Following the release of their new concept album, Hollow, Elephant Stone have announced a spring North American tour starting with a free show in Winooski, Vermont and ending in Chicago, Illinois. All tour dates are with DJ Al Lover, with whom Elephant Stone‘s lead singer / bassist / sitarist Rishi Dhir has worked in the past with their Acid House Ragas project. Tickets are available for all dates.
4/29 Winooski VT @ Foam Brewers FREE SHOW 4/30 New Haven CT @ State House TICKETS 5/1 Brooklyn NY @ The Sultan Room TICKETS 5/2 Allentown PA @ Muhlenberg College TICKETS 5/3 Washington DC @ Comet Ping Pong TICKETS 5/5 Cleveland OH @ Beachland Tavern TICKETS 5/6 Indianapolis IN @ Square Cat Vinyl TICKETS 5/7 Windsor ON @ Meteor TICKETS 5/8 Milwaukee WI @ Milwaukee Psych Fest TICKETS 5/9 Chicago IL @ Sleeping Village TICKETS
We started the fourth day at the Levitation Music Festivalwith another tradition – the Sunday gospel brunch at Threadgill’s restaurant. It’s a pretty good deal, and the music always sound good. The band there this year was the Levites, and they were having a great time.
The first band we saw at the festival was Acid House Ragas, which consists of DJ Al Lover on synths and beats and can-we-call-him-a-friend-by-now? Rishi Dhir on sitar. They got the festival off to a nice start with meditative drone music.
Acid House Ragas at Stubb’s BBQ.
We left Stubb’s to grab a bite at the Moonshine Cafe, which serves “southern comfort food.” Holy cow. That was some of the best blackened catfish I’ve had in a long time. After stuffing our bellies, we returned to Stubb’s in time to almost bump into Christian Bland of the Black Angelsand Christian Bland and the Revelators. This was the fifth time I’ve met him, and I thanked him again for the festival. He and his bandmates help curate it, and I told him it was our fourth year there and we already had tickets for Levitation Francein the fall. He thanked me and was excited to hear we were going to the fall festival. He’s always in a good mood whenever I bump into him.
We caught most of the set from the Brian Jonestown Massacre. My wife flipped out when she realized band member Joel Gion was “the tambourine guy from Gilmore Girls.” They put on a set to an always appreciative crowd, and frontman Anton Newcombe encouraged all of us to quit using pesticides in order to save bees. We also met up with James from Ancient Riverand his wife, Nakia, while there. We hadn’t seen them since 2014, and I hadn’t seen James since 2015 when he and his bandmate, Alex, played a gig in Ft. Wayne, Indiana. It was great to catch up with them and meet friends of theirs from England who were also at the show.
Brian Jonestown Massacre
Mr. Newcombe later walked through the crowd during the Black Angels‘ set, shaking hands with yours truly and many other fans. The woman behind me gave him a big hug and her boyfriend also shook hands with him. It made that woman’s night. They talked about it for another ten minutes at least.
The Black Angels, as always, put on a great set. They started with “Young Men Dead,” their usual closer, and kept tearing it up from there. Lead guitarist Christian Blandshredded more than usual, and drummer Stephanie Bailey was once again an unstoppable beast.
The Black Angels
We headed to Barracuda to catch synth-punks POW!. Unfortunately, we missed most of their set, but what we did hear was a fun and raucous. Their weird cover of the Addams Family theme was a nice treat.
POW! in your face
Following them were Oh Sees, who I’ve been wanting to catch for years. James told me he’d seen them perform the previous night and said it was an impressive, high energy set. Sure enough, all the hype you’ve heard is true. A mosh pit broke out within the first four bars and I was soon in it. Various drinks were flying, people were crowd surfing, and my shoes were a stained, dirty mess by the end of it. It was a great way to end the festival on a high note and leave us with enough energy and hunger to grab a late night pizza slice on the way back to our car.
Oh Sees
It was a nice return for Levitation Austin. The town, and the festival, needed a good comeback. Multiple people at the festival agreed with me that the vibe there is always good. You don’t see or meet a lot of jackasses at this festival, which is always a plus (but, good grief, why are people still smoking cigarettes in 2018, and especially in the middle of a crowd?).
