Review: Cavaran – Bulldozer

My wife and I recently hired a young woman to tutor us in French via Zoom. She asked us what we hope to do with the language. We mentioned being able to travel easier in Europe and other parts of the world, of course, but I also thought, “I’d like to be able to chat with all these stoner and doom metal bands coming out of France and Belgium right now.”

Cavaran, hailing from Belgium, is one such band, and their five-song EP, Bulldozer, is another fine example of the European stoner metal scene putting out some of the best examples of the genre right now. Opening track “Walter” is led by Patrick Van Der Haegen‘s groovy and heavy bass groove while Lieven Tronckoe‘s guitar soars like a peregrine falcon one moment and burns through the cosmos like a Moebius-designed spaceship the next.

Not to be outdone, drummer Gert D’hondt gets “Dino” off to a roaring start with hits as hard as a stampeding brontosaurus. Tronckoe and Van Der Haegen are just as aggressive, sounding like gunships flying over a raging wildfire. “Holy Grail” is another furious rocker, sounding like something Foo Fighters could’ve made if they’d kept a harder edge and didn’t worry about their next big single.

“Wörner” has a wicked groove to it that gets your head banging, but not so hard you’ll have whiplash by the end. Van Der Haegen’s bass again leads the charge and it sounds like D’hondt’s drum kit has a dozen cymbals attached to it at some points. The closer, “Bigfoot,” is as heavy and mythical as its namesake with Tronckoe shredding like a chainsaw in a Pacific Northwest forest, D’hondt using fallen trees to beat his kit, and Van Der Haegen stalking you the whole time like some kind of beast.

Bulldozer packs a lot of power into just five songs, the longest of which is just over six minutes. You can either jump onto the scoop shovel and race into battle with it or let it crush you. It’s your choice.

Keep your mind open.

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[Thanks to Polder Records.]

Review: Miss Grit – Impostor

Margaret Sohn, also known as Miss Grit, confronts impostor syndrome, Midwest living, the benefits and annoyances of technology, and more on her second EP Impostor. Even the cover art shows her unease with being in the spotlight. She’s actually trying to hide behind it.

I’m here to tell her that there’s no need for that, because Impostor is a nice piece of work. Opening track “Don’t Wander” is like something you’d hear while in orbit and has hard-hitting, simple lyrics like “There’s no more reward for winning. There’s a bigger toll for missing.” Sohn’s guitar on “Buy the Banter” is fuzzed and funky while Gregory Tock‘s drums are solid drops like heavy, scattered rainfall. The song is a brutal wake-up call to anyone who seeks power (“If you think you’re somebody, you’ll have to prove you’ve got what they want, and they want.”).

“Blonde” is a sad tale of Sohn confronting identity issues as a half-Korean woman growing up in a majority Caucasian Michigan town. Zoltan Sindhu‘s bass line on the track is a deceptive one, lulling you into a warm groove before the track blooms / bursts into a fuzzed-out fireworks display. Sohn’s guitar prowess is on full display on “Grow Up To,” with plenty of shredding and arena-ready riffs.

“Dark Side of the Party” is a great track, with Sohn mixing guitars and synths well and singing about being stuck at a party full of people who, on the surface, appear to be sure of themselves, but who are actually as frightened as her (or more so) of being discovered as an impostor. The title track ends the album, bubbling with hard rock guitars before simmering with ambient synths to drift us out into the world again, ready to face our own doubts with a little more confidence.

Keep your mind open.

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[Thanks to Jim and Jessica at Pitch Perfect PR.]

Yard Act warn of “Dark Days” with new single.

Emerging Leeds outfit Yard Act have today shared their new single “Dark Days” – out via their own Zen F.C. label. Following their debut 7” Fixer Upper / The Trapper’s Pelts, which sold out its entire 500 copy pressing on the day of release, the band announced the Dark Days / Peanuts double A-side yesterday and sold out 1000 copies in just under 2 hours. In signature Yard Act fashion, “Dark Days” propels frontman James Smith’s striking social observations forward along with steadfast guitar lines and jutting rhythms. Recorded in the same session as “Peanuts” with Ross Orton, “Dark Days” rounds off the opening chapter of Yard Act’s strange lockdown existence before they head off to record their debut album.

LISTEN: to Yard Act’s “Dark Days” on YouTube


Smith explains: “With ‘Dark Days’ I wrote the first verse and chorus hook quite fast but then I didn’t know how to finish it. The demo Ryan sent was ace, real sparse. The drums were really driven but the bassline felt like it was suspended mid air in the verses, like a dub bassline or something. It created the illusion that you have time to stop and look around amidst the ensuing chaos. It’s like in war films when all the noise stops and you just hear the protagonist heavy breathing whilst they survey their surroundings in slow motion. Then the chorus hit with this ‘Captain Caveman’ vibe, it reminded me of that stop-motion cartoon from the 90’s ‘GOGS’ if anyone remembers that? I liked the juxtaposition of the bleak world with the cartoon bass line.”

