7th Level Music

Review: Thee Oh Sees – Live at Levitation (2012)

Thanks be to the Reverberation Appreciation Society for capturing Thee Oh Sees‘ first performance at the Levitation Music Festival back in 2012. As a result, we have Live At Levitation (2012). Thee Oh Sees / Oh Sees / OCS / OSees have since played Levitation many times, but this wild set featuring the band’s incarnation of Petey Dammit (bass), Brigid Dawson (keyboards, hand percussion, backing vocals), John Dwyer (lead guitar and vocals), Lars Finberg (drums), and Mike Shoun (drums) is a rare treat. They’d played in Austin, Texas (home of the Levitation festival) before, but not at the festival itself, so they were pumped.

It starts with one of their biggest fan-favorites, “The Dream,” and Dwyer’s guitar already sounds like it’s begging for mercy within the first few chords. Dammit’s bass on “Devil Again” (which is actually a guitar tuned to sound just like a bass) is relentless, and Dwyer sounds like he’s taking a belt sander to his guitar at one point.

The live version of “Tidal Wave” here is even faster than it normally sounds live, showing how amped the entire band was just three songs into their set. They take a moment or two to tune, and for everyone to take a couple deep breaths, before they stomp the gas pedal and launch into “Enemy Destruct,” sending the crowd into a wilder frenzy than just moments earlier.

You could almost call “Robber Barons” “Rubber Barons” because it has this slow bounce to it thanks to Dammit’s bass and Finberg and Shoun’s double-drumming that hits the heavy spots at just the right moments. The centerpiece is “Block of Ice,” which clocks in at over thirteen minutes in length and never relinquishes its groove. Dammit’s endurance on it is stunning, and every time you think the song has reached some kind of crescendo, Dwyer and his crew take it even further.

Dwyer assures the audience that he’s “mostly in tune” before they start the lively “Meat Step Lively,” which has this garage rock jangle to it that I love. The set ends with “Minotaur” and Dwyer singing about being stuck in the maze of a job that he hates but forces himself to wander through each day.

Then they’re off to “the Red Roof Inn” as they hand off the stage to Meat Puppets and The Brian Jonestown Massacre that year.

It’s a great addition to the “Live at Levitation” series and the Osees’ catalogue. Don’t miss it.

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Rewind Review: Acid Dad – Levitation Sessions (2021)

Released in the early days of the pandemic, Acid Dad‘s Levitation Sessions caught the band in a weird moment that many other bands were experiencing: They had a new album and couldn’t tour to promote it. Thankfully, the folks at the Reverberation Appreciation Society brought them into a safe studio and let them play many tracks of Take It from the Dead and some new stuff they were whipping up during lockdown – because, like every other band out there, what else were they going to do?

Staring with cool synths, interesting vocal samples, and other stuff that sounds like the opening to some early 1990s VHS instructional video, “Contact” immediately lets you know that this is going to be a weird trip (I mean, just look at the album cover.). “BBQ,” a staple food of their hometown of Austin, Texas, is a shoegazey tale of well-made plans going wrong at the slightest opportunity. “Mess with us and you’ll die hard,” they sing on “Die Hard.” The song is fairly upbeat for such heavy lyrics. It’s like a happy warning.

“Dissin'” tells the tale of pushing away a potential lover who brings far too much drama and not enough respect to the table. It has this cool, slow, psychedelic sound to it that’s just a touch sludgy. “Living with a Creature” and “Bada Bing” get a little countrified. Do I detect some CCR influence? “Marine” carries this sound along as Acid Dad tells a tale of dropping out of military school to go back to old friends who tend to overdose on party drugs. The guitars chug along like the best intentions of the song’s lead character and then expands into a groovy solo.

The groove appropriately kicks up a notch on “RC Driver,” which has a great guitar jam in the middle of it and killer bass throughout it. The groove cruises along so well that it flows into “2Ci” without a bump. They barely give you time to breathe before they get into “Don’t Get Taken,” the pace of which is like jumping on a skateboard and going straight down the middle of South Congress Street toward the river in Austin at midnight on Friday. If you know, you know.

They get heavy on “Mistress,” both in terms of the heft of the drums and bass, and the lyrics about being dragged down by giant squids and how love can be crushing. “Mr. Major” blends psychedelic jams with punk lyrics, and “Djembe” (which clocks in at over seven minutes) has the band telling us how ashamed they are of not only some of their past sins, but also everything we, as a society, are doing wrong.

It’s a cool session from a cool band who are exploring a lot of different ways to approach the psychedelic genre.

Keep your mind open.

