Bebel Gilberto – 7th Level Music

Top 30 live shows of 2019: #’s 25 – 21

Here we are at the top 25 best live shows I saw this year. Let’s get to it.

#25 Bebel Gilberto – Birchmere – Alexandria, VA – June 22nd

This was a lovely acoustic, intimate set with Bebel Gilberto and her guitarist in a small venue. Her voice was delightful, as always, and there was a funny moment when she had a wardrobe malfunction and her guitarist had to fix her top onstage.

#24 ORB – Aragon Ballroom – Chicago, IL – August 24th

I hadn’t seen ORB for a couple years, so it was good to catch up with them and see them as a four-piece for the first time. They hadn’t lost any of their heavy power and crushing riffs.

#23 Prettiest Eyes – Thalia Hall – Chicago, IL – October 11th

The energy expelled during a Prettiest Eyes set could power a tank. They’re frantic and manic, but still a tight machine that can stop on a dime. We were eager to see them again after catching them last year at Levitation France, and we were bouncing during the whole set (in each venue).

#22 The KVB – Levitation Austin – November 10th

I was eager to see the KVB at Levitation Austin this year after not being able to catch a show they played in Chicago a month earlier. They put on a good set that was everything I wanted – synth wave, krautrock, and shoegaze. It was also their first time playing in Austin, so that made the show extra special for all involved.

#21 Minami Deutsch – Levitation Austin – November 07th

Speaking of Levitation Austin, another great set we saw there (on the coldest night of the festival, no less) was from Minami Deutsch – a Japanese krautrock band. It was a flow of rock grooves, precise beats, and hypnotic drone. I became an instant fan and later chatted with lead guitarist, Kyo, about chicken shawarma wraps.

Who made the top 20? Come back tomorrow to find out.

Keep your mind open.

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Live: Bebel Gilberto – Birchmere Music Hall – Alexandria, VA – June 22, 2019

We were delighted to see Bebel Gilberto again this year. In case you still don’t know, Ms. Gilberto is bossa nova royalty and has one of the loveliest voices on the planet. She played at a small venue outside Washington D.C. while we were on a trip there last month.

It was just her and her guitarist, Guerreiro Montero, playing an intimate set of some of her favorites like “Baby,” “Aganju,” “Simplesmente,” “Mais Feliz,” and her fine covers of Neil Young‘s “Harvest Moon” and Radiohead‘s “Creep.”

It was our first time seeing her without a percussionist, but she and Montero did a great job and kept everyone entertained and bouncing. Ms. Gilberto knows how to work an audience and stage and there was a funny moment when she bowed and accidentally knocked her microphone off its stand. She bent over to pick it up and the top of her dress came undone as she did so. Montero, blushing and giggling all the while, had to fix the wardrobe malfunction on stage. She handled it well and used the moment to make jokes and flirt with the audience.

She recently finished her spring tour, but don’t miss her show if she’s near you. Any opportunity to see her live should be taken.

Keep your mind open.

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Top 10 singles of 2017: #’s 10 – 6

2017 was the first year in a long while when I bought singles and not just full albums or EP’s, so I thought I’d keep track of my favorites. Here’s the first half of the list!

#10 – Marlon Williams – “Vampire Again”

Not only does this song have the sexiest groove of the year, it also has a great backstory. Marlon Williams was bored on Halloween night in L.A. and noticed a local theatre was showing Nosferatu with a live orchestra performing music for the silent film. He got high, dressed up as a vampire, and went to the event only to discover he was the only one in costume. This is the story of that night.

#9 – Bebel Gilberto – “Creep” (live)

When my wife and I saw Bebel Gilberto in 2016, she played this song and mentioned that she was “thinking of releasing it.” “Please do!” I yelled from the middle of the amphitheater. She did, along with her wonderful EP Live at the Belly Up. This song makes me cry every time I hear it.

#8 – Honey – “Dream Come Now”

Honey‘s fiery single “Dream Come Now” was one of the most exciting tracks I heard all year. The opening guitar chaos made me immediately want to buy their album, New Moody Judy, which wasn’t available for another few months. It was well worth the wait.

#7 – Ty Segall – “The Main Pretender”

This wild, groovy bit of soul-punk from Ty Segall is jaw-dropping, especially with the wicked saxophone work from Mikal Cronin. This is like a lost Captain Beefheart track and a great example of Segall‘s love of multiple genres.

