Protomartyr drop new single ahead of “Consolation” EP due tomorrow.

PROTOMARTYR SHARE “YOU ALWAYS WIN” FEAT. KELLEY DEAL

“CONSOLATION E.P.” OUT TOMORROW ON DOMINO

Tomorrow marks the release of the new EP from Protomartyr, “Consolation E.P.,” on Domino Recording Co. Earlier today, Beats 1 premiered the song “You Always Win,” which, like previous shared single “Wheel of Fortune,” features vocals from Kelley Deal.  Protomartyr’s Joe Casey said the following about the final song on the EP:

“You Always Win” is the last song on our EP. That reminds me of three things. First; “good things come to those that wait”. I think that’s what is called an adage. I don’t know if waiting through three other quality songs counts, but I think it might. Second; this quote: “I did not get my Spaghetti-O’s; I got spaghetti. I want the press to know this.”

That’s the last words of some murderer, apparently. I think that means this song could have been something out of a can. Sure, murderers would have liked it fine but this is good, musical spaghetti. And the reason it’s spaghetti brings me to my third thought: Kelley Deal made this song great. It could have been flat circles in tomato gravy. Kelley, in her genius, elevated it to the thing you are hearing now. Beautiful sound pasta? I suppose.

Kelley Deal had this to say of “You Always Win”:

I listened to Protomartyr’s demo for “You Always Win” and thought of Sinatra and old Las Vegas. The band were into it, so Mike Montgomery and I worked with Lori Goldston (cello), Jocelyn Hach (viola) and Evan Ziporyn (bass clarinet) to create the sound of candy-coated corruption for Joe’s characters to inhabit. “It’s what I must do.”

LISTEN TO “YOU ALWAYS WIN”
https://youtu.be/VVLp32EjrSo

PRE-ORDER “CONSOLATION E.P.”
http://smarturl.it/ConsolationEP

PROTOMARTYR TOUR DATES
Fri. June 15 – Beijing, CN @ Yue Space
Sat. June 16 – Shanghai, CN @ YYT
Sun. June 17 – Seoul, KR @ V-Hall
Wed. June 20 – Kuala Lumpur, MY @ Live Fact
Thu. June 21 – Jakarta, ID @ Rossi Musik
Sat. June 23 – Athens, GR @ Ejekt Festival
Fri. July 6 – Modena, IT @ Arti Vive
Sat. July 7 – Chiusi, IT @ Lars Rock Fest
Sun. July 22 – Los Angeles, CA @ Shrine Expo Hall w/ My Bloody Valentine
Sat. Aug. 11 – Haldern, DE @ Haldern Pop Festival
Sun. Aug. 12 – Luxembourg, LU @ Rotondes
Mon. Aug. 13 – Dusseldorf, DE @ Zakk
Tue. Aug. 14 – Bremen, DE @ Tower Musikclub
Thu. Aug. 16 – Nijmegen, NL @ Doornroosje
Fri. Aug. 17 – Biddinghuizen, NL @ Lowlands Festival
Sat. Aug 18 – Hasselt, BE @ Pukkelpop Festival
Sun. Aug. 19 – St. Malo, FR @ La Route Du Rock
Tue. Aug. 21 – Dudingen, CH @ Bad Bonn
Wed. Aug. 22 – Zurich, CH @ Mascotte
Fri. Aug. 24 – Schorndorf, DE @ Club Manufaktur
Sat. Aug 25 – Charleville Mezieres, FR @ Cabaret Vert Festival
Sun. Aug. 26 – Ramsgate, UK @ Ramsgate Hall
Tue. Aug. 28 – Sheffield, UK @ Picture House Social
Wed. Aug. 29 – Hebden Bridge, UK @ Trades Club
Thu. Aug. 30 – Liverpool, UK @ O2 Academy 2
Fri. Aug. 31 – Salisbury, UK @ End of the Road Festival
Thu. Aug. 30 – Sun. Sept. 2 – Vlieland, NL @ Into the Great Wide Open
Mon. Sept. 3 – Groningen, NL @ Vera
Fri. Sept. 28 – Detroit, MI @ MOCAD Homestead w/ Deerhunter

