ The Danforth Music Hall

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[Thanks to Sam at Pitch Perfect PR.]

The long-lost “Iron Fist” Motörhead album trailer has been unearthed!

LONG LOST FILM RESTORED & RELEASED 

FEATURING UNHEARD, INSTRUMENTAL DEMO 

‘RIPSAW TEARDOWN’

WATCH HERE

SPECIAL 40th ANNIVERSARY EDITIONS OF

 IRON FIST

TO BE RELEASED ON 23rd SEPT 2022

PREORDERS & EXCLUSIVE MERCH BUNDLES HERE https://motorhead.lnk.to/ironfist40thPR

Once upon a time the loudest, nastiest, speed-freaked trio in the land – the mighty Motörhead – decided that they needed an intro-film to come on stage to, so they could tour their brand-new album Iron FistNot for them some gentle promo video, for this was Motörhead in 1982 comprising the seminal three amigos line-up of Lemmy, Fast Eddie Clarke and Phil ‘Philthy Animal’ Taylor.

What they produced has been buried in the mists of time, confined to dodgy bootleg VHS’s, but it’s a gory, brutal, hilariously OTT short movie directed by Nick Mead where knights are murdered and maidens are in distress. Shot in a Hertfordshire forest it features a medieval, battle-hardened band stomping around a darkened forest, fuelled by vodka and brandishing weapons, wearing horned helmets and looking fierce whilst punching the air with their Iron Fist!

Imagine a recklessly non-health-and-safety, amphetamine-nightmare, super low budget take on Monty Python and the Holy Grail and you’re halfway there.

And now, in honour of the 40th Anniversary of the album that inspired this piece of cinematic pastiche, the Iron Fist trailer has been re-discovered, digitised and officially released for the world’s viewing pleasure. Originally cut to Gustav Holst’s ominous ‘Mars, Bringer Of War’, it now features the previously unreleased instrumental demo ‘Ripsaw Teardown’ as its audio soundbed. It’s really quite something, and sets up the forthcoming release of the Iron Fist 40th Anniversary editions

Whilst the album was rudely dismissed by critics on release, it now reveals itself as a vital snapshot of the band at a crucial period. It followed the consecutive triumphs of Ace Of Spades and No Sleep Til Hammersmith, when the three-piece found themselves caught in the tornado of success, but in true Motörhead style, they careered into their next phase at such velocity it transcended logic or reason to become this trio’s final kamikaze joyride.

Forty years later, Iron Fist sounds like prime Motörhead with the gloves and seat-belts off. For sheer velocity, it could be fastest, most out-of-control of all their releases. To celebrate the anniversary it is being presented in new deluxe editions. There will be hardback book-packs in two CD and triple LP formats, featuring a hammer fist blow, remaster of the original album, previously unreleased demo bonus tracks and a full concert, originally broadcast on Radio Clyde from 18thMarch 1982. Plus the story of the album and many previously unseen photos. There’s also a limited edition, blue and black swirl of the original standalone album.

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Dry Cleaning announces new album due October 21st and say “Don’t Press Me” on the first single from it.

Photo by Ben Rayner

London-based band Dry Cleaning announce their sophomore album, Stumpwork, out October 21st, and share the lead single/video, “Don’t Press Me.” Stumpwork is the follow-up to New Long Leg, their debut full-length and one of 2021’s best albums (a top 10 album of the year, according to The New York Times, Pitchfork, SPIN, The Atlantic, The Ringer, and more). The new album was inspired by a plethora of events, concepts and political debacles, be they represented in the icy mess of ambient elements reflecting a certain existential despair, or the surprising warmth in celebrating the lives of loved ones lost through the previous year. Surrealist lyrics are as ever at the forefront – but there is a sensitivity now to the themes of family, money, politics, self-deprecation and sensuality. Furious indie-pop anthems combine across the record with psych and prog influences, demonstrating the wealth of influences the band feed off and their deep musicality.

​​Clocking in at under 2 minutes, today’s “Don’t Press Me” is about the pleasure of gaming and the enjoyment of intense and short-lived guilt-free experiences. Vocalist Florence Shaw also says, “The words in the chorus came about because I was trying to write a song to sing to my own brain, ‘You are always fighting me / You are always stressing me out.’” Its animated video was created by Peter Millard, whose naïve depictions of the band is perfectly in sync with the song’s hooks and riffs.

