Month: December 2019

Top 30 live shows of 2019: #’s 10 – 6

We’ve reached the top 10 concerts I saw this year. Read on!

#10 – Priests – Lincoln Hall – Chicago, IL – April 22nd

This was my first time seeing Priests in a small venue. The first time I saw them was at the 2017 Pitchfork Music Festival. Priests had just released their great (and, sadly, final for now) album The Seduction of Kansas and all of the songs sounded great live, and downright threatening at some points.

#9 – New Bomb Turks – House of Blues – Chicago, IL – November 28th

I hadn’t seen New Bomb Turks in well over a decade, and they still sounded as raw and feisty as ever. They were a wild punk rock injection to the Reverend Horton Heat’s “Holiday Hayride” show. I was thrown back in time and in the small mosh pit for the entire set, even jumping on stage during “Let’s Dress Up the Naked Truth” and having my mouth violated by lead singer Eric Davidson’s microphone.

#8 – King Gizzard and the Lizard Wizard – Aragon Ballroom – Chicago, IL – August 24th

King Gizzard and the Lizard Wizard never disappoint, and I attended this show after going to a memorial service for a cousin who loved live music. I thought of her multiple times during this show, which featured a wild set that mixed psychedelia, thrash metal, electro, and blues and two mosh pits happening at the same time in different parts of the ballroom.

#7 – Bayonne – 191 Toole – Tucson, AZ – May 10th

For anyone who missed this show, let me express my condolences. It was the last show of Bayonne‘s spring tour. It was in a small Tucson venue and I think fewer than thirty people were there. He could’ve just phoned it in and did the bare minimum to get by and then motor home to Austin, Texas, but he didn’t. He slayed that stage. I knew halfway through his set that it was going to be among my top ten shows of the year.

#6 – The Black Keys – United Center – Chicago, IL – September 27th

Seeing the Black Keys live had been on my bucket list for years, so I jumped at the chance to see them in Chicago. I didn’t know how their raw blues rock would sound in such a big venue, but my apprehension was short-lived. They filled the United Center with powerful sound and clarity, mixing old tracks with new ones and thrilling the crowd.

We’re almost to number one. Who will take the crown? Tune in later today to find out!

Keep your mind open.

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Top 30 live shows of 2019: #’s 15 – 11

We’re halfway to the top. Let’s get to it…

#15 – Alison Krauss – Memorial Coliseum – Ft. Wayne, IN – August 05th

Alison Krauss‘ voice is so heavenly you almost can’t quite believe it’s real even as you’re hearing it. She is a great performer and this show with a full stage set-up and rotating band members was a delight.

#14 – Night Beats – Levitation Austin – November 09th

It had been a couple of years since I saw Night Beats, and this show at Levitation Austin was a great reminder of why you and I need to see them whenever possible. They always kill it live and bring a sense of danger to whatever stage they take.

#13 – Cosmonauts – Levitation Austin – November 09th

I had wanted to see Cosmonauts since I first heard their A-OK! album. They unleashed a wall of shoegaze power like I hadn’t heard all weekend at Levitation Austin, and I was left a bit dumbstruck by the set’s end.

#12 – The Flaming Lips – Levitation Austin – November 08th

“I’m always happy when I see them.” That’s a quote from my wife describing a Flaming Lips show, and their Levitation Austin set continued the trend. It was fun, colorful, playful, and what everyone needed on a cool night to forget the low temperatures and troubles in our lives.

#11 – The Black Angels – Levitation Austin – November 09th

Another set from Levitation Austin. Are you noticing a pattern here? It’s one of the best festivals in the country for music lovers, and the Black Angels help curate it. As an added bonus, they play it every year. This year’s set was another powerhouse one, with Christian Bland particularly playing harder than I’ve heard him play in a while.

Come back tomorrow when we reach the top 10!

Keep your mind open.

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Top 30 live shows of 2019: #’s 20 – 16

We’ve reached the top 20! Here we go…

#20 – Reverend Horton Heat – House of Blues – Chicago, IL – November 28th

I hadn’t seen Reverend Horton Heat in years. He had a new drummer and added a pianist since I’d last seen him. This was a fun “Holiday Hayride” show that included Christmas tunes as well as plenty of his hits and a guest set by Dave Alvin.

