Nana Yamato releases “Gaito” from new album – “Before Sunrise.”

Tokyo-based musician Nana Yamato‘s debut album, Before Sunrise, is out now on Dull Tools. NYLON premiered her new single/video, “Gaito,” alongside a profile (read it here). Like the first two singles “Do You Wanna” and “If,” Yamato sings in both English and Japanese on “Gaito.” Her vocals are backed by dreamy keyboard notes that tiptoe over a trancing beat. A minimalist guitar line reverberates through the chorus. The accompanying self-directed video features Yamato, dancing on a black and white screen.

“I’ve never been a fan of J-Pop or K-pop idols since I was a kid, so I didn’t understand why my classmates were so fascinated with them,” says Yamato. “Then I heard a rumor that a female idol group that debuted at the covid pandemic was very popular all over Japan, and I thought that the reason was that they had charms that I didn’t understand. I decided to write a song inspired by them, imagining their song, and this is what I came up with. For the music video, I watched their dancing on Youtube and tried to copy them. I haven’t listened to the song yet because I had it on mute.” 

Watch Nana Yamato’s Video for “Gaito”

By day, Yamato is an ordinary girl who marches anonymously between her flat, her school and her job. But by night, she becomes something else — a young artist and record collector whose urge for connection and expression has created one of the best underground pop records to come out of Japan, and elsewhere for that matter. Her calling was found when one day she entered Big Love Records in Harajuku, Tokyo to buy an Iceage album.  She then began going there everyday after school, where her studies shifted to the week’s latest indie rock releases. “Everything in my life started there.”

Yamato’s brilliance lies in a profound imagination that confronts the isolation and claustrophobia of Tokyo life, without losing grasp of the whimsy and romance of girlhood. It’s hard to ignore the romance the artist has with the streets that she walks; Japanese and English vocals sing about the lights and sounds of the city, as if there’s no place else she could exist.  Yamato describes her style as “critical fantasy,” a fitting label for a sound that exists as much in a carefree daydream as they do in a crowded subway.

Each song on Before Sunrise is a secret hidden in the late-night glow of a young girl’s bedroom, created in the precious witching hours of the teenage heart, before dawn returns with the tedious demands of adulthood. Dreams, and the language of living inside one’s imagination, are the prevailing theme of Before Sunrise
Watch the “If” Video

Watch “Do You Wanna” Video

Keep your mind open.

[Don’t forget to subscribe.]

[Thanks to Jim at Pitch Perfect PR.]

Top 40 albums of 2016-2020: #’s 40 – 36

I realized that I’ve been running and writing 7th Level Music for five years now, and that the five-year anniversary coincided with the end of the last decade. So, in the spirit of “Everyone loves lists!”, I’ve decided to rank my top 40 albums of the last five years. I went with 40 records after I averaged the number of albums I reviewed from 2016 to 2020 and then chopped that number approximately in half.

This wasn’t an easy task (although my #1 album was quickly determined). The list went through four revisions before I felt it was “right.” Lists like this are always subjective, and there are always good, if not great, albums that don’t make the cut. There were also bands like King Gizzard and the Lizard Wizard, Oh Sees, WALL, and Here Lies Man that had multiple excellent albums within the five-year span that I wanted to highlight, but I opted to choose one from each (another difficult task) in order to get more artists onto the list.

Shall we begin?

#40: CHAI – Pink (2018)

Japanese pop punk? Yes, please. These four ladies have made some of the most fun music of the last five years. They’ve also created their own sense of fashion by trashing fashion standards and love donuts and dancing. There’s nothing to not like. Lead single “N.E.O.” was like a shot in the arm of pure dance-punk adrenaline.

#39: Caroline Rose – Superstar (2020)

Superstar is Caroline Rose’s best album yet and one that covers everything from doing things your own way to the weird world of fame that found her after she released the excellent Loner album. Rose tackles these subjects with her witty lyrics, funky grooves, and lovely voice, starting off the record with a track called “Nothing’s Impossible” and carrying that positivity through the whole record.

#38: The New Pornographers – Whiteout Conditions (2017)

For the record, The New Pornographers saw everything we experienced in the political landscape for the last four years coming as soon as the 2016 election ended. Whiteout Conditions was A.C. Newman and company’s response to the results. He and the rest of the band knew then what was coming, creating songs like the title track (about the rise of white people embracing fear more than ever and dreading what that would cause down the road) and “This Is the World of the Theatre.” It certainly was, wasn’t it?