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The Mary Onettes return with a new double single – “Forever Before Love / Future Grief.”

Swedish indie-pop masterminds The Mary Onettes return with a new double single, “Forever Before Love” b/w “Future Grief” on Welfare Sounds. These songs mark a return to the dreamy, overcast pop that has been The Mary Onettes’ trademark since first forming over 20 years ago, reiterating the signature craft that has put their music in the hearts of indie-pop connoisseurs around the world.

“‘Forever Before Love” is about finding the way back to yourself after a very long relationship. The process of trying to connect with the person you were before that,” explains The Mary Onettes’ main song writer Philip Ekström.

While “Future Grief” contains a guest appearance from Adnes Aldén, a close friend of brothers Philip and his brother Henri Ekström, an addition that gives the song an extra vocal dimension. “This track has been around for quite some time. We recorded the vocals with Agnes in 2016 and we have been waiting eagerly to share this one. Agnes wrote the lyrics for the verse and I wrote the words for the choruses, which gives the story a nice two angel perspective.”

Following the release of “Forever Before Love” b/w “Future Grief”, The Mary Onettes will embark on a headlining tour of Sweden, and perform a homecoming festival show in Huskvarna, before starting to work on their upcoming album.

The Mary Onettes formed in 2000 and quickly gained a devoted following with their unique brand of indie-pop, drawing comparisons to bands like The Smiths and Echo & the Bunnymen. Over the years, they’ve released a string of critically acclaimed albums and singles, earning praise from publications like Pitchfork and NME. Although development is crucial for a band, one thing has remained the same — the songs. The band revolves around Philip’s songwriting and although some songs have been stripped down, rebuilt or even thrown away throughout the years, they have kept coming.

With the recent release of the singles “What I Feel in Some Places” and “Easy Hands,” as well as the long-awaited vinyl treatment of their 2018 smash hit Cola Falls EP, The Mary Onettes have gained both creative momentum and international praise.

Keep your mind open.

[I’ll be in future grief if you don’t subscribe.]

[Thanks to Patrick at Pitch Perfect PR.]

WSND DJ set list for May 28, 2023

Thanks to all who listened to my late show on WSND last night. Here’s the playlist:

Janis Joplin – Piece of My Heart
JayWood – All Night Long
J Rocc – Chasing the Sun
De La Soul – Potholes in My Lawn
The Black Crowes – My Morning Song (requested)
Dave Dudley – Six Days on the Road
Underworld – I Exhale
Jacques Greene – (Baby I Don’t Know) What You Want
Cassius – Feeling for You
Atoms for Peace – Ingenue
Mexico City Blondes – Crimson
Around the World Pizza drive-in intermission ad
Hüsker Dü – Sunshine Superman
Ladytron – Fire
Ty Segall – When I Met My Parents (Part 3)
Devo – I’d Cry If You Died
Devo – Love Without Anger
David Bowie – Dancing Out in Space
Public Service Broadcasting – Tomorrow
The Last Four (5) Digits – Babaloo No More
Radio ad for I Eat Your Skin and I Drink Your Blood
The Raveonettes – Black Satin
Taste – Blister on the Moon (live) (requested)
ZZ Top – Burger Man (requested)
Heartless Bastards – Early in the Morning
The White Stripes – Stop Breaking Down
Radio ad for Blood Mania
Holy Serpent – Daughter of the Light
Brett Naucke – Catch Your Breath

I hope you all tune in next weekend. I’m back on air June 04th at 8pm Eastern!

Keep your mind open.

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WNSD set list: Deep Dive of Creedence Clearwater Revival

Thanks to all who listened to my deep dive of Creedence Clearwater Revival last night on. WSND. Here’s the set list:

Creedence Clearwater Revival – Bad Moon Rising
Little Richard – She Knows How to Rock
Bo Diddley – The Clock Strikes Twelve
The Beatles – I Want to Hold Your Hand (live)
The Blue Velvets – Come On Baby
The Blue Velvets – Have You Ever Been Lonely
Vince Guaraldi Trio – Cast Your Fate to the Wind
The Golliwogs – Don’t Tell Me No Lies
The Golliwogs – Porterville
Creedence Clearwater Revival – Suzie Q
Screamin’ Jay Hawkins – I Put a Spell on You
Creedence Clearwater Revival – Born on the Bayou (live)
Creedence Clearwater Revival – Penthouse Pauper
Ike and Tina Turner – Proud Mary
Creedence Clearwater Revival – Green River
Creedence Clearwater Revival – Down on the Corner (live)
Creedence Clearwater Revival – Fortunate Son
Creedence Clearwater Revival – Ramble Tamble
Creedence Clearwater Revival – Run Through the Jungle
The Ramones – Have You Ever Seen the Rain
Italian Girls – Hey Tonight
Creedence Clearwater Revival – Tearin’ Up the Country
John Fogerty – Jambalaya (on the Bayou)
John Fogerty – The Old Man Down the Road
John Fogerty – Joy of My Life

I’ll be back on air June 04th with a deep dive of The Jon Spencer Blues Explosion! Come get wild!