#19 – Chromatics – Park West – Chicago, IL – May 31th

I knew this show was going to be a sell-out as soon as it was announced, but I still managed to score tickets. Despite me almost having to drag a drunk jerk out of the crowd after he punched someone, this turned out to be well worth the trip and ticket price because Chromatics delivered a beautiful set of shoegaze and synth wave that had everyone fawning over them.

#18 – Dave Alvin – House of Blues – Chicago, IL – November 28th

A set within a set, Dave Alvin played a half-hour set with the Reverend Horton Heat as his backing band during the “Holiday Hayride” show. Mr. Alvin put on a clinic in outlaw country and country-punk, absolutely shredding multiple guitar solos that even had Jim Heath grinning in amazement.

#17 – Acid King – Levitation Austin – November 09th

Stoner rock veterans / icons Acid King closed the outdoor stage during the RidingEasy Records showcase at Levitation Austin this year. It was a great, heavy set that showed they hadn’t lost anything and could still wallop you like a force of nature.

#16 – Here Lies Man – Levitation Austin – November 09th

Playing that same showcase earlier in the day was Here Lies Man, who brought a solid groove throughout the entire set that was as funky and heavy as I’d hoped it would be.

Who cracks the top 15? Come back later today to find out!

Keep your mind open.

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WSND DJ set list for December 23-24, 2019

Thanks to everyone who tuned in for my Deep Dive of The Police and then two hours of Nocturne that included by favorite singles of the year and some Christmas music as well. Here’s my set list.

Deep Dive: The Police

  1. The Police – Every Breath You Take
  2. Curved Air – Desiree
  3. Last Exit – Fool in Love
  4. Cherry Vanilla – The Punk
  5. The Police – Fall Out
  6. Eric Burdon and the Animals – When I Was Young
  7. The Police – Every Little Thing She Does Is Magic
  8. Eberhard Schoener – Why Don’t You Answer?
  9. The Police – Roxanne
  10. The Police – Can’t Stand Losing You
  11. Klark Kent – Don’t Care
  12. The Police – Walking on the Moon
  13. The Police – Landlord (live)
  14. The Who – The Real Me
  15. The Police – When the World Is Running Down You Make the Best of What’s Still Around
  16. The Police – Canary in a Coal Mine
  17. Primus – Behind My Camel
  18. The Police – Spirits in the Material World
  19. The Police – Invisible Sun (request)
  20. Sheila Hylton – Bed’s Too Big Without You
  21. Andy Summers and Robert Fripp – I Advance Masked
  22. Stewart Copeland and Stan Ridgway – Don’t Box Me In
  23. The Police – Walking in Your Footsteps (request)
  24. The Police – Oh My God
  25. Sting – Fortress Around Your Heart
  26. The Police – Next to You (live)
  27. Message in a Bottle (live)

Nocturne

  1. Nat King Cole – The Christmas Song
  2. Eric Clapton, Mark Knopfler, & Don White – Train to Nowhere
  3. Axe radio ad
  4. WALL – Cuban Cigars
  5. Vanessa Williams – What Child Is This?
  6. Feltworth – Forget This Feeling
  7. The Beach Boys – Little Saint Nick
  8. Ron Gallo – Always Elsewhere
  9. Andre Bratten – HS
  10. BODEGA – Shiny New Model
  11. Durand Jones and the Indications – Morning in America
  12. The Exorcist radio ad
  13. Gary Wilson – Cindy Wants to Cry
  14. CHAI – Fashionista
  15. L7 – Stadium West
  16. Sisters of Your Sunshine Vapor – Godshe
  17. Jonny Mathis – Sleigh Ride
  18. Diagonal – Negatives
  19. Claude Fontaine – Pretending He Was You
  20. Love at First Bite radio ad
  21. Shopping – Initiative
  22. Public Practice – Disposable
  23. Bleached – Hard to Kill
  24. Sleater-Kinney – Can I Go On
  25. L’Epee – Une Lune Etrange
  26. The Well – This Is How the World Ends
  27. Thee Oh Sees – Henchlock
  28. Priests – Jesus’ Son
  29. All Them Witches – 1×1
  30. Cass McCombs – Absentee
  31. Cosmonauts – Seven Sisters
  32. Kelly Lee Owens – Let It Go

I’m back on air December 30th for a Deep Dive of Ray Charles and my “Best Albums of 2019” show. I hope you’ll join me.