#37: Mdou Moctar – Ilana (The Creator) (2019)

Simply a beautiful record of Tuareg music that was all about positivity, embracing light, and searching for and finding peace through love and compassion. Moctar is a phenomenal guitarist, creating stunning riffs and power, and cool dude all around. When I saw him live, he was selling Tuareg jewelry at his merch table to support a school he was building back in Algeria.

#36: L’Epee – Diabolique (2019)

This psychedelic supergroup’s debut album is a stunner and seemed to come out of nowhere. It sounds like it was unearthed from a time capsule buried in a small French coastal town in 1966 and combines the powers of Anton Newcombe, The Limiñanas, and Emmanuelle Seigner. It’s one of those records that can instantly put you into a trance or change the mood of an entire nightclub, let alone a room.

There’s plenty more to come. Stay tuned.

Keep your mind open.

[Don’t forget to subscribe while you’re here.]

Top 35 albums of 2020: #’s 15 – 11

We’re more than halfway through the list now. Let’s not waste time.

#15: Ela Minus – Acts of Rebellion

Part-electro, part-goth, all great. Ela Minus made us move, stand up and fight, and otherwise get off our collective duffs during a year when we needed to be shaken out of our funks.

#14: October and the Eyes – Dogs and Gods

Have you ever seen Cult of the Cobra from 1955? In that movie, a woman who can turn into a cobra tracks down the men who, for kicks, infiltrated her cult’s rituals, and kills them one by one. She falls in love with one of the men, however, and you can guess the rest. This album is pretty much what the Cobra Woman would have playing on her ear buds as she stalked and seduced her victims.

#13: Falle Nioke and Ghost Culture – Youkounkoun

“Barké,” a song from this EP, stopped me in my tracks the first time I heard it. The record mixes Afrobeat and electronica in perfect amounts, resulting in slick dance tracks and hypnotic songs.

#12: Kelly Lee Owens – Inner Song

Kelly Lee Owens makes electronic music that can make you dance, sigh, relax, or meditate – all sometimes in the same track. Her second album continues to set the bar high for others behind her. I say it many times, but I don’t mind repeating it – She’s both an inspiration for me to make my own electronic music and at other times throw my digital turntables out the window due to thinking, “Damn, that’s just not fair.” after hearing her tracks.

#11: Public Practice – Gentle Grip

Trust me, this post-punk debut album is as intriguing and sexy as its cover. I’d been waiting for a full-length Public Practice album since 2019 when they released a few singles and I saw them live in Chicago. The wait was well worth it. Gentle Grip is outstanding and leaves you eager for more.

The top 10 are next!

Keep your mind open.

[Don’t forget to subscribe.]

Top 35 albums of 2020: #’s 25 – 21

The top 25? Already? Yep. Here we go.

#25: Death Valley Girls – Levitation Sessions: Live from the Astral Plane

Your live psychedelic rock album can’t miss when the first track is a guide to astral projection. You also can’t miss when it’s full of wild rock, passionate vocals, and, for all I know, tantric magic.

#24: Deeper – Auto-Pain

Wow. I mean…Wow. This post-punk record covers some serious subjects (suicide, existential angst, boredom, ennui, technological creep) and does it with serious chops and resolve.

#23: All Them Witches – Nothing As the Ideal

All Them Witches returned with possibly their heaviest album to date. Nothing As the Ideal is almost a Black Sabbath record in its tone and sheer sonic weight. It sounds like they were getting out all their frustration of not being able to tour on the record. It’s a cathartic gem.

#22: Protomartyr – Unlimited Success Today

Protomartyr put out one of the mots intriguing records of 2020. Unlimited Success Today is layered with stunning guitar chords, powerhouse drumming, and mysterious lyrics that sometimes read and sound like a madman yelling atop a milk crate in the middle of a busy intersection in your town.

#21: Gordon Koang – Unity

Possibly the most uplifting album of 2020, Unity is the tale of refugee Gordon Koang finally becoming an Australian citizen. Koang is a musical superstar in Africa, but fled the continent due to civil war and threats on his life. Despite all his tribulations, Unity is a record full of hope (not to mention fun Afrobeat tracks) that we needed last year.

The top 20 of 2020 are coming up next!

Keep your mind open.

[Why not subscribe while you’re here?]

