Brijean take us to the “Ocean” with single from new album due February 26th.

Photo by Jack Bool

Brijean – the Oakland-based duo of Brijean Murphy and Doug Stuart – shares the new single/video, “Ocean,” from their forthcoming album, Feelings, out February 26th on Ghostly International. It follows the single “Day Dreaming,” “a full-on swoon, a dazed, lovestruck reverie that captures that magical feeling of giving yourself over to someone — or something — new” (Stereogum). Murphy’s vocals on “Ocean” are reminiscent of Astrud Gilberto’s airy croon, floating atop a brushed drum pattern, sparkling Rhodes lines, and softly funky woodblock bops. “Ocean” stands out by leaning back for momentary sways of blissful introspection.

“‘Ocean’ reflects on uncertainty while maintaining curiosity,” says Brijean. “Written as an inquiry into self-reflection, the dimensions of love for another person and humanity’s capacity for health. Around the time we wrote the song, we were listening to a lot of Jobim and wanted to channel some of the serenity his music gives us.

For the “Ocean” video, “Various methods of video feedback and modular video synthesis were utilized to manipulate the footage captured by Brijean and Doug,” remarks director flatspot ___•“We decided on a black and white treatment of the footage, contrasting with selective coloring and unusually cropping of the clips to evoke a dreamlike sequence, bringing the ocean to the desert.”
Watch “Ocean” Video


Murphy – one of indie’s most in-demand percussionists (PoolsideToro Y MoiU.S. Girls) – and Stuart, who share backgrounds in jazz, Latin and soul music and were both fixtures in Oakland’s diverse music scene, began collaborating in 2018. Following the duo’s first sessions, which resulted in the mini-album Walkie Talkie (released in 2019 on Native Cat Recordings), Brijean continued collaborating in Oakland, inviting friends Chaz BearTony Peppers, and Hamir Atwal, who all would end up contributing to the album. “We improvised on different feels for hours,” says Murphy. “Nothing quite developed at first but we had seeds. We re-opened the sessions a couple months later, after returning from tours, and spent a month developing the songs in a little 400 square foot cottage.”

The leap from 2019’s Walkie Talkie to Feelings is marked by a notable expanse in range and energy. Brijean’s signature sound — a golden-hued dream pop tropicalia of dazzling beats and honeyed vocals — elevates with the addition of live drummers, strings, and synths. The album also finds Murphy fully trusting in her strengths, not just as a percussionist, but as a songwriter and collaborator. “Valuing myself as elemental instead of an ‘aux’ percussionist, and the undoubted support and talents of Doug, encouraged me to both make this project and collaborate with many different people.”

Brijean wants you to move, physically, mentally, dimensionally; this is dance music for the mind, body, and soul. With Feelings, they’ve manifested a gentle collective space for respite, for self-reflection, for self-care, for uninhibited imagination and new possibilities. The album cultivates a specific vibe, a softness Murphy has come to call “romancing the psyche.” In nebulous and verdant worlds of hazy melodies, feathery hooks, and percussive details, Feelings simply want us to feel alive. The songs radiate in wonderful abandon and with a sense of devotion to the self.
Watch “Ocean” Video

Watch “Day Dreaming” Video

Pre-order Feelings

Keep your mind open.

[I’ll have fuzzy feelings if you subscribe.]

[Thanks to Patrick at Pitch Perfect PR.]

Brijean encourage us to start “Day Dreaming” with lush single from new album due this February.

Photo by Jack Bool

Brijean – the Oakland-based duo of Brijean Murphy and Doug Stuart – announces their new album, Feelings, out February 26th on Ghostly International, and shares the lead single/video, “Day Dreaming.” The forthcoming album and lead track draw on Murphy’s experience growing up in a family immersed in jazz, Latin, and soul music, and arrive after working extensively within Oakland’s diverse music scene and as one of indie’s most in-demand percussionists (Poolside, Toro Y Moi, U.S. Girls). In 2018, she began recording songs with multi-instrumentalist and producer Doug Stuart, who shares a background in jazz and pop in bands such as Dougie StuBells Atlas, Meernaa, and Luke Temple.

Album opener “Day Dreaming” is a dynamic celebration of newness: the excitement in finding deeper understandings of yourself as you get to know someone, something, or somewhere new. The track is guided by a lush mix of charismatic keyboard chords, grooving bass lines, and radiant conga-driven rhythms. Produced by Stuart with vocals and percussion by Murphy, the track also includes Chaz Bear who engineered and played keyboard. The accompanying video was shot on an iPhone in Los Angeles by Murphy and Stuart and then transformed by flatspot ___• into an immersive and psychedelic world.

Brijean states, “We had been wanting to work with flatspot ___• for a long time – both circling around each other at shows, collectives, and studios for years and finally got to collaborate on this project. His work with Smart Bomb has been a visual anchor and inspiration for Oakland creatives.

flatspot ___• adds, “I try to leave space in the editing process for the unexpected. It is essential for me, when using analog gear and video feedback, to allow the eccentricities of the electronics to bring out new character. I send the footage through the wires and circuits and experiment with different settings until the desired outcome reveals itself. What is revealed to me by the old gear is just as important, if not more than any plan I may have made.

Following the duo’s first sessions, which resulted in the mini-album Walkie Talkie (released in 2019 on Native Cat Recordings), Brijean continued collaborating in Oakland, inviting friends Chaz Bear, Tony Peppers, and Hamir Atwal, who all would end up contributing to the album. “We improvised on different feels for hours,” says Murphy. “Nothing quite developed at first but we had seeds. We re-opened the sessions a couple months later, after returning from tours, and spent a month developing the songs in a little 400 square foot cottage.”