Keep your mind open.

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Top 30 live shows of 2019: #’s 25 – 21

Here we are at the top 25 best live shows I saw this year. Let’s get to it.

#25 Bebel Gilberto – Birchmere – Alexandria, VA – June 22nd

This was a lovely acoustic, intimate set with Bebel Gilberto and her guitarist in a small venue. Her voice was delightful, as always, and there was a funny moment when she had a wardrobe malfunction and her guitarist had to fix her top onstage.

#24 ORB – Aragon Ballroom – Chicago, IL – August 24th

I hadn’t seen ORB for a couple years, so it was good to catch up with them and see them as a four-piece for the first time. They hadn’t lost any of their heavy power and crushing riffs.

#23 Prettiest Eyes – Thalia Hall – Chicago, IL – October 11th

The energy expelled during a Prettiest Eyes set could power a tank. They’re frantic and manic, but still a tight machine that can stop on a dime. We were eager to see them again after catching them last year at Levitation France, and we were bouncing during the whole set (in each venue).

#22 The KVB – Levitation Austin – November 10th

I was eager to see the KVB at Levitation Austin this year after not being able to catch a show they played in Chicago a month earlier. They put on a good set that was everything I wanted – synth wave, krautrock, and shoegaze. It was also their first time playing in Austin, so that made the show extra special for all involved.

#21 Minami Deutsch – Levitation Austin – November 07th

Speaking of Levitation Austin, another great set we saw there (on the coldest night of the festival, no less) was from Minami Deutsch – a Japanese krautrock band. It was a flow of rock grooves, precise beats, and hypnotic drone. I became an instant fan and later chatted with lead guitarist, Kyo, about chicken shawarma wraps.

Who made the top 20? Come back tomorrow to find out.

Keep your mind open.

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Review: Chromatics – Closer to Grey

When Chromatics announced a new album was due this year or perhaps early next year, everyone assumed it would be the long-awaited and remade (after being famously destroyed by frontman Johnny Jewel) Dear Tommy. What came instead is the lovely, mysterious, giallo film-inspired Closer to Grey.

The album opens with a stunning rendition of Simon & Garfunkel‘s The Sound of Silence.” Ageless lead singer Ruth Radelet nearly whispers the lyrics and the sparse instrumentation along with her beautiful voice creates a haunting atmosphere that immediately changes the energy around you. Jewel’s keyboards and synth beats on “You’re No Good” bring in some house music touches to lovely effects as Radelet sings, “I know you’re no good, no, but I can’t stay away from you.” I’m sure this was remixed by thousands of DJ’s not long after the album was released.

The title track brings in electro shine and Nat Walker‘s bright guitar licks. The synths on “Twist the Knife” are sharp and stabbing, as benefits the title, and then the heavy synth bass kicks in as Radelet sings, “You can teach me to be cruel, like the way they tortured you. It’s all right.” “Light as a Feather” has a neat dusty, warped record sound to it as Radelet sings about hearing a voice that “sings whispers from the dead.”

“I can rest again, now that the sky is gray. It hasn’t rained here since May,” Radelet sings at the beginning of “Move a Mountain” – a song about loneliness, the kind of which Chromatics do so well. “Touch Red” is another haunting song about awakening the senses (“The world needs color.”). Walker’s guitar work on the instrumental “Through the Looking Glass” reminds me of Love and Rockets tracks.

“Whispers in the Hall” brings us back into giallo territory, with its slasher horror synths and lyrics centered around a woman in peril finding the will to fight (“Little girl the world just wants to trick you. Can’t you see the look in their eyes? Don’t you know the pain will make you stronger? You don’t have to buy into their lies.”). “On the Wall” is the longest song on the album, clocking in at about eight-and-a-half minutes. It has a cool rock vibe throughout it, bringing to mind 1960’s psychedelia and krautrock synth beats.