#6 – The Moonlandingz – “Black Hanz”

Weird, trippy, funky, and catchy, the Moonlandingz released “Black Hanz” and I was immediately hooked on them. The chorus roots into your head and the song warps into a crazy dream sequence at one point. It’s my favorite psychedelic track of the year.

Who’s in the top 5? Tune in tomorrow, friends!

Keep your mind open.

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Bebel Gilberto – Live at the Belly Up

Are the winter blues getting to you? Are you tired of snow? Is the Christmas season bringing you more stress than joy? Don’t worry, bossa nova legend Bebel Gilberto has a cure. It’s her new live EP – Live at the Belly Up.

Beginning with the lovely “Samba E Amor,” the album instantly relaxes you and brings to mind images of spending a warm night on a Brazilian beach with your lover. Thankfully, she has included her cover of Radiohead‘s “Creep,” which never fails to make my eyes misty.

“Momento,” the title track from one of her many fine albums, is dreamy and a bit mischievous as Ms. Gilberto and her guitarist play back and forth. “Bananeira” is even more playful as she gets the audience to clap and sing along with her before putting down some of her sexiest vocals.

She gets even friskier on her classic “So Nice,” which is about wishing for a lover even to just stroll with on any given day. The audience has fun with her, too. If your winter blues haven’t melted by now, they probably will during “Baby” – another one of her classics that belongs on every make-out mixtape.

You might want to save room on that mixtape for the closer, “Preciso Dizer Que Te Amo,” because it’s the type of song that can change the mood of an entire room to amorous in just a few chords.

Bebel Gilberto is a great performer, and this EP is a nice slice of her wonderful live shows. I think it’s impossible to be blue while listening to this. Get it and get out of your winter funk.

Keep your mind open.

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Top live shows of 2017: #’s 30 – 26

I’ve arrived at the end of my live music year for 2017. I saw over 60 performances this year, and the majority of them were a fun time. There were some that might’ve had lame crowds or that just didn’t thrill me, of course, but 2017 was good for live music. To save time (and my sanity and your patience), I’m counting the top 30 live shows I saw this year. Here are the first five.

#30 – A Place to Bury Strangers – Thalia Hall – Chicago, IL May 11th.

I’ll see APTBS at any opportunity, and seeing this set where they opened for the Black Angels was a no-brainer for me. It was also the first time they played Thalia Hall, and they sounded great in there. I was lucky enough to chat with front man Oliver Ackermann before and after (along with the rest of the band – Dion Lunadon and Lia Braswell) the set, so that made the show extra special.

#29 – Joe Walsh – Scottrade Center – St. Louis, MO May 12th.

Joe Walsh had a fun time opening for Tom Petty and the Heartbreakers. He joked with the sold-out crowd, played every hit you’d want to hear at one of his gigs, and had a huge, excellent backing band. He also showed that he could still shred on guitar, and his performance of “Take It to the Limit” brought my wife to tears.

#28 – Bebel Gilberto – City Winery – Chicago, IL December 20th.

The last show I saw this year turned out to be a delightful night with bossa nova legend Bebel Gilberto. It was a lovely set in an intimate venue. Everyone needs to see Ms. Gilberto at least once, and hear her often.

#27 – Bleached – House of Blues – Chicago, IL April 23rd.

If you’re in a band, I wish you could’ve seen Bleached with me twice within six months because you’d have seen a perfect example of how to step up your game. This show, which had them opening for the Damned, was the second time I’d seen them in that time period. The first was at a gig in Cleveland in October 2016. I thought they were good then, but this performance left me gobsmacked. They’d become tighter and stronger in just half a year. It had been at least a couple years since I saw so much improvement in one band.

#26 – Partner – Schuba’s – Chicago, IL January 22nd.

This was Partner‘s first gig in Chicago, and one of their first in the United States. Shame on you if you missed it, because they are now indie rock darlings and their debut album, In Search of Lost Time, is one of the best of 2017. This show was an absolute home run and wowed everyone there.

Stay tuned for #’s 25 – 21!

Keep your mind open.

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Live: Bebel Gilberto – Chicago, IL – December 20, 2017

Chicago’s City Winery is a wonderful intimate venue, and seeing a lively performer like Bebel Gilberto there is a treat that should never be missed. Thankfully, my wife and I got to attend her second performance there in as many nights, and Ms. Gilberto was in a playful mood.

Ms. Gilberto shimmied and shook all over the stage and worked through some of her bossa nova classics like “Aganju” and “So Nice,” stopping now and then to put on some more lip gloss or sample some of the venue’s white wine.

