Canadian bands – 7th Level Music

Kali Horse release new single, “Wigs,” that encourages you to become someone new (if you feel like it).

Kali Horse (formerly Kaleidoscope Horse) is a psychedelic art-rock band from Toronto, ON. Their sound is theatrical and dreamy – bouncing between highly melodic and rhythmic, groovy sections. Driven both by strong song-writing and abstract sound-play, the band creates dimensions that are often jarring in comparison to one another, playing on tension and release. The contrast between Desiree Das Gupta’s powerful alto, and Sam Maloney’s feathery vocal timbre creates a balance of light and heavy, backed by full band harmonies.

Kali Horse’s world is an immersive world that they invite the audience into. Kali Horse are storytellers, their music is about telling a story with sound rather than a specific genre. The band are queer, multi-instrumentalist performers whose friendship is the bond of the band.

Sam and Des have been best friends for a decade and have been making music together for 7 years under different names, they are a huge part of the Toronto music community.

Kali Horse feature guest players from the Toronto music community on their recordings, including Luna Li (plays all the strings, violin, harp), Dylan from Hot Garbage plays stand-up bass and Sam’s partner plays singing bowls and tum drum.

Regarding, “Wigs,” Kali Horse says, “Ever wanted to change everything about yourself? Wigs is about trying things on – identity, bravado. Ever had a day so bizarre you felt like a different person? Through self-experimentation you discover a healthy aggression. You remember you’re worth a little more than what you’ve been putting up with, and you want everyone to know. The drums are in 7/4, the guitars in 4. You tell the moon what to do. You let the band catch up. You might not know where you belong, but you know nothing’s going to stay the same. Electronic trash drums mixed with a live kit thrash while the synth bass waves beneath. Wigs is a command, and Kali Horse will not stay in line.”

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[Thanks to Mar Sellars!]

Partner discuss metaphysics (sort of) on their new single, “Time Is a Car.”

Partner are back with a new single and video “Time Is A Car“. It is a new single for a new era as we enter 2022 and the youngest member of Partner (Josée Caron) enters her 30s. This single follows Partner’s Never Give Up (You’ve Changed Records) and their break out debut album, In Search of Lost Time.

TIME IS A CAR

A Message from Partner: “This is a song that we wrote while reflecting on the years that have passed and the way that the passing of time offers fresh perspectives. Fittingly enough it’s ready just in time for us to present it to you on Josée’s 30th birthday. Time sure does fly!!

We had a distinct idea for the visual accompaniment to this track and we knew there was one person who could bring it to light; our beloved and frequent collaborator Lesley Marshall. However, when we were informed that the time to make a video was upon us, it seemed close to impossible that we would be able to make the trip to meet with her. While she is close to our hearts, we were separated by 4580km (2845 miles for our USA/UK friends). However, Lesley and the team at MAVN thankfully remained undaunted by such concerns. The result is one of our very favourite videos to date.”

“Time Is A Car is a meta music video. A music video in a music video. It’s what would have happened if Thelma and Louise escaped with all the money and drove happily ever after off into the sunset and had wonderful prosperous lives. Fueled by music video epics, pulp films, and ripe with sarcasm, Time Is A Car, has the parody quality of Beastie Boys’ Sabotage and the vibrancy of Megan Thee Stalion’s Thot Sh*t.”
– Director Lesley Marshall

During a brief period in 2020 when it was safe to travel, the band headed to Gabriola Island on BC’s West Coast where they quarantined themselves for 14 days in a cabin writing and rehearsing, and then headed into the studio for 7 days at The Noise Floor Recording Studio. “Time Is A Car” is the first song from this session. More to come later in 2022.

Lucy and Josée formed Partner in the spring of 2014. They were looking to experiment with genre, discuss being gay, and share some jokes and ideas. Their objective has remained the same over the past seven years, although in that time their sound has shifted considerably.

Partner’s debut album In Search of Lost Time (2017) made an impact with its big guitars and polished sound. The record, mixed by Chris Shaw (Ween, Bob Dylan, Cheap Trick), landed a spot on NPR’s All Songs Considered, along with Stereogum, Noisey, Exclaim, CBC Music, Indie 88 and many more best of 2017 lists. The album was shortlisted for the Polaris Prize, and Partner were the recipients of the SOCAN songwriting prize for their song “Play the Field”.