Keep your mind open.

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Charm School release “Simulacra” ahead of new “Finite Jest” EP due July 21, 2023.

Today, post punk band Charm School share their fire-y new track, “Simulacra” from their forthcoming debut EP Finite Jest out July 21 via sonaBLAST! Records.

“Simulacra” was tracked and mixed by Nick Roeder, and features drum programming by Matia Simovich “INHALT” who worked on MIA’s “Paper Planes” as well as on several Boy Harsher tracks. Both Simovich and famed Chicago engineer Steve Albini did alternate mixes of “Simulacra” which will come out later this year.

Andrew of Charm School says, “‘Simulacra’ is our attempt at skewering the politics of now over a good dance beat. By way of Jean Baudrillard the song addresses our society’s profound sense of disconnection resulting from our constant interaction with fabricated representations of reality. Aka the disquieting fact that these counterfeit depictions of life are increasingly valued over reality itself, and the even more troubling reality that social media companies are profiting handsomely from this exploitative situation.”

Charm School is Andrew Sellers’ (aka Andrew Rinehart) new music project with longtime collaborators Matt Filip and Drew English and drummer and multi-instrumentalist Jason Bemis Lawrence. The name change signals a move away from Sellers’ folk and pop-based songwriting (as evidenced by his recent duet with Bonnie “Prince” Billy) toward a much darker and more aggressive sound. Think 70s post-punk mixed with 90s post-rock and you’ll be close. Originally from Louisville, KY, Sellers has paid his dues in both the NYC and LA DIY music scenes, co-founding The Body Actualized Center in Bushwick and booking shows at Basic Flowers in Downtown LA. Charm School represents a return to his punk and hardcore roots, to the kind of music that shaped his musical consciousness as a teenager (bands like Slint, The Jesus Lizard, Nation of Ulysses, Fugazi, etc.).

Keep your mind open.

[I’d be charmed if you subscribed.]

[Thanks to Alex at Terrorbird Media.]

Review: Rich Aucoin – Synthetic – A Synth Odyssey: Season 2

Rich Aucoin has one of those hobbies that I might have if I won some massive Powerball jackpot. He collects and plays vintage synthesizers and puts the results onto albums like Synthetic – A Synth Odyssey: Season 2.

You know you’re in for something special as soon as the first notes of “Wav” start playing from a 1939 Hammond Novachord (considered the first analog synthesizer) and the stacking, beautiful beats begin to lift your heart. It sounds like Fatboy Slim could’ve recorded this yesterday, but he didn’t and he’s probably wishing he could raid Aucoin’s storage facility as a result. “Shift” definitely shifts the feel of the record, sounding like the music you’d hear as you race alongside a magnetic track bullet train on your personal hover-bike in the year 3023.

Aucoin’s label describes “Pure” as sounding like 1990s French house music, and I’m not sure I can describe it any better than that. It’s a delightfully fun track. “Space” does indeed send you out of orbit and toward a distant nebula full of stars and growing planets. “Tech Noir” gets a bit symphonic, and, by the way, uses the same EMS VCS3 Prototype (on the cover, fourth column, four down from the top) used on Dark Side of the Moon.

“Roger Luther” is named after (and played on) the Moog synthesizer (on the cover, third column, second one down from the top) that’s named after a Moog employee who eventually became the company’s general manager. It peppy and a bit dangerous, reminding me of some darker Devo tracks.

“Lyra” has kind of a hip-hop sound to its beats and synth bass (and vocal loop). “Prophet” is at first what Pimpbot-3000 plays on his Sony Walkman as he struts down the street, and then it blooms into a video game hero’s anthem. The closing track, “Liminal,” is a subtle one that helps you slowly float back down to Earth and leaves you feeling a bit giddy and warm afterwards…like good sex.

It’s a neat project and a neat record, and Aucoin makes all these vintage synths sound like they’re brand new.

Keep your mind open.

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[Thanks to Jessica at Ramp Global PR.]

