Cuffed Up share “Bonnie” ahead of their “Asymmetry” EP due October 22nd.

Photo by Ana Karotkaya

Today, LA-based post-punk quartet Cuffed Up are sharing their driving and propulsive new single “Bonnie,” as well as well as announcing their new EP Asymmetry, out on October 22nd via Royal Mountain Records (AlvvaysWild Pink, METZ). “Bonnie” sees vocalists & guitarists Ralph Torrefranca and Sapphire Jewell trading vocals amidst a relentless onslaught of soaring guitars and crashing drums and bass via Joe Liptock and Victor Ordonez

WATCH: Cuffed Up’s “Bonnie” on YouTube

The band explains that ““Bonnie” is an anti-love anthem about the grief and pitfalls of a serious relationship crumbling due to lies and deceit. This is explored through the eyes of Bonnie (of Bonnie & Clyde fame), in an alternative universe where Clyde selfishly leaves Bonnie for dead. Bonnie is arrested and she decides to give Clyde up to the cops out of pure spite. Not because he left her in a dangerous situation — purely because of the end of their romantic, albeit toxic relationship.” With a video directed by Torrefranca (an award-winning filmmaker outside of Cuffed Up), it stars himself and Jewell in a role-reversal swapping Bonnie and Clyde.

Already seeing support for the EP from outlets like SPINBeats Per MinuteBuzz Bands LAKEXPKCRW in Los Angeles and Double J in Australia, Cuffed Up are heading out on a full US tour as main support for The Joy Formidable. Beginning in Seattle on 11/26, it will make stops in Portland, San Francisco, Los Angeles, Chicago, Boston, New York, Philadelphia along the way, ending in Burlington on 12/18. Full routing below.
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For Asymmetry, Cuffed Up paired up with producer Brad Wood (Touché AmoréSmashing PumpkinsLiz Phair) spending a week honing the songs through experimentation with sounds and ideas and the result is a collaborative effort that tackles one’s own mortality, abandonment in relationships and reckoning with shame. It expands on their refreshing self-titled debut that saw love from the likes of KEXPNMEDIYBandcamp, and The Line Of Best Fit, as well as Steve Lamacq (BBC Radio 6), Daniel P Carter (BBC Radio 1) and John Kennedy (Radio X) and a supporting run with Silversun Pickups.

Cohesive yet expansive, soaring yet direct, Asymmetry draws lines across the globe to the burgeoning post-punk scene in the UK, while also leaning into ‘90s indie rock and grunge, a loud and rhythmic rainbow of post-punk that is fluid and versatile. Whether it’s the aforementioned “Bonnie”, Torrefranca’s brutal reckoning with his own health struggles on “Terminal”, the inventive freeform of Jewell’s guitars in “Canaries” or Ordonez and Liptock’s fidgeting and dexterous rhythms in “One By One”, Asymmetry is a line in the sand for Cuffed Up, a declaration of intent from the young band who are poised to breakout from their West Coast home.

“Bonnie” is out now on Royal Mountain Records. It is available here. Asymmetry is out on October 22nd through Royal Mountain Records. You can pre-order it here.

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Jacques Greene to release a treasure trove of early and out-of-print stuff on October 22nd.

Photo by Mathieu Fortin

Jacques Greene announces ANTH01, a collection of tracks and out-of-print 12”’s spanning the earliest years of his career. Arriving ten years after his groundbreaking single, “Another Girl,” ANTH01 features classics that introduced Greene to the world, such as “The Look,” and also includes collaborations with Koreless and How To Dress Well, plus tracks from Greene’s releases on 3024Night Slugs and his own Vase imprint. In conjunction with today’s announcement, Greene shares “I Won’t,” a certified live favorite and highly requested unreleased gem; one of two exclusive, previously unreleased tracks to appear on ANTH01
 

Stream Jacques Greene’s “I Won’t” (Previously Unreleased)


Greene has been making music “about the club” for over a decade. Over the course of multiple EPs, singles, and two full-length albums – 2017’s Feel Infinite and 2019’s Dawn Chorus – his sound has developed into an emotional haze. Outside of his own releases, Greene has explored his relationship with the club in a variety of contexts, from remixing Radiohead to producing for Katy BTinashe and touring with The xx

“Time became quite slippery in the past year and a half,” says Greene. “As the years go it’s strange how some things feel like just yesterday while others are seemingly lifetimes away. It was equal parts challenging and fun to revisit some of this material that laid the foundation for this Jacques Greene project. ‘ANTH01’ is a form of anthology: a collection of songs meant to tell the first few chapters of that story. From bedroom studios in the Mile End in Montreal at the start of the 2010s to now. Thank you for listening.”
 