Partner’s follow-up EP Saturday the 14th found the duo embarking on bolder and more playful compositional excursions. Throughout this highly experimental period, ideas for the next album began to coalesce. In the summer of 2019 Lucy and Josée joined all-star drummer Simone TB (US Girls, Highest Order, Darlene Shrugg) in the studio to create their second full-length album, titled Never Give Up. With Never Give Up, Partner returned to their classic rock roots and awakened their truest gifts to deliver their most exciting, riff-laden effort yet.

Partner Links
Time Is A Car – https://listen.lt/PartnerTimeIsACar
Website: http://www.partnerband.com
Facebook: https://www.facebook.com/partner.music.band/
Bandcamp: https://partnerband.bandcamp.com/
Instagram: https://www.instagram.com/partner_band/
Twitter: http://twitter.com/partner_band
YouTube: https://www.youtube.com/partnerband
TikTok: https://www.tiktok.com/@partnerband/

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[Thanks to Mar at Mar on Music.]

Review: Century Egg – Little Piece of Hair

Hailing from Halifax, Century Egg are a fun post-punk / pop-punk quartet whose new EP, Little Piece of Hair, is a fun romp.

You’ll want to answer, “Yes,” to opening track “Do You Want to Dance” as Robert Drisdelle‘s guitar swirls around you and Matty Grace‘s bass propels your dancing shoes. That bass, and Meg Yoshida‘s happily excited heartbeat drums, are a great combination on “I Will Make Up a Method” as Shane Keyu Song sings about figuring out a way to succeed despite everyone and everything trying to keep her down.

Their rocking cover of Kyary Pamyu Pamyu‘s “Ring a Bell” is delightful, and will instantly bump up your mood. The title track cranks up the fuzz and seems to be about never giving up your curiosity. “Riddle to Place” slows things down with a practical rock ballad as Song tells a potential lover to slow it down as well because she’s given up on making it work.

The EP ends with “Cornered,” with Song singing in Chinese as her bandmates bust out serious chops. Yoshida’s cymbals seem to roll and sizzle beyond the atmosphere, Grace’s bass seems to be doing a Tae Bo workout, and Drisdelle summons up some of his best post-punk riffs on the EP.

It’s solid stuff, and makes you want to hear a full album from them in the future – as any good EP should.

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[Thanks to Gabriel at Clandestine Label Services.]

Century Egg are “Moving On” with their new single.

Century Egg is a band of escape artists with a focus on playing visceral punk rock. Today the Halifax, Nova Scotia-based quartet are sharing their new single, “Moving On” which makes up the first half of a double A-side single release, the second of which will follow next month. The new track, released via Forward Music Group, marks the return of the band following their Bandcamp Daily and Exclaim-tipped EP, Little Piece of Hair which was released earlier this year (watch the video for “Do You Want To Dance?” here)

Following previous spots opening for the likes of Lido Pimienta – a self-proclaimed fan of the band with Robert Drisdelle, guitarist in Century Egg producing a track on her Polaris Prize-winning album, La Papessa – Partner, Julie Doiron, and more, Century Egg will be performing at Toronto’s Handlebar on November 14 and La Sala Rosa as part of M for Montreal (Mothland’s stage) on November 19 to celebrate the release of these new tracks. This new single, “Moving On” further cements their inspirations taken from Asian pop and rock artists such as Faye Wong, Jun Togawa, Spitz, Cui Jain, Pu Shu, along with the driving post-punk rhythm section and blistering guitar work taken from The Stooges, Thin Lizzy, etc.

Speaking about the new single, Century Egg says: “This is a song about trying to detach yourself from your past and let go of the trauma that holds you back from finally feeling better.”

Century Egg is made up of singer, Shane Song (she/her), bassist/backing vocalist, Matty Grace (she/her/they/them), guitarist, Robert Drisdelle (he/him) and drummer, Megumi Yoshida (she/her). Away from Century Egg, Song works as a visual artist/video game artist, Grace plays in numerous bands including Cluttered (tipped by Laura Jane Grace of Against Me!), Drisdelle plays and arranges with Lido Pimienta (amongst other projects) and Yoshida performs in Bad Vibrations, Dog Day, Not You and more.

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[Thanks to Gabriel at Clandestine Label Services.]

Review: Badge Époque Ensemble – Self Help

Maximilian Turnbull, the frontman for Toronto’s Badge Époque Ensemble, describes their new album, Self Help, as “combining jazz-funk and mysticism.” I don’t think I can describe it better than that.