 
WATCH DRY CLEANING’S VIDEO FOR “DON’T PRESS ME”
 

Stumpwork follows New Long Leg, Dry Cleaning’s debut album that became a huge critical and commercial success, reaching #4 in the UK Album Charts and featuring in best-of-2021 polls across the board. Buoyed by its success, Nick Buxton (drums), Tom Dowse (guitar), Lewis Maynard (bass) and Florence Shaw (vocals) returned to rural Wales in late 2021, partnering once more with Parish and engineer Joe Jones. Working from a position of trust in the same studio and with the same team, imposter syndrome and anxiety was replaced by a fresh freedom and openness to explore beyond an already rangy sonic palette, a newfound confidence in their creative vision. A longer period in the studio afforded the time to experiment, improvise, play,  and sharpen their table tennis skills. With the pressure of their debut album behind them, Dry Cleaning have crafted an ambitious and deeply rewarding new work that marks them out as one of the most intelligent and exciting acts to come out of the UK.

The album and single artwork were conceived and created by multi-disciplinary artists Rottingdean Bazaar and photographer Annie Collinge. James Theseus Buck and Luke Brooks of Rottingdean Bazaar first worked with Dry Cleaning directing the official video for “Scratchcard Lanyard” and as their creative partnership with the band continues to flourish, they have fashioned a brilliantly unique visual identity for Stumpwork.

 
PRE-ORDER  STUMPWORK

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Jon Hopkins and ANNA team up for a “night version” of “Deep in the Glowing Heart.”

Jon Hopkins has revealed a transcendent new collaboration with Brazilian techno producer ANNA, “Deep In The Glowing Heart (Night Version).” The original version of “Deep In The Glowing Heart” is found on Hopkins’ Music For Psychedelic Therapy, released last November on Domino. Talking about the original, Hopkins said there is a feeling that “music can cleanse you, music can guide you through.” Today’s “Night Version” takes you on a very different journey. Evolving over a month-long trans-Atlantic collaborative process, “Deep In The Glowing Heart (Night Version)” feels like an explosive release of energy, inspired by Hopkins’ return to regular DJing this year. With early versions of this track being premiered to huge crowds by both artists at their DJ sets across the world – including ANNA at Coachella and Hopkins at Fabric – “Deep In The Glowing Heart (Night Version)” is now available to hear widely for the first time.

Of the collaboration, Hopkins says: “I first came across ANNA’s music through her track ‘Hidden Beauties’, which I found myself playing in DJ sets all the time and always goes down so well. I then asked her to remix ‘Singularity’ and the results were so amazing I was super keen to work with her again but in a more collaborative way, rather than just handing over stems. We went back and forth a lot and it flowed really well. I love how this one turned out, it’s such a meeting of our two styles.”

ANNA adds: “It is a big honor to be able to create music together with Jon. His music is part of my daily life, part of my meditations, my long walks and contemplative moments. My remix for his track ‘Singularity’ had a huge impact on my career and getting to know Jon better since then, and collaborate on this version of DITGH, it feels like our relationship has come full circle!”

Listen to Jon Hopkins & ANNA’s “Deep In The Glowing Heart (Night Version)”
Music For Psychedelic Therapy was Hopkins’ first full-length since the release of sister albums, the GRAMMY-nominated Singularity (2018) and Immunity (2013), and it was a departure in sound from these records; “an album with no beats, not one drum sound, something that is closer to a classical symphony than a dance / electronica record.”

 
Listen/Watch/Purchase:
Purchase/Stream Music For Psychedelic Therapy
Watch “Sit Around The Fire” (with Ram Dass, East Forest) Visualizer
Watch “Music For Psychedelic Therapy (Excerpt)” Visualizer

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October and the Eyes shares a “Tit Pic.” It’s a single! A new single! What were you thinking?

Following the release of her recent EP ‘Who Upset You?‘,  New Zealand-born, London-based singer & songwriter October and the Eyes is sharing her new single Tit Pic. 

Speaking about the track, October said “We destroy the earth because of our innate sense of self importance – that we have a god given right to rape, pillage and exploit the earth for our own consumption. We simultaneously distract ourselves from the worsening repercussions of our destructive hand via narcissistic pursuits of social media exhibitionism and sterile lit bathroom selfies. It’s a great picture though and successfully garnered 237 likes which is a huge relief.”

