Tan Cologne take us to a lovely “Space in the Palms” with their new single.

As TAN COLOGNE head to Italy to kick off their European tour with a residency at Pescetrullo in Puglia, today they have shared a final pre-release track from their forthcoming new album ‘Earth Visions Of Water Spaces’, set for release on September 9th on Labrador Records.

Continuing the expansive, gravity-defying psychedelia on the New Mexico duo’s second album, latest single “Space In The Palms” shows a delicately brooding, woozy side to the record. The band comment: “Space in the Palms” is about a day we spent on a secluded beach in Baja Mexico where wild horses ran free and played in the waves and found relief from the sun under naturally formed palm huts. There was a small stone structure on the path to the beach that plants and elements had eroded and taken over. We eventually found the beach after many palm tree observations and mile marker searches. The beach was found off of a dirt road that descended from an old highway. It was like a treasure. This song is about that space. While recording guitars, we experienced a major lightning storm in New Mexico.”

Listen to “Space In The Palms”:https://song.link/i/1636678302

Listening to the ethereal, spangled, psychedelic grandeur at the heart of ‘Earth Visions Of Water Spaces’, it feels appropriate that Tan Cologne reside and record amid the sparse, almost lunar landscapes of Ranchos de Taos, New Mexico. Their weightless songs appear to defy gravity, with the voices of Lauren Green and Marissa Macias floating in an empty sky while guitars shimmer on a distant horizon. That said, these same songs feel fluid, almost aqueous, their evolution unhurried as they ripple gracefully towards the skyline. It’s no surprise, therefore, to discover the album’s central theme, one highlighted by its name and more than a few of its song titles, because it’s inspired by something precious to all who live in such environments.

“We would like listeners to feel they are submerged within or near the presence of water,” the duo says. “The entire album is about water: droplets of water, atmospheric exchanges of water, and the transformation of Earth by and through water. We were drawn to this through finding shells within the desert landscape. We also read a story in the newspaper about a 300-million-year-old shark fossil found in the mountains in New Mexico thirty miles southwest of Albuquerque. There’s a lot to consider in reflecting on where the Earth’s path has been, and where and what it may be, water of course being the vital experience for existence.”

Green and Macias began recording their second album, the follow-up to 2020’s ‘Cave Vaults On The Moon In New Mexico’, in the summer of 2021 at their home, a relatively remote location. Swimming became an important daily ritual, as did gardening and visiting a nearby dry river bed, where they wrote recent single Topaz Wave”, in whose video it can be seen. “The sides of the arroyo walls are shaped like curved waves,” they say, “reflecting the experience of tidal and earth transformation, and how the desert land was once ocean.”

The rest of each day was spent writing and recording. Tan Cologne are an entirely self-contained unit, responsible for every sound on the record, sharing vocal, guitar, lap steel, synths and percussion duties, with Green adding drums, bass, autoharp, and melodica and Macias keyboards as well as bouzouki, not to mention the artwork’s photography. At all times, however, their proximity to nature and the ferocity of its elements made its own crucial contribution to the record’s development. “The summers in New Mexico have major monsoons and lightning storms,” they explain. “Most of the recording was done during moody and wild weather in days full of contrast, from lightning storms to dust devils to snow. The album was created to tell stories of water on Earth, with all of its songs being reflections of past, present, and future civilisations.”

“The present and future being of Earth’s water and lands are an ever-present concern and prayer cycle for us,” they conclude. “The fires in the western United States are becoming omnipresent, and everything feels different and, at times, bleak. We hope humanity can shift to care for and heal our Mother Earth together.” ‘Earth Visions of Water Spaces’ is consequently the work of a band who’ve seen first-hand the crisis unfolding around us, and it’s a vivid, ingenious and aptly atmospheric reminder of what’s at stake. There’s really no excuse not to dive in.

‘Earth Visions Of Water Spaces’ will be released on September 9th via Labrador Records.

Tan Cologne live dates:
September 2 – Pescetrullo (Artist residency performance) – Ostuni, Italy
September 9 – Landet – Stockholm, Sweden
September 10 – (Day) at Delicious Goldfish Records – Stockholm, Sweden
September 10 – (Night) at Patricia (boat show) – Stockholm, Sweden
September 13 – Kazimier Stockroom w/ Sunstack Jones – Liverpool, UK
September 14 – Abbeydale Picture House w/ Bobby Lee – Sheffield, UK
September 16 – The Betsey Trotwood – London, UK
September 18 – La Pointe Lafayette – Paris, France 

Keep your mind open.

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[Thanks to Kate at Stereo Sanctity.]

Drugdealer look for “Someone to Love” on their new single.