PRAISE FOR RELATIVES IN DESCENT

“Political, environmental, epistemological, social, familial and individual anxieties fuel the latest songs by Protomartyr, a band from Detroit that has been reclaiming the jagged, muscular dissonances of post-punk for 21st-century America.”
– The New York Times (Album of the Week)

“A slow-burn apocalypse of ennui and injustice crackles through the sensational fourth album from these Detroit post-punks.” – The Guardian (5/5 stars)

“Brooding and abrasive, the Detroit post-punk group’s new LP isn’t for the faint of heart – but beauty lies in its 12 knotty, pummeling tunes.” – Entertainment Weekly

“Over the course of four full-length albums, the Detroit-based band has produced a collection of lyrically dense, deeply philosophical (and usually very loud) songs that grapple with some of life’s thorniest questions: What does it mean to be human? What is truth? What is the nature of good and evil?” – NPR Music

“Consolation E.P.” is available to pre-order now on limited pressing yellow/white starburst vinyl via Domino, and limited pressing gold vinyl via your local independent record store.

“Consolation E.P.” Domino pre-order: http://smarturl.it/ConsolationEPMart
“Consolation E.P.” Digital pre-order: http://smarturl.it/ConsolationEPDL

Relatives In Descent Domino Mart: http://smarturl.it/RIDMart
Relatives In Descent iTunes: http://smarturl.it/RIDDownload

Keep your mind open.
[You can console me by subscribing.]

DJ set list for June 13, 2018

Thanks to all who tuned in for my latest WSND show and helped me determine what to play to celebrate Flag Day.  Here’s my set list from the show in case you want to know the name of that one weird band I played.

  1. Sandworms – Agent of Terror
  2. The Horrors – Machine
  3. The Paper Chase – One Day He Went Out for Milk and Never Came Back
  4. The Space Merchants – TranscendentalSuperConsciousState
  5. Melkbelly – R.O.R.O.B.
  6. Laura Carbone – Grace
  7. Screaming Females – It All Means Nothing
  8. Frenzy of Blood radio ad
  9. Dum Dum Girls – Heartbeat
  10. Hot Trash – One More Chance
  11. Vazum – Fall Guy
  12. The Noisettes – Hierarchy
  13. Skyland Drive-in Theatre intermission ad
  14. Voodoo Glow Skulls – Here Comes the Sun
  15. Vowws – Esseff
  16. Bjork – Enjoy (live)
  17. Madvillain – Operation Lifesaver AKA Mint Test
  18. Friday Foster radio ad
  19. Devo – Don’t Shoot (I’m a Man)
  20. The Clash – Lightning Strikes (Not Once but Twice)
  21. The Clash – Lose This Skin
  22. The Smithereens – A Girl Like You (Strip Club version)
  23. Spice Boys – I Don’t Get Around
  24. Orchestral Maneuvers in the Dark – Dresden
  25. Sugar Hill radio ad
  26. Julian Cope – East Easy Rider
  27. King’s X – Black Flag (requested)
  28. Dead Parties – Now You’re a Star
  29. Chromatics – Blue Girl
  30. Muddy Waters – Take the Bitter with the Sweet

I’m back on air June 27th with a “Best of 2018 So Far” show.  Send me your suggestions.

Keep your mind open.

[Don’t forget to subscribe before you go.]

Deap Vally release new surfy single, “Get Gone,” and new UK and Europe tour dates.

Power rock duo Deap Vally have a new road trippy single, “Get Gone,” just in time for summer and their upcoming tour through the UK and Europe.  They’re also working on a new record, which is nothing but great news.  Catch them if you can.