Top 15 singles of 2020 – #’s 15 – 11

Yes, the beginning of the year means the avalanche of “Best of…” lists from me. This year’s will include singles, albums, and albums of the last five years. Unfortunately, the only concert I got to this year was seeing BODEGA and The Wants in Chicago. It was a good gig, so at least the one show I attended was a blast (even though I might’ve caught a mild strain of COVID-19 there).

Let’s get on with the singles, shall we?

#15: October and the Eyes – “All My Love”

Good heavens, what a sexy track. This cut from October and the Eyes‘ excellent debut album, Dogs and Gods, instantly brought to mind Dum Dum Girls, Bauhaus, and Siouxsie and the Banshees – but somehow with more sweaty lovemaking.

#14: Khruangbin – “Time (You and I)”

This track off Mordechai is so funky you can hardly believe it. Listening to this while walking will instantly put a strut into your step.

#13: The Chats – “Pub Feed”

Coming from High Risk Behaviour, his is one of the most fun punk tracks I’ve heard all year. It’s brash, brazen, and a salute to eating and boozing in pubs. What’s not to like?

#12: Kelly Lee Owens – “Night”

This is one of two Kelly Lee Owens’ songs from Inner Song that made my top 15 singles of 2020. This one, like pretty much anything else she puts out there, almost makes me want to throw my digital turntables in the trash because, good grief, why should I even bother?

#11: Too Free – “No Fun”

This Washington D.C. band came out of nowhere for me and, like Ms. Owens, dropped two of my top 15 tracks of 2020. This one, despite its title, is a lot of fun.

Who makes the top 10? Come back tomorrow to find out.

Keep your mind open.

[Start 2021 off right by subscribing.]

Review: Praÿ – Hemerith

Hemerith, the new two-song EP from Lyon, France’s Praÿ, packs a lot into its running time of just over twenty-four minutes. The first track, “Faithless Goddess,” is like an orc war song from a future where orcs fight druids in a post-apocalyptic nuclear wasteland. The three members (drummer Antoine Berthet-Bondet, guitarist Maud Gibbons, and bassist Jason Rols) move back and forth from the lead without shoving each other around the room, and it sounds to me like the track has some krautrock influence with its beats and structure, which I don’t mind at all.

“Widow of Light” might be the name of the next villain I create for a Dungeons and Dragons campaign. It starts out as a mellow affair, not unlike a sleepy grizzly awakening from hibernation and stepping out into the sun for the first time in months. Gibbons’ guitar takes on a faster pace, and soon her bandmates are chugging along behind her as they storm along a rolling river with the grizzly leading the charge while a raven cackles overhead.

This is just a sample of the power Praÿ can produce. You can get lost in this, even though it’s only a two-song EP.

Keep your mind open.

[I pray you’ll subscribe.]

[Thanks to Jason of Praÿ.]

Nana Yamato asks “If” on her new single.

Photo by Nana Yamato

Tokyo-based musician Nana Yamato announces her debut album, Before Sunriseout February 5th on Dull Tools, and presents the lead single/video “If.”  By day, Yamato is an ordinary girl who marches anonymously between her flat, her school and her job. But by night, she becomes something else — a young artist and record collector whose urge for connection and expression has created one of the best underground pop records to come out of Japan, and elsewhere for that matter. Her calling was found when one day she entered Big Love Records in Harajuku, Tokyo to buy an Iceage album.  She then began going there everyday after school, where her studies shifted to the week’s latest indie rock releases. “Everything in my life started there.”

Yamato’s brilliance lies in a profound imagination that confronts the isolation and claustrophobia of Tokyo life, without losing grasp of the whimsy and romance of girlhood. It’s hard to ignore the romance the artist has with the streets that she walks; Japanese and English vocals sing about the lights and sounds of the city, as if there’s no place else she could exist.  Each song on Before Sunrise is a secret hidden in the late-night glow of a young girl’s bedroom, created in the precious witching hours of the teenage heart, before dawn returns with the tedious demands of adulthood. Dreams, and the language of living inside one’s imagination, are the prevailing theme of Before Sunrise.  Yamato describes her style as “critical fantasy,” a fitting label for a sound that exists as much in a carefree daydream as they do in a crowded subway.