Photo by Andrea Adolph

Los Angeles-based project Drugdealer officially announce their forthcoming album Hiding In Plain Sight, due on October 28th via Mexican Summer.
The album features Tim Presley (White Fence), Kate Bollinger, Bambina, Sasha Winn, Sean Nicholas Savage, Video Age, and John Carroll Kirby amongst others.

Alongside the announcement, Drugdealer shares new single Someone to Love along with a video directed by James Manson and Drugdealer’s own Michael Collins. The new track marks their second musical offering of the year following the June single “Madison.” Led by frontman and primary songwriter Michael Collins, Drugdealer expands on their 1960s and 70s-inspired sonics with the new single while the visuals see Collins on a night drive through the city and dancing around a neon-lit club as he performs the track.

Speaking about the new song, Collins says: 

 “‘Someone to Love’ came out of an impromptu extended jam that my band and I developed show by show on the last full US tour. Then when we got home and I started working on this new stuff I realized it was one of the best moments of us naturally playing. I turned it into a fully fleshed out song about wanting to be truly loved unconditionally, and pretty instantly became my favorite thing I had written and pretty much still sits there. The recorded version is really boosted by contributing performances from John Carroll Kirby and Video Age, who help give this track a unique feel. It definitely breaks out of a certain sound or form that I have been using in this project, and went more faithfully into a real soul tribute that I never thought I’d be able to represent as a lead vocalist.”

Drugdealer Live
Drugdealer are set to embark upon a US tour, tickets on sales this Friday at noon local time.
Support from Reverend Baron, aka Danny Garcia.

10/31 – The Chapel – San Francisco, CA
11/2 – Sacramento, CA – Harlow’s
11/4 – The Aladdin – Portland, OR
11/5 – The Crocodile – Seattle, WA
11/6 – Vancouver, BC – The Fox 
11/9 – Marquis Theatre – Denver, CO
11/11 – UW Madison – Madison, WI
11/12 – Thalia Hall – Chicago, IL
11/13 – The Magic Bag – Detroit, MI
11/15 – Horseshoe Tavern – Toronto, ON
11/16 – Theatre Fairmount – Montreal, QC
11/17 – Crystal Ballroom – Boston, MA
11/18 – Columbus Theatre – Providence, RI
11/19 – Bowery Ballroom – New York, NY
11/21 – Underground Arts – Philadelphia, PA
11/23 – Union Stage – Washington, D.C.
11/25 – MotorCo Theatre – Durham, NC
11/26 – Aisle 5 – Atlanta, GA
11/27 – Third Man Records – Nashville, TN
11/28 – Hi Tone Café – Memphis, TN
11/30 – Tulips – Fort Worth, TX
12/2 – Far Out Lounge – Austin, TX
12/6 – Soda Bar – San Diego, CA
12/9 – Lodge Room – Los Angeles, CA

Keep your mind open.

[I’m looking for someone to subscribe.]

[Thanks to Mexican Summer.]

The Beths are “Knees Deep” in riffs on their new single.

Photo by Frances Carter

The Beths present the new single, “Knees Deep,” from their forthcoming album, Expert In A Dying Field, out September 16th on Carpark Records, and announce a 2023 North American headline tourExpert In A Dying Field is a capsule of The Beths’ most electrifying and exciting output, a full spectrum of their sonic capabilities. “Knees Deep” was a last minute addition to the record and features one of Expert In A Dying Field’s best guitar lines, courtesy of guitarist Jonathan Pearce.
 
Liz Stokes adds: “I’m the kind of person who wants to go swimming, but takes like ten minutes to get all the way into the cold water, slowly and painfully. I hate this about myself, and am kind of envious of people who can just jump straight in the deep end. In a shocking twist, this is also a metaphor?! For how I wish I was the kind of person who was brave and decisive instead of cautious and scared.”

 
Watch “Knees Deep” Video by The Beths

 
Expert In A Dying Field, the third LP from the New Zealand quartet The Beths, houses 12 jewels of tight, guitar-heavy songs that worm their way into your head, an incandescent collision of power-pop and skuzz. With Expert, The Beths wanted to make an album meant to be experienced live, for both the listeners and themselves. They wanted it to be fun – to hear, to play – in spite of the prickling anxiety throughout the lyrics, the fear of change and struggle to cope. Expert is an extension of the same sonic palette the band has built across their catalog, pop hooks embedded in incisive indie rock.