June 22 – Southside Festival @ Neuhausen ob Eck, Germany  TICKETS
June 23 – Hurricane Festival @ Scheessel, Germany  TICKETS
June 24 – Cafe De Zwerver @ Leffinge, Belgium TICKETS
June 27 – The Grand Social @ Dublin, Ireland TICKETS
June 28 – The Limelight @ Belfast, Ireland TICKETS
June 30 – Queens of The Stone Age and Friends @ Finsbury Park, United Kingdom TICKETS
July 1 – The Plug @ Sheffield, United Kingdom TICKETS
July 2 – Castle & Falcon @ Birmingham, United Kingdom TICKETS
July 3 – Muni Arts Centre @ Pontypridd, United Kingdom TICKETS
July 8 – Pointu Festival @ Six-Fours-Les-Plagues, France TICKETS
July 10th – Atles Hallenbad Feldkirch @ Feldkirch, Austria TICKETS
July 11th – Full Hit of Summer @ Vienna, Austria TICKETS

Keep your mind open.

[Get to the subscription box and subscribe while you’re at it.]

 

Middle Waves Music Festival unveils first artists for their 2018 lineup.

Fort Wayne, Indiana’s Middle Waves Music Festival has released its first lineup announcement for 2018.  Some of the biggest standouts are Lizzo, Idles, and Stephen Malkmus and the Jicks.

Tickets are already on sale, and more artists are to be announced over the summer.  Middle Waves is a fun time.  The festival’s promoters are geniuses because the festival offers two free stages all weekend.  You can see close to 20 bands on these stages and it will cost you nothing.  The main stage is the only one that requires a paid admission.

See you there.

Keep your mind open.

[Don’t forget to subscribe before you go.]

Howard release new single, “Your Honor,” from album due September 14th.

Howard Announce New Album, Together Alone, Out September 14th on Fashion People; Watch Video For First Single, “Your Honor”
https://youtu.be/JXRHCs5ZZms

(photo credit: Sonya Kitchell)

“The video’s kitschy collage-style animation, as well as the zany, exaggerated expressions of the band’s characters, elevate the classic outsider-falls-for-girl narrative into something refreshing and whimsical.” — NPR Music on “Your Honor” video

“…a stellar introduction…” — Stereogum on Religion

“Slow building electronics swirl forward, urging you to get wrapped up in the call to prayer that is Feibusch’s vocals.” — Consequence of Sound on Religion
Howard, the Brooklyn-based outfit composed of Howard Feibusch (guitar, vocals), Alex Chakour (guitar, synth, backup vocals), Myles Heffernan (bass), and Chris Holdridge (drums), are thrilled to announce their new album, Together Alone, out September 14th on Fashion People.

The video for the album’s first single, “Your Honor,” was directed by Joey Abisso and premiered on NPR Music earlier this morning. He says, “We wanted to strike a unique balance between elegant, zany, and playful, which led to the ‘Life Magazine,’ Monty Python, construction paper visual combo of the final video. The weird little story came about pretty organically alongside the visual style…it was a lot of fun directing everyone to make silly facial expressions at various angles and dropping the results onto their animated bodies.” Watch the video below.

Watch Howard’s “Your Honor” video — 
https://youtu.be/JXRHCs5ZZms
Together Alone follows Howard’s debut album, 2015’s Religion, and it’s companion EP, Please Recycle. It’s the first album from 30-year-old multifaceted bandleader Howard Feibusch’s project to be recorded with the full band that so capably toured behind Religion; it’s also an aching, restless, and altogether lovely document of the paradoxical sensation in which we feel more isolated than ever in the face of increasing togetherness and connectivity—a modern sentiment wrapped in music that’s timeless in its timbre.

