Rewind Review: Groove Armada – Vertigo (1999)

[Rewind Reviews are reviews of albums over a year old that I haven’t heard until now.]

Groove_Armada_-_Vertigo

Groove Armada’s Vertigo is one of those records that I’ve been meaning to pick up for years but kept forgetting to seek out whenever I was in a wrecka stow or visiting an online music sales site.

It’s a masterpiece of late 1990’s techno, house, and lounge. The opener, “Chicago,” is a perfect anthem for late night clubbing in the Windy City – fat beats, luscious synth grooves, and kinky guitar. “Whatever, Whenever” starts off sounding like something from a grindhouse horror film trailer before rapper M.A.D. slides in with smooth rhymes to save us all from whatever horror was about to pounce on us.

“Dusk, You & Me” is one of the best make-out songs of 1999. If Roddy Lormiar’s trumpet doesn’t get things moved into the naked zone, you only have yourself to blame. I don’t know if the “63” in the title of “Pre 63” refers to the year 1963, but you could put this fly song of heavy bass, playful flute, and crisp beats into any early 1960’s Euro-crime film or sex comedy.

“If Everybody Looked the Same” weaves a great use of a sample from A Tribe Called Quest through a song about bigotry. “Serve Chilled” is perfectly titled, as it’s great for relaxing after late night parties. “I See You Baby” is the opposite, however, and will get the party jumping again as soon as you start it. I mean, the chorus is “I see you, baby, shakin’ that ass.” What more do you need?

“A Private Interlude” has great scratch work from Dominic Betmead. “At the River” is weird, almost sounding backward at some points, and creeps out of the speakers like something from a bad print of a Fellini movie. In other words, I like it. “In My Bones” is a sweet house track about how a good groove gets inside you and can only escape by taking temporary control of you. It has some of the best synth work on the record and probably is one of their best “unknown” hits.

“Your Song” isn’t a cover of the Elton John tune. It’s a funky track with sexy vocals by Sophie Barker. “Inside My Mind (Blue Skies)” is a song you’ve probably heard in dozens of movies, TV shows, and commercials and not realized it. It’s ambient lounge grooves instantly put you in a mellow state of mind. It’s impossible to be depressed during this song. It chills you out like few songs can. The album ends with a saucy remix of “I See You Baby” by Fatboy Slim.

It’s a solid house music record. Pick it up if you’re looking for some good late night grooves for your next party.

Keep your mind open.

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Ceu – Tropix

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Brazilian songstress and soon-to-be your new favorite singer Ceu’s new album Tropix is a nice blend of bossa nova, electro, and lounge pop that’s like a breath of fresh air in the nasty political landscapes both here and in Brazil right now.

“Perfume Do Invisivel” is the first single, and it’s a lovely electro song that blends bossa nova beauty with club banging beats during the chorus. I’m sure it’s inspired a hundred remixes in clubs across South America and Europe by now. “Arrastarte-Ei” gets quirky with its beats, but Ceu’s voice remains a constant smooth groove throughout it. “Amor Pixelado” (“Pixelated Love”) is haunting and lovely as Ceu’s voice drifts around you like a heartbroken ghost until the computer beats drop and turn the song into something Thom Yorke probably has on an iPhone playlist.

“Varanda Suspensa” (“Suspended Balcony”) will get your hips moving with its synth horns, and the synths are even more prominent on “Etilica / Interludio” (“Ethyl / Interlude”). It’s a good track, and sounds like something the Pet Shop Boys would’ve created in the early 1990’s.

“A Menina E O Monstro” (“A Girl and a Monster”) starts with a music box and then a synth beat that sounds like a skipping record before it turns into a wonky warbled thing that is as catchy as it is bizarre. “Minhas Bics” has neat, crisp guitar that taps out the beat before the dubstep bass wanders into the room like a fat guy eyeing a buffet.