Kedr Livanskiy send her new single “With Love K…”

Producer / musician Kedr Livanskiy (neé Yana Kedrina) returns with a dance-floor-ready new EP, K-Notes. It’s an expert fusion of drum and bass, trance, and alt-pop anchored by Kedrina’s signature crystalline vocals. K-Notes feels at once nostalgic and remarkably current: Livanskiy filters today’s UK revivalism through her own unique lens, shaped by her upbringing in Russia’s underground music scene and her personal love of early electronic and alternative music.

Kedrina’s longstanding fascination with the natural world is still apparent in her lyrics, sung in her native Russian. Throughout these tracks, lovers disappear into clouds, seek shelter from the rain, and look back fondly on summers past. As always, Kedrina has a remarkable knack for world-building: her rich compositions envelop the listener in a dream-world so visceral that it transcends the barriers of language. Concise but immersive, K-Notes is a fresh dose of ebullience from an artist at the top of her craft.

Its vivacious lead single “With Love K…” is a melodic drum-and-bass love song and is out today alongside its amorous / nostalgic video which Kedrina directed herself.

Watch / Share “With Love K…” (Official Music Video)

Bright and upbeat, K-Notes is more akin sonically to Kedrina’s 2019 album Your Need than her recent work. Where Your Need was a neon-tinged ode to early house, dub, and breakbeat, Liminal Soul saw her infuse her electronic compositions with organic textures and hone in on her vocal technique. More recently, she chased that inspiration further and teamed up with her partner Flaty to form the indie duo Kosaya Gora, experimenting with guitar-based folk and dream pop compositions on their debut record Kosogor. Her artistic focus has once again found the dance floor, and on K-Notes she channels the sounds of her spirited live show into a dynamic new collection.

K-Notes sees its release solely across digital platforms on Thursday, June 22 via 2MR. Pre-save it here.

Keep your mind open.

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[Thanks to Bailey at Another Side.]

Snõõper’s new single, “Fitness,” is your new favorite workout song.

Today, Nashville-based DIY outfit Snõõper present the rousing new single/video, “Fitness,” from their forthcoming debut album, Super Snõõper, out July 14th on Third Man Records. “Fitness” maintains the high octane speed of frantic lead single “Pod,” and its accompanying video — directed by vocalist Blair Tramel — showcases the puppetry used in their live performances. Almost all of the props and puppets in the video were made and reassembled by Tramel, and the video offers a glimpse of the playful mayhem that can be expected at one of their storied concerts. Of “Fitness,” Tramel states: “‘Fitness’ was written just for fun without much thought, which is exactly the way I think working out should be. This song is about competition, doing things for the validation of others, and how ridiculous that can be. Before our first show, I made a paper mache weight to use during this song. It was our very first prop and the only prop we used for a while. ‘Fitness’ is a special song to us because it is still one of our most fun songs to play live.”
Watch Snõõper’s “Fitness” Video
Snõõper is a band who, in a 33 ⅓ RPM world, make 45 RPM music they play at 78 RPM. They maintain super precise instrumentals and skillfully melodic vocals, even though they’re flooring it almost the entire time. Snõõper doesn’t play fast; they play at the speed of Snõõper. The project began in 2020 as a collaboration between local Nashville punk mainstay Connor Cummins (guitar) and Blair Tramel (vocals), an early education teacher with a sideline in wickedly funny animation and art. As their cassette tapes and homemade videos began to find scattered fans around the world, the duo brought the project to the live stage in late 2021 with the addition of Cam Sarrett (drums), Happy Haugen (bass), and Ian Teeple (guitar). Thus, Snõõper was born. Their debut album, Super Snõõper, was recorded at The Bomb shelter in Nashville. It follows EPs “Music For Spies” (2020), “Snõõper” (2021), and “Town Topic” (2022), as well as the live album LIVE AT EXIT/IN 11-23-22, released this past February. Given the brief glimpses into Snõõper’s music from their 7”s, EPs, and thrilling live performances, one might wonder if the group could hold the line for a full album. The answer is an enthusiastic yes. In the words of Henry Rollins, “Speaking selfishly, I want Snõõper to hurry up and make another album. Super Snõõper is a really cool record.” This summer, Snõõper will play a handful of shows in the US before embarking on an Australian tour. A full list of dates is below, with more to be announced soon.
Watch “Pod” Video
Listen to “Fitness”
Pre-order Super Snõõper

