Claude Fontaine – 7th Level Music

Top 15 live shows of 2021: #’s 10 – 6

I saw over 30 bands last year, despite many shows being cancelled or postponed, and here are the ones that made the top ten.

#10: Frankie and the Witch Fingers – Ft. Wayne’s Brass Rail – October 08th

This was the third time I’d seen Frankie and the Witch Fingers in as many months (and the last time I’d see them in 2021), and they played a wild set in a small club that included some new, unreleased material.

#9: Danzig – Psycho Music Festival – August 21st

I’m not sure how I hadn’t seen Danzig in concert until now, but he and his crew put on a good show. They played Lucifuge in its entirety and plenty of other tracks – including a long encore missed by at least half the crowd.

#8: Claude Fontaine – Psycho Music Festival – August 20th

In the middle of the Psycho Music Festival, which is heavy on metal of all sorts, Claude Fontaine came onstage at the Mandalay Bay House of Blues and put on the most beautiful set of the entire festival. Backed by two percussionists and a guy on acoustic guitar, she performed gorgeous bossa nova and dub tracks for her first show ever in the Sin City. Shame on you if you missed it.\

#7: Death Valley Girls – Psycho Music Festival – August 19th

Playing as the sun set and the moon rose, Death Valley Girls were a highlight of the “Psycho Swim” opening night of the 2021 Psycho Music Festival in Las Vegas. Like pretty much everyone there, it was their first gig in nearly two years and their excitement was palpable.

#6: The Flaming Lips – Psycho Music Festival – August 21st

It’s always a joy to see The Flaming Lips, and hearing their uplifting songs and soaking up the energy from the loving crowd was just what we needed as we returned to live music and hope. This show will always have a special place in my heart, as it was the last time my late wife was able to see them. Their shows always boosted her spirit.

Who’s in the top five? You’ll have to wait until tomorrow to learn!

Keep your mind open.

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Psycho Las Vegas 2021 recap: Day Two

We started off the second day of the Las Vegas Psycho Music Festival with what would become our morning ritual over the next three days – lounging by the Luxor Casino Hotel’s pool in the dry heat after picking up a breakfast sandwich at one of the somewhat-overpriced restaurants in the hotel. We’d relax for a couple hours, wash off the sweat, and then go see some bands. It was a great way to save money because we had little time to spend at the gambling tables and slot machines.

Our musical entertainment began with Foie Gras and her industrial-goth set at the Mandalay Bay House of Blues venue. She put on a good set to an early crowd, and my wife loved her combination of a T-shirt and flamenco dancer sleeves.

Foie Gras with her rockin’ sleeves and blood-painted knees.

Up next was something completely different – a set by Deathchant, who I can probably best describe as sounding like a fuzzier Thin Lizzy. The played the “Rock & Rhythm Lounge,” which is in near multiple restaurants in the casino, so you can get your eardrums blasted while enjoying your expensive wine and French cuisine – or while shoving money into video slot machines. Deathchant were loud and rough and a wild afternoon wakeup call.

Deathchant playing like every song was their finale.

We took a five-hour break, more than enough time to get a nap and dinner before coming back to the Lounge to see British stoner metal quartet Psychlona. It was their first gig win Las Vegas and only their second show of their U.S. tour. “We are so fucking stoked,” their lead singer said, and they certainly played like it. Afterward, their singer told me their set was better than the one they’d just played in San Diego the previous night.

Shoegaze quartet Highlands were up next and brought a welcome change of sound to the Lounge and the festival in general. I’m a big shoegaze fan, and they didn’t disappoint. There was a nice, reverb-laden wall of sound coming from the stage for their whole set.

We then zipped across the casino and back to the House of Blues to see one of my most anticipated sets of the festival – a Bossa nova set from Claude Fontaine. The set was lightly attended, and I couldn’t help but think many were there from a previous metal set or waiting for the next metal band to play after her. The crowd wasn’t sure what to make of her at first, as they’d been so used to metal that a soft set of Bossa nova tracks with dub influences seemed alien to them. Ms. Fontaine put on the loveliest set of the festival (her first time playing in Las Vegas) and the small crowd did come around to appreciating the hypnotizing, alluring music she gave.

Our night ended at the Mandalay Beach stage, which sits opposite a man-made beach on a wave pool, where we saw Ty Segall and his band shred the place with their loud psychedelia – their first gig in two years. Segall’s wife even sang lead on one track. They sounded great, and the volume of the band was amplified not only by electronics, but also the water bouncing it all over the place.

Ty Segall and his crew partying at the beach.

It was our busiest day of the festival for bands – six in one day – but there were plenty more to come.

