Month: September 2018

Beijing duo Gong Gong Gong release premiere single – “Siren”

INTRODUCING BEIJING DUO GONG GONG GONG

LISTEN TO DEBUT SINGLE ON WHARF CAT, “SIREN 追逐劇“; CATCH THEM ON TOUR THIS FALL

Beijing’s Gong Gong Gong make driving, stripped-down transnational blues, tapping into the spirit of Bo Diddley, the Monks, and psychedelic music from West Africa to Southeast Asia. “Phantom Rhythm” is the concept at the duo’s core: between Tom Ng’s percussive guitar and Joshua Frank’s melodic, charging bass, an aura of ghostly snare hits emerges over a thumping low-end pulse. Atop this framework, Ng recounts Cantonese tales of absurdity, love and lust with fragmented, wry vision.

On their first US release, “Siren 追逐劇” b/w “ Something’s Happening 突發 “ (out 11/9 on Wharf Cat) Gong Gong Gong brings to life a cinematic chase scene. Shot-by-shot, frame-by-frame, “Siren 追逐劇“ is a story of galloping hooves and screeching tires—a horse and car racing each other through mountains and desert, charging into the city. The flip-side, instrumental “Something’s Happening 突發” is Gong Gong Gong at their most raw: locomotive jangle and fuzz-faced roar. Dust, sweat and engine oil, the landscape rushing by. Gong Gong Gong have dates lined up on both sides of the Atlantic with the likes of Parquet Courts, Bodega and Flasher. A full list of upcoming tour dates is below.

LISTEN TO “SIREN追逐劇“
https://youtu.be/Xtz1OJfgeAM

PRE-ORDER “SIREN” 7″
https://www.wharfcatrecords.com/store/gong-gong-gong-siren

GONG GONG GONG TOUR DATES
Sun. Sept. 23 – Seattle, WA @ The Showbox w/ Parquet Courts
Mon. Sept. 24 – Vancouver, BC @ Imperial w/ Parquet Courts
Tue. Sept. 25 – Portland, OR @ Wonder Ballroom w/ Parquet Courts
Thu. Sept. 27 – San Francisco, CA @ The Fillmore w/ Parquet Courts
Fri. Sept. 28 – San Jose, CA @ The Ritz w/ Parquet Courts
Sun. Oct. 7 – Brooklyn, NY @ Alphaville w/ Eaters
Fri. Oct. 19 – Queens, NY @ Outpost Artists Resources
Fri. Nov. 30 – Washington, DC @ Black Cat w/ Flasher, Public Practice
Mon. Dec. 3 – Cleveland, OH @ Beachland Tavern w/ Flasher, Public Practice
Tue. Dec. 4 – Chicago, IL @ The Hideout w/ Flasher, Public Practice
Wed. Dec. 5 – Columbus, OH @ Ace of Cups w/ Flasher, Public Practice
Thu. Dec. 6 – Patterson, NJ @ The Red Wheelbarrow w/ Flasher, Public Practice
Tue. Feb. 12 – Brussels, BE @ Rotonde, Botanique w/ Bodega
Thu. Feb. 14 – Bottingham, UK @ Rescue Rooms w/ Bodega
Fri. Feb. 15 – Glasgow, UK @ The Art School w/ Bodega
Sat. Feb. 16 – Dublin, IR @ Whelan’s w/ Bodega
Mon. Feb. 18 – Manchester, UK @ Gorilla w/ Bodega
Tue. Feb. 19 – Leeds, UK @ Brudenell Social Club w/ Bodega
Wed. Feb. 20 – London, UK @ Scala w/ Bodega
Sat. Feb. 23 – Paris, FR @ Point Ephemere w/ Bodega
Mon. Feb. 25 – Rotterdam, NL @ Rotown w/ Bodega
Tue. Feb. 26 – Amsterdam, NL @ Bitterzoet w/ Bodega
Keep your mind open.
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Jon Hopkins’ new single and video, “Singularity,” is an electro stunner.

