The inaugural Middle Waves festival was an inside-the-park home run.

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Fort Wayne’s first “destination” music festival, Middle Waves, was last weekend and a big hit with the crowd.  Future festivals will only be better judging by how well the first one went.

I knew it was going to be at least an interesting festival when I walked into “The Village” area (where all the vendors were) looking for my press pass and saw this.

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Deep fried chicken on a stick.  I didn’t eat there.  For my money, the best deal and food there was from the Vietnummy food truck.  A bahn mi lemongrass chicken slider for only five bucks?  I’m in.  I’m in all day long.

Bahn mi slider in hand and press pass around my neck, I went to check out my first band of the festival – Nashville’s Bully.  I’d only heard a couple tracks, and I liked their mix of heavy rock and post-punk.

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Bully

They killed the Maumee Stage with a fierce performance that won over the crowd within minutes.  Seeing them might be the closest I get to seeing X-Ray Spex in concert.  It was full of wild guitar and drums, Cure-like bass, and frantic vocals.  People were still talking about them the next day.

I finished Friday night like many others – by seeing Best Coast on the main (St. Mary’s) stage.  I’ll admit that I hadn’t heard a lot of their material before this, but there were many in the crowd who sang to everything they played.  I liked the blend of surf-psych with dream pop.  The gay man going nuts next to me when they played “Boyfriend” was one of the highlights of the crowd for me.

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Best Coast

 

Heavy rain hit the area overnight and through most of Saturday morning.  I hoped it wouldn’t keep the crowds away, and I’m sure the Middle Waves staff was watching local weather radar like a hawk the entire day.  One band was playing on a makeshift stage in the covered food vendor area when I got there due to the Maumee Stage being rained out that morning.

Luckily for all, however, the rain cleared around 3:00 and the sun came out bright and happy.  The St. Mary’s stage field had straw scattered all over it to prevent massive mud pits from forming, so it soon smelled like a wet barn out there.  You didn’t notice the smell once Jeff the Brotherhood began playing, because their sonic assault almost knocked us flat.

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Jeff the Brotherhood

They played several tracks from their new album, Zone, which I need to get soon. A lot of it has a great stoner rock vibe that borders a bit on doom metal.  It seems heavier than some of their previous stuff, which is fine by me.

I took a break after their set to drive down to Neat Neat Neat Records (profile coming soon), and they were playing Bully.  The clerk and I raved about their set and I was soon walking out with three used CDs.  I made it back in time to see Ft. Wayne’s hometown psychedelic heroes – Heaven’s Gateway Drugs.  They put on a fine set of their sun-soaked psych on the bank of the Maumee River to a welcoming crowd.  I hadn’t realized until this set how some of their stuff sounds like early New Pornographers (which is a good thing).

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Heaven’s Gateway Drugs

I took an extra long break to get in a full meal (Smoked pulled chicken, cole slaw, and potato chips for eight bucks?  Sold!) before seeing The Flaming Lips.  People had been camped out all day to claim spots for the show.  My favorite ones were these two.

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I thought, “That’s my wife and I in twenty years.”

The Flaming Lips didn’t disappoint.  It was a party from the very first song.

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The confetti came from cannons, but I still don’t know from where the giant balloons emerged.

The crowd was jumping, singing, smacking around balloons, and cheering for lizards in yellow suits and boat captain catfish.

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That’s an inflatable Santa Claus in the background.

Their light / stage show is something you have to see to fully appreciate.  Strings of lights, kaleidoscopic gongs, confetti cannons, and glitter are all thrown into the mix.

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Everyone loved the rainbow. Who wouldn’t?

Lead singer Wayne Coyne kept the crowd cheering and moving, especially when he came out in a giant bubble during the band’s cover of David Bowie’s “Space Oddity.”

img_3644It was a great performance under a full moon, and a good omen for future festivals.  The early afternoon rain was the only thing keeping the first Middle Waves festival from being an out-of-the-park home run, but that’s nothing the promoters and staff could control.

I’m sure the number of national touring acts will grow in the future, as all of the ones there this year praised the festival and the crowds.  A master stroke by the festival is having two free stages.  The Maumee and St. Joseph stages were free for everyone.  The St. Mary’s main stage was the only one with paid admission.  Anyone could’ve come to the festival with no money and still have seen twenty bands (including that jaw-dropping set by Bully, mind you).

