Review: Magic Wands – Abrakadabra

Starting with an odd, distorted chant (“Bashmuuu”), Magic Wands‘ newest album, Abrakadabra, is both meditative and exciting.  The sudden burst of “Nocturnal” (one of the best shoegaze tracks of 2018) is like a stage magician throwing down a small flash bomb onstage.  Synths move like dancing handkerchiefs and singer / guitarist Dexy Valentine (whose name WordPress keeps wanting to autocorrect to “Sexy Valentine,” by the way) sings, “I’m invincible when I’m with you.”  Well, sign me up for any required heroics, Mrs. Valentine.

The jangly guitars of “Houdini” by Dexy and Chris Valentine bounce all around the room, and the guitars on “DNA” come at you from multiple directions.  Don’t miss Tommy Alexander’s bass on it because it’s so smooth it might slide right by you if you’re not careful.  “Realms” almost lures you into a dream, and “Loveline” is wonderful dream pop.  The band refers to their sound as “lovewave,” and that description is apt on this track (and the whole record, really).  “New Device” brings back the shoegaze, and “Chains and Fur” belongs on your boudoir playlist. I love how both Chris and Dexy Valentine layer their vocals over one another on the track.

That “double vocal” effect is just as good, if not better, on “Diamond Road,” which begs to be played in a convertible driving across the U.S. on a lonely night.  Drummer Pablo Amador puts down some wicked beats on “Julie Ann Gray” as Dexy Valentine’s vocals are slightly muted yet covered in reverb.  It’s like a lost Dum Dum Girls track.  “Big Life” is a lovely close to a lovely record…unless you get the digital download that comes with the bonus track “Puzzle of Love.”  It’s worth it.  The guitars are bold and bright and the beats are playful.

As I mentioned above, Abrakadabra is a lovely record.  “Lovewave” might be your new favorite thing after hearing this.

Keep your mind open.

https://www.youtube.com/watch?v=k1ZsyXqqMV4

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Exploded Views’ latest single, “Dark Stains,” is now available for your listening pleasure.

LISTEN TO EXPLODED VIEW’S “DARK STAINS,” NEW SINGLE OFF OBEY
OUT SEPTEMBER 28TH VIA SACRED BONES
https://youtu.be/B64K_3gkmPo

FIRST-EVER NORTH AMERICAN TOUR KICKS OFF OCTOBER 19TH

(photo credit – Exploded View)
“‘Dark Stains’ [is] a chaotic, sinister partner to their recent single ‘Sleepers’ — if that one was the sky, this is underground. A buried hunk of metal run into by a rototiller. Life! A banger!” — FADER

“’Raven Raven’ is darkly cinematic; its initial moments of creaking synthesizer and rattling floor tom unspool like a reel of degraded film, clicking and flickering images onto a looming screen. . . The pictures Exploded View offer may be grainy, but they’re just as grave and lasting.”
Pitchfork

“‘Raven, Raven’ is a logical continuation of Exploded View, with the same beat-poet delivery from frontwoman Annika Henderson and tense kinetic energy from the instrumentalists, who sound a little like the members of Can jamming in Lee ‘Scratch’ Perry’s Black Ark Studios.” — SPIN

“Mysterious and claustrophobically groovy” — Brooklyn Vegan

“[‘Sleepers’] glides along on an eerie synth line — at times inviting and beautiful but then always threatening to take a turn into more discomfiting directions — while Henderson’s voice settles into this place where anxiety and fear and wonder seem to coexist. It’s a strange, beautiful composition.”
Stereogum

Exploded View, the international project of Berlin-based lyricist/vocalist Annika Henderson, and Mexico City-based multi-instrumentalists Hugo Quezada and Martin Thulin, are gearing up for the release of their second full-length album, Obey, out September 28th on Sacred Bones, and first-ever North American tour. Previous “singles ‘Sleepers’ and ‘Raven Raven’ both showcase one of [Exploded View]’s greatest skills: luring listeners into its dreamlike songs with a strong groove, then revealing the dream is equally part nightmare” (AV Club). Now the trio present “Dark Stains,” a song about a body who sees in themselves the errors of the past, yet flaunts behind the veils of inheritance and fails to take full responsibility for the present.” Annika described it in detail for FADER.