Jon Hopkins Shares “The Single Most Epic Video I’ve Ever Had Made” —
 Watch The Video For “Singularity,” Directed by Seb Edwards HEREJon Hopkins Currently On Sold Out International Singularity Tour,
Including Pitchfork Live Performance On Tue. Sep. 25
(photo credit – Khalid Mohtaseb)
Jon Hopkins is proud to share the video for the title track off his highly acclaimed new album, Singularity. Directed by Academy Films’ Seb Edwards, “Singularity” is the visual pinnacle of this project, and a continuation and deepening of all the themes that pervade Hopkins’ work.

Jon Hopkins says of the video: “This is the single most epic video I’ve ever had made. Seb has been a friend and collaborator for nearly 15 years now, but this is the first opportunity we’ve had to work with total freedom on a video for my own music. The power of what he has done left me speechless the first time I saw it. He translated the themes of destruction and defiance that I fed into the music into a powerful, violent ballet between male and female and I totally love it.”

“I’ve always loved Jon’s work and we’ve been wanting to collaborate for a while,” comments Seb Edwards. “‘Singularity’ is such an incredible track, its merciless intensity somehow reflects our troubled times. I wanted to capture the feeling of defiance that rises from the initial brutality. The track is ultimately about acceptance and finding peace in nature. I hope I did it justice.”

In what has been an incredibly successful 2018 thus far, Hopkins is currently on a sold out tour in North America and will return to Europe and UK for a slew of sold out dates. A special Pitchfork Live stream will take place Tuesday, September 25th at 2pm Eastern. A full list of shows including festival appearances can be found below.
Additionally, Jon Hopkins and Daniel Avery have recently remixed each other’s songs. Listen to Jon Hopkins’ “COSM” (Daniel Avery remix) and Daniel Avery’s “Glitter” (Jon Hopkins remix) HERE.
“Singularity” video credits:
Production Company – Academy Films
Director – Seb Edwards
EP – Medb Riordan
Producer – Ash Lockmun
Cast – Aliashka Hilsum
Cast – Jarkko Mandelin
DOP – Khalid Mohtaseb
Production Designer – Robin Brown
Choreographer – Hofesh Shechter
Stylist – Bratsk
Local Service Production Company – BAS Productions, Belgrade
Editor: Sam Rice-Edwards @ Assembly Rooms
Sound Design – Mark Hills @ Factory Studios
Colourist – Jean-Clement Soret @ MPC London
VFX by Mikros-MPCPraise for Singularity:

“One of the most celebrated electronic musicians of his generation.” — New Yorker

“Pitched between heat-seeking acid house and ambient bliss, the techno auteur’s first album since 2013 is a beat-music odyssey that thrums with spiritual resonance” — Pitchfork, Best New Music

“With one weird trick, Jon Hopkins collapses the tedious boundary between dancefloor hedonism and chin-stroking ‘intelligence’ that plagues so much electronic music.” — SPIN, Best Songs of 2018 So Far

“Simple melodies fracture and layer into a complex soundscape; lush sounds and textures are constantly developing and regenerating. They break and rebuild, conjuring a tale of evolution and destruction.”
— Stereogum, Best Albums of 2018 So Far

“As with Immunity before it, you’d be hard-pressed to hear a more inexplicably
moving electronic album this year.” — The AV Club, Best Albums of 2018 So Far

“[Hopkins] creates landscapes on Singularity, but unlike much ambient music that wants you to sit in the middle of it and simply bask, Hopkins takes your hand and guides you through
the vast and detailed landscape.” — Uproxx, Best Albums of 2018 So Far

“From beginning to end, through songs fast or slow, ambient or hard-hitting, Hopkins never fails to provide the listener with an aural massage. He displays the perfect balance of tones, textures, and volumes in a highly-effortless way.” — HYPEBEAST, Best Music Projects of 2018 So Far