Here’s to the future, Middle Waves.  It looks good for you.

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Keep your mind open.

[Many thanks to the Middle Waves staff and crew, and especially to Emma and Maggie for setting up my press credentials for the festival.]

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Night Beats announce U.S. west coat tour.

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Don’t miss your chance to see Night Beats if you’re on the west coast.  They’re hitting it hard through November and touring with Mystery Lights – a band I’ve been meaning to check out for a couple weeks now.

The Night Beats are killing it right now, and I’ve yet to see them put on a bad show.  They are well worth your time and money.

Keep your mind open.

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Middle Waves festival announces full inaugural lineup

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Fort Wayne, Indiana’s first ever Middle Waves festival has released its full lineup for 2016.  The festival’s additions are heavy with Fort Wayne bands (go figure) that range from Americana (James and the Drifters) to rap (Andromeda and Sankofa) to electro (Metavari) to psychedelic (The Be Colony).

Added acts from outside Ft. Wayne include the Ike Reilly Assassination, Tanlines, and Oddisee.

Early bird prices on tickets are gone, so get your tickets before they’re gone or prices rise.  They also plan to announce more bands and daily lineups soon.

Keep your mind open.

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Live: Seal – August 27, 2016 – New Buffalo, MI

I’ve been meaning to make it up to my wife for dragging her to see Japanese acid rockers Bo Ningen (a band she just doesn’t understand) at Levitation Austin a couple years ago, so I thought taking her to see Seal might do the trick.

He played at the Four Winds Casino Silver Creek Event Center in New Buffalo, Michigan.  The “Silver Creek Event Center,” mind you, is just a big carpeted room the casino can use for everything from a Seal concert to a wedding reception. It is much smaller than the venue  map on Ticketmaster’s website makes it appear.  I’m happy to say that the acoustics in the place are quite good, however.  The whole show sounded great.

Part of that is because Seal is a great performer.  It was him, a DJ / synthesizer player, and a guitarist on stage.  No drummer.  No horn section.  No bass player.  They didn’t need any of them.  Seal opened the set with “Crazy,” his biggest hit here in the U.S., and the crowd was instantly on its feet.  His voice hasn’t lost any power since the song was released in 1991, and I loved the way his band turned it into a bit of a dark wave tune with the synth work.  “Killer,” another early hit, followed it with even more of a dark wave feel to it with heavy synth bass.

IMG_3326The first track they played from Seal’s new album, 7, was “Daylight Saving,” a gorgeous love song that preceded another from the same album, “Do You Ever.”  “Prayer for the Dying” was another heartbreaking cut (to the point it made my wife cry) that led into “Love’s Divine.”

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A surprise was his cover of Hall & Oates‘ “Sara Smile” (with Seal on back-up guitar).  “Love,” the last song on 7, led into the first verse of David Bowie‘s “Space Oddity,” and I thought my wife was going to slide off her chair.

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“Deep Water” was another beautiful track, and then came another surprise – Seal’s cover of Tears for Fears‘ “Mad World,” which he dedicated to the victims of the recent earthquake in Italy.  “My Vision” and “Right Life” got everyone up and moving again, and he even threw in a little bit of Chic‘s “Le Freak.”  The fourth cover of the night was Prince‘s “Hot Thing,” which was one of the funkiest tunes of the night and closed out the main set to a standing ovation.

The encore consisted of “Kiss from a Rose” and then another track from 7, “Life on the Dancefloor,” which had everyone dancing and grooving and leaving on a good buzz.  I saw two ladies a few rows behind us when the houselights came up, and they were dumbfounded in their chairs.  They didn’t move for several minutes.

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I asked my wife if the show made up for Bo Ningen.

“Almost,” she said.  “Probably the Bo, but not the Ningen.”

I took that as a win.  Thanks, Seal.

Keep your mind open.

Desert Daze festival lineup nearly complete.

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The 2016 Desert Daze festival in Joshua Tree, California (Oct. 14-16) is turning out to be one of the best festivals of the year from the lineup alone.

The Sonics, Temples, Bombino, Gary Wilson, and Death Valley Girls alone are all worth the Friday admission.