Leaving behind their live recording process and now a tight three-piece, Exploded View strike a special balance between precise and wild, unshackled and grounded, grooving and unhinged. The have a knack for making the esoteric feel accessible and crafting pop music out of seemingly raw consciousness. Recorded in Mexico City, the apocalyptic, yet soothing songs comprising Obey encompass all the classic dream motifs: intrigue, danger, ecstasy, hard to place, yet primordial visions, and a constant sense of movement.
                              

Listen to Exploded View’s “Dark Stains” –
https://youtu.be/B64K_3gkmPo

Listen to “Raven Raven” –
https://youtu.be/Zl-1qPg8iuE

Watch “Sleepers” Visual –
https://youtu.be/C6SXE9R67Wg

Exploded View Tour Dates:
Fri. Oct. 19 – Dallas, TX @ Nasher Sculpture
Sat. Oct. 20 – Austin, TX @ The Parish
Mon. Oct. 22 – Phoenix, AZ @ Club Congress
Wed. Oct. 24 – San Diego, CA @ The Whistle Stop
Thu. Oct. 25 – Pomona, CA @ The Glass House
Fri. Oct. 26 – Los Angeles, CA @ The Echo
Sun. Oct. 28 – San Francisco, CA @ Rickshaw Stop
Mon. Oct. 29 – Portland, OR @ Mississippi Studio
Tue. Oct. 30 – Seattle, WA @ Vera Project
Wed. Oct. 31 – Vancouver, BC @ Fox Cabaret
Thu. Nov. 1 – Chicago, IL @ The Empty Bottle
Fri. Nov. 2 – Detroit, MI @ Deluxxx Fluxxx
Sat. Nov. 3 – Toronto, ON @ The Garrison
Mon. Nov. 5 – Montreal, QC @ Sala Rossa
Tue. Nov. 6 – Boston, MA @ Middle East
Thu. Nov. 8 – Brooklyn, NY @ Rough Trade
Fri. Nov. 9 – Philadelphia, PA @ PhilMOCA
Sat. Nov. 10 – Norfolk, VA @ Charlies American Cafe
Sun. Nov. 11 – Washington, DC @ DC9
Mon. Nov. 12 – Harrisburg, PA @ The Cathedral Room

Pre-order Obey:
via Sacred Bones – https://www.sacredbonesrecords.com/products/sbr209-exploded-view-obey
via Bandcamp – https://explodedview.bandcamp.com/album/obey

Keep your mind open.
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Film School announces first album, “Bright to Death,” and singles in eight years.

FILM SCHOOL RELEASE FIRST NEW ALBUM IN 8 YEARS
‘BRIGHT TO DEATH’ OUT SEPTEMBER 14TH ON HAUSKAT RECORDS
ADD MORE SHOWS FOR NOVEMBER
LISTEN: ‘CRUSHIN‘  ‘GO LOW

Photo: Howard Wise
FILM SCHOOL return this month with ‘Bright to Death‘, their fifth album and first full-length LP since 2010’s ‘Fission’. Recorded over 8 days in November 2017 on the outskirts of Joshua Tree, this luminescent collection of 11 songs is the finest showcase yet for the band’s signature layered sonic tones, psychedelic atmospheres, and seductive melodies. The album gets its title from text on an artwork singer and guitarist Greg Bertens had seen, part of an exhibit by Chinese students on the topic of global warming. “Bright to death” popped into his head as the band was recording in sun-blistered Joshua Tree, and it stuck. In addition to four members of the original lineup, the album features drummer Adam Wade (Shudder to Think, Jawbox) on several songs, and was mixed by Dan Long at Headwest Studios and mastered by David Gardner at Infrasonic Sound. “When this lineup first came together in the early 2000s, I never thought we’d be doing some of our best work 15 or so years later,” says Bertens. “Our [self-titled] album came out in 2006, when bands like the Strokes and Franz Ferdinand were in full swing. The music landscape was totally different then—shoegaze was a bad word. That’s changed.”
“…lush, languid beauty, chiming guitars, and widescreen, empyrean atmospherics.” BlackBook
‘…lovely, laconic dreampop.” Brooklyn Vegan
“…a honeyed, unhurried confessional that rolls in on a thick bass line and envelops every ounce of longing in twinkling guitar and washes of reverb.” buzzbands.la
“Go Low is another slow-burning gem that unhurriedly builds up to a stormier ending. Bertens’ shadowy, drawn out vocals hazily drape over the laidback drum pace, while sparkling guitar chime, starry-synths-notes and cymbals-shimmer add a brighter sheen. As the instrumentation swells in intensity, a searing guitar line soars through the effervescence, adding a hot rock kick to the dreamy atmosphere.” Big Takeover
‘Bright To Death’ is released September 14th on Hauskat Records.