“Jon Hopkins knows how to fill a dance floor with techno that throbs insistently. But he’s also got
a tremendous gift for the comedown; for warm, ambient baths of sound
that slow the blood and settle the mind” — NPR Music

“A sonic realization of a better world, conceived in the depths of psychedelic experimentation”
— MOJO, 4*

“His long standing enchantment with nature, electricity
and mindfulness glimmers anew on Singularity” — Q Mag, 4* 

Stream/Purchase Singularity –
http://smarturl.it/SingularityJH

Watch “Everything Connected” Visualizer –
http://smarturl.it/ConnectedVid

Watch “Emerald Rush” Video –
http://smarturl.it/EmeraldRushVid

Watch Singularity Trailer –
https://bit.ly/2F1mzkg

Jon Hopkins Singularity Live Tour 2018
Wed. Sep. 19 – Los Angeles, CA @ The Fonda #
Thu. Sep. 20 – San Francisco, CA @ Regency Ballroom #
Thu. Sep. 20 – San Francisco, CA @ Folsom 1015 (DJ)
Sat. Sep. 22 – Seattle, WA @ Neumos ^
Sun. Sep. 23 – Vancouver, BC @ Imperial ^
Tue. Sep. 25 – Brooklyn, NY @ Brooklyn Steel ^
Wed. Sep. 26 – Cambridge, MA @ The Sinclair, Together Fest
Wed. Oct. 10 – Oslo, NO @ Rockefeller
Thu. Oct. 11 – Stockholm, SE @ Nobelberget
Fri. Oct. 12 – Copenhagen, DK @ Den Grå Hal
Sat. Oct. 13 – Turin, IT @ Movement Festival
Thu. Oct. 18 – Dublin, IE @ Vicar Street
Fri. Oct. 19  – Glasgow, UK @ The Galvanizers
Sat. Oct. 20 – Amsterdam, NL @ Paradiso for ADE
Sat. Oct. 20 – Amsterdam, NL @ Het Sieraad for ADE (DJ)
Wed. Oct. 24 – Brussels, BE @ AB
Thu. Oct. 25 – Berlin, DE @ Columbiahalle
Fri. Oct. 26 – Paris, FR @ Le Trianon
Sat. Oct. 27 – Bilbao, ES @ BIME Live
Fri. Nov. 2 – London, UK @ o2 Brixton Academy
Sat. Nov. 3 – London, UK @ o2 Brixton Academy
Sat. Nov. 17 –Newcastle, UK @ Boiler Shop
Thu. Nov. 22 – Manchester, UK @ Albert Hall
Fri. Nov. 23 – Rome, IT @ Spazio 900
Wed. Nov. 28 – Madrid, ES @ La Riviera
Fri. Dec. 21 – London, UK @ Jon Hopkins Curates Fabric (DJ)

# = with Daniel Avery
^ = with Leon Vynehall

Download hi-res press images –
www.pitchperfectpr.com/jon-hopkins/

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Celer’s newest track, “Tetra,” is haunting and meditative.

Celer Announces New Album, Memory Repetitions,
Out Nov. 9th On Smalltown Supersound

Listen To “Tetra”
https://soundcloud.com/smalltownsupersound/tetra-1/s-WrLJM
“…a drawn-out conversation, pierced by wandering drones and incidental sound.” — NPR Music on Close Proximity and the Unhindered Care-all

 

“Long invites us to tune in and be moved, or to drop out and continue on as ever.” — The Quietus

 

“…an album that captures the beauty of every day, the electronic elegance of Berlin, and worldly melodies.” — Tiny Mix Tapes on Voyeur

Will Long (aka Celer), is pleased to announced his new album, Memory Repetitions, out November 9th on Smalltown Supersound. The album’s opening piece, “Tetra,” is available to stream below.
Listen To Celer’s “Tetra” — 
https://soundcloud.com/smalltownsupersound/tetra-1/s-WrLJM

Operating outside the limelight in the underground, Will Long has produced prolifically across genres, monikers, and countries since 2006. Predating his minimal house contributions under his given name to DJ Sprinkles’ Comatonse label and Smalltown Supersound, Long has put forth over a hundred collections of ambient compositions in stream of consciousness fashion under the name Celer. A native to America, Long has been based in Tokyo since 2011, where he has continued to expand upon his vault of celestial arrangements, amassing a cult following over the years by releasing them on under-the-radar labels, his own Two Acorns label, and on his Bandcamp.