 
Stream/Watch:
“Expert In A Dying Field”
“Silence Is Golden”
 
The Beths Tour Dates
(Tickets available at thebeths.com) (new dates in bold)
Sat. Aug. 20 – Covington, KY (Cincinnati) @ Madison Live
Mon. Aug. 22 – Durham, NC @ Motorco Music Hall
Tue. Aug. 23 – Richmond, VA @ The Broadberry
Thu. Aug. 25 – Baltimore, MD @ Ottobar
Fri. Aug. 26 – Asbury Park, NJ @ Asbury Lanes
Sat. Aug. 27 – Portland, ME @ Portland House of Music
Sun. Aug. 28 – Montreal, QC @ Bar Le Ritz PDB
Wed. Aug. 31 – Pittsburgh, PA @ Spirit Hall
Thu. Sep. 1 – Columbus, OH @ A&R Music Bar
Thu. Sep. 15 – Melbourne, AU @ 170 Russell
Fri. Sep. 16 – Sydney, AU @ Metro Theatre
Sat. Sep. 17 – Brisbane, AU @ The Triffid
Tue. Sep. 20 – Adelaide, AU @ The Gov
Wed. Sep. 21 – Perth, AU @ Magnet House
Fri. Sep. 23 – Wellington, NZ @ Opera House
Sat. Sep. 24 – Nelson, NZ @ Theatre Royal
Fri. Sep. 30 – Christchurch, NZ @ James Hay Theatre
Sat. Oct. 1 – Dunedin, NZ @ The Glenroy
Fri. Oct. 7 – Auckland, NZ @ Auckland Town Hall
Thu. Feb. 16 – Portland, OR @ Wonder Ballroom
Fri. Feb. 17 – Seattle, WA @ Neumos
Wed. Feb. 22 – Minneapolis, MN @ First Avenue
Fri. Feb. 24 – Chicago, IL @ Thalia Hall
Sun. Feb. 26 – Toronto, ON @ Phoenix Concert Theatre
Tue. Feb. 28 – Boston, MA @ The Sinclair
Thu. Mar. 2 – New York, NY @ Brooklyn Steel
Fri. Mar. 3 – Philadelphia, PA @ Union Transfer
Sat. Mar. 4 – Washington, DC @ 9:30 Club
Mon. Mar. 6 –  Asheville, NC @ The Orange Peel
Tue. Mar. 7 – Atlanta, GA @ The Masquerade – Heaven
Wed. Mar. 8 – Nashville, TN @ Brooklyn Bowl
Fri. Mar. 10 – Austin, TX @ Scoot Inn
Sat. Mar. 11 – Dallas, TX @ Tulips
Tue. Mar. 14 – Denver, CO @ Summit
Thu. Mar. 16 – Phoenix, AZ @ Crescent Ballroom
Fri. Mar. 17 – Los Angeles, CA @ The Fonda
Sat. Mar. 18 – San Francisco, CA @ The Fillmore

Keep your mind open.

[Don’t forget to subscribe while you’re here.]

[Thanks to Sam at Pitch Perfect PR.]

babychaos signs to Cleopatra Records and releases new single – “Babylon.”

Photo by @loveandothertales_

babychaos is the creation of 21-year-old model Lyzzie Larosa. Using influence from industrial, metal, rock, pop and club music, she hypnotizes with her words on her personal experiences and the world she creates through her music and expression. Born and raised in witch city Salem, Massachusetts, babychaos has now arrived.

Los Angeles-based independent record label Cleopatra and babychaos have now joined forces to present the creation and video for “Babylon”.

babychaos is learning to dance her way through the dark model and musician babychaos has released her fifth single ‘Babylon’, and the video has just arrived to the party.

Watch “Babylon” here:  https://www.youtube.com/watch?v=nzIUnWTXxZE

 “Post-apocalyptic Bratz doll from hell,” babychaos has carved out a unique space in music, which she dubs ‘industrial pop. ‘Combining the harsh electronic tones and distorted guitar of industrial metal with a vocal and songwriting sensibility that aims for big pop hooks, babychaos’s newest single ‘Babylon’ is her most accomplished musical statement to date. Check it out we are very excited to her what y’all think! She’s definitely an icon.”  – Ken Tighe, Cleopatra Records

“‘Babylon’ is about the inevitable vilification of people living their authentic truth. I’ve found that no matter what, people will project their inner wounds and fears into others no matter how morally good you may think you are. My mom told me growing up that people are going to talk no matter what, so you may as well give them something to talk about. This is exactly what that song is about as it’s been such a prominent theme in my life. Learning to dance in your darkness, even at your loneliest is something that no one can take from you.” – babychaos

When it comes to 21-year-old babychaos, the alternative model turned solo musician is anything but predictable. With a multi-range of influences that extend from industrial, rock, classical, and club music genres to nostalgic 90s and 2000s rock/metal soundscapes, babychaos delivers an intense, heavy, electronic, eclectic experience that is refreshing to the music scene. babychaos is no stranger to being confident in her skin. Her journey of breaking away from spiritual ties and turning that religious repression into art is one of many undisguised lyrical subjects the multi-genre artist touches on within her music. While babychaos is just getting started in the music industry, she hopes to use her stories to connect with others. With the Salem/Florida-based artist’s first 2021 single,  “Flesh”, approaching over 1 million streams and currently working on her first EP with Cleopatra Records, the future looksbright for the up-and-coming artist.