LIVE SHOWS:
(more dates forthcoming)
November 8:  San Diego, CA – Whistle Stop
November 9: Los Angeles, CA – Zebulon (presented by buzzbands.la)
Nov 10:  San Francisco, CA – Cafe Du Nord (presented by Noise Pop)
Nov 17: Seattle, WA – Barboza JUST ADDED
Nov 18: Portland, OR – Holocene JUST ADDED
Keep your mind open,
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Protomartyr – Consolation

Produced in part with Kelly Deal of the Breeders and Pixies, Protomartyr‘s four-song EP, Consolation, packs more punch than many double albums in the punk, post-punk, neo-rock, or alt-rock genres.

The opening squall of “Wait” is like the sound of the gates opening at the Kentucky Derby, and the band are four horses running in peak form.  Vocalist Joe Casey growls, yells, and snarls while drummer Alex Leonard seems to put down four different beats at once.

“Same Face in a Different Mirror” would be a great title for a giallo film from the 1970’s, and Greg Ahee‘s opening guitar riff is indeed creepy enough for a stylish Italian slasher film.  It’s like Protomartyr put Joy Division, Editors, and Bauhaus in a juicer and extracted the micronutrients from all three for one track.

The last two tracks feature Ms. Deal on backing vocals.  The first is “Wheel of Fortune,” and it’s easily one of the best tracks of the year.  It comes out swinging, not giving you much time to breathe in the first minute before it breaks down into something that sounds like the soundtrack from a ghost film.  Casey’s vocals slowly rise from the ground (lifted by Scott Davidson‘s fine bass work), unleashing some of his inner Nick Cave before the band kicks down the door.  Davidson’s bass walk opens “You Always Win” and Casey sings about a troubled relationship he can’t bring himself to leave while Ahee’s guitar shoegaze riffs are subtle and stunning at the same time and Leonard unleashes a quick drum solo, which are sorely missing from rock nowadays.

Consolation is sharp as a knife and one of the better EP releases of 2018, so don’t skip it.

Keep your mind open.

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Rewind Review: Follakzoid – III (2015)

I’d heard of Chile’s psychedelic / shoegaze rockers Follakzoid years ago, but hadn’t picked up any of their material for reasons unknown to me.  Lo and behold, they were on the lineup for the 2018 Levitation Music Festival in Austin, Texas, so I made sure to get tickets for their set (which did sell out).  I’m glad I did because their set was one of my top three for the whole weekend, and I left determined to dive deep into their catalogue.

I’m starting with their last record, III, which is only four tracks, but the shortest is just over nine minutes long.  It’s a mesmerizing, mostly instrumental mix of ambient synths, krautrock guitars, precision drumming, shoegaze fuzz, and misty psychedelic vocals.

“Electric” opens the album and lets you know that Follakzoid’s drummer is apparently a cyborg, because I don’t know how else he can keep up such a sharp beat for over eleven minutes.  The song might be the closest I ever get to floating in zero gravity.  The guitars range from hardly being there to surging toward you like a thunderstorm.  “Earth” is a little jostling at first with the crunchy, jagged guitars but it grows into a tribal meditation with heart-pumping drums and drone synths.  The song ends with weird bleeps, bloops, and what sound like synthesized animal and weather noises.  “Piure” (named after a rare seafood in Chile) seems to melt like a candle over a skull over the course of nearly thirteen minutes.    The last track, “Feuerzeug” (German for “lighter” or perhaps anything use to light a fire), has this mantra-like guitar riff that will float through your mind for days.  Follakzoid stretched this nine-minute track into nearly twenty minutes when I saw them in Austin earlier this year, and it was amazing.  I’m not exaggerating when I tell you that it was mind-altering without the need for any kind of hallucinogens or even booze.