Memory Repetitions serves to reflect on the labyrinthine body of work that comprises Celer. Spanning five pieces, each roughly thirty minutes in length, the compilation is being released as a 5-CD box set alongside its digital format.
Pre-order Memory Repetitions — http://smarturl.it/sts331-preorder

Download album art & hi-res images of Celer — http://pitchperfectpr.com/celer/

(Memory Repetitions album art)

WWW  | Bandcamp | Soundcloud | Smalltown Supersound

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Live: Alison Krauss – September 12, 2018 – South Bend, IN

Alison Krauss‘ South Bend stop on her current tour was supposed to be at the Morris Theatre.  That was changed, however, when a piece of the ceiling inside the Morris fell to the floor days earlier and the venue was closed for repairs.  Her show (like Ringo Starr‘s before her) was moved to South Bend’s Century Center.

My wife and I arrived there with our tickets for “main floor left center” seats in row W, seats 12 and 13.  What we found in the ad hoc seating area was chaos.  All “main floor” seats were set up in the far rear stage left corner of the room.  Five different docents each told us different information on where our seats were located.  We were told to sit in the “mezzanine” seats at one point, and then told all “main floor” seats were across the room and to sit wherever we could find a seat.  The “main floor” seats were listed by row, however (written in pencil that was hard to see, no less), and row W stopped at seat #10.  Seats 12 and 13 didn’t exist.  I asked if more chairs were available and was told they had enough seats for all tickets sold.  This turned out to be more misinformation, because as more and more people showed up with no idea where to sit, docents started bringing out more chairs.  One row of seats moved all their seats to the left by two spots either by suggestion of a docent or just for the hell of it.  People were still confused about where to sit within seven minutes of the start of Ms. Krauss’ set.

Ms. Krauss did put on a fine show, so all was well once she took the stage.  She and her band, which featured members of Union Station and the Cox Family Singers, performed a lot of spiritual hymns, bluegrass classics, and some of her more popular love songs.

Starting with a cover of Roger Miller‘s “River in the Rain,” Ms. Krauss’ amazing voice immediately filled the room.  Her cover of Willie Nelson‘s “I Never Cared for You” was heartbreaking, and “Ghost in This House” was perfect now that pumpkin spice is all the rage and Halloween decorations are going up again.

Her cover of Little Milton‘s “Let Your Loss Be Your Lesson” was a blast and the traditional “Down to the River to Pray” was inspiring.  The cover of the Carter Family‘s “Keep on the Sunny Side” was a fun highlight, and the closer of “It Is Well with My Soul” was divine.

Go see her if you can.  Goofy seating is worth the headache for the lovely song craft you’ll hear.

Keep your mind open.

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Deap Vally announces fall U.S. west coast tour.

Rock goddesses Deap Vally are playing a bunch of west coast tour dates this fall.  Don’t miss them.  Don’t miss them ever.  They embarrass anyone who has to play after them, or before them, or any other time really.

Keep your mind open.

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Review: Magic Wands – Abrakadabra

Starting with an odd, distorted chant (“Bashmuuu”), Magic Wands‘ newest album, Abrakadabra, is both meditative and exciting.  The sudden burst of “Nocturnal” (one of the best shoegaze tracks of 2018) is like a stage magician throwing down a small flash bomb onstage.  Synths move like dancing handkerchiefs and singer / guitarist Dexy Valentine (whose name WordPress keeps wanting to autocorrect to “Sexy Valentine,” by the way) sings, “I’m invincible when I’m with you.”  Well, sign me up for any required heroics, Mrs. Valentine.