We flew into Austin for our semi-annual trip to the Levitation Music Festivalon April 27th. I dropped my sunglasses in the Austin airport, cracking the left lens. It wasn’t in a spot that affected my vision, but it still wasn’t a good sign. There were no festival-related gigs going on that day, so we spent our first day in Austin getting good food, and checking out the Sfanthor wax museum and a couple wrecka stows before settling in for a nice sleep at the Air BNB house we’d reserved months ago.
Day 1 of the festival was actually April 28th. The Thursday night pre-festival shows are always worth flying into town a day ahead of the full festival. My wife and I have seen great bands at the Thursday night shows: A Place to Bury Strangers, Night Beats, Sisters of Your Sunshine Vapor, Elephant Stone, and more.
The festival had expanded the Thursday night shows from two venues to three this year. Unfortunately they also added separate admission prices for each venue. Buying a weekend pass to the festival got you into the Thursday night shows for free in previous years. The Levitation promoters have stated they hope to return to this format in the future. I hope they do, as shelling out another $30.00 (for two people) per venue wasn’t something I couldn’t afford. I had to choose just one of the venues, so I chose the Empire – a converted auto mechanic garage with indoor and outdoor performance areas.
We’d get to see Night Beats, the Blind Owls, the Hollow Trees, Al Lover, the Golden Dawn, and Studded Left there. It meant missing Blaak Heat, The Well, Death Valley Girls, Silk Rodeo, the Turns, Vinyl Williams, and the Coathangers at the other venues, but I won’t skip a chance to see Night Beats, the Golden Dawn are Texas psych legends, and the Blind Owls were a new discovery that sounded like they were good rockers.
They were. The Blind Owlswere the first band we saw at Levitation, and they kicked it off well. They, like us, arrived late due to heavy traffic on I-35, so their set was cut a bit short. “No slow ones,” my wife said as they launched into early 1960’s garage-style rock that knocked you back on your heels.
The Blind Owls
I met most of them afterwards and told them I’d be playing them on WSNDthis summer. They said they’d send their full-length album for me to play there. Let’s hope so, because everything from it sounds great.
I saw posters at Empire advertising the official app for the festival. I downloaded it and then I learned what everyone else was learning.
Levitation Austin 2016 had been cancelled.
Travis County Emergency Services pulled the plug on the festival due to flash flooding the previous week causing the festival grounds at Carson Creek Ranch to be oversaturated with water. Further flooding was a serious concern, mostly for the camping and parking areas. There were also predicted heavy storms due to hit Austin the following day around 1:00pm – exactly when the festival started. These storms were supposed to bring hail, 60mph winds, rain, and maybe a tornado or two.
We were stunned. We’d flown from Indiana for this. We knew that thousands were descending upon the city for the festival, many from even further away. People and bands come from England, Australia, South America, Europe, Africa, Japan, and even more countries for this festival. Campers would be left without places to stay. Bands would be left without gigs. Vendors would be left without sales.
The Levitation folks were as shell-shocked as any of us, but they promised full refunds for purchased tickets, and that they would scramble to find venues for makeup gigs throughout the weekend. Those gigs would be a separate admission price, unfortunately, and would likely sell out since thousands would be competing for tickets to a small venue. The upside was that the proceeds from these shows would go to victims of the recent flooding.
The word quickly spread as we watched the Hollow Trees play their trippy and heavy psych rock.
The Hollow Trees
After that came a good set by the Golden Dawn, who played to an appreciative crowd.
The Golden Dawn
Back inside, people were drowning their sorrows with any drinks they could buy. We sat in the Control Room, the Empire’s interior performance space, for part of psych-DJ Al Lover‘s set and mused on what we were going to do all weekend. Would we still get to see Brian Wilson, Lee Scratch Perry, King Gizzard and the Lizard Wizard, Caribou, Slowdive, the Black Angels, David J and the Gentlemen Thieves, or any of the 20+ bands we wanted to see?
Al Lover
We were cheered by the Night Beats, who have yet to play a bad set whenever I see them. This set was faster and angrier than their Levitation Chicago set in March. It was as if they were saying, “You know what? Screw you, bad weather.” and venting everyone’s frustrations. One great highlight was them including a new cover of Bo Diddley‘s “Mama, Keep Your Big Mouth Shut.”
The Night Beats
We caught the first part of Studded Left’s (a side project of Indian Jewelry) set inside before getting some nice food truck BBQ and then heading to our rented bedroom to sleep off our travel exhaustion and blues.
Studded Left
Tomorrow: Scrambling for tickets, crashed websites, breakfast in outer space, Travis County ES faces wrath, and gangster kittens.