As for Saturday, you get Primus, the Black Angels, Thee Oh Sees, the Raveonettes, the Coathangers, Night Beats, Ryley Walker, Vinyl Williams, and L.A. Witch.

Sunday brings you Television!  Television!  Add the Brian Jonestown Massacre, Dead Meadow, and Deap Vally to the mix and you have a killer final day.

A three-day pass is only $165.00.  That’s a steal.

Keep your mind open.

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Live: Heaven’s Gateway Drugs, Pleasures, Sisters of Your Sunshine Vapor, & Slug Love – August 14, 2016 – Ft. Wayne, IN

There was a nice psychedelic rock show at Fort Wayne’s Brass Rail last week.  First up was Slug Love – a local act who played a good set of punk-psych.  They have some stuff on Soundcloud right now and hope to have more material out soon.  I look forward to it.

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Slug Love

Detroit’s Sisters of Your Sunshine Vapor were up next and they played only one previously released song (“Desert Brain”).  Everything else was entirely new material, and all of it sounded great.  The new material has a bit of a cosmic vibe.  Guitarist and singer Sean Morrow mentioned Hawkwind to me when discussing the new stuff, so I’m hoping their upcoming album will be a spacey trip.

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Sisters of Your Sunshine Vapor

Pleasures came all the way from Florida to play their wild electro-psych full of distorted robot vocals, throbbing synths, and even a weird collection of film clips projected on their kick drum head (a genius idea, by the way).

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Pleasures

Ft. Wayne’s Heaven’s Gateway Drugs closed the night with a lot of material I hadn’t heard before either.  I’d learned earlier from SOYSV that this was a challenge they’d made to HGD to play new material (The two bands are all pals, by the way.).  HGD played their usual sharp psych layered with almost meditative beats.

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Heaven’s Gateway Drugs

It was a fun show for a cheap price.  Don’t miss the next one.

Keep your mind open.

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Live: L7 and Radkey – August 06, 2016 – Chicago, IL

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The closest I came to seeing L7 in their first heyday was when they were on the 1994 when they were on the Lollapalooza tour.  We got to what was then known as Deer Creek Music Center (and is now know as Klipsch Music Center) in Noblesville, Indian a bit late and we could hear L7 wrapping up their set with “Pretend We’re Dead” from the parking lot.

I wouldn’t have the chance to see them again for another 22 years.  They played a sold out show at Chicago’s Metro (one of my top favorite venues in the city) on August 06, 2016, and it was definitely worth the wait.

Punk trio Radkey opened the show with a damn fine (and prompt – 8pm sharp) set that sounded like a combination of the Damned and the Misfits.  The crowd was appreciative and they got everyone geared up for more heavy rock.

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Radkey

L7 came out to a packed house of punks, Gen X’ers, MILFs, DILFs, gays, straights, and at least one woman in her 70’s I saw heading up to the balcony to watch the show.  They opened with “Deathwish,” and immediately proved they haven’t lost a thing since that Lollapalooza gig.

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“Deathwish” – Charles Bronson would’ve been proud.

Donita Sparks belted out the “Deathwish” lyrics and everyone in the packed, hot crowd was in the band’s hands within seconds.  Suzi Gardner then bellowed “Andres” and Jennifer Finch knocked out “Everglade.”  They came out swinging with three hard rockers and everyone was on their heels with joy and dizziness.

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“Monster” (with Dee Plakas‘ much-beloved cowbell in full effect) and “Scrap” had everyone grinning.  “Fuel My Fire” had everyone jumping, and it’s easy to forget how heavy “One More Thing,” “I Need,” and “Slide” are until you hear them live.

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“I Need”…more L7 shows.

There’s no mistaking “Crackpot Baby” for anything but a fist to the face, especially with Sparks singing so loud that I’m sure people in the SmartBar downstairs could hear her.  Two cuts from The Beauty Process: Triple Platinum followed – “Must Have More” and the always-excellent “Drama.”

The rest of the crowd and I were happy to chant and pump our fists to “Shove,” and “Freak Magnet” was a nice lead-in to my favorite surprise of the night – Finch (rocking age 50 and a Misfits-logo bass) and crew performing her song “Shirley” (a great tune off Hungry for Stink about NHRA drag racing champ Shirley “Cha-Cha” Muldowney).

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Don’t you dare pinch her ass. Suzi Gardner knocking out “Shove.”