The jangly guitars of “Houdini” by Dexy and Chris Valentine bounce all around the room, and the guitars on “DNA” come at you from multiple directions.  Don’t miss Tommy Alexander’s bass on it because it’s so smooth it might slide right by you if you’re not careful.  “Realms” almost lures you into a dream, and “Loveline” is wonderful dream pop.  The band refers to their sound as “lovewave,” and that description is apt on this track (and the whole record, really).  “New Device” brings back the shoegaze, and “Chains and Fur” belongs on your boudoir playlist. I love how both Chris and Dexy Valentine layer their vocals over one another on the track.

That “double vocal” effect is just as good, if not better, on “Diamond Road,” which begs to be played in a convertible driving across the U.S. on a lonely night.  Drummer Pablo Amador puts down some wicked beats on “Julie Ann Gray” as Dexy Valentine’s vocals are slightly muted yet covered in reverb.  It’s like a lost Dum Dum Girls track.  “Big Life” is a lovely close to a lovely record…unless you get the digital download that comes with the bonus track “Puzzle of Love.”  It’s worth it.  The guitars are bold and bright and the beats are playful.

As I mentioned above, Abrakadabra is a lovely record.  “Lovewave” might be your new favorite thing after hearing this.

Keep your mind open.

https://www.youtube.com/watch?v=k1ZsyXqqMV4

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Noiserock trio Cherubs release remastered rare material on “Short of Popular.”

Cherubs share first track from remastered, first time on vinyl Short of Popular via Daily Dot
 Legendary 90s noiserock trio reunited. Collection of rarities & singles on LP for the first time w/ new artwork

Hear and share “Carjack Fairy” (Soundcloud) (Daily Dot)
“Cherubs perfected something that broke free of the boundaries firmly set in place by the band’s chosen mini-movement: the noisiest pop music on the planet. Short of Popular was like a Singles Going Steady of noise rock-and was as crucial to the Cherubs’ legacy as the proper album that preceded it.” — Pitchfork
Austin, TX trio Cherubs announce the first time ever on vinyl release of the collection of singles, outtakes and compilation tracks originally released on Trance Syndicate in 1996, titled Short of Popular. This release on Austin label Sonic Surgery Records (a division of Super Secret Records) is remastered with new art and pressed on beautiful 3-colored vinyl. Releases on October 12th.
The Daily Dot shares the first track from the album today, “Carjack Fairy” HERE. (Direct Soundcloud.)
“Perhaps ironically referring to the breakthrough that never quite occurred for Austin, TX, band the Cherubs, Short of Popular compiles the various singles, compilation tracks, rejected session pieces from Heroin Man, plus an assortment of other sonic odds and ends, and ties them neatly into this send-off album, indicating that the band’s break-up was indeed an untimely one. Kevin Whitley‘s signature nasal vocals, barely audible over the distorted wash of bass and guitar, are like that of a small child attempting to be heard over a steamroller. Beyond the signature roar and wallop of the Cherubs‘ rhythm section, a noise rock staple, it was the particulars that truly mattered: the undeniable pop melodies articulated throughout the redlined volume, and yes, the oddball Butthole Surfer-isms found here and there. The cover of Blondie‘s “Dreaming” is rollicking fun. A fine send-off for a band that burned brightly for a few records, then shuffled off.” — All Music Guide.
Another critic observed of the Cherubs “Nobody has made music as loud, noisy and evil as the infernal racket they produced. (Forget death metal). This is pure, heavy, intense, in-the-red punk noise which will melt your face off. It’s beautiful. Heroin Man is a classic, but the tracks on Short of Popularup the ante even further. One of the most vital underground bands of the 90s.”
This 2018 reissue of Short of Popular is completely remastered with all new art designed by band member Kevin Whitley. Some selections from the original compact disc release have been removed to improve the overall energy and live within the constraints of the vinyl format. The overall sound has a fuller and warmer feel without losing the cutting impact of the Cherubs style of music.
The Cherubs have been actively playing live both in the states and in europe since 2014 following a long hiatus that saw the members follow other interest both musical (bass player Owen McMahon toured with the Butthole Surfers) and artistic.
Sonic Surgery Records is honored to bring back this amazing collection of Cherubs magic and share it with the whole wide world. Play it loud it’ll never be as loud as the actual band)! Pre-orders are available via Sonic Surgery/Big Cartel.
Artist: Cherubs
Album: Short of Popular
Record Label: Sonic Surgery Records
Release Date: October 12th, 2018
01. Pixie Stix
02. Carjack Fairy
03. Chanukka
04. Orange Julius
05. Quitter
06. Hakkeboffer
07. Zip-Up Boots
08. Little Candy Hearts
09. Oh
10. Dazy
11. I Want Candy
12. Dreaming
13. How Little We Know
On the Web:
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Grapetooth’s self-titled debut coming in early November.