ANTH01 Tracklist: 
01. I Won’t
02. (Baby I Don’t Know) What you Want 
03. The Look
04. Tell Me 
05. These Days 
06. Arrow (feat. Koreless)
07. Ready 
08. Faded 
09. On Your Side (feat. How To Dress Well)
10. Faithful 
11. Quicksand 
12. Another Girl

Pre-order ANTH01

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Godcaster get wild with new single, “Hecky Skelters,” from their upcoming EP.

Photo by Riley Buttery

Like the Cicadas of the previous Summer, the troupe of romping rock deviants, Godcaster, has reemerged from beneath the dirt to fill the atmosphere with unbridled cacophony. Saltergasp is a brief reintroduction to the shining sextet of David Mcfaul (keys), Von Kolk (flute, vox), Bruce Ebersole (guitar, bass), Sam Pickard (drums), Judson Kolk (vox, guitar), and their newest member, Jan Fontana (bass). It also acts as an unflinching demonstration of an ensemble doing away with frivolity—Godcaster is coming straight for your still-beating heart.

Today the new single “Hecky Skelters is streaming for your listening pleasure. Right out the gate, Godcaster blasts off with a tidal wave of cocophany. Mcfaul and Von Kolk’s dual vocals are both sinister and enchanting, satiating your skelters from start to finish. It’s a perfect return to form for the New York band, capturing the rambunctious energy of their live shows, which were sorely missed during the last year and a half of lockdown.

Saltergasp is a glimpse of something rarely captured—each track has been regularly performed and mastered during Godcaster’s ritualistic live-sets. In this manner, Saltergasp is both an extension of Godcaster’s first, immense collection, Long Haired Locusts, and a celebration of their euphoric public ceremonies that were impossible for far too long. The crisp drums and springy guitars on “Hecky Skelters” showcase the band’s innate talent for deliberate bombast. On the title track, the group conjures an instrumental suite that rips and toils between moments of anticipation and rapturous fury. “Tippy Hightailed It” is an equally funky and anxious tune that thrusts listeners into the center of growing auditory tension. Then “Tiger Surrogates Hunts the Praying Mantis” closes the EP with a lively, off-kilter incantation.

From start to finish, Saltergasp shines an otherworldly light on Godcaster’s Dionysian guitar frenzies. In just under ten minutes, the band reestablishes themselves as the leaders of an unstoppable sonic movement and begins to pen the next chapter in their dichotomous musical tale of shimmer and rot. Formidable and magnificent, Godcaster remains the masters of ferocity in our world and any other.

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Sam Evian releases title track from upcoming album – “Time to Melt.”

Video still

Musician and producer Sam Evian releases “Time to Melt,” the title track from his forthcoming album, out October 29th on Fat Possum, alongside an accompanying video. Carried by its noodly guitar line and Sam’s honeyed vocals, “Time to Melt” emanates a fun darkness with an almost alien jazz feel. The song originally came together when Spencer Tweedy was interviewing Sam for Mirror Sound, a book that delves into the people and processes behind self-recorded music. He asked to see an example of Sam’s writing process, and after firing up a drum machine, Sam wrote the first bars of “Time to Melt.” Of the song, Sam explains “If you’re familiar with tarot, I think of it as pulling the death card in a positive way. It’s like facing the idea of death, which I think everyone thought about a lot this past year, maybe more than usual collectively.”

“It’s time to melt it’s what we do // If anything will comfort me // It’s knowing that we’ll be free”

The peculiar “Time to Melt” video, directed by John TerEick and filmed in the woods surrounding Sam’s home, elevates the song’s otherworldly vibe and offers a peek into Sam’s charm. Sam comments on the video: “I met a lonely alien in the woods and they taught me a jig. As the night went on they convinced me to try huffing some special kind of bug spray, which opened a wormhole vortex to another dimension.”

