As a producer and DJ, Robin Wylie brings something distinct in a sea of the same. Choosing to ignore the typical house and techno format of Belfast, Robin’s ear for breakbeats, 2-step, jungle and pretty much anything associated with the UK sound has earmarked him as one of the Ireland’s most dedicated and respected selectors; bringing a fresh take on local electronic music and inspiring others breaking through in the process.
After becoming infatuated with the burgeoning house and techno scene being spearheaded by David Holmes and Iain McCready to the backdrop of the Northern Irish violence in the 90s, Robin moved to Birmingham. Brum had a huge techno scene in the mid-90s, but it was the back and side rooms of the Que Club where Robin would settle quickest. “There was always drum & bass in the back rooms of nights like Atomic Jam and House of God and that immediately clicked.” With a chance meeting with promoters of a drum & bass night called Antidote, Del & resident MC, Shyan took him under their wing, he was treated as part of the family. Antidote was definitely where the obsession for breaks started.
Belfast has always had a small and dedicated jungle scene, despite it being most notable for its house and techno electronic exploits. Kato and Judge Dread flew the flag for Belfast’s junglists in the early 90s playing early hardcore and followed the progression into drum & bass. When Robin moved back to the Northern capital, techno was progressing to something very hard and minimal. It would be the dubstep sound that would spark the inspiration for him to dive into garage associated sounds.
“House and techno have always been king here”, he says. “Don’t get me wrong there were plenty of parties that weren’t house and techno, Shine used to have Drum and Bass in the second room in the Union and hip hop too, there were big beat nights in the Front Page which always had a great crowd.”
“I don’t think I was doing anything different, more trying to copy sounds and styles that I liked, there just wasn’t a huge amount of people I was aware of making those sounds here.”
A pacesetter in every regard, Robin’s work alongside fellow selectors Undadog and dubstep pioneer J.Kenzo as Polarity is to be particularly admired; bringing guests such as Sneaker Social Club for their debut in a city dominated by 4×4 kick drums. A heavy focus on pushing the boundaries of the Belfast soundscape – and pairing talented locals with forward-thinking bookings – has shone a spotlight on the night as a grassroots breeding ground for DJs with an attitude for something different.
“Polarity was Jamie’s [J:Kenzo] idea, he was doing some sessions in England under the Polarity name and wanted to try and get the same vibe here. Prior to that we did nights under the Pressure banner – myself, Nez, John King, Jody Monkphat and later 2BiT from Dublin joined us. We had some great sessions and played from hip hop through to jungle on those nights too.”
“We had a few decent guests: Oneman destroyed the Black Box one July for us. We thought no one would be around because it was July, near the 12th. I think we had a 20K rig in for that one. Mark Archer (Altern8) played for our first birthday in the Bunatee too, full on rave hysteria. El-B was in the Bunatee too, I had so many people thanking us for having a garage DJ over!”
His productions very much encapsulate the Polarity sound – a sonic understanding that can also heard on his Sub FM residency – brimming with skippy steps, lairy basslines and gun-finger energy, most recently lending his hand to a remix of rising star Becky McNiece’s “Next To You.” One of Belfast’s unsung heroes, Robin Wylie has been an essential part of the local scene with his uncompromising take on UK sound culture, not only through his own productions and events, but through what he does for others through his mastering and studio work.
“The mixing and mastering for other people has come about pretty naturally”, he says. “I think as the studio has grown over the years it made sense to try and help other local producers and artists. I’m a bit of a hardware nut, that’s just what I’m used to.”
“I started with an Atari ST, Akai S2000 and a bass station and it grew from there . My friend Cairan Bryne was my YouTube back then, any problems I would buzz him or have to read a manual. He’s also responsible for my GAS (gear acquisition syndrome) . He talked me into a lot of purchases like my 909 and the desk I currently use. The studio is a very hybrid setup these days, I have a Midas f24 handling most of the routing and hardware connections. I can capture jams really easily and it also gives me the ability to take mixes out of the box for people and run them through the outboard.
After taking so much time to help progress others in their solo careers through his mixing and mastering work, Robin’s 2022 calendar is shaping up nicely with a flurry of releases scheduled for throughout the year. First up is a release on Nez’s Computer Controlled Records on April 1st (a collaboration with friend J:Kenzo under his Hezzaine alias), then a drum & bass cut for Devon’s Road two weeks later before a white label release with Prestige Cuts on May 6th and June sees a self-released 3 tracker of jungle influenced breaks on his Belfast Pressure label.
Keep your mind open.
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[Thanks to Harbour Music Society.]