Grapetooth Announces Self-Titled Debut Album
Out November 9th Via Polyvinyl Record Co.

Watch The Video For New Single “Red Wine”
https://youtu.be/Lu0XMHCyK_s


[Photo by Alex Hupp]
Concocting a freshly strange blend of synth pop and damaged folk music, Grapetooth announces its self-titled debut album set for release on November 9th via Polyvinyl Record Co.  The Chicago duo of Chris Bailoni and Clay Frankel capture a feeling somewhere between the doomy disco of 80’s new wave and the woozy laments of artists like Arthur Russell and Jeff Cowell. Grapetooth contains songs about death and love and the movie “Badlands” and more than a few songs about wine.

The two don’t remember clearly how they met, but Frankel, home from tour with garage rock outfit Twin Peaks, began dropping in at Bailoni’s residence in the winter of 2015. The two began writing spontaneous songs in Bailoni’s synth laden bedroom studio, which had long stood as the base of operations for his own wonderfully weird solo and producer work as Home-Sick.

By 2016 the two friends were sharing an apartment, along with a growing fondness for red wine, bad weather, and the music of Yukihiro Takahashi. Though still without a name or any intention to release their music, as roommates the two collaborated more and more often, at all hours of the day and night. Soon they had quite a score, and agreed to play a show opening for their close friend Knox Fortune for his upcoming album release show. They chose the name Grapetooth, an affectionate slang term for a wino, and decided to make a video in support of the upcoming show for their song “Trouble,” one of the earliest songs the two had written together. Like the song itself, which had been written and recorded in the course of one night inside Bailoni’s bedroom, the video was similarly unplanned and on the cheap, and they posted it online without further ado. The reception was encouraging, and the pair went back to the bedroom and focused on completing their debut album.

On the strength of “Trouble” and their second single “Violent,” Grapetooth is fast becoming a favorite of many established Chicago bands. This summer Grapetooth sold out Lincoln Hall, a show so raucous it was shut down early. They’ll bring their live show to New York City for the first time to play Baby’s All Right on September 28th. They’ve also just announced a headline show at Chicago’s Thalia Hall.

Today, the band shares the video for their third single “Red Wine.” “This video worked out the same way our first two did – we always wait ‘til it gets dark then go out with a camera, some weird lights, and a couple outfits and see what happens. This time we got a convertible and drove around the city. We come up with ideas on the spot when we’re shooting – less planning works in our favor – we’re super happy with it. Jackson [James] did an amazing job!”

Watch “Red Wine” Video:
https://youtu.be/Lu0XMHCyK_s

Watch “Violent” & “Trouble” Videos

Listen To Grapetooth:
http://smarturl.it/grapetooth

Grapetooth Live:
Fri. Sept. 28 – Brooklyn, NY @ Baby’s All Right
Sun. Nov. 11 – Chicago, IL @ Thalia Hall
Grapetooth Tracklist:
1. Violent
2. Red Wine
3. Trouble
4. Mile After Mile
5. Death
6. Imagine On
7. Hangover Sq.
8. Hallejuah
9. Blood
10. Together
[Grapetooth artwork]
Keep your mind open.
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Axis: Sova to release new album, “Shampoo You,” this November.