“Sing a Silent Gospel” starts off the album with something like a Steely Dan tune with its great saxophone work by Karen Ng and bright keyboards from Turnbull. “Unity (It’s Up to You)” is a funky jam with neat vocal harmonies backed by Jay Anderson‘s tight drumming any hip hop DJ would envy. “The Sound Where My Head Was” has a neat 1970s sound to it with Turnbull’s keys and Giosuè Rosati‘s putting down a retro groove.

A lovely flute solo starts “Just Space for Light” and then it melts into a beautiful song about embracing love and light – and more great flute solos from Alia O’Brien. “Birds Fly through Ancient Ruins” is almost eleven minutes of psychedelic jazz that is suitable for meditation, yoga, creating any kind of art, or even belly dancing as Chris Bezant plays dusty western guitar and Ed Squires‘ hand percussion lulls you into a trance. Ng’s sax solo is like something you’d hear in the distance while you find yourself trapped in a film noir.

Turnbull’s smooth piano carries us through the closer, “Extinct Commune,” with hopeful chords to uplift you and give you some of that self-help mentioned in the album’s title.

Self Help is indeed a good title for this album, as that jazz-funk / mysticism combination does you well. It helps you shake cobwebs out of your head and refocus. We all need that this year.

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[Thanks to Jessica at Pitch Perfect PR.]

Review: Partner – Never Give Up

I don’t know if there’s an award for Most Fitting Album Title of 2020, but Partner‘s new album, Never Give Up, might win it if there is. It seems that everyone has shouting this for the entire year. Everyone is fighting a battle. This has been true throughout all time, of course, but internal and external battles seem, and often are, magnified in this year no one will be sad to see leave.

Thanks heavens we have bands like Partner (Josée Caron, Lucy Niles, Simone TB) to recharge our batteries with massive riffs and songs about sex, rock and roll, and being comfortable in your own skin.

I love that they open Never Give Up with an introduction song – “Hello and Welcome,” which has Caron and Niles sharing vocals about how happy they are to be rocking off our collective socks. The breakdown on it is like stomping the gas pedal on a 1970 Plymouth Road Runner. “We’re Partner…We’re not foolin’ around,” Caron sings. Those riffs certainly aren’t. “Rock Is My Rock” is full of power chords and hand percussion s Caron and Niles sing about how rock and roll not only keeps them afloat through hard times, but how it can shake us out of the funk this crazy year has dropped on the world like an oppressive net. “I wouldn’t want to imagine a world without rock,” Niles sings. Who can argue with that?

Caron’s vocals take on a bluesy swagger on “The Pit,” a song about letting go of anything holding you down. “Honey,” a song about Caron’s guitar is, appropriately, full of big guitar riffs. “This guitar sounds like honey going down,” they sing, and they’re right. It does. “Big Gay Hands,” a favorite in their live sets, is a strutting, sweaty, sexy track about hotties and the hotties who love them.

“Good Place to Hide (at the Time)” reminds me a bit of Rush, who are known influences on Partner, with its echoing vocals, switching time signatures, and space-rock riffs. “Roller Coasters (Life Is One)” is a piano-first rock opera ballad about navigating through the madness of 2020 and the world in general. “At the heart of each day lies a brand new, scary, sweet surprise,” Caron sings.

“I couldn’t remember my postal code if I tried,” Partner sing on “Couldn’t Forget” – a peppy song about memory and self-deception with some country twang for good measure. Simone TB’s drum lick on “Here I Am World” is slick, reminding me a bit of the opening beats on Blondie‘s “Rapture.” Caron sings about grabbing “each scrap of joy” and Niles reminds us that “each day is a precious gift.” It sums up the theme of the album, and the best way to get through this nutty year, quite well. The record closes with the chugging, powerful “Crocodiles,” in which Partner warn us that many beasts (often ones self-created) lie in wait around us to catch us up in their maws if we let them.

Never Give Up is the metaphorical shot in the arm we all need right now and easily one of the most uplifting albums of the year.

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[Thanks to Mar Sellers.]

Badge Époque Ensemble release “Just Space for Light” ahead of upcoming album.