Listen to “Tit Pic” via Youtube here: https://www.youtube.com/watch?v=kiSZVMUBR5I

Listen via other streaming services here: https://distrokid.com/hyperfollow/octoberandtheeyes/tit-pic

October is no new-comer to music, the New Zealand born musician has been involved in musical pursuits since she was a child. Heralding from a musical family, the prospect of pursuing music in one form or another was almost inescapable: A classical pianist mother, fanatic music fan father, and two older multi- instrumentalist brothers who were always holding their band practices in the family playroom. October’s childhood was that of a humble upbringing; having grown up in a small rural town in New Zealand’s wine country, she turned to songwriting as a means to stave the boredom away. She taught herself how to record and produce her own music aged 12, locking herself away in her bedroom for hours on end, and hasn’t looked back since. Claiming the internet raised her, it’s clear she had her sights set on broader horizons and bigger cities.

Having moved half way across the world to her new home in East London, October has remained true to her traditional isolated writing style by holing up in her East London flat for several months and writing a small collection of songs that can be described as dizzying, darkly kaleidoscopic, and dauntless above all. October describes her musical style as ‘collage-rock’ (not the be confused with college rock). Pulling musical inspiration from the likes of Bauhaus, Bowie, Siouxsie Sioux and Suicide, she then squeezes her influences through the gauze of modernity and electronics, thus creating something entirely of her own.

With nods to acid rock, psychobilly and post-punk, October and The Eyes’ music is equal parts nostalgia-drenched as it is future forward, employing layers of ambient synth drones to anchor the crunched guitars and jagged organ parts. Delivered with a twisted theatricality, her vocals pendulum between commanding chants and soothing coo’s, proving that not only is she a versatile songwriter and producer, but a versatile vocalist too.

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[Thanks to Frankie at Stereo Sanctity.]

Estella Boersma drops hot new single – “The Wave.”

Berlin based producer Estella Boersma announced themselves with a debut on Unknown to the Unknown’s Dance Trax imprint and a string of appearances in the infamous HOR bathroom have followed – including one at Crave Festival – generating a positive stream count thanks to their varied DJing style; floating between techno, bass, breaks, electro and old school rave.

Today Estella shares the first single ‘The Wave’ from thier highly anticipated EP ‘Contact’ forthcoming on UKmainstay Lobster Theremin, due for release October 7th. The EP will feature three other tracks that perfectly exemplify the energy felt front-left at one of their sets.

‘The Wave’ is the most quintessential Estella track on the release – brimming with acid, breakbeats and warehouse rave energy, channeling older XL Recordings-inspired sounds and modern-punk electronic aesthetics.

PRE-ORDER 

NEW SINGLE ‘THE WAVE’

STREAM       WATCH

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Medicine Singers announce fall U.S. tour.

Photo by Erik Luyten

Medicine Singers announce a fall headlining tour and present a live video of “Sunrise (Rumble),” a standout track from Medicine Singers , their self-titled debut album out now on Stone Tapes/ Joyful Noise Recordings.

Recently highlighted in a New York Times article as a group on the forefront of Native experimental music, the Medicine Singers’ groundbreaking debut LP acts as a guided tour de force of decades of musical genres influenced by Native American music, and their live show remains the stuff of legend. The Medicine Singers often set up in-the-round, and go into a trance-inducing set where the walls between band and spectator – as well as between psychedelic rock and shamanic chants – are blurred. Full dates are listed below and tickets are on sale tomorrow, Friday August 19th.

The Medicine Singers’ tour kicks off with a very special “immersive” performance on September 24 at Brooklyn’s Pioneer Works to celebrate the release of Medicine Singers and the launch of Stone Tapes, Yonatan Gat’s eclectic new label. The show will be opened by two site-specific duo performances from Lee Ranaldo (Sonic Youth)  & Hassan Ben Jafaar (Innov Gnawa) and Laraaji & Mamady Kouyate (Bembeya Jazz)  performing inside the Charles Atlas video installation in Pioneer Works’ main hall, followed by a special Medicine Singers 10-piece band featuring jaimie branch, Thor Harris, Lee Ranaldo, Laraaji and Gat.