“Love Theme from Closer to Gray” is the theme to the giallo thriller Johnny Jewel has probably written and is on his way to producing by now. If not, I wish he would because the song drips with foggy atmosphere, hidden menace, and breathy, hot sex. The closer, “Wishing Well,” is not a cover of Terence Trent D’Arby‘s hit (although that would be amazing to hear from Chromatics), but rather a song about unfulfilled desires (“It’s a quiet night in a nowhere town, where the arcade still glows when no one’s around.”) and longing for something beyond our borders – physical and metaphysical. A ticking clock in the middle of it tells us that time is short. We’d better get to work fulfilling our dreams.

Closer to Gray is a welcome addition to not only Chromatics’ catalogue, but also to 2019. It wasn’t a massive surprise when they released it (They were on tour, after all.), but it was a much-needed jolt after a year of anger and self-isolation. It reminds us to embrace our dreams, and each other.

And by the way, Closer to Gray is available for download through the band’s label’s site (Italians Do It Better) for one dollar.

Keep your mind open.

https://www.youtube.com/watch?v=PjUblmk4Cyo

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Top 30 live shows of 2019: #’s 30 -26

It’s that time of year again for me to start the countdowns of my favorite live shows, singles, and albums of the year. I’m starting with live shows. I saw close to sixty bands this year (and possibly over sixty if you add in partial sets), so here are the ones that topped the upper half.

#30 – Hoover iii – Levitation Austin – November 07th

Hoover iii were a pleasant surprise as the first band my wife and I saw at Levitation Austin this year. They played a fun set of southern California shoegaze that was a great kick-off for our festival weekend.

#29 – Elephant Stone – Levitation Austin – November 08th

It’s always good to see Elephant Stone live, and their set at the second night of Levitation Austin was one of the heaviest sets I’ve heard them play. They threw in a lot of material from their upcoming album, Hollow, so it was cool to be among the first folks to hear that stuff live.

#28 – Bev Rage and the Drinks – Subterranean – Chicago, IL – October 01st

Queercore punk rock on a small stage with Halloween candy and pumpkin spice Oreos being handed out to the crowd? What’s not to like? I’d heard a lot of good things about Ms. Rage and the Drinks’ live shows, and I wasn’t disappointed. They were also a great opener for…

#27 – Shonen Knife – Subterranean – Chicago, IL – October 01st

You can never go wrong with a Shonen Knife show, and they put on a fun, rocking set of candy-powered rock that had the whole crowd bouncing.

#26 – Willie Nelson – Memorial Coliseum – Ft. Wayne, IN – August 05th

2019 ended up being a “year of legends” for us, as we saw many legendary performers this year. Among them was Willie Nelson, who played a fun set of classic hits and fun covers. His set wasn’t long due to age and what was later revealed to be some breathing issues, but it was still cool to finally see one of the greatest songwriters of all time.

Who makes it into the top 25? Come back tomorrow to find out.

Keep your mind open.

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RidingEasy Records is reissuing Randy Holden’s rare 1970 doom metal album – “Population II.”

RidingEasy Records proudly announce the official reissue on physical and digital formats of the extremely rare 1970 proto-metal album Randy Holden – Population II. Considered one of the first doom metal albums ever, the ex-Blue Cheer guitarist’s solo debut has long been sought out by collectors. The remastered full length will be available on all streaming platforms for the first time, with a master more true to the original mix on LP, CD and streaming.

This weekend, Saturday December 21st, Holden will perform a rare live show at the Whiskey A-Go-Go in L.A. supported by drummer Mario Rubalcaba (Earthless, RFTC, OFF!) It will be a career-spanning set featuring songs from the Fender IV, the Sons of Adam, the Other Half, Blue Cheer, and his solo work, including Population II. Tickets and info HERE. 

“Godzilla just walked into the room. People just stood there with their eyes and mouths wide open.” 