Toronto’s Badge Époque Ensemble present a new single, “Just Space For Light” (feat. Jennifer Castle), from their forthcoming album, Self Help, out November 20th on Telephone Explosion Records. “Just Space For Light” follows “Unity (It’s Up To You),” which was presented alongside an incredibly ambitious claymation video, and lead single “Sing A Silent Gospel.” With each new single, which has featured a new guest vocalist (beginning with Meg Remy and Dorothea Paas, then R&B soul artist James Baley and now Castle), Badge Époque Ensemble show more of how their sound and style can evolve into something wholly unexpected. On its onset, “Just Space For Light” is blissfully soothing, drifting with rhodes by bandleader Maximilian Turnbull, flute by Alia O’Brien, percussion by Ed Squires, and Castle’s affecting vocals. As the song approaches its peak, it transforms into a flurry of fragmented guitar and progressive instrumentation.

“’Just Space For Light’ weaves a few BÉE themes together,” says Turnbull. “The collision of disparate moods between sections, lyrics which touch on the meditative experience, and collaboration with a distinctive vocalist; in this case Jennifer Castle, who’s soulful presence on our album is a blessing.”

Listen to Badge Époque Ensemble’s “Just Space For Light” (feat. Jennifer Castle)

Recorded live over three weekends at Toronto’s Palace Sound Studio in the months before lockdown, Self Help is an exploratory record that dances across time and genre, guided by fidgety miniatures and jazz inflected collage. While constructed from the inspiration of soul, funk and film music, BÉE mediate those influences having first digested them through the productions of Madlib and the RZA.

“Unity (It’s Up To You)” (feat. James Baley) Video

“Sing A Silent Gospel” (feat. Meg Remy and Dorothea Paas) Visualizer

Pre-order Self-Help

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[Thanks to Sam at Pitch Perfect PR.]

SUUNS’ release first single,”Pray,” from upcoming EP.

Montreal-based band SUUNS, comprised of Ben Shemie, Joe Yarmush, and Liam O’Neill, announce their new FICTION EP out October 30th via Joyful Noise Recordings, and share the lead single. “PRAY” was recorded during a hot Dallas summer in 2015 with John Congleton, originally for the band’s 2016 album Hold/Still. “It didn’t make the cut, probably because we loved it so much and thought we had an even better version of it in us,” says O’Neill. “We subsequently tried to record multiple versions of this song, none of which captured the unhinged energy of this live-off-the-floor performance. Discovering this lost jam and its power felt like a reminder to keep in the moment and to trust ourselves – you just have to keep moving forward.”

SUUNS are future-oriented. New sounds, new techniques, new ways of thinking; above all, new environments are the lifeblood of the band. And true to form, here on the FICTION EP, SUUNS are exploring fresh processes as a result of their current surroundings and global circumstances.

On the FICTION EP, new sounds and sonic directions are fashioned out of old. A year-long period of limited resources and contact inspired the band to reflect on the various environments in which they’ve created music over the years: to comb through their previous sounds and creative approaches, and fuse them together with new ideas, ultimately producing a sort of future/past alchemy. The FICTION EP is as much a project of curation as it is one of creation: sifting, re-imagining, and re-framing, sometimes completely disassembling and then building from the ground up. Each song is a live-off-the-floor recording that was then taken into isolation and re-worked.

As much as the FICTION EP is a project born of introspection and reflection, it’s equally one for which SUUNS sought inspiration from outside. Longtime friend of the band Radwan Ghazi Moumneh (Jerusalem In My Heart), bringing relentless claps and buzuks, leads SUUNS through “BREATHE,” while Amber Webber (Lightning Dust) sings a mournful siren song on the penultimate track, “DEATH.” Finally, the ghost of Frank Zappa lends the band his fervent societal diagnosis, as relevant today as it ever was, on “TROUBLE EVERY DAY.”

Zappa’s darkly prophetic message, repurposed from 1966 to meet our moment, is an apt referent. These dualities, confluences of past and future, of introspection and influence, are what defines the FICTION EP. Produced from old remnants, it is entirely new; done in relative isolation, and is also something of a live record. The songs have been meticulously reworked, and yet the entire collection feels deployed with hardly any reflection, done in one breath. It’s the sound of SUUNS regrouping, and then poised, and then driving towards the future.

The FICTION EP is the first preview of more new music to come in 2021.
Stream “PRAY”:
https://youtu.be/pY56vaNYCVE

Pre-order FICTION EP:
http://joyfulnoi.se/FICTION

FICTION EP Tracklist:
1. LOOK
2. BREATHE (feat. Jerusalem In My Heart)
3. PRAY
4. FICTION
5. DEATH (feat. Amber Webber)
6. TROUBLE EVERY DAY

Keep your mind open.