“Chico Buarque Song” is the first time I’ve heard Ceu sing in English, and it’s a stunning piece. It has a big, bold chorus, spooky synths that border on goth music, and Ceu’s voice at its sexy best. “Sangria” is a lovely ballad that I’m guessing is more about actual blood than the booze.

“Camadas” (“Layers”) is even sexier than “Sangria.” Sade wishes she had a song like this. The drums are exquisite, the bass is smooth, the synths are groovy, and Ceu’s voice is sultry. I’m fairly certain scores of Brazilians are shagging to this song even now. “A Nave Vai” has sharp funky guitar throughout it, and “Rapsodia Brasilis” has the funkiest drums on the record.

It’s a good close to this lovely album of electro-bossa nova, which should be an entire genre if you ask me.

Keep your mind open.

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Mamby on the Beach announces initial lineup for 2016.

Mamby

Chicago’s Mamby on the Beach music festival is July 02-03rd this year on Oakwood Beach.  It’s a lovely festival of electronic dance music, electro, and even a bit of psychedelia.  I won’t be surprised if there are more additions before the festival gets here, but I’d love to see Tycho, Santigold, and Derrick Carter for starters.

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Levitation Austin artist spotlight: Caribou

caribou

Electro master and multiple music award-winner Caribou will be closing the Levitation Tent at Levitation Austin on May 1st.  I’ve been keen on checking him out live since I heard a few snippets of his material and learned his album Our Love was considered among the best of 2014.  I think his set will be a great way to close the festival.

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Levitation Austin artist spotlight: Bayonne

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Austin’s own Roger Sellers, otherwise known as Bayonne, creates great electro dream pop all by himself.  He’s the type of guy who makes me think I could create electro music if I made the time and bought even discounted gear at a pawn shop.  He’s inspiring, and I’m sure his set on April 30th at Levitation Austin will be, too.

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https://www.youtube.com/watch?v=bvxaGn4W14c

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Levitation Austin artist spotlight: Nicolas Jaar

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Chilean-born and NYC-based composer and electronic music maker Nicolas Jaar will be performing at Levitation Austin on April 29th.  Mr. Jaar produces spacey, dreamy electronic music that mixes jazz touches, Euro lounge, and South American flair.  I think it will be an interesting set.

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https://www.youtube.com/watch?v=1Upj_Ib30K4

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Levitation Austin artist spotlight: Klaus Johann Grobe

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Swiss electro / house duo Klaus Johann Grobe create an interesting mix of stuff I can best describe as “electro-lounge.”  They sample a lot of Euro sounds and lay down some good dance beats.

Levitation Austin is bringing in a lot of electro, synth, and techno acts this year.  There are a few I want to see and these two cats are one of them.

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Suuns’ new album due out this April.

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Canadian psych-rockers Suuns have started a PledgeMusic campaign and a Bandcamp page for their upcoming album Hold / Still.  The first two released tracks, “Translate” and “Paralyzer,” are good cuts that lace their weird psychedelic sound with electro touches.  Hold / Still is sure to be a good record if the rest of the tracks are as good as these.

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Levitation Chicago artist spotlight: Natural Information Society and Bitchin’ Bajas

bitchinbajasJOSHUA ABRAMS NATURAL INFORMATION SOCIETY_2

Natural Information Society is a Chicago jazz collective led by Joshua Abrams.  Bitchin’ Bajas are a Chicago-based kraut-rock band.  They’re two great tastes that taste great together on their collaboration that blends world music funk, jazz, electro, and synth-wave.

It’s nice to see Levitation Chicago bringing in local acts, especially this team-up that should bring a meditative feel to their March 12th performance.

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Levitation Chicago artist spotlight: Blanck Mass

Blanck Mass

Blanck Mass is a one-man electro powerhouse – Benjamin John Power.  Mr. Power was one half of Fuck Buttons and is now making his own stunning dark electro.  His material is full of heavy bass, horror movie synths, and exciting beats.  I’ve wanting to see him for a couple years now, so I’m glad to have the opportunity at Levitation Chicago on March 11th.

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