Together Alone finds Howard venturing further out of their comfort zone and using their full-band capabilities to their greatest advantage—a full-bodied warmth, aided by horn contributions from the famed Daptone musical family. No sonic stone is left unturned here, from the gently rollicking and subtly psychedelic “Mothers Wedding” (shared last fall) to the brittle, dusty desert rock of “Oh Dear Brother.” You can hear a variety of influences here, from the winsome sounds of Athens’ Elephant 6 collective to Amnesiac-era Radiohead and the distant lullabies of the Everly Brothers—but they all coalesce to form a sound that is truly its own. It’s untethered from the present and applicable to the plight of humanity at large—but it represents Feibusch and his band finding themselves, too, necessary hope for anyone who’s ever dreamed of turning the thoughts in their heads into something tangible and real.

Listen/Share:
“Mother’s Wedding” stream (first single from Together Alone) — https://spoti.fi/2xJ1Wab
“Ooh Baby Baby” stream (Smokey Robinson cover) — https://spoti.fi/2sFVyuK
“Tracks of My Tears” stream (Smokey Robinson cover) — https://spoti.fi/2Jku2dv
Stream Religion (2015) — https://spoti.fi/2xHCulr
Stream Please Recycle EP (2016) — https://spoti.fi/2HkDHyG



Pre-order Together Alone https://listentohoward.bandcamp.com/

Download hi-res images & album art — http://pitchperfectpr.com/howard/

(Together Alone Cover Art)

Website | Facebook | Twitter | Instagram | Soundcloud

Flasher – Constant Image

Opening with something that sounds like a song you’d hear on the tape deck of one of those Blade Runner flying cars, Flasher‘s debut full-length album, Constant Image, is strongly self-assured post-punk.  That opening track, “Go,” encourages you to “suck it up” and get ready for a fast ride.

“Pressure” builds with its namesake until the chorus, and even then it doesn’t let up too much.  Daniel Saperstein‘s bass seems like it’s all over the place, but he grounds the tune like metal stakes into circus tent loops.  I like how Saperstein’s vocals blend with those of Emma Baker (drums) and Taylor Mulitz (guitar) on “Sun Come and Golden.”  The whole track has a brightness to it, but it doesn’t ignore the shadows caused.  “Material” raises the attitude of the record, as Mulitz’s vocals border on snotty punk and throw down the right amount of tongue-in-cheek sass.

Mulitz’s guitar buzzes like a green hornet on “XYZ.”  It’s one of the hottest cuts on the record as Flasher sing about self-introspection and the expectations of their generation and the ones before and after them.  As good as it is, “Who’s Got Time?” is even better.  Saperstein unloads on it.  It has a rough urgency and is yet highly danceable.  “Skim Milk” was their first single, and it’s easy to hear why they chose it.  Mulitz’s guitar is precise and fuzzy when it needs to be, Baker keeps time and thrashes when she needs to, and Saperstein keeps up his serial killing of bass grooves.  Their triple vocals weave together well and it’s pretty much everything you want in a post-punk song.

There’s a neat piano riff underlining “Harsh Light” while Mulitz sings, “Every corner that you turn, you never learn.”  Good grief, can’t we all relate to that at times?  “Punching Up” has a bit of a punch-drunk beat to it, with Baker providing co-lead vocals and a Pixies-like rhythm.  The Pixies influence is thick on the entire track with its back-and-forth bouncing between soothing guitars and heavy distortion.  “Business Unusual” would be a great name for a TV show or comic book, but it’s instead about a “man, now a boy in blue, this whole world’s got it out for you.”  It also throws in some saxophone (a welcome addition to any post-punk record) with the quirky guitars and the repeated question from Flasher – “What’s the worst thing you’ve ever done?”

It’s the last lyric of the album.  Are they asking us to reflect and perhaps realize it isn’t that bad?  Are they asking us to forgive ourselves?   The name of the album is, after all, Constant Image.  We all constantly project different images of ourselves, and often to cover up what we think are horrible flaws but are usually things about which no one cares.  Most of the things we worry about never happen.  Flasher want us to know this, I think.  We should thank them for the reminder.  You can do it by buying this record.

Keep your mind open.

[Who’s got time to subscribe.  You do.]