III isn’t so much an album as it is a sensory experience.  It can carry you away if you’re not careful, which might not be a bad thing depending on the kind of day you’re having.  This album would’ve been in my top 10 of 2015 if I’d heard it then.

Keep your mind open.

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Exploded View releases “Sleeper” from upcoming album, “Obey,” out September 28th.

EXPLODED VIEW SHARE “SLEEPERS” WITH VISUAL,
NEW SINGLE OFF OBEY, OUT SEPTEMBER 28TH VIA SACRED BONES
https://youtu.be/C6SXE9R67Wg

FIRST-EVER NORTH AMERICAN TOUR KICKS OFF OCTOBER 19TH

(photo credit – Exploded View)
     “Break free and fly above the clouds outside the lines that we were told were good for us.
Free yourself from your own prison. Remove the shackles of fear to find that the unknown is not so scary        and can be full of precious discoveries (sometimes only possible during sleep).  
A constant trip comes to          an abrupt and unresolved ending with the collapse and eerie shriek of the Arp Solina.” – Exploded View
Exploded View, the international project of Berlin-based Annika Henderson, and Mexico City-based Hugo Quezada and Martin Thulin, will release Obey, their second full-length album on September 28th on Sacred Bones. The apocalyptic, yet soothing songs comprising Obey encompass all the classic dream motifs: intrigue, danger, ecstasy, hard to place, yet primordial visions, and a constant sense of movement. After presenting lead single, “Raven Raven,” the trio now share “Sleepers” and an accompanying visual made by Annika. It’s “a song that very much feels as if it’s flying above the clouds, but is still looking down on desolation from that vantage point. The song glides along on an eerie synth line — at times inviting and beautiful but then always threatening to take a turn into more discomfiting directions — while Henderson’s voice settles into this place where anxiety and fear and wonder seem to coexist. It’s a strange, beautiful composition” (Stereogum).
Leaving behind their live recording process and now a tight three-piece, Exploded View strike a special balance between precise and wild, unshackled and grounded, grooving and unhinged. The have a knack for making the esoteric feel accessible and crafting pop music out of seemingly raw consciousness. This ability to make beautiful music that feels written beyond the veil is at the heart of what makes Exploded View so captivating, and it’s on full display all over Obey. Recorded in Mexico City, the album feels like a liberation of creative impulses and expression allowing the band to reach more mature sonic territories.
Exploded View will head out on their first-ever North American tour the month following the album’s release (all dates are below).
Watch “Sleepers” Visual –
https://youtu.be/C6SXE9R67Wg

Listen to “Raven Raven” –
https://youtu.be/Zl-1qPg8iuE

“’Raven Raven’ is darkly cinematic; its initial moments of creaking synthesizer and rattling floor tom unspool like a reel of degraded film, clicking and flickering images onto a looming screen. . .
The pictures Exploded View offer may be grainy, but they’re just as grave and lasting.”
Pitchfork

“‘Raven, Raven’ is a logical continuation of Exploded View, with the same beat-poet delivery from frontwoman Annika Henderson and tense kinetic energy from the instrumentalists, who sound a little like the members of Can jamming in Lee ‘Scratch’ Perry’s Black Ark Studios” SPIN

“Mysterious and claustrophobically groovy” Brooklyn Vegan

Exploded View Tour Dates:
Fri. Oct. 19 – Dallas, TX @ Nasher Sculpture
Sat. Oct. 20 – Austin, TX @ The Parish
Mon. Oct. 22 – Phoenix, AZ @ Club Congress
Wed. Oct. 24 – San Diego, CA @ The Whistle Stop
Thu. Oct. 25 – Pomona, CA @ The Glass House
Fri. Oct. 26 – Los Angeles, CA @ The Echo
Sun. Oct. 28 – San Francisco, CA @ Rickshaw Stop
Mon. Oct. 29 – Portland, OR @ Mississippi Studio
Tue. Oct. 30 – Seattle, WA @ Vera Project
Wed. Oct. 31 – Vancouver, BC @ Fox Cabaret
Thu. Nov. 1 – Chicago, IL @ The Empty Bottle
Fri. Nov. 2 – Detroit, MI @ Deluxxx Fluxxx
Sat. Nov. 3 – Toronto, ON @ The Garrison
Mon. Nov. 5 – Montreal, QC @ Sala Rossa
Tue. Nov. 6 – Boston, MA @ Middle East
Thu. Nov. 8 – Brooklyn, NY @ Rough Trade
Fri. Nov. 9 – Philadelphia, PA @ PhilMOCA
Sat. Nov. 10 – Norfolk, VA @ Charlies American Cafe
Sun. Nov. 11 – Washington, DC @ DC9
Mon. Nov. 12 – Harrisburg, PA @ The Cathedral Room