“I’ve built a community of my listeners who are simply visionaries, and I love how they

use my music and art in general to fuel their own visions and creative endeavors.”   – babychaos

“Babylon” was produced by: Goodjohn Productions and mixed/mastered at Wolfe Studios. The “Babylon” video was shot by 4102 productions.

babychaos online:

Instagram: www.instagram.com/itsbabychaos 

Twitter: babychaos (@itsbabychaos) / Twitter

TikTok: https://vm.tiktok.com/TTPdjxBo6L/

YouTube channel: https://youtube.com/c/BABYCHAOSOFFICIAL333

Keep your mind open.

[It’ll be chaos if you don’t subscribe.]

[Thanks to Maria at Adrenaline PR.]

Auragraph takes out of the ordinary with his new single, “Escapism.”

Photo by Alex Kacha

The palette and precision of prolific synthesizer composer Hector Carlos Ramirez aka Auragraph has heightened incrementally since the project’s conception in 2018, but Reflection Plane – his 8th full-length, and first for Dais Records – finds him streamlining his sound even further, to its gleaming chrome essence.

Moody pads and sequential circuits cycle through cybernetic galleries of marble, ferns, and flickering screens, at the threshold of film score, slow techno, and hard vapor. The album’s nine tracks deploy an array of 80’s tonalities, from night drive arpeggios to Art Of Noise sample stabs to Seinfeld slap bass, but fused into a hybrid landscape of lucid dreaming and hypnotic horizon lines. 

Today, Auragraph shares the first look at Reflection Plane with its sleek, glossy first single, “Escapism.”

Watch (+ share) the virtual reality video for “Escapism.”

Born in the Texas border town of Laredo, Ramirez relocated to Austin for film school, where he became fascinated by the local electronic underground scene spearheaded by  S U R V I V E and the Holodeck Records network. But it was only after moving to Los Angeles to work in the music department of a film trailer house that he crossed paths with Kyle Dixon and Michael Stein of S U R V I V E, who were in need of an assistant for multiple ongoing projects. After helping out on National Geographic’s Valley Of The Boom miniseries, Ramirez officially joined the Stranger Things soundtrack team as a Score Mixing Engineer.

This intuitive expertise for audio design infuses Auragraph with a unique sense of fluidity and finesse, able to shift gears and integrate contrasts: sleek yet strange, icy but emotive, minimal though rich. Shades of classic EBM, 90’s electronica, and Dreamcast-era video game music glimmer here and there on certain tracks, but the cumulative effect of Reflection Plane is of entering a place outside of time and space, post- human and pristine. These are songs of parallel realities and second lives, freed from friction and gravity, playing on loop in a skybox sculpture garden at the ends of the earth.

Reflection Plane is available on digital formats now from Dais Records.  Order here.

Auragraph, live:

August 14 – Medium Studio – Salt Lake City, UT

August 17 – Pop’s Blue Moon – St Louis, MO

August 18 – Cole’s Bar – Chicago, IL

August 27 – Al’s – Lexington, KY

August 28 – Pandora’s Box – Nashville, TN

August 29 – Rubber Gloves Studios – Dallas, TX

Keep your mind open.

[Escape to the subscription box.]

[Thanks to Stephanie at Indie Publicity.]

Frayle unleash new heavy single, “Bright Eyes,” ahead of new album due September 23rd.

Photo by Damien Eduardos

Frayle’s newest single and video may be their most gripping yet. The ritual doom metal act, featuring frontwoman Gwyn Strang and guitarist Sean Bilovecky, is partnering with Knotfest.com to premiere the video today. Filmed in New York City and Salem, Massachusetts, the infamous site of the Salem Witch Trials, the provocative art piece is a powerful meditation on empowerment and shedding the mask to reveal the true self.

Says Strang, “’Bright Eyes’ is about the facade we wear when we’re going through something heavy. Sometimes we’ll mask what we’re going through so that everyone around us feels comfortable or doesn’t ask us to show and share our vulnerabilities.

The imagery of a female ‘goth’ roller skating past the house that was once lived in by a judge that was personally responsible for the executions during the Salem Witch Trials is powerful to us.”

See the video for “Bright Eyes” here: https://youtu.be/HY-1ig1iRUY

As Knotfest.com declares, “Embracing a unique balance of doom that encapsulates an element of the harmonious and the hulking, the band’s pedigree spans a sophisticated stylistic spectrum … Anchored by Strang’s often heartbreaking, harrowing vocal harmony is countered by Bilovecky’s metallic blare – the kind of lumbering guitar riffage that layers with suffocating heft.”