DJ set list for June 07, 2018

Thanks to all who listened to my show on WSND last night.  My nephew, Cody (AKA C-Hav) was my guest, and he picked out some of the songs.  Here’s our set list:

  1. Duran Duran – Planet Earth
  2. Zombie Zombie – Acera
  3. Peaking Lights – Amazing and Wonderful
  4. Sturgill Simpson – Turtles All the Way Down (requested)
  5. Stepford Wives radio ad
  6. The Damned – Standing on the Edge of Tomorrow
  7. ZZ Top – TV Dinners
  8. Spice Boys – Spice City Boys
  9. Fozzy – Judas
  10. The Walk-a-Bout – Things Are Looking Up
  11. Bear in Heaven – Lovesick Teenagers
  12. TV on the Radio – Nobody Else
  13. Eager Beavers – Hamm’s beer radio ad
  14. A Place to Bury Strangers – Act Your Age
  15. Skyland Drive-In Theatre intermission
  16. The Who – Under My Thumb
  17. The Clash – The Magnificent Seven
  18. White Manna – Acid Head
  19. Napoleon XIV – They’re Coming to Take Me Away (requested)
  20. John Williams – Duel of the Fates
  21. King Gizzard and the Lizard Wizard – The Acrid Corpse
  22. Frankenstein’s Bloody Terror radio ad
  23. The The – Infected (requested)
  24. Stardeath and White Dwarf – The Age of the Freak
  25. The Kut – Mind Games
  26. Three Days Grace – Never Too Late
  27. Deap Vally – End of the World
  28. Oingo Boingo – Wild Sex (in the Working Class)
  29. Pink Floyd – Fearless (requested)
  30. Oh Sees – Drowned Beast

I’m back on air on June 13th at midnight.  Give me a listen if you’re up late.

Keep your mind open.

[Don’t forget to subscribe before you go.]

Unknown Mortal Orchestra’s new single, “Hunnybee,” is a delightful treat.

UNKNOWN MORTAL ORCHESTRA SHARE VIDEO
FOR NEW SINGLE “HUNNYBEE”

Today, Unknown Mortal Orchestra share a new video for album track and single “Hunnybee.” From the day their new album Sex & Food was released, it was clear “Hunnybee” was really hitting a chord with fans in a special way.  A live show favorite, the song draws lyrical inspiration from UMO mastermind Ruban Nielson‘s daughter, whose middle name gave the song its title. A beautifully understated song, it still moves with propulsion that gives fans reason to dance. The video remains stylistically in tune with previous videos for Sex & Food‘s previous singles “Everyone Acts Crazy Nowadays” and “American Guilt.” Watch it below.
WATCH “HUNNYBEE”
https://www.youtube.com/watch?v=IJrKlSkxRHAYOUTUBE EMBED:
<iframe width=“560” height=“315″ src=”//www.youtube.com/embed/IJrKlSkxRHA” frameborder=”0″ allowfullscreen></iframe>