Axis: Sova Announces Shampoo You,
out November 16th via God? Records, and November Tour

Watch Video for “Dodger”
Photo Credit: Grant Engstrom
Axis: Sova returns with Shampoo You, out November 16th via Drag City imprint, God? Records. Shampoo You is the latest Axis: Sova album, following 2015’s Early Surf and 2016’s Motor Earth. With each succession, the Axis sound shape morphs in subtle yet definitive ways; now, with Shampoo You, the impact is unprecedentedly direct and connective.  Stereogumhave noted “They’re sleeker this time, more melodic and a little less hazy”. Take first single, “Dodger.”  It emerges from the reverberating chambers of its predecessors with expectedly scorched, punching guitars, before giving way to the unexpected: harmonized, crystalline vocals, put forward for immediate impact. Aboard a galloping waltz beat testing the structural integrity of its own mechanical limitations, “Dodger” lilts from its final big chorus into a weaving guitar confab, escalating and emoting into deeper, wordless territories of song.
The hallucinatory video for “Dodger”, which premiered on Stereogum today, was conceived with a heavy nod to the 1960s mylar chamber photography of Ira Cohen.
Axis: Sova has always been a rock band, even when the “band” was just Brett Sova and his Roland TR66 Rhythm Arranger creating a surging maelstrom of reverberant fuzz, with guitars foregrounded and wailing at length, while beats distended the depths. Shampoo You sounds the arrival of the trio version – Sova with Tim Kaiser (guitar) and Jeremy Freeze (bass) — in trademark Axis style: relentless tempo with distorted, interlocking guitar concussions, and vocals that howl of other worldly mutation. It’s the first Axis: Sova album entirely performed and recorded live to tape as a three piece. The amusement of rock-making turned thrillingly alive, they’ve honed in on a sleek transport for their new sounds, with tightly conceived power-punk and classic pop touches creating memorably melodic (and harmonic) contours. Head down to the scar-wash and let Axis: Sova Shampoo You!
Axis: Sova have announced a November tour, dates are below.
Axis: Sova Tour Dates
11/9 – Indianapolis, IN @ State Street Pub *
11/10 – Louisville, KY @ Zanzabar ^
11/13 – Rock Island, IL @ Rozz Tox
11/14 – Minneapolis, MN @ Eagles Club *
11/15 – Madison, WI @ Mickey’s *
11/16 – Chicago, IL @ The Hideout *

* w/ David Nance Group
^ w/ State Champion, David Nance Group

Watch Axis: Sova’s “Dodger” Video –
https://youtu.be/r40cWHjYcXY

Shampoo You Tracklist:
1. Terminal Holiday
2. New Disguise
3. Crystal Predictor
4. Dodger
5. Stale Green
6. Shock Recognition
7. Same Person Twice

Pre-order Shampoo You –
https://lnk.to/shampooyou
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Exploded Views’ latest single, “Dark Stains,” is now available for your listening pleasure.

LISTEN TO EXPLODED VIEW’S “DARK STAINS,” NEW SINGLE OFF OBEY
OUT SEPTEMBER 28TH VIA SACRED BONES
https://youtu.be/B64K_3gkmPo

FIRST-EVER NORTH AMERICAN TOUR KICKS OFF OCTOBER 19TH

(photo credit – Exploded View)
“‘Dark Stains’ [is] a chaotic, sinister partner to their recent single ‘Sleepers’ — if that one was the sky, this is underground. A buried hunk of metal run into by a rototiller. Life! A banger!” — FADER

“’Raven Raven’ is darkly cinematic; its initial moments of creaking synthesizer and rattling floor tom unspool like a reel of degraded film, clicking and flickering images onto a looming screen. . . The pictures Exploded View offer may be grainy, but they’re just as grave and lasting.”
— Pitchfork