[Thanks to Patrick at Pitch Perfect PR.]

Teenager offer “Romance for Rent” on new single.

WATCH: Teenanger’s “Romance For Rent” video on YouTube

Toronto’s DIY scene purveyors, Teenanger have today shared their blistering new single, “Trillium Song“, the second to be lifted from the new record, Good Time – out October 2 via Telephone Explosion Records – which has so far earned praise from outlets like Paste, The Line of Best Fit, Exclaim, BBC 6 Music, So Young and more. The new record, which comes mixed by renowned Toronto musician, Sandro Perri, follows previous releases that have found the band share stages across North America and Europe with the likes of METZ, Ty Segall, Death From Above, Dilly Dally, Dish Pit and more.

“Romance For Rent” presents another snappy highlight from the forthcoming record with the quartet pulling on incisive hooks and buoyant melodies that further mine this fresh, pop-punk angle to the group’s sound. There’s a sharpness here, not just in the sonic arrangement but also in the lyrics that give a satiric examination of the world of online dating and the perplexing moves that we sometimes make as individuals when caught in the throes of romance. The video, which was shot at the height of lockdown, looks at this further, examining the role of isolation and how this can manipulate people to do peculiar things with the hope of a quick fix.

“The lyrics were inspired by a friend of mine who had come out of a long-term relationship and was exploring the world of online dating,” says singer, Chris Swimmings. “I’ve been a serial monogamist for the last 12 years so it was a vicarious exploration into his life at the time.”

Blair elaborates on Swimmings’ sentiment to say: “The ‘Romance for Rent’ video takes the idea of loneliness and buying love and puts it in a blender with internet culture. It follows a lonely man who, rather than learning how to connect with others, connects with a meme pillow, and finds some short-lived solace with it; he is trying to solve his loneliness with an internet search, and kinda clings to the first thing he finds – a celebrity pillow. When that fails to get him the attention or connection that he was looking for, he goes back online. Rather than changing anything about himself or what he’s looking for, he just repeats the same cycle.”

Good Time is out on October 2nd on Telephone Explosion. It is available for pre-order here.

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[Thanks to Tom at Hive Mind PR.]

Partner “Never Give Up” with new album due this November.

The follow up to their break out debut album, In Search of Lost Time, is out November 20th on You’ve Changed Records and the band has released a DOUBLE single “Hello and Welcome // Rock Is My Rock”, with two incredible videos:

HELLO AND WELCOME // ROCK IS MY ROCK

Never Give Up is Partner’s second full-length album, following 2017’s In Search of Lost Time. In the years since their first release, the band has developed their “post classic rock” sound, leaving behind 90s rock comparisons. The new album retains elements that will be familiar to Partner fans, such as guitar solos and humorous subject matter, but with more structurally adventurous songs and abstract lyrics. They have spent the last several years on tour with drummer Simone TB, and this is evident in the looser and more confident performances captured on the album. Never Give Up was recorded by Steve Chaley at Palace Sound in the summer of 2019.

The band described the process of making the album. “In October of 2018 we found ourselves in a dark and quiet rehearsal space. We were practicing for a two person show, the first one we had played in many years. We were at a crossroads as a band, and we had no idea what the future held. All we knew was that we were going to be making music together. We weren’t sure what this music would sound like or who would be playing it with us. And then the songs started to arrive. Some of them fully formed, like the first songs we wrote. It was as much a surprise to us as anyone else when we realized we had the beginnings of our second album.”

Not all the songs came so easily. Some took over a year to complete. Some taunted the band with their elusivity. Some forced Partner to rip them apart and build them back together more than once. Never Give Up was written in rehearsal spaces, in the band’s bedrooms, in a condo, in friends’ and strangers’ houses, Air BnBs, in a cafe and on Josee’s couch and in the studio, and in the booth. “We talked. We were honest with each other and honest with ourselves. Sometimes it was a lot. And when it got to be almost too much we would repeat to each other, first as a joke and then not as a joke at all, ‘never give up’.”

Partner Links
Partner Album – https://youvechangedrecords.com/product/partner-never-give-up/
Website: http://www.partnerband.com
Facebook: https://www.facebook.com/partner.music.band/
Bandcamp: https://partnerband.bandcamp.com/
Instagram: https://www.instagram.com/partner_band/
Twitter: http://twitter.com/partner_band
YouTube: https://www.youtube.com/partnerband

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[Thanks to Mar at Mar On Music.]