Watch Sam Evian’s Video for “Time to Melt”

Time to Melt is a glowing set of soulfully psychedelic pop gems and a testimonial to the life and wisdom to be found when you give yourself the mercy of space. Following a brief decampment to upstate New York to create his last album, You, Forever, Sam realized he could no longer resist the urge to escape the anxious city life. So he and his partner split from New York City to build their refuge and Sam’s studio, Flying Cloud Recordings, in the Catskills. That reflective, relaxing environment shaped Time to Melt, an album of sounds so pleasant and compelling that you put it on and follow the slipstream. There are songs of celebrations, like “Easy to Love,” and tracks that reckon with the weight of our time, even when it sounds largely weightless, like “Knock Knock.”

Next month, Sam will kick off his North American tour with a full band of  Brian Betancourt (bass), Michael Coleman (keys), Sean Mullins (drums), and Liam Kazar (guitar, synths), who will also open each show. Tickets are on sale now

Watch the “Easy To Love” Video

Watch the “Knock Knock” Video

Watch “Easy To Love” Performance

Watch “Knock Knock” Performance

Sam Evian Tour Dates
Fri. Oct. 29 – Hamden, CT @ Space Ballroom *
Sat. Oct. 30 – Woodstock, NY @ The Colony *
Wed. Nov. 3 – New York, NY @ Bowery Ballroom *
Thu. Nov. 4 – Boston, MA @ The Sinclair *
Fri. Nov. 5 – Asbury Park, NJ @ The Saint *
Sat. Nov. 6 – Washington, DC @ DC9 *
Wed. Nov. 10 – Philadelphia, PA @ Johnny Brendas *
Thu. Nov. 11 – Holyoke, MA @ Gateway City Arts *
Fri. Nov. 12 – Providence, RI @ Columbus Theatre *
Sat. Nov. 13 – Portland, ME @ Space Gallery *
Fri. Nov. 19 – Amagansett, NY @ Stephen Talkhouse
Sat. Nov. 20 – Troy, NY @ The Hangar *

* = with Liam Kazar

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Mandy, Indiana release “Bottle Episode” ahead of debut EP due November 19th.

Photo by Holly Whitaker
Manchester, UK-based trio Mandy, Indiana (FKA Gary, Indiana) announce their debut EP, ‘’ out digitally November 19th via Fire Talk Records (physically out December 10th). Today, they unveil lead single, “Bottle Episode.” Including new remixes and previously released singles “Alien 3” and “Nike of Samothrace,” the EP finds Mandy, Indiana bridging the worlds of post-punk, noise, and dance music to create their brutal pop sound. Last month, the band shared Daniel Avery’s remix of “Alien 3,” transforming the track from “heavy hitting, feedback drenched no wave to a visceral, dance floor ready banger” (Resident Advisor).
 
Throughout the driving “Bottle Episode,” taut programmed beats meld perfectly with corrosive guitars inspired by the sound of a flood siren. “I wanted to build up on the military style of the track, but in a very slow crescendo, and not in a very obvious way. The lyrics talk of men waiting, moving forward; war is never mentioned, yet it is obvious that the men are waiting for death. The song ends with the men almost dancing as the bullets hit them,” says vocalist and lyricist Valentine Caulfield.
 Listen to Mandy, Indiana’s “Bottle Episode” 
Caulfield and Scott Fair (guitar/production) met a couple of years ago when their respective previous bands shared a bill in Manchester. Caulfield was drawn to Fair’s aspirations to write beyond genre, while Fair was instantly taken with the singer’s magnetic stage presence and harsh, visceral vocals delivered in her native French. The pair also enlisted Liam Stewart (percussion), a touring musician who’s powerhouse rhythmic presence compliments the pair’s vision—emphasizing raw energy and emotion over meticulous composition to create a singular cathartic experience.
 
The songs on  ‘’ EP were recorded in a variety of spaces, from rehearsal rooms and home studios to cavernous  industrial mills. You can hear it in the recordings: the clattering footsteps, muffled piano and chatter at the end of “Bottle Episode” were taken from the hall outside of one of their recording spaces. Other sounds like a buzzing fluorescent light and the rhythm of a passing train also found their way into the mix.
 