She was also a bit feisty, throwing in some political jokes like, “I’m glad this year is almost over, because that means we only have three more left…if you know what I mean.” Other highlights included her covers of Neil Young’s “Harvest Moon” and Radiohead’s “Creep.” Her cover of “Creep” brings my wife and I to tears anytime we hear it, and I felt bad for the couple across from us who went out for a smoke break before she and her two-man band played it.

She had the crowd singing and even bouncing multiple times throughout the night, calling on us to help her sing rhythms and uplift each other. “Uplifting” is probably the best way I can describe her performance. It was a delightful way to end a year that has been rough for many we know and a shining way to start the winter solstice. More light comes to this half of the world as of yesterday, and I can’t help but think Bebel Gilberto had something to do with it.

Keep your mind open.

[Thanks to Vickie Starr for bringing me and my wife some Christmas cheer with press passes to this show.]

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My top 25 live shows of 2016 – #’s 5 – 1

Here we are at my top five live shows of 2016.

#5 – Earthless at Levitation Chicago March 12th

Earthless are the only band to be in my top 10 concerts of 2016 twice. This was the second time I’d seen them and the first time I’d been close to the stage. It was a stunning performance that nearly left me speechless. They were also cool cats who were happy to sign my concert poster after their performance.

#4 – Night Beats at Levitation Chicago March 12th

Night Beats are the only band to be in the top 30 concerts of 2016 three times. Their Levitation Chicago performance was downright dangerous and established the swagger and tight chops I’d see from them all year. They, too, were also cool cats who signed my copy of their new album Who Sold My Generation for me after their set.

#3 – Deap Vally at the Chicago House of Blues October 13th

They were first on a bill with Death from Above 1979 and Black Rebel Motorcycle Club and they set the bar so high that the other two bands couldn’t match it. They came to kick ass and take names…and they were all out of names. They, too, were cool cats who chatted with me after their set. Everyone was still talking about their performance as we were walking out of the venue.

#2 – Gary Wilson at Levitation Chicago March 10th

I didn’t know much about Gary Wilson before seeing him at Levitation Chicago. I walked out a devoted fan. His show was part-lounge act, part-psychedelic freak-out, and part-performance art piece. He creeped out a woman next to me, made others laugh, others cheers, and others stand there with a “What the hell am I seeing and hearing?” look on their face. I couldn’t stop talking about his performance for weeks and haven’t stopped recommending him to everyone since.

#1 – Bebel Gilberto at Ann Arbor Summer Fest June 18th

Only one concert had a moment that made me cry in 2016, and that was when Bebel Gilberto and her guitarist performed a cover of Radiohead‘s “Creep.” Seeing this member of bossa nova royalty in a great venue (The acoustics in Ann Arbor’s Powerhouse Theatre are sublime.) was a dream come true, as I’ve had a serious crush on her and her music for many years. It was also the first show I attended on a press pass thanks to this blog, so it will always hold a special place in my memory.

Thanks for reading. I hope to get to just as many shows in 2017. Wish me luck and let me know about bands I need to see this year.

Keep your mind open.

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Rewind Review: Bebel Gilberto – Tudo (2014)

I don’t know how I missed that the lovely Bebel Gilberto released Tudo in 2014, but I’m glad seeing her live reminded me to pick up this record. It’s another beautiful mix of bossa nova, electro, and lounge music that only she seems to be able to create.

The opening track, “Somewhere Else,” is sung in English and Portugese and lures the listener into taking their dream vacation, be it for real or even in the vastness of one’s mind. It even includes birdsong in the background, which I assume happened because someone left the window of the recording studio open and birds naturally land and sing whenever Ms. Gilberto even hums a tune.

“Nada Nao” (“Nothing”) is just Gilberto’s voice, an acoustic guitar, and hand percussion. It’s a fun, toe-tapping track. “Tom de Voz” (“Tone of Voice”) is a short and sweet song highlighting (What else?) Gilberto’s lovely voice.

“Novas Ideias” (“New Ideas”) has Gilberto singing alongside her frequent co-writer Seu Jorge. It will instantly make you happy, as it’s a fun samba-influenced cut that you need to play on your next date or slip to the DJ at the next wedding reception you attend. Her cover of Neil Young’s “Harvest Moon” is outstanding and brings a whole new feel to the ballad.