LISTEN TO SEX & FOOD
https://unknownmortalorchestra.lnk.to/sexandfood

UMO TOUR DATES:
June 10 – Hilvarenbeek, Netherlands @ Best Kept Secret Festival
July 6 – Richmond, VA @ The National w/ Shamir
July 7 – Asheville, NC @ The Orange Peel w/ Shamir
July 8 – Atlanta, GA @ Variety Playhouse w/ Shamir
July 9 – Athens, GA @ Georgia Theatre w/ Shamir
July 11 – New Orleans, LA @ Republic w/ Shamir
July 12 – Houston, TX @ White Oak Music Hall w/ Shamir
July 13 – Austin, TX @ Stubbs BBQ w/ Shamir
July 14 – Dallas, TX @ Granada Theater w/ Shamir
July 16 – Englewood, CO @ Gothic Theatre w/ Shamir
July 17 – Ogden, UT @ Ogden Amphitheatre w/ Sylvan Esso, Shamir
July 18 – Las Vegas, NV @ Vinyl at Hard Rock w/ Shamir
July 19 – Phoenix, AZ @ Crescent Ballroom w/ Shamir
July 21 – Santa Ana, CA @ The Observatory
July 23 – Missoula, MT @ The Top Hat
July 24 – Billings, MT @ The Pub Station
July 26 – Madison, WI @ Majestic Theatre
July 27 – Chicago, IL @ House of Vans
August 9 – Budapest, Hungary @ Sziget Festival
August 10 – Basel, Switzerland @ Open Air Basel
August 11 – Copenhagen, Denmark @ Haven
August 16 – Hasselt, Belgium @ Pukkelpop Festival
September 5 – Christchurch, New Zealand @ The Foundry Bar
September 6 – Dunedin, New Zealand @ Glenroy Auditorium
September 7 – Wellington, New Zealand @ Hunter Lounge
September 8 – Auckland, New Zealand @ Auckland Town Hall
September 12 – Melbourne, Australia @ Forum Theatre
September 14 – Adelaide, Australia @ Fat Controller
September 15 – South Brisbane, Australia @ Brisbane Festival
September 16 – Newtown, Australia @ Enmore Theatre
September 18 – Perth, Australia @ Badlands
September 23 – Tokyo, Japan @ WWWX
October 4 – Guadalajara, Mexico @ C3 Stage
October 6 – Lomas Atlas, Mexico @ Festival Hipnosis @ Deportivo Lomas Atlas
November 19 – Birmingham, UK @ O2 Institute
November 21 – London, UK @ Royal Albert Hall
November 22 – Brighton, UK @ Concorde 2
November 23 – Sheffield, UK @ The Leadmill
November 25 – Dublin, Ireland @ The Academy
November 26 – Glasgow, UK @ O2 ABC

Watch “Not In Love We’re Just High” – http://www.youtube.com/watch?v=uY82vChor2A
Watch “Everyone Acts Crazy Nowadays” – https://youtu.be/ad2Iy0DMCWU
Watch “American Guilt” – https://www.youtube.com/watch?v=4-JlcmCxIXU
Download hi-res images here: http://pitchperfectpr.com/unknown-mortal-orchestra/
UMO Online:
https://twitter.com/umo
http://unknownmortalorchestra.com/
http://instagram.com/unknownmortalorchestra
http://www.jagjaguwar.com/artist.php?name=umo
https://www.facebook.com/unknownmortalorchestraKeep your mind open.

[Be a honey and subscribe.]

The Beths release catchy new single – “Happy Unhappy”

The Beths Share New Single “Happy Unhappy”
Watch The Video HereU.S. Tour Begins Next Week

Future Me Hates Me Out August 10th On Carpark Records

[Photo by Mason Fairey]

“a young band that knows exactly who they are flexing some impressive versatility” – Stereogum
The Beths are sharing the second single, “Happy Unhappy,” from Future Me Hates Me, their debut album coming out August 10th on Carpark Records. The accompanying video directed by Callum Devlin debuts today via Noisey. Front and center is lead singer and primary songwriter Elizabeth Stokes. Stokes commands a vocal range that spans from the brash confidence of Joan Jett to the disarming vulnerability of Jenny Lewis.The Beths occupy a warm, energetic sonic space between joyful hooks, sun-soaked harmonies, and acerbic lyrics. Future Me Hates Me delivers an astonishment of roadtrip-ready pleasures, each song hitting your ears with an exhilarating endorphin rush like the first time you heard Slanted and Enchanted or “Cannonball.”

All four members of The Beths studied jazz at university, resulting in a toolkit of deft instrumental chops and tricked-out arrangements that operate on a level rarely found in guitar-pop. The Beths’ guitarist and studio guru Jonathan Pearce (whose other acts as producer include recent Captured Tracks’ signing Wax Chattels) brings it all home with an approach that’s equal parts seasoned perfectionist and D.I.Y.