“Bright Eyes” is from Frayle’s forthcoming LP, Skin & Sorrow, which will now be released September 23 via Aqualamb Records.

Skin & Sorrow was fully written and recorded by Bilovecky and Strang from the third floor of their own studio, on the edge of Cleveland, surrounded by ancient lakes and woods that echo the howls of coyotes. The band is rounded out live by Jason Knotek on bass and Jon Vinson on drums.

The record follows Frayle’s groundbreaking debut 1692 in 2020 that further introduced the world to their penchant for creating “lullabies over chaos.” Tracks feature Strang’s ambient vocals laid over the voluminous instrumentals of Bilovecky (formerly of Disengage), morphing into disturbing harmonies best described as music for the night sky and are poised to dominate the doom circuit.

In addition to haunting original tracks that push heavy music into new dimensions (an inspirational mix of Sleep and Portishead, or Black Sabbath and Bjork), the duo is known for their cryptic covers including takes on Johnny Cash’s “Ring Of Fire” and Bauhaus’ “Bela Lugosi’s Dead.”

Their passioned creations have caught the attention of Revolver who named the band “one of the five artists you need to know in April” as seen HERE, who called their previously-released title track “eerie and ethereal for its first half, but slowly lets more crunchy fuzz into the fold that builds up to a detonating finish with gobs of spiritual atmosphere.” As well Metal Hammer has heralded Frayle as “the new face of doom” in their latest issue.

Recently, Frayle signed to The Oracle Management, now part of the roster that also includes Cradle of Filth, DevilDriver, Jinjer, Wednesday 13 and more hard rock and metal acts all represented by co-owners of The Oracle Management Dez and Anahstasia Fafara. In one of the first orders of business, Frayle joined on for Cradle of Filth’s “Existence Is Futile” Headlining Tour.

The track listing for Skin & Sorrow includes:

1.   Treacle & Revenge

2.   Bright Eyes

3.   Skin & Sorrow

4.   Ipecac

5.   Stars

6.   Roses

7.   Sacrifant

8.   All The Things I Was

9.   Song For The Dead

10.  Perfect Wound

Presales for Skin & Sorrow are available now at Aqualamb Records’ website with iridescent, metallic blue, metallic turquoise and metallic violet vinyl variants, CD and digital options. dditional Europe only vinyl variants will be coming via Lay Bare Recordings. Each purchase comes with an accompanying 100-page book filled with lush artwork, drawings, lyrics and additional content to get inside the mind of Frayle and the creative process.

About Frayle

Heavy, Low, & Witchy. Frayle is a doom, sludge band from Cleveland, formed in 2017 by guitarist Sean Bilovecky (ex-DISENGAGE) and singer Gwyn Strang. They draw their inspiration from bands like Sleep, Portishead, Bjork, Kyuss, & Black SabbathFrayle makes music for the night sky.

Facebook: https://www.facebook.com/frayleband

Twitter: https://twitter.com/frayle_band

Instagram: https://www.instagram.com/frayle_band/

Keep your mind open.

[Don’t forget to subscribe.]

[Thanks to Maria at Adrenaline PR.]

NEU! to release 50th anniversary box set of their first album.

Photo by Thomas Dinger: from left – Klaus Dinger, Michael Rother
NEU!, the legendary Krautrock duo of Michael Rother and the late Klaus Dinger, celebrate the 50th anniversary of their self-titled debut album with the NEU! 50! box set, out September 23rd via GrönlandNEU! 50! includes albums NEU! NEU! 2! and NEU! 75 plus the brand new NEU! Tribute Album, a NEU! stencil and booklet. The Tribute Album features reworkings by The National, Idles, Man Man, MogwaiAlexis Taylor, and more. Today, Grönland presents two new tracks off the tribute album – “Weissensee (Fink Version)” and “Zum Herz,” a new, NEU!-inspired song by Guerilla Toss.
 
NEU!’s version of “Weissensee” evokes a majestic river, cascading, waves crashing. Fink honors the beautiful, lapping waterscape of the track. “I have walked around Weissensee many times – a little urban lake in a pretty rundown part of Berlin - particularly beautiful when it’s frozen over. I had to try this one. Stepping up to NEU! and the anniversary of their debut was an honor, a challenge and a joy.
Listen to “Weissensee (Fink Version)”
 Guerilla Toss’s “Zum Herz” is a salute from a band whose members were not yet born in NEU!’s heyday. “Zum Herz” draws heavily from the NEU! aesthetic, with an emphasis on the repetitive beat and multi-layer guitar production. The band explains: “NEU! is one of the most important bands of the 20th century, and a personal favorite of GT’s. Their influence on psych, rock, punk, and electronic music is enormous. The lineage of so many great bands can be traced back to NEU!. We are thrilled to be part of this compilation. I like to think that the U.S. / U.K created Rock music, but the Germans made it forever weird. Thanks, NEU!“ 
Listen to “Zum Herz” by Guerilla Toss
 NEU! are a product of Düsseldorf, Germany, home to Kraftwerk’s Klingklang studios, as well as galleries, graphic designers and advertising agencies. Rother and Dinger drew on all of this and their impeccable musical training to create the overall concept of NEU!. They intended to create a previously unheard new music, aping the processes of commodification while remaining resolutely hostile to the commerciality of the music industry. Like other experimental bands of the late 60s and early 70s gathered under the Krautrock banner, NEU! were driven by a mixture of political and artistic imperatives to reject the clichés and conventions of orthodox, blues-based Anglo-American rock and create a music that was, formally, West German in origin.
 