Mandy, Indiana’s influences are fluid and their lyrics are left intentionally open to interpretation, but the group acknowledge cinematic references alongside musical touchstones. The band’s self-made music videos, influenced by the macabre film-making of Gaspar Noe and Leos Carax, see them carefully stitching together found-footage montages. Every image feels intentional, providing a visual chaos that matches the music’s unpredictability. Mandy, Indiana’s debut EP documents where they’ve been, where they are now, and where they’re going.
Pre-order  EP
 
 EP Tracklist
1. Bottle Episode
2. Nike of Samothrace
3. Alien 3
4. Alien 3 (Daniel Avery Remix)
5. Nike Of Samothrace (Club Eat Remix)

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French trio Stone from the Sky release first single from upcoming “Songs from the Deepwater” album due November 5th.

Stone from the Sky is a instrumental stoner trio from France. Formed in 2012,  the band is going to release its third album, Songs from the Deepwater, on November 5th, 2021.  

They managed to build themselves a strong reputation on the heavy psych  & stoner french and European scene thanks to gigs in Germany, Belgium,  Netherlands, UK or Czech Republic.  

Among their influences, we can mention All Them Witches, The Ocean or the  french screamo band Mort Mort Mort. Those different references makes the  band’s strength, who is able to offer us an evolution with each new album.  

On Friday, September 10th, Stone from the Sky release a first single, “City I Angst,” alongside a music video. With this song, the band gives us a tour of their home town of Le Mans, France. 

‘‘Songs From the Deepwater’’, November 5th 

The band is pursuing its transformation and keeps breaking the rules of traditional stoner rock. This new album is still loyal to the band’s artistic identity but drags us into a darkest and more aggressive atmosphere.  No more solar songs “Colour Haze” style to make room to new playing fields inspired by post rock, scream or post hardcore, without denying  their fuzz essence.  

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Witch Fever deliver “In Birth” ahead of their debut EP.

Photo by Debbie Ellis

Creating buzz in the music scene since their inception, Manchester’s Witch Fever are not long away from their debut EP Reincarnate which will be released digitally on 29th October and physical 12” on 3rd December, via Sony’s Music For Nations. Pre-order HERE.

Following title track ‘Reincarnate’ (here), and the lyrical mash up ‘In The Resurrect’ (here), today they share new single ‘In Birth’. It’s lyrics are semi-autobiographical from singer Amy and deal with the consequences of being born into a Charismatic Christian church where patriarchal structures and predatory behaviour were rife.

“‘In Birth’ has been kicking around for a little while now, so it’s nice to finally exorcise it into the world.”, says Amy. “Whilst the theme of a lot of our songs is reclamation, empowerment and catharsis, it’s definitely far more vulnerable. It felt right to juxtapose this with big chuggy riffs and noisy, cymbal heavy drums. The power that Alisha, Alex and Annabelle create on this track accompanies the anger in my lyrics perfectly.”

Watch the video for ‘In Birth’ HERE.

She continues, “We created and directed the video with Sam O’Leary and it’s a tongue in cheek way of presenting the narrative. We wanted something camp and fun, but still powerful and angry. Plus, everything’s better with a bucket of fake blood!”

Witch Fever also announce an in-store performance and signing at the legendary Rough Trade East for 4th December 2021. Free with vinyl purchase at Rough Trade, or tickets on sale.

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[Thanks to Amy at Prescription Music PR.]

Bremer/McCoy release new single, “Natten,” ahead of full album due this October.

Photo by Søren Lynggaard
Bremer/McCoy, the duo of pianist Morten McCoy and bassist Jonathan Bremer, announce their new album, Natten, out October 29th on Luaka Bop, and share its lead single, the album’s title track. For Natten, Bremer/McCoy recorded straight to tape so that they had as little time as possible to think about it. They just laid it down. They couldn’t really explain it.  “When it works for me,” says pianist MortenMcCoy, “it’s pure meditation, pure prayer. Pure gratitude for simply being, without all kinds of jibber-jabber filling my thoughts.