Up next, more shoegaze at the Lounge and three arena shows ranging from dub to goth metal.

Keep your mind open.

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Top 30 albums of 2019: #’s 10 – 6

We’ve reached the top 10 folks!

#10 – Jake Xerxes Fussell – Out of Sight

Jake Fussell sings sea shanties, songs about death, and forgotten ballads and does them with such warm and honesty that every album feels like he’s playing it live in your living room.

#9 – Claude Fontaine – self-titled

Half-dub, half-bossa nova, all good. Claude Fontaine‘s lovely voice blends so well with her powerhouse backing band of seasoned session musicians that this album sounds like she’s been putting out records for years.

#8 – L’Epee – Diabolique

L’Epee’s Diabolique is not only one of the best psychedelic rock albums of the year, it’s also one of the best debut albums of the year. The arrangements drift over your like incense smoke and send you back in time to 1967.

#7 – Thee Oh Sees – Face Stabber

This double album from Thee Oh Sees pushed up the double-drumming percussion and added jazz elements to create a wild record that sounds like a long lost Frank Zappa record, but with more allusions to creepy people in shadows possibly manipulating us without our knowledge. Plus, one entire side of this double album is the incredible “Henchlock.”

#6 – Moon Duo – Stars Are the Light

If you can mix psychedelia with jazz, why not mix it with disco? That’s just Moon Duo did on Stars Are the Light – an ultra-cool record that should be the soundtrack for every chill lounge in outer space.

Who makes the top 5? Come back later today to find out!

Keep your mind open.

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Top 20 singles of 2019: #’s 15 – 11

We’re almost to the halfway point. Who’s in the top 15?

#15 – Sisters of Your Sunshine Vapor – “Godshe”

Detroit’s Sisters of Your Sunshine Vapor released four singles this year, and this was my favorite. It’s bright, trippy, and moves along like a sports car set on cruise control.

#14 – Diagonal – “Negatives”

I’m calling it now. These Chicago shoe gazers are on track to be one of the Next Big Things. This cut blends psychedelia with shoe gaze and we’re all better for it.

#13 – Claude Fontaine – “Pretending He Was You”

Half of this album is dub, and the other half is bossa nova. All of it is good, and this was the first song I heard from it. I swooned.

#12 – Shopping – “Initiative”

Post-punkers Shopping slipped into the end of 2019 with one of the best singles of the year, poking fun at the rat race and The Man with a ripping bass line, typewriter-precise drumming, and that skittering guitar work only they can seem to play.

#11 – Public Practice – “Disposable”

Speaking of post-punk, Public Practice do it very, very well indeed. This single was a delightful treat in the latter half of 2019 and bodes well for hopefully a full album ahead.

We’re onto the top 10 tomorrow!

Keep your mind open.

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Review: Claude Fontaine (self-titled)

Get ready to meet your new crush – Claude Fontaine. Her debut self-titled album is one of the best world music records so far this year, combining reggae, dub, and bossa nova with Fontaine’s lovely voice behind a knock-out backing band including gents who have worked with Miles Davis, Ziggy Marley, and Steel Pulse.

The opening track, “Cry for Another,” is a heartfelt reggae cut about longing. The bass riff alone will make you move. “Hot Tears” has Fontaine singing about being alone and waiting for a call from her lover that she knows in her heart will never come. “Hot tears in my coffee, cold sheets in my bed. If he really loved me, he’d be here instead,” she sings in a voice so lovely that you and everyone else who hears this track will agree that this guy’s an idiot. “Little Sister” brings up the raga tempo (Seriously, the groove is outstanding.) and has Fontaine warning her sister / friend that the guy she’s falling for is a faker.

The horn section is a great addition to the smooth reggae beats (by legendary drummer Airto Moreira) on “Love Street.” The breakdown on it slides you into a dub-fueled sexy dream. Fontaine sings about finding love with someone for whom she’s pined for a long while – perhaps the subject of “Hot Tears.” “Play by Play” keeps the dub touches, and Fontaine’s voice is perfect for the psychedelic, trippy touches of dub music. She’s almost a ghost you keep trying to catch, but she always playfully slips away before you can grab her.

The album moves into bossa nova territory on “Pretending He Was You” – one of my favorite singles of the year so far. It blends Fontaine’s sad lyrics with tropical bird sounds, simple hand percussion, and classic Brazilian guitar strumming. “I’ll Play the Fool” is just as good, with Fontaine telling her lover not to worry about the “how’s” and “why’s” of their relationship and that she’s willing to be the silly one who embraces life if he won’t.