Snõõper Tour Dates
Fri. June 2 – Athens, GA @ 40 Watt
Sat. June 3 – Savannah, GA @ Dog Days Fest ^
Sun. June 4 – Atlanta, GA @ Sabbath ^
Mon. June 5 – Nashville, TN @ Soft Junk ^
Fri. June 16 – Gold Coast, AU @ Vinnies Dive Bar #
Sat. June 17 – Brisbane, AU @ The Bearded Lady #
Thu. June 22 – Wollongong, AU @ La La La’s
Fri. June 23 – Sydney, AU @ Oxford Art Factory #+
Sun. June 25 – Newcastle, AU @ Hamilton Station Hotel
Thu. June 29 – Canberra, AU @ Sideway Bar
Fri. June 30 – Melbourne, AU @ Last Chance Rock & Roll Bar
Sat. July 1 – Melbourne, AU @ Nighthawks %
Sun. July 2 – San Francisco, CA @ Mosswood Meltdown
Wed. July 5 – Vancouver, BC @ Green Auto
Fri. July 7 – Portland, OR @ Doug Fir Lounge
Sat. July 8 – Seattle, WA @ Clock Out Lounge
Fri. Oct. 13 – Sun. Oct. 15 – Austin, TX @ Austin City Limits Festival

^ w/ Prison Affair
# w/ Gee Tee
+ w/ RMFC
% w/ Parsnip

Keep your mind open.

[Subscribing will keep your mind fit!]

[Thanks to Ahmad at Pitch Perfect PR.]

Girl Ray lift us “Up” with their new single.

Last month, London band Girl Ray announced their third LP, Prestige (out August 4th on Moshi Moshi). The three-piece comprising Poppy Hankin, Iris McConnell and Sophie Moss, made an immediate impact with the release of their 2017 debut Earl Grey on the influential indie Moshi Moshi (Anna Meredith, Florence & The Machine, Kate Nash), which channeled the baroque 70s soft pop of Todd Rundgren through the scrappy aesthetics of 80s UK indie and earned high praise from outlets like Pitchfork, The Guardian, Stereogum and FADER among many others. Their second LP, 2019’s Girl, saw the band change direction dramatically, taking on a kind of indie-fied R&B that The Guardian described as “the great sound of a band getting pop wrong,” and in 2021 the band returned in yet another new guise, releasing the one off, house-adjacent single “Give Me Your Love” that was produced with Hot Chip‘s Joe Goddard and Al Doyle.

Their latest album, which they made with the revered producer Ben H Allen (Gnarls Barkley, Animal Collective, MIA, Belle & Sebastian), sees the band adjust the formula once more, incorporating a disco influence that in Girl Ray’s hands led FADER to describe their sound as the music “Dua Lipa would make if she was more used to playing pubs than arenas.” The early response to their new direction has been extremely enthusiastic in the press, with the lead single “Hold Tight” and pre-announce track “Everybody’s Saying That” earning praise from outlets like FADER, Billboard, Paste, Consequence, BrooklynVegan, Line of Best Fit, Clash, The Guardian, Under The Radar and Stereogum who described the lead single as “like if Haim were hopping on Vampire Weekend tracks when Rostam was still in the band.”

Today, the band are sharing a new preview of their new album, the groove-oriented “Up” that recalls Young Americans-era Bowie as filtered through the blended synths and strings aesthetic of early Giorgio Moroder.

LISTEN: to Girl Ray’s “Up” HERE

About the track, Poppy Hankin, says:

“This song was written at the beginning of my current relationship, and it deals with all the emotions of a fledgling romance: adoration, self-doubt, and everything in between! Musically we wanted to pay homage to the sparseness of Queen’s ‘Cool Cat’, and the groove of Bowie’s ‘Fame.'”

In support of the new LP Girl Ray have announced a UK tour that will begin in November. Full details can be found below.

Prestige will be released August 4th on Moshi Moshi. It’s available for preorder/presave here.

Tour Dates
04/08 – London, Rough Trade East
09/08 – Nottingham, Rough Trade Nottingham
10/08 – Bristol, Rough Trade Bristol
17/08 – Brecon Beacons, Green Man Festival
12/11 – Amsterdam, Paradiso
13/11 – Hamburg, Aalhaus
14/11 – Copenhagen, Ideal Bar
16/11 – Berlin, Marie-Antoinette
17/11 – Brussels, Witloof Bar
20/11 – Paris, Boule Noire
21/11 – Brighton, Patterns
22/11 – Bristol, Fleece
24/11 – Manchester, The Soup Kitchen
25/11 – Glasgow, Room 2
26/11 – Dublin, The Workmans Club
28/11 – Leeds, Belgrave Music Hall
29/11 – Nottingham, Rescue Rooms
03/12 – London, Village Underground

Keep your mind open.

[You can lift me up by subscribing.]

[Thanks to Tom at Hive Mind PR.]