McCoy and Bremer started making music together back in 2012 when they were still in school. At 17 years old, Bremer was awarded with the Young Jazz Award from Jazz Denmark and for three years he was a solid part of the acclaimed Niels Lan Doky trio. McCoy started his musical journey by digging deep into the Jamaican music-culture both as a musician, composer, concert-organizer and DJ. Since then, he’s worked as a co-composer on the award-winning soundtrack for the Danish movie Underverden. Upon the duo’s creation, they at first played dub. It’s hard to imagine that that’s how they started when you listen to the ethereal sounds they make now, but the influence becomes clearer when you see them live. 

Bremer/McCoy insist on traveling with their own sound system. That might seem like a lot of effort for a quiet Danish duo, but for Bremer/McCoy, making music is all about what happens in the room. That’s why they go through the trouble of carrying their own equipment, and it’s why they record analog. When they write music, they aim for direct transmission—idea straight to composition. Natten is the follow-up to a string of albums – their debut Enhed (2013), Ordet (2015), Forsvinder (2016), and Utopia (2019). “We felt a greater freedom this time around because we now have a much deeper understanding and grounding in what we’re doing,” says Bremer. “This allows us to venture further out than ever before, because we know that things typically fall into place.” 

Natten, which means “The Night” in Danish, draws inspiration from the end of day, that regenerative time under the constellations when our lives look different. Listeners might be quick to call it escapist—the music might be a reprieve from our busy lives. And while that’s one way to experience Natten, there’s also another, which has more to do with immersion. It offers us the chance to see what’s around us as beautiful. McCoy wrote the title track, “Natten,” while watching the sun set in Sweden. And although the track doesn’t have lyrics, it carries a message, directly from McCoy to you: You won’t find the meaning of life by chasing answers. You’ll find it by waiting and staying open to the world. That’s the message of the title track, and it might as well be the message of the whole album because that’s clearly the state of mind McCoy and Bremer were in when they were recording: Open. 

Listen to “Natten” by Bremer/McCoy

“The well is far from empty,” says Bremer. “Listening to great works is like having a deep conversation with somebody, a type of communication that can evolve and continue opening doors to new perspectives.”There’s a hint in what Bremer says of how he hopes his own listeners will experience his music. As a key to something. A key to life, or possibly a key to appreciating new sounds. This is the feeling Bremer/McCoy’s music transmits that you won’t be able to shake. They’re trying to tell you something; you’ll hear it if you listen. 

Luaka Bop was founded by David Byrne in 1989. The label represents artists such as Floating Points and William Onyeabor, and is known for introducing the music of Tim Maia and Shuggie Otis, as well as the spiritual music of Alice Coltrane, to the world at large. Earlier this year, Luaka Bop released Promises by Floating Points, Pharoah Sanders and The London Symphony Orchestra. The album has received worldwide acclaim. 

Pre-order Natten
 
Natten Tracklist:
01. Natten
02. Mit Hjerte
03. Gratitude
04. Hjertebarn
05. Nu Og Altid
06. April
07. Aurora
08. Nova
09. Måneskin
10. Natten (part 2)
11. Lalibela

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Ela Minus releases remix of “close” by Buscabulla.

Photo by Juan Ortiz-Arenas

Ela Minus’ debut album acts of rebellion, released last October via Domino, boasts “daring calls to would-be dance floor revelers and rioters alike, in both English and Spanish” (Rolling Stone). Since the album’s release, Ela has been keeping busy – she recently performed at Chanel’s Fall-Winter 2021/2022 Haute Couture show and remixed Little Dragon’s “Hold On”. This fall, Ela will tour the US in support of the album. Ahead of these dates, she today presents a remix of “close” (feat. Helado Negro) by Buscabulla, plus a live performance of the otherworldly Liminal Spaces version of the song.

 Ela and Buscabulla have previously worked together, namely on Ela’s remix of their song “Vámono.” The “close” remix features vocal contributions from Buscabulla’s Raquel Berrios and expands the playful original into a murky and dreamy dance track. The “close” (Liminal Spaces Version) live performance was filmed in the Centro Historico district in Mexico City earlier this spring and marks the first time Ela performed the song live.