The soft percussion on “Strings of Your Guitar” is outstanding, and I’m pretty sure Fontaine’s lyrics are about wishing her lover would treat her with the same care as his instrument. #swoon. “Footprints in the Sand” is a heartbreaking ballad about a lover who has walked out on Fontaine. “Footprints left in the sand are all I have,” she sings, knowing that even her memories of him will fade in time. If you aren’t completely under her spell by the time you reach the closer, “Our Last Goodbye,” you might want to consider seeing a psychiatrist because you are probably an emotionless sociopath. Fontaine’s vocals about parting too soon from a lover make you want to buy her a glass of wine and just sit with her to watch the sunset.

Ms. Fontaine’s debut is a gorgeous record, and easily the most beautiful work I’ve heard so far this year. Don’t sleep on her (as the kids say). You need these songs more than you might realize.

Keep your mind open.

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Claude Fontaine releases another lovely single, “Hot Tears,” from her album due April 26th.

‘Claude Fontaine’ promises 10 tracks of artful reverence and tasteful reimagining of globetrotting sounds.” — Noisey

Los Angeles-based singer and songwriter Claude Fontaine shares a new single, “Hot Tears,” from her forthcoming debut, self-titled album, out April 26th on Innovative Leisure. Following the “hypnotic and romantic” (Noisey) “Pretending He Was You” and lead single “Cry For Another”, which the Los Angeles Times described as “a straight-up rocksteady song that conjures the essence of Kingston, Jamaica, in the late 1960s,” “Hot Tears” is another standout nod to the early 1970s Studio One, Trojan, and Treasure Isle records of Jamaica. Over muted percussion and flutters of trumpet, Fontaine tells a story of unrequited love.

Listen to “Hot Tears” –
https://youtu.be/5oYzwUyy_LE

Claude Fontaine was tracked in two potent sessions with guitarist Tony Chin, whose playing with Althea and Donna, King Tubby, Dennis Brown and so many more very arguably defined a significant part of the classic reggae sound, and Airto Moreira, the Brazilian drummer whose work both solo and in collaboration—with Miles Davis, Astrud Gilberto, Chick Corea, Annette Peacock—make him an actual living legend. They also enlisted a murderer’s row of additional session players—bassist RonnieMcQueen of Steel Pulse and Ziggy Marley drummer Rock Deadrick, Now Again Records guitarist Fabiano Do Nascimento, Sergio Mendes percussionist Gibi Dos Santos and Flora Purim bassist Andre De Santanna. The ten tracks that comprise Claude Fontaine were tracked at both KingsizeSound Labs in Northeast Los Angeles and Sage and Sound, Chet Baker’s legendary old studio in Hollywood.

Fontaine will celebrate the album’s release with a show at Zebulon in Los Angeles on Fri. April 26th. Tickets are available here.

Listen to “Pretending He Was You” —
https://bit.ly/2J0aCi4

Watch “Cry For Another” Video —
https://youtu.be/ztHTOL_EJWM

Pre-order Claude Fontaine —
https://claudefontaine.bandcamp.com/album/claude-fontaine

Keep your mind open.

[I might cry hot tears if you don’t subscribe.]

Claude Fontaine’s debut album, due April 26th, is going to be stunning. Listen to “Pretending He Was You” if you don’t believe me.

“Claude Fontaine’s music perfectly captures the thrill that comes with discovering an excellent old LP at a record store.” — Noisey

“The Los Angeles-based Fontaine is preparing for the release of her debut album […] ‘Cry for Another’ is a wonderful early warning.” — Los Angeles Times

Los Angeles-based songwriter and singer, Claude Fontaine, announces her debut, self-titled album, out April 26th on Innovative Leisure (LA-based label who has worked with the likes of BADBADNOTGOOD, Rhye, Allah-Las, Nosaj Thing, Hanni El Khatib, Nick Waterhouse, Classixx, etc). Today, she shares lead single, “Pretending He Was You,” which premiered this morning via Noisey.

Stream “Pretending He Was You” —
https://soundcloud.com/innovativeleisure/claude-fontaine-pretending-he-was-you-4/s-GYXxX

Last month, Fontaine presented listeners with early single “Cry For Another,” a track praised by the Los Angeles Times as “a straight-up rocksteady song that conjures the essence of Kingston, Jamaica, in the late 1960s” and a “wonderful early warning” of what’s to come. Fontaine even made a special appearance at Ulla Johnson’s New York Fashion Week show in support of the single; Johnson, immediately upon hearing the track, personal reached out to Fontaine to perform it.