“‘Raven, Raven’ is a logical continuation of Exploded View, with the same beat-poet delivery from frontwoman Annika Henderson and tense kinetic energy from the instrumentalists, who sound a little like the members of Can jamming in Lee ‘Scratch’ Perry’s Black Ark Studios.” — SPIN

“Mysterious and claustrophobically groovy” — Brooklyn Vegan

“[‘Sleepers’] glides along on an eerie synth line — at times inviting and beautiful but then always threatening to take a turn into more discomfiting directions — while Henderson’s voice settles into this place where anxiety and fear and wonder seem to coexist. It’s a strange, beautiful composition.”
— Stereogum

Exploded View, the international project of Berlin-based lyricist/vocalist Annika Henderson, and Mexico City-based multi-instrumentalists Hugo Quezada and Martin Thulin, are gearing up for the release of their second full-length album, Obey, out September 28th on Sacred Bones, and first-ever North American tour. Previous “singles ‘Sleepers’ and ‘Raven Raven’ both showcase one of [Exploded View]’s greatest skills: luring listeners into its dreamlike songs with a strong groove, then revealing the dream is equally part nightmare” (AV Club). Now the trio present “Dark Stains,” “a song about a body who sees in themselves the errors of the past, yet flaunts behind the veils of inheritance and fails to take full responsibility for the present.” Annika described it in detail for FADER.

Leaving behind their live recording process and now a tight three-piece, Exploded View strike a special balance between precise and wild, unshackled and grounded, grooving and unhinged. The have a knack for making the esoteric feel accessible and crafting pop music out of seemingly raw consciousness. Recorded in Mexico City, the apocalyptic, yet soothing songs comprising Obey encompass all the classic dream motifs: intrigue, danger, ecstasy, hard to place, yet primordial visions, and a constant sense of movement.
                              

Listen to Exploded View’s “Dark Stains” –
https://youtu.be/B64K_3gkmPo

Listen to “Raven Raven” –
https://youtu.be/Zl-1qPg8iuE

Watch “Sleepers” Visual –
https://youtu.be/C6SXE9R67Wg

Exploded View Tour Dates:
Fri. Oct. 19 – Dallas, TX @ Nasher Sculpture
Sat. Oct. 20 – Austin, TX @ The Parish
Mon. Oct. 22 – Phoenix, AZ @ Club Congress
Wed. Oct. 24 – San Diego, CA @ The Whistle Stop
Thu. Oct. 25 – Pomona, CA @ The Glass House
Fri. Oct. 26 – Los Angeles, CA @ The Echo
Sun. Oct. 28 – San Francisco, CA @ Rickshaw Stop
Mon. Oct. 29 – Portland, OR @ Mississippi Studio
Tue. Oct. 30 – Seattle, WA @ Vera Project
Wed. Oct. 31 – Vancouver, BC @ Fox Cabaret
Thu. Nov. 1 – Chicago, IL @ The Empty Bottle
Fri. Nov. 2 – Detroit, MI @ Deluxxx Fluxxx
Sat. Nov. 3 – Toronto, ON @ The Garrison
Mon. Nov. 5 – Montreal, QC @ Sala Rossa
Tue. Nov. 6 – Boston, MA @ Middle East
Thu. Nov. 8 – Brooklyn, NY @ Rough Trade
Fri. Nov. 9 – Philadelphia, PA @ PhilMOCA
Sat. Nov. 10 – Norfolk, VA @ Charlies American Cafe
Sun. Nov. 11 – Washington, DC @ DC9
Mon. Nov. 12 – Harrisburg, PA @ The Cathedral Room

Pre-order Obey:
via Sacred Bones – https://www.sacredbonesrecords.com/products/sbr209-exploded-view-obey
via Bandcamp – https://explodedview.bandcamp.com/album/obey

Keep your mind open.
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