punk – Page 4 – 7th Level Music

WALL – self-titled EP

I’m happy to report that fun post-punk music is alive and well thanks to New York’s WALL (Vanessa Gomez, Vince McClelland, Elizabeth Skadden, Samantha York). Their four-song EP is a jolt of lightning to everything drab coming out of your radio right now.

“Cuban Cigars” is a middle finger to rich douchebags full of skronky guitars and visceral lyrics like, “These guys they got the money, only once they’ve been to the laundry.” It’s one of my top singles of the year so far. “Fit the Part” is a great mix of X (sing-along / shout vocals), Buzzcocks (beats and guitar), and Circle Jerks (attitude). “Last Date” could be an early Devo track, but it’s really more of a paranoid freak-out fueled by McClelland’s Gang of Four-influenced guitar. Just when you think they’re all about post-punk madness, along comes “Milk,” which is neo-psychedelic rock (Post-psych? I should trademark that term.) with slightly reverbed vocals and building instrumentation that is perfect for tripping or getting ready for a fight.

This EP is a shot across the bow of modern rock. WALL have put up a metaphoric version of their namesake and dared anyone to scale it. It’s covered in spikes, barbed wire, fuzzy amps, and four New York rockers atop it ready to stomp down anyone who even tries to climb up there. They can’t release a full-length album soon enough for my tastes, and the sake of the world.

Keep your mind open.

https://www.youtube.com/watch?v=0iVcNAb-iC0

[No douchebags here, just good music when you subscribe.]

La Basura Del Diablo – Necrophagus

La Basura Del Diablo (Whitey Mack – vocals, Chris Howler – bass, G.W. Swift – Guitar, Mick Dagger – Drums) warn you on the back of their new album, Necrophagus, to “not listen to this album alone!” This is because Necrophagus is not for the timid. It is a wickedly good slice of horror rock, so don’t say you

“Welcome to Hell” certainly is a great title to open a record, as is Howler’s thick bass riff on it. “Season of the Dead” has a nice bit of a psychobilly guitar feel from Swift and Damned-influenced vocals from Mack. “Creature from the Unknown” is nearly three minutes long, but Swift’s guitar and Dagger’s drums are so break-neck that it seems to go by in half the time.

“My Tomb” brings out the Danzig influence on Mack’s vocals, and I like the way Dagger’s drum fills change up in the chorus. “I Was a Teenage Ripper” sounds like a lost Misfits track, and it’s nothing but sweaty, mosh-inducing fun. Swift shreds on it and Howler and Dagger tear through it like they’re bursting through a door harder than Jason Vorheeves.

“Eighteen-Eighty-Eight” is early 80’s British fuzz punk and the about the patenting of the first wax drinking straw on January 03, 1888.

Just kidding, it’s about Jack the Ripper.

“Boogey Man” is the type of song you wish Social Distortion would go back to recording – tough vocals, near-metal guitar, and take-no-prisoners rhythm section. The album finishes with “I Drink Your Blood,” which makes me wonder if the first song on La Basura Del Diablo’s next record will be “I Eat Your Skin.”

You need to look up these guys if you’re a fan of horror rock and movies. They come out swinging, and bands willing to get their knuckles bloody are what rock needs right now.

Keep your mind open.

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The Lumberjerks – Four More

I was pleasantly surprised to receive an envelope in the mail from Joliet, Illinois’ punk rockers the Lumberjerks. It contained their newest EP – Four More – and a letter stating the album was recorded on good ole fashioned reel-to-reel analog tape. The name of the band was enough to peak my interest, especially when I considered it might’ve been taken from the Looney Tunes cartoon of the same name in which the proper English-speaking chipmunks Mac and Tosh run afoul of a lumber mill.

The power trio belt out four tunes in less than ten minutes. “Trailer Trash,” with its better-than-an-alarm clock drumming, sticks a middle finger back at Uncle Sam and gives shout-outs to the Misfits and Sex Pistols. “Schizo Episode,” with its near-metal riffs and angry vocals captures bipolarity better than any mopey emo band could ever hope to try. “Somthin” has some of the best guitar work on the record and must be one of their best live tunes. The closer, “Garage Hopping,” is about wanting to break out of the rut of delinquency yet being tempted by the occasional thrill of it. It also proves that the Lumberjerks aren’t just snotty punks who enjoy booze and the occasional “bag of shake in cellophane.” They are good musicians. The bass work carries the track while the guitars slam throughout it and the drums change directions when you least expect it.

You can find the Lumberjerks on Bandcamp, where you can get Four More and their first EP, First Three, at ridiculous prices. A full album by these cats will be something to snag once it’s released.

Keep your mind open.

The Strypes release first live record – Live in Tokyo 2015.

Young Irish rockers The Strypes have released their first live record, currently available on iTunes UK and Soundcloud, Live in Tokyo 2015. It has ten tracks of their great blues-laced, raucous pub rock that draws influences from early Rolling Stones all the way to Arctic Monkeys. These lads only get better with each record.

Gang of Four to release live album, and you can get a signed copy.

British punk legends Gang of Four have a new PledgeMusic campaign in which you can order their upcoming live album – Live in London.

The campaign offers the live album as a digital download for about $12.00, but you can upgrade to a signed copy of the CD (recorded at London’s Islington Assembly Hall) and a DVD of their show at New York’s Irving Plaza from last year for only $26.00. That’s a good deal for a nice collectible, and I’ll probably jump on that.

Other fun offers include tickets to a future live show with a meet and greet, a signed set list, and even a microwave they tried to destroy on stage multiple times during their 2015 tour.