They closed with, of course, “Shitlist,” which had everyone completely batshit by this point.

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The encore was “American Society” (another great rare cut), “Pretend We’re Dead,” and the (finally!) mosh pit-inducing “Fast and Frightening” (which, if you didn’t know, has perhaps the most rock lyric of all time).

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So much clit they don’t need no balls.

It was a great show with a great crowd.  The Metro blasted Dee-Lite’s “Groove Is in the Heart” after the encore and nearly everyone was dancing on top of crushed plastic cups and spilled beer (myself included).

Thanks, L7, for reuniting and giving us these shows.  We needed them, and I hope it won’t take me another two decades to see you again.

Keep your mind open.

[Thanks to Robert Fagan for getting me a press pass to the show, the lady working the press table at the Metro for being so helpful, and to Hannah – my +1 for the night.  I’m glad to have met you and that you had a good time.]

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Atlanta’s Music Midtown announces lineup for 2016.

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Atlanta’s Music Midtown festival has announced its 2016 lineup for September 17-18th  It’s a good mix of rock, rap, electro, and R&B.  Beck, Deadmau5, the Killers, Alabama Shakes, and the Coathangers are all worth seeing.  Weekend tickets start at $125.00 and will only go up as the dates get closer.

Keep your mind open.

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Live: John Carpenter – July 15, 2016 – Detroit, MI

The Detroit Masonic Temple Theatre building is a massive, imposing place.  It’s gorgeous, and this is the first thing we saw there.

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We were there to see John Carpenter’s live film music retrospective, so this sign was a good one that the show would be outstanding.

Carpenter and his band (which includes his son, Cory, on keyboards and synthesizers, and his godson, Daniel Davies on lead guitar) have been on tour most of the summer and the Detroit date was one of the last three in the U.S. before embarking on a tour of Europe and the United Kingdom.  I wasn’t going to miss this show, and I was delighted to see a screening of Escape from New York had been added to the bill since I bought the tickets.  The screening was a hoot, with people hissing every time Snake Plissken was on screen, cheering for every major cast member, and laughing at Lee Van Cleef’s giant “futuristic” walkie-talkie.

Carpenter and crew opened with the Escape from New York theme and then gave us a great show combining film theme music and cuts from his two recent albums – Lost Themes and Lost Themes II.

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The “Escape from New York” theme while recent 90-year birthday boy Harry Dean Stanton watches over us.

IMG_3034“Vortex” from Lost Themes was particularly good live, and the crowd went crazy for the theme to Assault on Precinct 13.  Of course, they put a fog machine to good use for the theme from The Fog (one of the best ghost movies ever made).

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John Carpenter in stage fog playing the theme from “The Fog.” What more could you want?

The crowd was having a ball (and many were hammered drunk) by this point.  The theatre’s air conditioning was working at minimal levels, so everyone in the joint was sweaty and a bit rowdy.  We would’ve been miserable had it not been for Carpenter and his band tearing it up through the theme to Big Trouble in Little China and nice cuts from Lost Themes II like “Distant Dream.”  Davies, by the way, is a great guitarist.

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The crowd went absolutely nuts when this happened.

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The subliminal messages from They Live played on the screen, cutting into the film scenes shown throughout the theme.  The movie, which is more prescient now than ever, and its theme struck a chord with the audience, and it was great to see the whole band wearing sunglasses in the spirit of Roddy Piper and Keith David.

Of course, they got a standing ovation for the Halloween theme.

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I was also delighted to see and hear them play the themes from some of Carpenter’s lesser-seen works – In the Mouth of Madness (which I really need to see again) and the completely bonkers Prince of Darkness.  They ended with Carpenter telling us, “Remember, as you go home, drive safe.  Christine is out there!” before launching in to the Christine theme.

It was a great show, and one I’m glad I didn’t miss.  Catch them if you can.  It’s a must-see if you’re a fan of horror films, film scores, Carpenter’s work, or cinema.

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Keep your mind open.

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Levitation France announces daily lineup and additional bands.

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Levitation France has released single-day tickets, daily lineups, and additional band announcements.  The additions of FollakzoidAlex Mass (of the Black Angels), and Klaus Johann Grobe are great ones.  Don’t miss this festival.  It’s sure to be an excellent two days.

Keep your mind open.

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