Pre-order Obey:
via Sacred Bones – https://www.sacredbonesrecords.com/products/sbr209-exploded-view-obey
via Bandcamp – https://explodedview.bandcamp.com/album/obey

Wild Nothing releases “Shallow Water” ahead of full album due August 31st.

Wild Nothing Shares New Single “Shallow Water”
Listen Here

New Album, Indigo, Out August 31 Via Captured Tracks

[Photo by Cara Robbins]
Later this month Wild Nothing will release his new album, Indigo, one of the summer’s most anticipated albums as heralded by Vulture (“another excellent entry in the catalogue of a project that has virtually perfected the art of writing about romance”) and The A.V. Club (“this is pop music at its most luxurious”). “Shallow Water” is the latest single from Indigo being shared today following “Letting Go” and “Partners in Motion.” “‘Shallow Water’ is a song for and about my wife,” says Wild Nothing’s Jack Tatum. “It can be hard to write songs about being in love that don’t come across as trite but it’s equally as hard to care about being trite when you are in love. To put it simply, it’s a song about finally arriving in the place you were meant to.” As both a return to the fresh, transcendent sweep of his debut, 2010’s Gemini, and a culmination of heights reached, paths traveled, and lessons learned while creating the follow-ups, Nocturne and Life of Pause, it’s clear Indigo is at once vintage Wild Nothing and a bold, new leap into a bigger arena.
Stream “Shallow Water” –
https://wildnothing.lnk.to/ShallowWater

Watch “Letting Go” Video – 
https://youtu.be/EuuT7HvrJF0

Stream “Letting Go” – 
https://wildnothing.lnk.to/LettingGo

Stream “Partners In Motion” – 
https://wildnothing.lnk.to/PartnersinMotion

Pre-order Indigo – 
https://wildnothing.lnk.to/Indigo

Wild Nothing Tour Dates:
(all shows with Men I Trust)
Tue. Oct. 16 – Carrboro, NC @ Cat’s Cradle
Wed. Oct. 17 – Atlanta, GA @ Terminal West
Thu. Oct. 18 – Birmingham, AL @ Saturn
Fri. Oct. 19 – New Orleans, LA @ Gasa Gasa
Sat. Oct. 20 – Houston, TX @ White Oak Music Hall
Sun. Oct. 21 – Austin, TX @ Mohawk
Tue. Oct. 23 – Santa Fe, NM @ Meow Wolf
Wed. Oct. 24 – Phoenix, AZ @ Crescent Ballroom
Thu. Oct. 25 – Santa Ana, CA @ Observatory
Fri. Oct. 26 – Los Angeles, CA @ The Regent Theater
Sat. Oct. 27 – San Francisco, CA @ The Independent
Tue. Oct. 30 – Portland, OR @ Revolution Hall
Wed. Oct. 31 – Vancouver, BC @ Imperial Vancouver
Thu. Nov. 1 – Seattle, WA @ Neumos
Fri. Nov. 2 – Boise, ID @ Neurolux
Sat. Nov. 3 – Salt Lake City, UT @ Urban Lounge
Sun. Nov. 4 – Denver, CO @ Bluebird Theater
Tue. Nov. 6 – Omaha, NE @ The Slowdown
Wed. Nov. 7 – Minneapolis, MN @ Cedar Cultural Center
Thu. Nov. 8 – Madison, WI @ Majestic Theatre
Fri. Nov. 9 – Chicago, IL @ Thalia Hall
Sat. Nov. 10 – Detroit, MI @ El Club
Mon. Nov. 12 – Toronto, ON @ Opera House
Tue. Nov. 13 – Montreal, QC @ Corona Theatre
Wed. Nov. 14 – Boston, MA @ Royale Nightclub
Fri. Nov. 16 – Brooklyn, NY @ Brooklyn Steel
Sat. Nov. 17 – Philadelphia, PA @ Underground Arts
Sun. Nov. 18 – Washington, DC @ 9:30 Club

Download hi-res press images and cover art –
www.pitchperfectpr.com/wild-nothing/
Keep your mind open.
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Live: My Bloody Valentine and Martha’s Vineyard Ferries – Riviera Theatre – Chicago, IL – July 28, 2018

The second of two sold-out shows for My Bloody Valentine at Chicago’s Riviera Theatre was added when the first sold out in minutes.  I was surprised the second didn’t sell out as fast, but happy that I got a ticket to what I was sure was going to be a face-melting experience.