“Despite all the advances humanity has made, the threat of devolving feels increasingly possible in the modern world, and on my bad days when I’m spiralling I can’t help but get trapped in my own head envisioning this post-apocalyptic future we’re seemingly headed toward, so fuck knows why I decided to watch ‘Children of Men’ when I was feeling like that. If I’d fully remembered what happened in it, I don’t think I would’ve in the middle of a pandemic, but I did, and I actually came away feeling really uplifted by the ending. I saw hope in it, and it helped me finish the story.” 

Yard Act formed in Leeds in late 2019 when Ryan Needham found himself temporarily living in James Smith’s spare bedroom. The two had been pub associates for years, but their new living circumstances served as a catalyst for their friendship and creative partnership which saw them fuse James’ interest in spoken word with Ryan’s primitive proto-punk demos using an ancient drum machine and borrowed bass guitar.

Yard Act’s rise since arriving in March 2020 with debut track “The Trapper’s Pelts” has been nothing short of extraordinary, even without the opportunity to showcase their incendiary live set. Their first releases last year proved an instant hit with national newspapers (The ObserverThe TimesThe Independent, and The Guardian) and radio stations (BBC Radio 6 Music (“Fixer Upper” and “Peanuts” were both daytime playlisted), BBC Radio 1 and Radio X) alike. The band rounded off 2020 with spots on the NME 100, Dork HYPE List, The Daily Star ‘Ones to Watch 2021’, Gigwise ‘21 for 21’, and Selector Radio’s ‘New Wave Artists 2021’. Single ‘Fixer Upper’ landed on Loud & Quiet and So Young Magazine’s ‘Tracks of the Year’, while “Peanuts” earned a place as BBC Introducing West Yorkshire Track of the Week, as well as being playlisted at NME, So Young, and The Independent alongside appearing on the cover of ‘The Punk List’ and ‘Hot New Bands’ at Spotify

“Dark Days” is out now on Zen F.C. It is available here

Keep your mind open.

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[Thanks to Tom at Hive Mind PR.]

Kalbells paint the world “Purplepink” with single from upcoming EP.

Kalbells—led by Kalmia Traver (of Rubblebucket) with her bandmates Angelica Bess (Body Language), Zoë Brecher (Hushpuppy, Sad13), and Sarah Pedinotti (Okkervil River, LipTalk)—have announced the release of their sophomore album Max Heart, out March 26 on NNA Tapes. 

Max Heart explores what happens when we let go of what doesn’t serve us in order to leave space for the blessings that do. The album’s ten vibrant and subtly layered tracks of mesmerizing psychedelic synth pop (co-engineered with Luke Temple) were birthed from the band’s practice of listening and accountability, rejoicing in their queerness, and promoting each other to be their most genuine selves. Max Heart is a portrait of badass women harnessing their improvisational magic.

A prime example of Kalbells furthering their sum energies is the effervescent funk of lead single “Purplepink,” out now. Co-written between Traver, Bess, and Pedinotti, a hyper synth bass darts around elongated keyboard sighs. The video, conceptualized and directed by Lisa Schatz, features 3D animated rocket ships, faceless furry creatures, a 30 foot glittery hologram of Maddie Rice (Jon Batiste’s Stay Human, Saturday Night Live Band) shredding on guitar, and Kalbells as warrior space queens. Read the full bio here.

Max Heart is available to pre-order on standard black & “Salty Pickle” green vinyl, as well as on compact disc and digital formats here. The album will be available on “Red Marker” red vinyl exclusively from local indie record stores.

Keep your mind open.

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[Thanks to Cody at Clandestine PR.]

CHAI call us to “Action” on first single from upcoming album – “WINK.”

Photo by Yoshio Nakaiso

Japanese quartet CHAI are thrilled to announce their new album, WINK, out May 21st on  Sub Pop. Ahead of its release, they present lead single/video “ACTION.” Their third full-length and first for Sub Pop, WINK contains CHAI’s mellowest and most minimal music, and also their most affecting and exciting songwriting by far. WINK is a fitting title then: a subtle but bold gesture. A wink is an unselfconscious act of conviction, or as CHAI puts it: “A person who winks is a person with a pure heart, who lives with flexibility, who does what they want. A person who winks is a person who is free.” YUUKI noted that “With this album, we’re winking at you. We’re living freely and we hope that when you listen, you can wink and live freely, too.”