Throughout lead single “If,” a collage of drum machine, grungy guitar and synth are the terrain over which Nana’s voice floats.  Singing in Japanese and English, her words are delivered with a cool confidence, as if fearlessly navigating a bizarre dreamscape. On “If,” Nana Yamato defines a new idiom of city music.  Much in the way trip-hop articulated the nightlife of Bristol and London, she scores the soundtrack of an imaginative introvert wandering a crowded metropolis, hiding in plain sight in the hazy glow of neon.  For the video, Yamato studied patterns of various animals and traced them frame by frame, making nearly 200 drawings. “The video is set up with me as an up-and-coming cartoonist who’s on deadline,” Nana explains.  “She falls asleep while thinking about the comic. In her dreams, she meets the characters she created. She gets lost in her own imaginary world. My work is realistic fantasy, or critical fantasy. It’s not about fantasizing to escape reality, but about fighting reality by fantasizing.”

Nana’s debut LP, much like her previous 7” records released under the ANNA moniker, is a strictly DIY affair.  Yamato sings and plays guitar, creates beats and MIDI melodies, in addition to creating the drawings and design of the LP itself.  Produced by P.E.’sJonathan Schenke, who has worked with Parquet Courts, Liars, and Surfbort, among others, Before Sunrise marks the arrival of an artist who has found her voice.  She is not just the pupil of the new arrivals bin, but of a life spent as a defiant dreamer, in the secret world that begins after childhood and before sunrise.  
Watch Nana Yamato’s Video for “If”

Pre-order Before Sunrise
Big Cartel
Bandcamp

Before Sunrise Tracklist
1.Do You Wanna
2. If
3. Burning Desire
4. Gaito
5. Dreamwanderer
6. Fantasy
7. Polka Dot Bells
8. Before Sunrise
9. Voyage et Merci
10. Under The Cherry Moon
11. Morning Street
12. The Day Song

Keep your mind open.

[You’ll get music news and reviews if you subscribe.]

[Thanks to Jacob at Pitch Perfect PR.]

Review: Khruangin – LateNightTales

When asked to make their own LateNightTales compilation, Khruangbin decided to make it as much a showcase of international talent as possible. The result is a luxurious musical trip around the globe.

Opening track “Illuminations” by Devadip Carlos Santana and Turiya Alice Coltrane is like the opening theme to an exotic romance / adventure film with it’s luscious harp strings, playful violins, and simple piano and guitar chords. “I Know That (When the Spring Time Comes)” by Brilliantes Del Vuelo is robotic dub with thick bass, reverbed hand percussion, and vocals that sound like a Star Wars droid. “Khushi” by Nazia Hassan is Middle Eastern disco with neon synths and a slick hand percussion beat.

Kelly Doyle‘s “DRM” is full of thumping electro-bass and fun, slightly off-kilter beats. The bass gets fatter on Sanullim‘s “Don’t Go” – a track that will go directly onto your disco and / or funk playlists. Maxwell Udoh‘s “I Like It (Don’t Stop)” is more slick disco and David Marez‘s “Enséñame” has big brass horns that Portishead would love to sample and sharp 1970’s Spanish love song vocals.

Gerald Lee‘s “Can You Feel the Love (Reprise)” is pure 1970s bedroom rock with sultry female vocals (“Here we are, sitin’ with one another, so alive and so free…”). Justine and the Victorian Punks have a pillow talk conversation over a sweet groove that would be perfect for strutting your stuff down a runway. George Yanagi and Nadja Band then saunter into the room with a Japanese slow jam that should be on any turntable in the Land of the Rising Sun if you plan on any nocturnal mixers there.

Russian lounge jazz follows that. Khruangbin slide into the mix next with a cover of Kool and the Gang‘s “Summer Madness” that is so smooth that you almost slip on it as it oozes out of your speakers and settles on the floor around you. Paloma San Basilio‘s “Contigo” has playful female vocals backed with R&B bass and wicked high hat work. The horn section on the Roha Band‘s “Yetikimt Abeba” is top-notch, knowing when to move to the front and when to stay out of the way of the vocals and effortless beat. The album ends with a spoken word piece by Tierney Malone and Geoffrey Muller. It’s a love poem that sounds like it’s from space (and, after all, much of the poem is about the speaker chasing after his love who has left the Earth) with simple banjo plucks and space transmission beeps.

It’s a lovely compilation and one that will make you seek out a lot of these artists, as any compilation should do. Hats off to Khruangbin for putting it together for us.

Keep your mind open.

[Don’t forget to subscribe before you split.]

[Thanks to Sam at Pitch Perfect PR.]

CHAI release cover of Mariya Takeuchi’s “Plastic Love.”

