The Black Angels‘ 2014 EP, Clear Lake Forest, is a fine dose of psychedelia and was a great way to get your summer freak on when it was released that year (and still is).
“Sunday Evening” hits you right away with reverb and the lyric “What if I told you that everything you know isn’t even really true?” Christian Bland’s guitar work on it ranges from skronky to trippy, and the song has probably the hottest tambourine work you’ve heard in a long while.
“Tired Eyes” opens with Stephanie Bailey’s always-dependable thunderous drumming and soon spins into a wild track with lead singer Alex Maas and Christian Bland sharing the vocals about someone who seems tired of living in illusion. I may be wrong. The song is so groovy that it seems to pour incense smoke from your speakers, so I may be hallucinating any meaning I’ve assigned to it.
“Diamond Eyes” is downright lovely. Maas’ reverberated vocals, Bland’s spaghetti western guitar, Jake Garcia’s soothing rhythm guitar, Kyle Hunt’s soaring synths, and Bailey’s military-precision beats all gel to become one of the Black Angels’ best tracks.
“The Flop” was the first single off Clear Lake Forest, and it’s easy to understand why. Hunt’s keyboards sound like he’s streaming them from the Doors’ “Soul Kitchen” outtakes. Bailey’s drums hit so hard they may take your lunch money. The bridge plunges you straight down the rabbit hole and doesn’t let you out. “An Occurrence at 4507 South Third Street” is the Black Angels’ second “address” song (the first being “Haunting at 1300 McKinley” from Phosphene Dream). It has a bit of a honky-tonk feel to it (thanks to the snappy beat) and I can’t help but wonder if it’s about another haunting or a murder or suicide that led to the haunting. “The Executioner” is certainly about death (a common theme on Black Angels records). Maas’ lyrics are the clearest on this track (before the freak-out of a bridge, at least). It’s an interesting twist. Maas wants you to know that sin may feel good, but death waits so you’d better get things straight before you meet it.
The closer, “Linda’s Gone,” follows the life of a woman who wants and seeks something beyond her boring life and even the boredom of the illusion around her (and all of us, really). It has all the stuff you like from the Black Angels: tribal drumming, metaphysical lyrics, trance-inducing synths, spacey vocals, and guitar licks that seem to fold in on themselves and then back out into different shapes.
Clear Lake Forest was a solid EP and a great follow-up to their full-length album, Indigo Meadow. Treat yourself to it.
Keep your mind open.
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