Month: March 2017

In 2016, rock legends Failure (Ken Andrews – guitar, bass, lead vocals, Greg Edwards – bass, guitar, synths, vocals, Kellii Scott – drums) played their masterpiece album, Fantastic Planet, on a 20th anniversary tour across the U.S. Sadly, I couldn’t make it to any of the shows, but getting a live album of one of the stops on the tour is a nice way to hear one of the best records of the 1990’s.

The album starts with the clockwork sounds (and sorrowful guitar) of “Saturday Savior.” The band immediately sounds like they haven’t lost a thing in 20 years. I instantly regretted having to work a full-time job upon hearing this, because work kept me from making one of the stops of this tour. “Sergeant Politeness” is one of the biggest rockers on Fantastic Planet, and this version is nothing short of a kick in the teeth.

The live album even includes the three instrumental segues between tracks. Failure wasn’t kidding when they said they’d play the album in its entirety. The first bridges the gap between “Sergeant Politeness” and “Smoking Umbrellas” – which has some of the biggest chorus vocals on the record. Andrews makes sure people out in the concession stand can hear him. “Pillowhead” has Scott going as wonderfully nuts on it as he did in 1996.

“Blank” is a beautiful piece of shoegaze that feels like a warm bath after a sprint workout from the previous two tracks. “Dirty Blue Balloons” is one of the many songs on the record about drugs (which were a large part of the band’s life back in 1996), and its heavy-hitting chorus makes it like the greatest Pixies track they never recorded. Edwards’ guitar solo on it is great.

“Solaris” is a bit of a mind trip, and almost sounds like a Yes track. “Pitiful” is another one of the rockers on the album. The chorus hits you like a left hook you didn’t see coming. “Leo,” which I’m fairly certain is about a guy freaking out after coming down from a high, is just as good as it was in 1996. It sounds just like when I saw them in 1997. “The Nurse Who Loved Me,” another song about dealing with drug addiction, is a crowd favorite and was one of their biggest hits (even the guys in Tool hold this song in reverence). The electric piano supporting the crowd’s vocals is great and the song builds to an uplifting power.

Failure is sometimes described as a “space rock” band, and “Another Space Song” is a good example of why that’s the case. It’s the sound of a derelict alien craft in orbit around the moon. It’s trippy, creepy, and one of the best tracks on the album. This song alone should’ve made Failure an even bigger success.

“Stuck on You” is Failure’s biggest hit without question, and it’s not hard to believe it once you hear it. It was the song that introduced me to them and made me drag my two friends to their 1997 Lollapalooza set. It’s a powerful song (about heroin, no less) with a chorus that bursts like a sunrise over a mountain and yet hits as heavy as many grunge classics from the same time.

It flows well into “Heliotropic,” which takes us back to outer space with Andrews’ heavy bass, Edwards’ great solo, and Scott’s third stage-rocket drumming. The album ends with “Daylight,” which itself starts with the clockwork sounds we hear at the beginning of the album. It’s a snake eating its tail. It’s hypnotic and dire (and, yes, about the lull of heroin). Andrews’ voice is slightly distorted and sounds slightly out of the room…until the chorus explodes and nearly knocks you out of your chair.

I, like most of us, had no idea the band was going through such a rough stretch when Fantastic Planet was made and released. We’re lucky none of them overdosed or gave up music. We’re lucky the record was released at all, considering their label at the time was put up for sale before Fantastic Planet was released. We’re lucky to have this live recording and, hopefully, new material from them in the future. It’s time to find this classic if you missed it in 1996.

Keep your mind open.

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