To hear Randy Holden describe the audience’s reaction in 1969 to his solo debut performing with a teeth-rattling phalanx of 16 (sixteen!) 200 watt Sunn amps is about as close as many of us will get to truly experience the moment heavy metal music morphed into existence. However, at last we have unearthed the proper fossil record.
Population II, the now legendary, extremely rare album by guitarist/vocalist Holden and drummer/keyboardist Chris Lockheed is considered to be one of the earliest examples of doom metal. Though its original release was a very limited in number and distribution, like all great records, its impact over time has continued to grow.

In 1969, Holden, fresh off his tenure with proto-metal pioneers Blue Cheer (appearing on one side of the New! Improved! Blue Cheer album and touring for the better part of a year in the group), aimed for more control over his band. Thus, Randy Holden – Population II was born, the duo naming itself after the astronomical term for a particular star cluster with heavy metals present. 

“I wanted to do something that hadn’t been done before,” Holden explains. “I was interested in discordant sounds that could be melodic but gigantically huge. I rented an Opera house for rehearsal, set up with 16 Sunn amps. That’s what I was going for, way over the top.” 
And over the top it is. The 6-song album delves into leaden sludge, lumbering doom and epic soaring riffs that sound free from all constraints of the era. It’s incredibly heavy, but infused with a melodic, albeit mechanistic, sensibility.

“At the time, I was hearing these crazy melodies everywhere I went,” Holden says. “I thought I was going crazy.” For example, one day he slowly rooted out a powerful sound that had been nagging him and discovered it coming from a ceiling fan. “Machinery all around us doesn’t turn in a perfect rhythm. That’s what I was tuning into, I heard the music and the discordant sounds coming from the machinery. It was perfect for rendering the machine we built.”

Troubles with the album’s release bankrupted Holden, who subsequently left music for over two decades. It was bootlegged several times over the years, but until now hasn’t seen a proper remaster and has yet to be available on digital platforms. “The original mastering just destroyed the dynamics of it,” Holden says. “They flattened it out. Now we got a really nice remaster that should be the closest thing to the original recording.” 

Population II will be available on LP, CD and download on February 28th, 2020 via RidingEasy Records. 

Keep your mind open.

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Irreversible Entanglements return with wild 23-minute “single.”

Photo by Bob Sweeney

Free jazz collective Irreversible Entanglements – comprised of poet/MC Camae Ayewa (aka Moor Mother), saxophonist Keir Neuringer, trumpeter Aquiles Navarro, bassist Luke Stewart, and drummer Tcheser Holmes – return with a new standalone single, “Homeless/Global,” out now via International Anthem and Don Giovanni. “Homeless/Global” is an unabridged take from the first moments of a recent Philadelphia recording session, and is the first piece of new music the group has released since their 2017 acclaimed self-titled debut. Their forthcoming follow-up LP will see release in spring of 2020.
 

Stream “Homeless/Global” –
 https://intlanthem.bandcamp.com/album/homeless-global

 
“Homeless/Global” stretches out inside a vacuum of time, running over 23 minutes in a blink of an eye. The track starts by falling backwards into an energetic recollection of Strata East swing, swelling forcefully till it bursts into the foreboding preach of Ayewa. Her poem is wide-ranging, touching on migration, exile, and border violence. Ayewa runs down an inventory of Black history that “no one remembers.” The band builds back up through soaring saxophone by Neuringer, before the rhythm section simmers down to a deep pocket of psychedelic groove held together by Stewart’s mantric basslines and textured by Navarro’s extended trumpet technique, as drummer Holmes dances dynamically around a pulse. “Homeless/Global” captures the essence of the band in improvisational ritual, and the increasingly powerful capacity they’ve collectively developed over 2+ years on the road.
 