NEU! are one of the great, belated success stories of rock music. Their influence continues to be internationally widespread. Since paving their own road ahead, they’ve created a model of forward propulsion away from conventional rock clichés. The NEU! Tribute album shows how much there is for subsequent generations to unpack in NEU!, how much is buried, implied in their sound. 
Watch “Hallogallo (Stephen Morris and Gabe Gurnsey Remix)” Visualizer
Pre-order NEU! 50!
 
NEU! Tribute Album Tracklist:
1. Im Glück (The National Remix)
2. Weissensee (Fink Version)
3. Super (Mogwai Remix)
4. 4+1=5 – Alexis Taylor
5. Hallogallo (Stephen Morris and Gabe Gurnsey Remix)
6. Lieber Honig (Yann Tiersen Remix)
7. Super (Man Man Remix)
8. Negativland (Idles Negative Space Rework)
9. Zum Herz – Guerilla Toss
10. After Eight (They Hate Change Cover)
 
NEU! 50 Vinyl Boxset: 
1.     LPGRONI / NEU! / NEU!
2.     LPGRONII / NEU! / NEU! 2
3.     LPGRONIII / NEU! / NEU! 75
4.     LPGRONTI / NEU! / Tribute album
5.      LPGRONTII / NEU! / Tribute album
6.     Stencil
7.     Booklet
 
NEU! 50 CD Boxset:
1.     CDGRONI / NEU! / NEU!
2.      CDGRONII / NEU! / NEU! 2
3.     CDGRONIII / NEU! / NEU! 75
4.     CDGRONIV / NEU! / NEU! `86
5.     CDGRONT / NEU! / Tribute album
6.     Stencil
7.     Booklet

Keep your mind open.

[Why not subscribe while you’re here?]

[Thanks to Jessica at Pitch Perfect PR.]

John Cale salutes 1970s New York City on his new single, “Night Crawling.”

Photo by Marlene Marino

Today, John Cale presents “Night Crawling,” his first new music since 2020 when he released the single, “Lazy Day,” and collaborated with Kelly Lee Owens on “Corner of My Sky.” “Night Crawling” is a taste of much more to come from Cale, and precedes his fall UK tour, which includes his first performances since pre-pandemic (more to come on the touring front in 2023, as well). Cale wrote “Night Crawling” with a nod to ’70s NYC pre-disco, recalling times when he and David Bowie would traverse the city at night. Throughout the track, Cale layers his inimitable vocals with a skipping beat and hovering bass. As it expands, it becomes nearly danceable with jockeying percussion and whirs of synth. Cale played nearly every instrument on the track, aside from additional drums by Deantoni Parks and backing vocals by Dustin Boyer, and it was mixed by Seven Davis, Jr.. The accompanying video, animated by Mickey Miles, visualizes the song’s vibrant sounds with colorful, retro animation.
 
Cale further explains: “It’s been a helluva past 2 years and I’m glad to finally share a glimpse of what’s coming ahead. There was this period around mid-late ’70s when David and I would run into each other in NY. There was plenty of talk about getting some work done but of course we’d end up running the streets, sometimes until we couldn’t keep a thought in our heads, let alone actually get a song together! One night we managed to meet up for a benefit concert where I taught him a viola part so we could perform together. When I wrote ‘Night Crawling,’ it was a reflective moment of particular times. That kind of NYC that held art in its grip, strong enough to keep it safe and dangerous enough to keep it interesting. I always figured we’d have another go at the two of us recording together, this time without the interference of being perpetually off our heads! The thing about creating music is the ability to divine a thought or feeling even when reality says it’s a logical impossibility.”