Photo by Kodai Ikemitsu

Today, Japanese quartet CHAI are excited to share the official video for “Plastic Love,” their cover of Mariya Takeuchi’s 1984 city pop standard, which recently saw a resurgence of its own in 2018. “Plastic Love” stars the group as “tour guides” of their beloved Tokyo, taking you through the city’s many districts in this exuberant visual. CHAI says: “THIS IS TOKYO! Everyone has their own perception of Tokyo, but many, at times, would say it can be sort of gloomy, sort of dark. With our version of ‘Plastic Love,’ we wanted to show you what Tokyo looks like from our point of view.  From Asakusa, to crepes in Harajuku, to the skyrise buildings and Tokyo Tower, to long night-time drives in Shibuya…we welcome you to our version of Tokyo! You also notice how we’re all wearing white?  That’s because we are going to disrupt the gloomy Tokyo! We are the brightness amongst the darkness and we’ve come to illuminate! Just like Mariya Takeuchi did with this song in the 80’s, we’ve come to do this again with our version today!”

WATCH CHAI’S VIDEO FOR “PLASTIC LOVE”

STREAM “PLASTIC LOVE”

CHAI’s interpretation of the international cult hit is from their double A-side single, “Donuts Mind If I Do”/”Plastic Love,” out now on Sub Pop. “Donuts Mind If I Do”/“Plastic Love” double A-side single is available as a limited edition 7,” which is available to purchase now from Bandcamp (on orange or turquoise colored vinyl), and Sub Pop Mega Mart (on lime green vinyl). All three options while supplies last. The “Donuts Mind If I Do”/“Plastic Love” 7” single will be available worldwide (excl. Japan and Asia) with an estimated ship date in late November.

CHAI is a revolutionary four-piece, made up of miracle twins Mana and Kana, and the impeccable rhythm section of Yuuki and Yuna. Combining their powerhouse musical prowess with “pinkish punk” sensibilities, CHAI has managed to create a huge splash in the music scene in their homeland, Japan, and abroad. Now ready to build on their infectious sound and musical accolades, CHAI is gearing up with their new label to release even more new music into the world. 
WATCH THE VIDEO FOR “DONUTS MIND IF I DO”

PURCHASE “DONUTS MIND IF I DO”/“PLASTIC LOVE” 7”

CHAI Online:
http://chai-band.com/
https://twitter.com/CHAIofficialJPN
https://www.instagram.com/chaiofficialjpn/
https://www.facebook.com/CHAIofficialJPN/ 

Keep your mind open.

[Don’t forget to subscribe before you split.]

[Thanks to Jacob at Pitch Perfect PR.]

Review: Khruangbin – Mordechai

Named after a friend of the band, Khruangbin‘s newest album, Mordechai, continues their string of excellent funk / jazz / dub / world music records.

They waste no time in getting to the funk on the first track, “First Class,” with Laura Lee‘s superb bass line backed by Donald Johnson‘s Chex Mix-crisp drums and Mark Speer‘s guitar that sounds like a chattery ghost. “That’s life. If we had more time, we could live together,” Lee sings on “Time (You and I)” – a groovy track that deals with impermanence – a subject many find frightening, but Khruangbin remind us is a beautiful thing. Lee’s vocals on it, and throughout Mordechai, are some of the clearest Khruangbin have ever released. It’s a nice change. I also must mention Johnson’s disco high-hat work throughout the track. It will make you turn your head and say, “Daaaamn!”

“Connaissais de Face” has Lee and a gentleman (Speer?) chatting about old friends and lovers while a happy, sexy jazz tune plays behind them. “Father Bird, Mother Bird” brings in Spanish flavor to Speer’s guitar, providing him with a great instrumental showcase for his talent and those pure tones that he makes sound effortless.

Lee’s vocals on “If There Is No Question” come at you like soft breezes across a veranda across from a New Delhi disco. “You’re wild, but you’re not crazy,” she repeats like a mantra. “Pelota” has Lee singing in Spanish and having a blast doing it and playing a sweet bass groove. “One to Remember” is another mostly instrumental track that is downright hypnotizing.

“Dearest Alfred” has some of Johnson’s snappiest drumming and Lee’s sexiest vocals. “So We Won’t Forget” has a groove that makes you want to dance down the street and not care who’s watching or what might be going on around you. The album ends with the snappy instrumental “Shida,” sending us out on a fun note.

Khruangbin are batting .1000 right now, and I don’t see them missing any pitches soon. If you need something to pick you up during self-isolation, this album’s for you. It’s for all of us.

Keep your mind open.

[Don’t forget to subscribe.]

[Thanks to Pitch Perfect PR.]