Opening up for MBV were Martha’s Vineyard Ferries – a sort of shoegaze / garage punk band with bits of doom flavor sprinkled in now and then.  I expected something a bit more psychedelic with a name like that, but they were “honored” to be opening for My Bloody Valentine and their enthusiasm came through in their set.

Martha’s Vineyard Ferries

The stacks of amplifiers for MBV were tall and numerous.  A woman behind me said her friend had come to the first show and told her, “It was louder than Dinosaur, Jr.”  Her friend was right.  It was louder than them and probably five more bands combined.

My Bloody Valentine

Opening with “I Only Said,” the four of them powered through with walls of distortion and reverb.  Vocals were barely audible at times, and usually incomprehensible.  You don’t go to a MBV show to hear crisp vocals, however, not even on the two new songs they played.  You go to experience the raw energy that comes at you like a pounding surf on a rocky beach.

Of course “Only Shallow” was a big crowd favorite (and as heavy-hitting as you imagine), but “What You Want,” “Nothing Much to See,” and, naturally, “Soon” were big wallops to your chest, too.  A friend of mine held my hands in hers after “Who Sees You,” and we noticed our hands were trembling.  She patted her chest and said, “Wow!  Intense!”

“My ears are hurting!” was the cry of a guy to my left after they finished “Wonder 2.”  I saw a lot of people without earplugs.  I pitied them.  Many of us were in near-meditative states by the time they got to “Feed Me with Your Kiss” and the audio avalanche that closed the show – “You Make Me Realize.”  The bridge in that was a couple minutes of cymbals and guitar noise that almost reached the point of punishment before breaking back into the power chords.  It left us all dumfounded.

As we were walking out, a woman behind me told her boyfriend he should’ve put in his earplugs for the finale.  He said, “I could feel my chest vibrating.  I thought, ‘Am I having a heart attack?  Is this how it ends?'”

“Not a bad way to go,” I said.

“That’s true,” he said.

True, indeed.  A My Bloody Valentine show isn’t for everyone, but it is something everyone should experience.

Keep your mind open.

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Diagonal – Tomorrow

Chicago’s Diagonal have released their newest record, Tomorrow, and it’s such a good shoegaze record that my wife said it might make her like shoegaze music (which she just doesn’t understand).

Starting with “Find the Sun” (and Chris Detlaff‘s wicked beats), the album shimmers right away.  Three different guitarists (Alex Brumley, Dan Jarvis, and Silas Mishler) merge together to form some sort of super-robot, and Dale Price‘s bass chugs along with the precision of a bricklayer.  Andy Ryan‘s vocals on the big, spaced out “Wide Eyed” are appropriately drenched in reverb, and the whole band unloads with walls of sound.  It’s one of my favorite tracks of the year so far.  It’s been in my head for days.

“Control” ups the psychedelic touches but keeps the fuzz.  “Jump Back” reminds me of Julian Cope tunes from the late 1980’s with its groovy bass licks and the crisp, yet distorted guitar riffs.  The guitars on “True” are crispier, but the bass picks up the fuzz.  It sounds like a Cosmonauts track.  “Descend” could be a Black Angels tune, especially with that slight hint of Middle Eastern influences and the subtle reverb on the vocals.

“All We Need” breaks open with shining riffs and more sick beats from Detlaff.  Jarvis add some cool keyboard flourishes that give it a space-rock feel.  Price’s love of the Cure comes through on his bass line for “Shattered Glass,” and I like how Ryan’s vocals on it sound like they’re coming at you from the end of a long hallway.  “Stay Awake” has a fun groove to it with more than a subtle hint of surf rock.  The fuzz on “Feels” hits a bit harder after the mellowness of the previous track.  It’s one of the loudest cuts on the record.  The title track closes the record, and it’s a wild trip into the cosmos with dual vocals from Ryan and Misher that are barely discernible, bass so fuzzy it resembles an angry bumble bee, enough guitar distortion to power an eighteen-wheeler, and drums that go for broke and beyond.