The leap from 2019’s Walkie Talkie to Feelings is marked by a notable expanse in range and energy. Brijean’s signature sound — a golden-hued dream pop tropicalia of dazzling beats and honeyed vocals — elevates with the addition of live drummers, strings, and synths. The album also finds Murphy fully trusting in her strengths, not just as a percussionist, but as a songwriter and collaborator. “Valuing myself as elemental instead of an ‘aux’ percussionist, and the undoubted support and talents of Doug, encouraged me to both make this project and collaborate with many different people.” 

Brijean wants you to move, physically, mentally, dimensionally; this is dance music for the mind, body, and soul. With Feelings, they’ve manifested a gentle collective space for respite, for self-reflection, for self-care, for uninhibited imagination and new possibilities. The album cultivates a specific vibe, a softness Murphy has come to call “romancing the psyche.” In nebulous and verdant worlds of hazy melodies, feathery hooks, and percussive details, Feelings simply want us to feel alive. The songs radiate in wonderful abandon and with a sense of devotion to the self. 

Watch “Day Dreaming” Video:
https://youtu.be/sYBOFnwD_a8

Pre-order Feelings:
https://ghostly.ffm.to/brijean-feelings

Keep your mind open.

[I daydream of you subscribing.]

[Thanks to Patrick at Pitch Perfect PR.]

Rewind Review: Brijean – Walkie Talkie (2019)

Blending Los Angeles jazz and funk with Detroit and Chicago jazz and funk with hip hop from both the west and north coasts, Brijean (Brijean Murphy – percussion and vocals, Doug Stuart – beats, synths) make moody dance music, trip hoppy meditations, and shiny summer grooves on their debut album Walkie Talkie.

Murphy’s opening percussion on “Like You Do” mixes so well with Stuart’s electro-grooves that it’s sometimes to tell where one ends and the other begins. “Fundi” seems to mix in conversations you’d overhear on a subway while Murphy sings about taking your time and lying low over Stuart’s space disco beats.

“Drive Slow” is perfect for such activity, especially when cruising along a beachside road or to or from a chillwave afterparty. The underlying hip hop synths are a great touch in it. “Time moves by so slow,” Murphy sings at the opening of the peppy “Show and Tell.” “Just let your body go, it’s easy.” She and Stuart encourage us to dance and forget our troubles, a crucial skill in this day and age. It’s a lovely track that will take you away to that ideal club in your mind, even if just for a little while.

The title track reminds me of some Thievery Corporation tracks with its electro-lounge grooves and feel-good dance beats. The closer, “Meet Me After Dark,” promises a cool afterparty for all of us somewhere in the future, which is actually the present, so celebrate now with Brijean’s sweet grooves, sexy bass, and toe-tapping beats.

Walkie Talkie is lovely. It’s a much-needed dose of sonic bliss in times of self-isolation and changing seasons. Don’t skip this one.

Keep your mind open.

[Walk on over to the subscription box before you go.]

[Thanks to Patrick at Pitch Perfect PR.]

Brijean’s “Moody” might put you in the mood.

Photo by Jack Bool

Brijean – the Oakland-based duo of Brijean Murphy and Doug Stuart – announces signing to Ghostly International and shares new single “Moody.” The easy-grooving, ephemeral cut “Moody” captures Brijean’s signature sound in just over two minutes: the dazzling, golden-hued haze of percussive beats and honeyed vocals. Stuart says the track is “a quick gentle trip” that started in a living room — recording with Murphy’s drum mentor Pepe Jacobo — windows open, stream-of-consciousness lyrics flowing.

Murphy, an accomplished DJ, session and live player in Oakland’s diverse music scene has emerged as one of indie’s most in-demand percussionists (PoolsideToro Y MoiU.S. Girls). In 2018, she began recording songs with multi-instrumentalist and producer Stuart, who shares a background in jazz and pop in bands such as Bells AtlasMeernaa, and Luke Temple. Murphy’s musical talents are family heirlooms: her father, percussionist and engineer Patrick Murphy, taught Brijean her first patterns on a pair of congas that she inherited from the late Trinidadian steel drum legend Vince Charles (Neil Diamond). Growing up in LA’s Glassell Park, Murphy was raised by a cadre of honorary aunts and uncles – a deep bench of jazz, latin and soul musicians in their own rites. This meant she grew up regaled by musical lore – larger than life tales of jazz luminaries, psychedelic trips and obscure cultural enclaves – sampling some of those family stories and weaving them into her work.

Growing up outside of Chicago, Stuart found his way into jazz clubs and festivals as a teenager, frequently going to hear Jeff Parker, Fred Anderson, and other members of the AACM. While attending the University of Michigan, he studied under Detroit jazz royalty, Robert Hurst and Geri Allen. After college, Stuart became intrigued by the music of J Dilla and Moodymann, and began learning production and exploring the connections between jazz, house, and hip hop.

Eventually dubbed Brijean, the project grew out of marathon sessions at their intimate home-studio, wedged between touring schedules that rarely-overlapped. Their first effort, Walkie Talkie (released by Native Cat Recordings in 2019), found Murphy taking the mic for the first time to deliver dreamy dance tracks that felt home-cooked and effortlessly chic. Her layered percussion and hypnotic, expressive vocals coupled with Stuart’s production and harmonic palette evoked shades of disco, ‘90s house, and a sly pop sensibility. Ghostly International has also re-released Walkie Talkie alongside “Moody” which is the first taste of new, forthcoming material.

Stream “Moody”:
https://ghostly.ffm.to/brijean-moody

Keep your mind open.

[Why not subscribe while you’re in the mood?]

[Thanks to Patrick at Pitch Perfect PR.]