CHAI is made up of identical twins MANA (lead vocals and keys) and KANA(guitar), drummer YUNA, and bassist-lyricist YUUKI. Following the release of 2019’s PUNK, CHAI’s adventures took them around the world, playing their high-energy and buoyant shows at  music festivals like Primavera Sound and Pitchfork Music Festival, and touring with indie-rock mainstays like Whitney and Mac DeMarco. Like all musicians, CHAI spent 2020 forced to rethink the fabric of their work and lives. But CHAI took this as an opportunity to shake up their process and bring their music somewhere thrillingly new. Having previously used their maximalist recordings to capture the exuberance of their live shows, with the audiences’ reactions in mind, CHAI instead focused on crafting the slightly-subtler and more introspective kinds of songs they enjoy listening to at home—where, for the first time, they recorded all of the music. Amidst the global shutdown, CHAI worked on Garageband and traded their song ideas—which they had more time than ever to consider—over Zoom and phone calls, turning their limitations into a strength.

While the band leaned into a more personal sound, WINK is also the first CHAI album to feature contributions from outside producers (Mndsgn, YMCK) as well as a feature from Chicago rapper-singer Ric Wilson. CHAI draw R&B and hip-hop into their mix (Mac Miller, the Internet, and Brockhampton were on their minds) of dance-punk and pop-rock, all while remaining undeniably CHAI. Whether in relation to this newfound sense of openness or their at-home ways of composing, the theme of WINK is to challenge yourself.

Lead single “ACTION” was a response to watching the Black Lives Matter protests unfold across America and the world in June of 2020 while the band was in Japan.
“Seeing how the world came together during the protests really moved me,” said YUUKI. “I wanted to dedicate that song to the year of action.” The band further elaborates: “The world as we know it has changed,  but even with that, it’s still a world where nothing really changes. Wouldn’t it be wonderful if there more ACTION rooted in happiness? Be the change that you want to see!…I’m going to be the pioneer in seeing the world I want to see, meeting the people I want to meet! We start off by expressing the fun in ACTION with this music video♡ Why don’t you join us?! It’s that type of song♡.” 


WATCH CHAI’S VIDEO FOR “ACTION”


 CHAI came to see WINK—with its home-y feel—as a collection where each song is like a new friend, something comforting to rely on and reach out to, as the album was for them throughout 2020. This impulse towards connection is in WINK’s title, too. After the “i” of PINK and the “u” of PUNK—which represented the band’s act of introducing themselves, and then of centering their audiences—they have come full circle with the “we” of WINK. It signals CHAI’s relationship with the outside world, an embrace of profound togetherness. Through music, as CHAI said, “we are all coming together.” In that act of opening themselves up, CHAI grew into their best work: “This album showed us, we’re ready to do more.”
WATCH THE “DONUTS MIND IF I DO” VIDEOWATCH THE “PLASTIC LOVE” VIDEO

PRE-ORDER WINK

WINK TRACKLIST
1.Donuts Mind If I Do
2. Maybe Chocolate Chips (feat. Ric Wilson)
3. ACTION
4. END
5. PING PONG! (feat. YMCK)
6. Nobody Knows We Are Fun
7. It’s Vitamin C
8. IN PINK (feat. Mndsgn)
9. KARAAGE
10. Miracle
11. Wish Upon a Star
12. Salty

Keep your mind open.

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[Thanks to Jim at Pitch Perfect PR.]

Field Music unveil new single, “Orion from the Streets,” and fall tour dates.

Photo by Christopher Owens

Peter and David Brewis a.k.a. Field Music, are sharing their latest single, “Orion From the Street” (out now via Memphis Industries). The track is a prelude to a new studio album from the beloved UK band that is slated for release later in 2021, following on from 2020’s First World War concept record Making A New World.  

LISTEN: Field Music’s “Orion From The Street” HERE

Peter says of “Orion From the Street”, “I wrote it in a daze – it’s full of accidental quotes and allusions – the first couple of lines I overheard in a Cary Grant documentary but they sum up the whole song – how intense impressions of love, hate, grief and guilt can be an almost hallucinatory experience.” Field Music have also announced a string of UK tour dates for October 2021. Full list of dates below. Tickets will go on sale on 15th January at 9am GMT. Tickets are available here

“Orion From The Street” is out now on Memphis Industries.

Tour Dates
04 April 2021, Cardiff, Wales Goes Pop
02-04 July 2021, Swandlincote, Timber Festival
07 Aug 2021, Summerhall, Edinburgh International Festival
02-05 Sept 2021, Wiltshire, End of the Road Festival
07 Oct 2021, Aberdeen, Tunnels
08 Oct 2021, Glasgow, St Luke’s
09 Oct 2021, Leeds, Brudenell Social Club
14 Oct 2021, Birmingham, Mama Roux’s
15 Oct 2021, Bristol, The Fleece
16 Oct 2021, Nottingham, Rescue Rooms
21 Oct 2021, Brighton, Komedia
22 Oct 2021, London, Electric Ballroom
23 Oct 2021, Manchester, Gorilla

Keep your mind open.

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[Thanks to Tom at Hive Mind PR.]