A love song to classic reggae and Brazilian music, Claude Fontaine is an album honoring that feeling of finding a home away from home. Fontaine wrote and demoed her debut album after living in London off Portobello Road and stumbling into Honest Jon’s, a long-lived spot for fringe records collected from the furthest edges of the world.

She was immediately captivated by the old Studio One, Trojan, and Treasure Isle records she was discovering—the same records that got The Clash covering “Police And Thieves,” and the Slits sharing a bill with Steel Pulse. “I wandered in one day and from the first moment I was under a spell,” Fontaine says. “I was transfixed.”

Tracked at both Kingsize Sound Labs in Northeast Los Angeles and Sage and Sound, Chet Baker’s legendary old studio in Hollywood, Claude Fontaine was recorded with a murderer’s row of session players, including Airto Moreira, the Brazilian drummer whose work both solo and in collaboration—with Miles Davis, Astrud Gilberto, Chick Corea, Annette Peacock—make him an actual living legend, Tony Chin, (Althea and Donna, King Tubby, Dennis Brown), RonnieMcQueen (Steel Pulse), Rock Deadrick (Ziggy Marley), Andre De Santanna (Sergio Mendes, Flora Purim), Gibi Dos Santos (Sergio Mendes), Nando Duarte (Gal Costa, Elza Soares), Fabiano Do Nascimento (Mia Doi Todd), and Jaime Hinckson (Hollie Cook, Daniel ‘Bambaata’ Marley).

“I hope this record will transport people,” said Fontaine. “I want it to feel like those lost records, like it got lost in the dusty bottom bin of some world music store in London because that’s how I felt when I walked in to that record store. I want it to be its own world.”

For those in the LA area, Fontaine will celebrate the album’s release with a show at Zebulon on Fri. April 26th. Ticket are available here.

Watch “Cry For Another” Video —
https://youtu.be/ztHTOL_EJWM

Claude Fontaine Tracklist:
01. Cry For Another
02. Hot Tears
03. Little Sister
04. Love Street
05. Play By Play
06. Pretending He Was You
07. I’ll Play The Fool
08. Strings of Your Guitar
09. Footprints In The Sand
10. Our Last Goodbye

Pre-order Claude Fontaine —
https://claudefontaine.bandcamp.com/album/claude-fontaine

Keep your mind open.

[Don’t forget to subscribe before you go.]

Claude Fontaine’s debut reggae / world music single, “Cry for Another,” is a stunner.

Los Angeles-based songwriter and singer, Claude Fontaine, is thrilled to announce she’s signed with Innovative Leisure (LA-based label who has worked with the likes of BADBADNOTGOOD, Rhye, Allah-Las, Nosaj Thing, Hanni El Khatib, Nick Waterhouse, Classixx, etc). Today, she shares her debut single, “Cry For Another,” a heartfelt nod to the Studio One, Trojan, and Treasure Isle records that inspired it. “‘Cry For Another’ is about the feeling when someone is slipping through your fingers, and even though you know that person may not be right, you’re still pining for more,” says Fontaine. “Possibly to remind yourself of why they’re wrong for you, or perhaps to remember what you’re going to miss.”

Watch Video For “Cry For Another” – https://youtu.be/ztHTOL_EJWM

Fontaine wrote and demoed “Cry For Another”, a track which sounds like it came out of Jamaica in the 1970s, after a living in London and stumbling into Honest Jon’s, a long-lived spot for fringe records. Recorded at Chet Baker’s legendary old studio in Hollywood, Fontaine recorded the track with a murderer’s row of session players, including guitarist Tony Chin, (Althea and Donna, King Tubby, Dennis Brown), drummer Rock Deadrick (Ziggy Marley), bassist Ronnie McQueen (Steel Pulse), and piano/organ player Jaime Hinckson (Hollie Cook, Daniel ‘Bambaata’ Marley).

Set to be released later this year, Fontaine’s debut album is a love song to classic reggae and Brazilian music, and an album honoring that feeling of finding a home away from home. In addition to Chin, Deadrick, McQueen, and Hinckson, Fontaine is joined in the studio by Airto Moreira, the Brazilian drummer whose work both solo and in collaboration—with Miles Davis, Astrud Gilberto, Chick Corea, Annette Peacock—make him an actual living legend, Andre De Santanna (Sergio Mendes, Flora Purim), Gibi Dos Santos (Sergio Mendes), Nando Duarte (Gal Costa, Elza Soares), and Fabiano Do Nascimento (Mia Doi Todd).

“I hope this record will transport people,” she Fontaine. “I want it to feel like those lost records, like it got lost in the dusty bottom bin of some world music store in London because that’s how I felt when I walked in to that record store. I want it to be its own world.”

Keep your mind open.

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