A statement on the music, from the band: “As with the session for our first album, we began this session by just setting studio levels and hitting that record button. ‘Homeless/Global’ was the first thing we played, no script, no plan. It’s a studio take that reflects what we do live: take the stage without a map, navigate the world in deep, telepathic, contrapuntal communion with each other and the histories we’re tapping into, push into the known and unknown, and arrive at the end together.“
 
Originally performing as two different ensembles at a Musicians Against Police Brutality event in 2015 (in response to the NYPD slaying of Akai Gurley), the five musicians that now make up Irreversible Entanglements recognized a shared ethos, and shortly after, assembled as a single unit for an impromptu studio date at Seizure’s Palace in Brooklyn.  That session yielded their debut album Irreversible Entanglements (released by International Anthem & Don Giovanni in September 2017). Critical and communal acclaim for the album (including “Best of 2017” nods from NPR Music, WIRE Magazine, Bandcamp, and others) fueled a high demand for the band in the live setting, and the group have since spent much of 2018 and 2019 on the road. They have collaborated in performance with many legends of creative music including Amina Claudine Myers, Pat Thomas, and Nicole Mitchell; and their highest profile shows have included Pitchfork Music Festival in Chicago, Le Guess Who Festival In Utrecht NL, Barbican in London, and the Smithsonian in Washington DC.

Keep your mind open.

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WSND playlist for December 16/17, 2019

Thanks to all who tuned in for my first WSND show of the 2019 Christmas season. This was my first four-hour set in a long time, and all of my shows over the Notre Dame Christmas break will be four hours long.

The first half was my first “Deep Dive” show, in which I highlighted Steely Dan. The second half was “Nocturne” and was a two-hour mix of my eclectic music tastes.

Here’s the playlist for both shows:

Deep Dive – Steely Dan

  1. Steely Dan – Rikki Don’t Lose That Number
  2. Steely Dan – Midnite Cruiser
  3. The Rolling Stones – Dandelion
  4. Moby Grape – Hey Grandma
  5. Willie Dixon – Spoonful
  6. Jay and the Americans – Come a Little Bit Closer
  7. Steely Dan – Caves of Altamira
  8. Barbara Streisand – I Mean to Shine
  9. Steely Dan – Do It Again
  10. Steely Dan – Reelin’ in the Years
  11. Carole King – Jazzman
  12. Steely Dan – Bodhisattva
  13. Steely Dan – Show Biz Kids
  14. Ultimate Spinach – Somedays You Just Can’t Win
  15. Duke Ellington – East St. Louis Toodle-oo
  16. Michael McDonald – I Keep Forgettin’
  17. Steely Dan – Black Friday
  18. Steely Dan – Kid Charlemagne
  19. Steely Dan – Josie
  20. Steely Dan – Peg
  21. Steely Dan – FM
  22. Steely Dan – Babylon Sisters
  23. Steely Dan – Everything Must Go

Nocturne

  1. Motorhead – Train Kept A Rollin’ (request)
  2. At the Earth’s Core radio ad
  3. King Gizzard and the Lizard Wizard – Acarine
  4. Hound Dog Taylor – Sen-Sa-Shun (live)
  5. Psycho radio ad
  6. Ty Segall Band – Slaughterhouse
  7. The Coyote Men – Who Rattled Your Cage?
  8. Clutch – Open Up the Border
  9. Blue Oyster Cult – Cities on Flame with Rock and Roll
  10. The Exorcist radio ad
  11. Les Claypool’s Frog Brigade – Riddles Are Abound Tonight (live)
  12. Peter Gabriel – Digging in the Dirt (live)
  13. Peter Gabriel – Red Rain
  14. Thee Oh Sees – Meat Step Lively
  15. The Pretenders – Every Day Is Like Sunday
  16. L’Epee – Une Lune Etrange
  17. Elephante (featuring Matluck) – Come Back for You
  18. Truck Turner radio ad
  19. Madvillain – Curls
  20. Ash Walker (featuring Laville) – Ain’t Got You
  21. Issa Bagayogo – Poye (Tai M. Klein remix radio edit)
  22. Gary Wilson – I Saw Santa Dancing in the Dark
  23. Love at First Bite radio ad
  24. Moon Duo – Eye 2 Eye
  25. All Them Witches – When God Comes Back
  26. Duran Duran – Rio (request)
  27. They Came from Within radio ad
  28. Thom Yorke – Atoms for Peace
  29. Mdou Moctar – Asshet Akal

I’m back on air December 23rd at 10pm EST. The Deep Dive will be a look at The Police. All my shows stream live.

Keep your mind open.

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