The title track (which means “All”) has some of Gilberto’s best vocals, as she dances around tricky words like a ballerina spinning across stage. I love the simple organ and synths on it, too, as they float behind her vocals with the hand percussion setting the beat. “Saudade Vem Correndo” (“Longing Comes Running”) is one of her many songs that will instantly make you happy. The flute backing her up on it is a great touch. “Areia” (“Sand”) begins with chimes that remind you of sand falling through an hourglass. The guitar work on it is a hypnotic low rhythm with a slight Flamenco feel. It’s even a bit dark until Ms. Gilberto glides in to rescue us and make us think of strolling on a Brazilian beach and enjoying an ice cream cone with a lover.

Or maybe the beach is in France, considering the next song has a French title – “Tout Es Bleu” (“All Are Blue”). It’s a great electro-jazz track that has probably been remixed by DJs across the world by now. It deserves to be played at your next late night party. You can’t be blue during it, so thanks to Ms. Gilberto for giving us a cure to our doldrums.

“Lonely in My Heart” has Gilberto’s vocals slightly reverbed as some acid lounge electric beats shuffle behind her and trippy synths creep in now and then. They might be evoking the ghosts of a relationship Gilberto sings about in the track. They bring a cool energy to the song even if they don’t.

When it comes to Ms. Gilberto and I, “Vivo Sonhando” (“I Live Dreaming”). I live dreaming of her singing to me in a dim club as we sit at a small table and enjoy fresh juice and a jazz band. This song pretty much describes a scenario like that and I’d probably melt right there in my chair if that ever happened. It’s a gorgeous track that, like any good dream, is over too soon.

“Inspiracao” (“Inspiration”) is a cool electro song. I love how she can jump into electro and lounge music without any trouble. “It’s All Over Now” is a heartbreaking song about a breakup and how Gilberto wishes the best for her lover and hopes they cherish the good times they had. It’s a sublime ending to a lovely record.

You need to hear Bebel Gilberto if you haven’t before. Her songs can change the mood of any place, person, or function for the better.

Keep your mind open.

https://www.youtube.com/watch?v=rqvD1xgbmN8

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Live: Bebel Gilberto – June 18, 2016 – Ann Arbor, MI

I’ve wanted to see the lovely Bebel Gilberto for many years. I’ve always missed her past Chicago dates due to work, but I finally got to see her in a great venue at the Ann Arbor Summer Festival – a nice summer arts and music festival that takes place over two weeks on the University of Michigan campus.

The show was at the Power Center theatre on campus, and the onstage set-up was simple.

“That’s an impressive [drum] kit,” I told my wife. It was a full kit combined with hand percussion instruments. There was an acoustic guitar, a laptop computer, and a microphone for Ms. Gilberto. That was all she and her two-piece band needed.

Ms. Gilberto owned the stage as soon as she walked onto it. She was full of pep and had the crowd in her hands within moments.

She sang a good number of songs from her latest album, Tudo, including the title track, “Nudo Nao,” a cover of Neil Young’s “Harvest Moon,” and some of her classics like “So Nice,” “Bring Back the Love,” and “Aganju” (a personal favorite).

Ms. Gilberto and her band killing it on “Aganju.”

She closed with two cuts from Tanto Tiempo – the always stunning “Samba Da Bencao” and “Close Your Eyes.” She had every Brazilian woman in the audience (and a few kids) dancing in the aisles by then.

Ms. Gilberto getting her groove on during “Close Your Eyes.”

This show has gone to the top of my list on my favorite live performances of 2016 so far because it’s the first show to bring me to tears. Ms. Gilberto’s drummer left the stage for a few numbers and I gasped when her guitarist played some familiar chords on the second percussion-free song. They were the opening chords to Radiohead‘s “Creep.”

My eyes misted as soon as she sang the first line. A few people in the crowd cheered as they recognized the song, jaws dropped as she dropped the f-bomb in the chorus, and my wife and I were wiping tears from our eyes by the end. It was gorgeous. Bebel Gilberto’s voice is nothing short of hypnotizing, and hearing her sing this song about longing and heartbreak was an unexpected surprise.

Ms. Gilberto singing “Creep” while my wife and I cried.

The crowd cheered when they’d finished the song. She said, “Thank you.”

“Thank you,” I said loud enough for the whole auditorium to hear me.

She laughed and then said, “We’re thinking about recording that. Some people don’t like it, but we like it.”

Please do, Ms. Gilberto, and please come back to the Midwest soon.

Keep your mind open.

[Thanks to Vickie Starr for getting me a press pass to this show. She rules.]

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