Watch John Cale’s Video for “Night Crawling”

John Cale Tour Dates
Sun. Oct. 23 – Edinburgh, UK @ The Queen’s Hall
Mon. Oct. 24 – York, UK @ Barbican
Fri. Oct. 28 – Cardiff, WLS @ Llais Festival *
Mon. Oct. 31 – Whitley Bay, UK @ Playhouse Whitley Bay
Thu. Nov. 3 – Birmingham, UK @ Birmingham Town Hall
Mon. Nov. 7 – Bexhill on Sea, UK @ De La Warr Pavilion
Wed. Nov. 9 – London, UK @ The London Palladium
Thu. Nov. 10 – Cambridge, UK @ Cambridge Corn Exchange
Fri. Nov. 11 – Liverpool, UK @ Liverpool Philharmonic Hall
 
* = John Cale + special guests, 80th Birthday Celebration

Keep your mind open.

[Crawl over to the subscription box while you’re here.]

[Thanks to Jessica at Pitch Perfect PR.]

40th anniversary edition of Motörhead’s “Iron Fist” album due this September.

WATCH A NEW VIDEO FOR A PREVIOUSLY UNRELEASED, DEMO VERSION OF ‘IRON FIST’ PLUS PREORDERS & EXCLUSIVE MERCH BUNDLES HERE –

https://motorhead.lnk.to/IronFist40thPR

The time-honoured phrase “Follow that!” rang with deafening resonance when Motörhead were faced with having to follow a rock milestone (Ace Of Spades), a number one album (No Sleep Till Hammersmith) and their bomber – the most spectacular stage prop rock had ever seen. As last shout from the three amigos line-up of LemmyFast Eddie Clarke and Phil ‘Philthy Animal’ TaylorIron Fist was rudely dismissed by some ignorant loud mouth hap’orths as being ‘less’, and has always suffered slightly from that initial idiotic disdain. We’re here to finally correct that nonsense, as Iron Fist reveals itself as a vital snapshot of the band at a crucial period when they found themselves caught in the tornado ignited by success and, in true Motörhead style, careered into their next phase at such velocity it transcended logic or reason to become this trio’s final kamikaze joyride. Forty years later, Iron Fist sounds like prime Motörhead with the gloves and seat-belts off. For sheer velocity, it could be fastest, most out-of-control of them all. If you know, you know, and if you don’t enjoy the gloriously wreckless education that is Iron Fist!

To celebrate the 40th anniversary of this seminal cannon in the Motörhead armoury, it is being presented in new deluxe editions. There will be hardback book-packs in two CD and triple LP formats, featuring a hammer fist blow, remaster of the original album, previously unreleased demo bonus tracks and a full concert, originally broadcast on Radio Clyde from 18th March 1982. Plus the story of the album and many previously unseen photos. There’s also a limited edition, blue and black swirl of the original standalone album.

See below for full details of the Iron Fist releases and be sure to visit www.iMotorhead.com for news and updates!

LP AND CD TRACKLISTING

Original Iron Fist album

Iron Fist

Heart of Stone

I’m the Doctor

Go to Hell

Loser

Sex and Outrage

America

Shut It Down

Speedfreak

(Don’t Need) Religion

Bang to Rights

Jackson’s Studio Demos October 1981

Remember Me, I’m Gone

The Doctor

Young & Crazy

Loser

Iron Fist

Go To Hell

CD & Digital Bonus Tracks

Lemmy Goes to the Pub

Some Old Song, I’m Gone

(Don’t Let ‘Em) Grind Ya Down (Alternate Version)

Shut It Down

Sponge Cake (Instrumental)

Ripsaw Teardown (Instrumental)

Peter Gunn (Instrumental)

Live at Glasgow Apollo 18/3/82

(Previously unreleased)

Iron First

Heart of Stone

Shoot You In The Back

The Hammer

Loser

Jailbait

America

White Line

(Don’t Need) Religion

Go to Hell

Capricorn

(Don’t Let ‘Em) Grind Ya Down

(We Are The) Road Crew

Ace of Spades

Bite The Bullet

The Chase Is Better Than the Catch

Overkill

Bomber

Motörhead

Keep your mind open.

[Race over to the subscription box before you go.]

[Thanks to Maria at Adrenaline PR.]

The Beths release the title track to their upcoming album, “Expert in a Dying Field.”

Photo by Frances Carter

The Beths share the new single/video, “Expert In A Dying Field,” from their new album, Expert In A Dying Field, out September 16th on Carpark Records. “Expert In A Dying Field” introduces the thesis for the record: “How does it feel to be an expert in a dying field? How do you know it’s over when you can’t let go?” Elizabeth Stokes sings. The question hangs in the air: what do you do with how intimately versed you’ve become in a person, once they’re gone from your life? “Love is learned over time ‘till you’re an expert in a dying field.”
 
I really do believe that love is learned over time,” explains Stokes. “In the course of knowing a person you accumulate so much information: their favorite movies, how they take their tea, how to make them laugh, how that makes you feel. And when relationships between people change, or end, all that knowledge doesn’t just disappear. The phrase ‘Expert in a Dying Field’ had been floating around my head for a few years, I was glad to finally capture it when writing this tune.”
 