The Beths recently toured Europe and will begin a U.S. run next week at Alphaville in Brooklyn, NY. These early shows in support of Future Me Hates Me mark their first time ever playing outside of New Zealand and Australia. A full list of dates is below.

Watch The Beths’ “Happy Unhappy” Video:
https://www.youtube.com/watch?v=ct8AwQwlbNA

“Future Me Hates Me” Video:
https://www.youtube.com/watch?v=iVImwSb4EYU
The Beths Tour Dates:
June 11th – Brooklyn, NY – Alphaville *
June 13th – Philadelphia, PA – Ortlieb’s
June 14th – Washington, DC – Loves Me Not
June 16th – Chicago, IL – Charm School
June 20th – San Francisco, CA – The Battery
June 22nd – Los Angeles, CA – Make Out Music
* w/ Peach Kelli Pop

[Future Me Hates Me artwork]

Keep your mind open.
[I’ll be happy if you subscribe, unhappy if you don’t.]

The Damned – Evil Spirits

Let’s face it, not all punk rock ages well.  This isn’t the case with the Damned, however (and most classic punk bands, actually.).  Their newest album, Evil Spirits, is a fine return for them with tracks written by multiple members of the band.

Starting with the slightly creepy “Standing on the Edge of Tomorrow,” lead singer David Vanian (whose voice only seems to have improved with age) pleads with “this dystopian generation” to fix things for future generations before it’s too late for them.  Guitarist Captain Sensible‘s riffs blend into the sound of passing fighter jets by the end of it.  “Devil in Disguise” has a bass heavy groove and barely disguised lyrics (again, masterfully sung by Vanian) about current political leaders (i.e., “Don’t understate the state we’re in.  Don’t misconstrue my sideways grin, ‘cos you’re the one that let me in.” / “As you build your walls and empires fall, it seems the truth doesn’t matter anymore.”).  “We’re So Nice,” written by the Captain, is a punk anthem with a slick beat by Pinch and lyrics about being careful not to fall into complacency.

In case you were doubting the Damned have opinions on the current political landscape, look no further than “Look Left.”  It’s almost a gothic ballad as Vanian sings, “Subterfuge and fantasy played only to ignite.  While everybody’s looking left, what the hell is happening right?”  Keyboardist Monty Oxymoron‘s work on the track is subtle but crucial.  “Evil Spirits” is the kind of song Kaiser Chiefs want to write on that crushing rock album in the back of their heads.  Capt. Sensible shreds on it and his lyrics convey a bit of “Meet the old boss, same as the new boss” aesthetic.  Oxymoron also gets to go wonderfully bonkers by the end of it.

It’s easy to forget that the Damned started as a goth-punk band, but “Shadow Evocation” will remind you of their roots.  Vanian sings about ghosts, lurking in the night, and the devil chasing him towards death.  Capt. Sensible dives into the realm of conspiracy theory with “Sonar Deceit” as Vanian sings Sensible’s lyrics about sea fish swimming into fresh water rivers, whales dying on shores, dolphins going mad, and submarines doing nefarious things.  “Procrastination” encourages all of us to achieve our dreams while we still have time (“I’d like to see the pyramids at this time of the year, but never quite get round to it and end up staying here.”).

“The Daily Liar” is a plea for truth in news and for someone, anyone to cut through the “smoke and mirrors” of the 24-hour news cycle.  “I’m drowning in a raging sea of words,” Vanian sings.  Aren’t we all?  The closer, “I Don’t Care,” is a great companion to “The Daily Liar,” as Vanian admits all the white noise of mass media and political mudslinging has left him apathetic about all of it.  It starts with sad piano by Oxymoron and almost fades out before the whole band rushes in to shake you awake.

It’s a good return from these legends, who are still fiery live as well.  It’s a wake-up call, and a welcome one.

Keep your mind open.

[I’m on the edge of my seat waiting for you to subscribe.]