Don’t wait until tomorrow to get Tomorrow.  It’s one of the best shoegaze records I’ve heard in 2018.

Keep your mind open.

[Don’t wait until tomorrow to subscribe either.]

Introducing one of your new favorite artists – Black Belt Eagle Scout

INTRODUCING BLACK BELT EAGLE SCOUT

DEBUT ALBUM, MOTHER OF MY CHILDREN,
OUT SEPTEMBER 14TH ON SADDLE CREEK

LISTEN TO LEAD SINGLE, “SOFT STUD”
https://youtu.be/LXsfiYigeg4

photo credit – Jason Quigley

Having this identity—radical indigenous queer feminist—keeps me going. My music and my identity come from the same foundation of being a Native woman.” Katherine Paul (aka KP) is Black Belt Eagle Scout, and Mother of My Children is her debut album, out September 14th on Saddle Creek. Recorded in the middle of winter near her hometown in Northwest Washington, Paul’s connection to the landscape’s eerie beauty are palpable throughout as the album traces the full spectrum of confronting buried feelings and the loss of what life was supposed to look like. Paul reflects, “I wrote this album in the fall of 2016 after two pretty big losses in my life. My mentor, Geneviève Castrée, had just died from pancreatic cancer and the relationship I had with the first woman I loved had drastically lessened and changed.” Heavy and heartbroken, Paul found respite from the weight of such loss in the creation of these songs that “are about grief and love for people, but also about being a native person in what is the United States today.”

On Mother of My Children, the songs weave together to capture both the enduring and fleeting experiences of loss, frustration, and dreaming. The structures are traditional, but the lyrics don’t adhere to any format other than what feels right in the moment. Mother of My Children begins with lead single  “Soft Stud,” which Paul describes as her “queer anthem.” It’s “about the hardships of queer desire within an open relationship.” “It’s a sprawling six minutes that feels surprisingly compact, tight nerves and circuitous guitars and muddy drums building and breaking” (Stereogum). “Indians Never Die,” a call out to colonizers and those who don’t respect the Earth, follows. As Standing Rock was happening, many people in Paul’s life were coming together to fight for the most basic necessity to sustain human life: water. “Our treaty rights weren’t being honored. Imagine hearing on the news that the government doesn’t support you as a human being and never has. They don’t care about the water, they don’t care about how they are destroying what is around them. Indigenous people are the protectors of this land. Indians never die because this is our land that we will forever protect in the present and the afterlife.”

Paul grew up in a small Indian reservation, the Swinomish Indian Tribal Community, surrounded by family focused on native drumming, singing, and arts. From an early age, Paul was singing and dancing at powwows with one of her strongest memories at her family’s own powwow, called the All My Relations Powwow. Paul reminisces, “When I was younger, my only form of music was through the songs my ancestors taught the generations of my family. Singing in our language is a spiritual process and it carries on through me in how I create music today.” With the support of her family and a handful of bootleg Hole and Nirvana VHS tapes, Paul taught herself how to play guitar and drums as a teenager. In 2007, she moved to Portland, Oregon to attend college and get involved with the Rock’n’Roll Camp for Girls eventually diving deep into the city’s music scene playing guitar and drums in bands while evolving her artistry into what would later become Black Belt Eagle Scout.

Mother of My Children is a life chapter gently preserved. The access listeners have to such vulnerability feels special and generous.

Listen To Black Belt Eagle Scout’s “Soft Stud”
https://youtu.be/LXsfiYigeg4
Mother of My Children Tracklist:
1. Soft Stud
2. Indians Never Die
3. Keyboard
4. Mother of My Children
5. Yard
6. I Don’t Have You In My Life
7. Just Lie Down
8. Sam, A Dream
Pre-order Mother of My Children
Black Belt Eagle Scout Tour Dates:
July 23 – Portland, OR @ Mississippi Studios
July 24 – Seattle, WA @ Barboza

Mother of My Children cover art
Keep your mind open.
[Don’t forget to subscribe before you split.]