Watch “Expert In A Dying Field”

 
Densely littered with melodic hooks and the incisive phrasing that Stokes has become known for, the driving verses of “Expert In A Dying Field” intentionally contrast with a restrained, delicate chorus. Here, the stripped-back instrumentation acutely hones in on Stokes’ emotive vocals. The accompanying video, directed by Frances Carter, honors this intimacy and vulnerability. Carefully placed relics and symbolic totems strewn about a charming, white-washed home evoke a sense of nostalgia and sentimentality. While Stokes sings directly to the camera, her bandmates play their instruments and sing backing vocals in various parts of the home, surrounded by treasures laden with meaning and memory. It’s an evocative series of vignettes that perfectly match the song’s bittersweet themes and culminates in a joyful, heart-stirring full band performance that shows off The Beths’ unparallelled four-part vocal harmonies.
 
On Expert In A Dying Field, Stokes’ songwriting positions her somewhere between novelist and documentarian. Across 12 tight, guitar-heavy jewels, Stokes traverses the autobiographical, but also presents character sketches of relationships – platonic, familial, romantic – and more importantly, their aftermaths.
 
Expert In A Dying Field is an incandescent collision of power-pop and skuzz, filled with songs that worm their way into your head. With Expert, The Beths wanted to make an album meant to be experienced live, for both the listeners and themselves. They wanted it to be fun — to hear, to play — in spite of the prickling anxiety throughout the lyrics, the fear of change and struggle to cope. Expert is an extension of the same sonic palette the band has built across their catalog, pop hooks embedded in incisive indie rock.
 

Watch:
“Expert In A Dying Field”
“Silence Is Golden”
 
Pre-order Expert In A Dying Field
 
The Beths Tour Dates

Tickets available from thebeths.com
Sun. Jul. 24 – Seattle, WA @ Capitol Hill Block Party
Mon. Jul. 25 – Vancouver, BC @ Biltmore Cabaret
Fri. Jul. 29 – Brooklyn, NY @ BRIC Celebrate Brooklyn! Festival
Sun. Jul. 31 – Denver, CO @ UMS – The Underground Music Showcase
Tue. Aug. 2 – San Diego, CA @ Belly Up Tavern
Wed. Aug. 3 – Santa Ana, CA @ The Observatory
Thu. Aug. 4 – Santa Barbara, CA @ SoHo Restaurant & Music Club
Fri. Aug. 5 – San Francisco, CA @ Outside Lands Music Festival
Sun. Aug. 7 – Salt Lake City, UT @ Urban Lounge
Wed. Aug. 10 – Davenport, IA @ Raccoon Motel
Thu. Aug. 11 – Cleveland, OH @ Grog Shop
Sat. Aug. 13 – North Adams, MA @ Here and There Festival, Mass MoCA
Sun. Aug. 14 – Toronto, ON @ Lee’s Palace

Mon. Aug. 15 – Detroit, MI @ Magic Bag
Tue. Aug. 16 – Chicago, IL @ Here and There Festival, Salt Shed
Thu. Aug. 18 – St. Louis, MO @ Blueberry Hill
Fri. Aug. 19 – Indianapolis, IN @ Hi-Fi
Sat. Aug. 20 – Covington, KY (Cincinnati) @ Madison Live
Mon. Aug. 22 – Durham, NC @ Motorco Music Hall
Tue. Aug. 23 – Richmond, VA @ The Broadberry
Thu. Aug. 25 – Baltimore, MD @ Ottobar
Fri. Aug. 26 – Asbury Park, NJ @ Asbury Lanes
Sat. Aug. 27 – Portland, ME @ Portland House of Music & Events
Sun. Aug. 28 – Montreal, QC @ Bar Le Ritz PDB
Wed. Aug. 31 – Pittsburgh, PA @ Spirit Hall
Thu. Sep. 1 – Columbus, OH @ A&R Music Bar
Thu. Sep. 15 – Melbourne, AU @ 170 Russell
Fri. Sep. 16 – Sydney, AU @ Metro Theatre
Sat. Sep. 17 – Brisbane, AU @ The Triffid
Tue. Sep. 20 – Adelaide, AU @ The Gov
Wed. Sep. 21 – Perth, AU @ Magnet House

Fri. Sep. 23 – Wellington, NZ @ Opera House
Sat. Sep. 24 – Nelson, NZ @ Theatre Royal
Fri. Sep. 30 – Christchurch, NZ @ James Hay Theatre
Sat. Oct. 1 – Dunedin, NZ @ The Glenroy
Fri. Oct. 7 – Auckland, NZ @ Auckland Town Hall

Keep your mind open.

[Become an expert in subscribing.]

[Thanks to Patrick at Pitch Perfect PR.]