 
BUY TICKETS TO SEE THE MEDICINE SINGERS
 
WATCH “RUMBLE” LIVE VIDEO
 

Half a decade after the spur-of-the-moment story of how the musicians first met and unraveled their sound on an unsuspecting audience during SXSW 2017 when Gat saw Eastern Medicine Singers play on the street and invited the band to spontaneously join his show  – the collaboration between the musicians reaches a climax with this breathtaking debut album as Medicine Singers, helping pave the way to this year’s rising wave of Native contributions to experimental music – shining a spotlight on guest vocalists representing indigenous nations from outside of the Northeastern Woodland tribal area. “Where else can you get all these different native people singing together on an album?” bandleader Daryl Back Eagle Jamieson asked. “On this album you have east, west, north and south all coming together. That’s why we say it’s medicine.”

For Jamieson, this album is more than a collection of songs, it’s a vessel of culture, history and language; a symbol of the strength and creativity of the Eastern Algonquin people in contemporary American society. “I want to show people not only that our Indian culture is just as good as the rest of the culture that’s out there, but also that the two can exist together, side by side.”

 
Medicine Singers Tour Dates
Sat. Sept. 24 – Brooklyn, NY @ Pioneer Works (RECORD RELEASE / STONE TAPES LABEL LAUNCH) *
Wed. Sept. 28 – Troy, NY @ No Fun
Thu. Sept. 29 – Montreal, QC @ Pop Montreal
Fri. Sept. 30 – Toronto, ON @ Vashe ZDorov’ye
Sat. Oct. 1 – Cleveland, OH @ Happy Dog West
Sun. Oct. 2 – Chicago, IL @ Empty Bottle
Mon. Oct. 3 – Indianapolis, IN @ Square Cat
Sat, Oct 8 – Washington, DC @ Down in the Reeds Festival
 
* w/ Lee Ranaldo & Hassan Ben Jafaar (Duo), Laraaji & Mamady Kourate (Duo)
 
Watch Medicine Singers’ “Hawk Song” Video
 
Watch The “Daybreak” Lyric Video
 
Watch The “Sunrise (Rumble)” Video
 
Listen to “Sanctuary”
 
Purchase Medicine Singers

Keep your mind open.

[Don’t forget to subscribe before you go.]

[Thanks to Yuri at Pitch Perfect PR.]

Blackwater Holylight’s Sunny Faris and Night Heron’s Cam Spies combine their super powers to create WHIMZ.

Portland, OR synth-doom duo WHIMZ share the first single from their forthcoming album PM226 today via Metal Injection. Hear and share “AM2” HERE. (Direct Bandcamp.)

Sunny Faris (vocalist/bassist and founder of Blackwater Holylight) and Cam Spies (Night Heron) have been friends for years. Cam recorded the first BWHL record several years ago and they hadn’t had a chance to collaborate again, until 2021 when they decided to spend a day in the studio to see what emerged. The result was a seamless blending of their two projects: dark, synth heavy, austere doom-pop, with hauntingly beautiful vocal harmonies, and sexy bass lines. 

Sunny’s characteristic voice is immediately recognizable from opening track “AM1”. Although it may at first seem confusing to hear her singing over low-end rich, heavy synthesizer and vintage drum machines, it quickly becomes apparent how perfectly suited her voice is for these songs. While the music evokes the icy, consumer excess bliss of mid- to late-80s synth pop, Sunny’s melancholic voice permeates like the angelic harmonies of Julie Cruise and Cocteau Twins

The emotionally intense, melodically lush shoegazey doom of Blackwater Holylight’s widely hailed 2021 album Silence/Motion provides a good touchstone for WHIMZ, but Night Heron’s pawn shop deep collection of carefully curated retro synth instrumentation and Cam’s tasteful production also gives the album both its skeleton and a wealth of subtle and clever tones tucked neatly into each song. 

Upon completing the 5-song, 26-minute album they decided to release it on Portland label Literal Gold Records, and assembled a live band which includes members of YOB and Spoon Benders joining Faris and Spies. 

PM226 will be available on LP, CD and download on October 28th, 2022 via Literal Gold Records. Pre-orders are available HERE

WHIMZ LIVE 2022:

Nov 10 – Portland – Doug Fir Lounge

Nov 12 – Seattle – Freakout Fest – Sunset Tavern 

Keep your mind open.

[Don’t forget to subscribe while you’re here.]

[Thanks to Dave at US / THEM Group.]