“‘close’ is different from the rest of the songs on my album in many ways, including that it’s the only one with a collaboration, Helado Negro. My approach to sharing this song has been different; when I imagined how to approach new versions of it, I imagined them very distinctly. I came across the concept of liminal spaces, which inspired the improvisation of this version – in one take. I always imagined hearing Raquel’s vocals on this song, so I asked Buscabulla to rework it.” – Ela Minus

 
Listen to Ela Minus’ “close” (feat. Helado Negro) (Buscabulla Remix)
 
Watch Live Performance of “close” (Liminal Spaces Version)

Watch/Listen/Share
Purchase / Stream acts of rebellion
Watch “el cielo no es de nadie” Video
Watch “megapunk” Video
Watch “they told us it was hard, but they were wrong” Video
Stream “dominique”
Listen to “they told us…” Remixes
 
Ela Minus Tour Dates

Wed. Sept. 15 – Washington, DC @ Flash
Fri. Sept. 17 – Atlanta, GA @ Aisle 5
Wed. Oct. 20 – Brooklyn, NY @ Elsewhere
Fri. Oct. 22 – Sat. Oct. 23 – Miami, FL @ III Points Festival
Sun. Oct. 24 – Los Angeles, CA @ The Roxy Theatre
Thu. Feb. 10, 2022 – Houston, TX @ White Oak Music Hall ^
Fri. Feb. 11, 2022 – Dallas, TX @ Granada Theater ^
Sat. Feb. 12, 2022 – Austin, TX @ Stubb’s BBQ ^
Mon. Feb. 14, 2022 – Phoenix, AZ @ The Van Buren ^
Wed. Feb. 16, 2022 – Oakland, CA @ Fox Theater ^
Fri. Feb. 18, 2022 – Vancouver, BC @ Commodore Ballroom ^
Sat. Feb. 19, 2022 – Vancouver, BC @ Commodore Ballroom ^
Sun. Feb. 20, 2022 – Seattle, WA @ The Showbox ^
Mon. Feb. 21, 2022 – Portland, OR @ Roseland Theater ^
Fri. June 10, 2022 – Barcelona, ES @ Primavera Sound
 
^ = supporting Caribou

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Mandy, Indiana release Daniel Avery remix of their single “Alien 3.”

Photo by Will Shields

Mandy, Indiana (FKA Gary, Indiana) is a Manchester, UK-based trio who combine elements of post-punk, noise, and electronics, emphasizing raw energy and emotion over meticulous composition to create a singular cathartic experience. Earlier this year, they released “Alien 3” via Fire Talk Records. “It begins with a marching band-style beat that intensifies as it progresses, providing an ominous backdrop for frontperson Valentine Caulfield‘s dissociated vocals. Delivered in her native French, Caulfield adds an extra layer of texture to the band’s gnarly sound” (FADER). Today, they present Daniel Avery’s club-ready “Alien 3” remix. “We were overwhelmed to learn that Daniel was a fan of ‘Alien 3’,” says the band. “His music is so unique and inspiring so to have him reinterpret this track was such a joy!

A friend told me I should check out Mandy, Indiana – said they were one of the most exciting new bands around and that they would tick all my boxes. Turns out he was right,” adds Daniel Avery. “The band asked if I wanted to try reworking something for the club and I immediately had a feeling something big would come out of it. Turns out I was right.

Listen to Mandy, Indiana’s “Alien 3” (Daniel Avery Remix)

Mandy, Indiana’s founding members Scott Fair (guitar / production) and Valentine Caulfield (vocals) met through Manchester’s thriving DIY music scene before recently enlisting drummer and percussionist Liam Stewart (percussion). The band create pop music with brutality anchored by the punk poetry style of Caulfield’s vocal delivery. Their music ranges from the warping techno of “Alien 3” to the industrial noise of Nike of Samothrace,” songs disparate in nature, but connected by an explosiveness.

More will follow from Mandy, Indiana later this year and all upcoming tour dates are below. 

Mandy, Indiana Tour Dates

Fri. Sept. 24 – Bristol, UK @ Klub Loco
Wed. Oct. 20 – Manchester, UK @ YES Basement
Sat. Nov. 20 – Manchester, UK @ White Hotel
Fri. Dec. 3 – Manchester, UK @ YES

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