MC/Lyricist RawPoetic (aka JasonMoore) shares a new single, “Digits,” from his forthcoming album, Space Beyond The Solar System, out December9th on 22ndCenturySound. It follows lead single “A Mile In My Head,” which features legendary saxophonist ArchieShepp “soaring above a simple piano melody…with [IrreversibleEntanglements‘ Luke] Stewart’s bass driving it forward alongside a boom-bap beat and several smooth productional flourishes from Damu” (The FADER). “Digits” is immediate, with Raw Poetic’s vocals spitting over an atmospheric beat and keys. “‘Digits’ is basically about moving through the digital ages, yet being unfazed by it,” says Raw Poetic. “I like being an average joe. I like doing things in an organic way. So while the sound rides and moves into this unique digital format, we still give you what’s true to us.”
Although Space Beyond The Solar System could be considered a concept album by its outcome, its inception started from a string of experiments between Moore and frequent collaborator/producer Damu the Fudgemunk. These initial sessions had no specific direction but became the catalyst for what would become a prolific wave of Raw Poetic projects; five of which have been released since 2020. At two hours, absorbing Space Beyond in its entirety may be overwhelming for most, especially in the present day, but Raw and Damu are very aware of this. With a total of over 40-plus years experience between the vocalist and producer, the two of them went down memory lane taking every influence and experience in their personal histories to extract ingredients for a groundbreaking statement. Space Beyond The Solar System is their most comprehensive environment to date.
The creation of Space Beyond sparked a conversation between Raw and Damu about their creative chemistry, with Raw likening their direction to a “space beyond the solar system.” His comment was a eureka moment for the two artists, giving their wandering efforts a sense of definition that was needed. “I think we’ve been exploring music beyond our limits for a few years,” says Raw Poetic. “It’s hard to tell where we’ll land, but we are constantly pushing our way out of the norm. Hence the title, ‘Space Beyond the Solar System.’ It’s just to say, this is new territory for us. Where the sky was once the limit, now it’s just the start.”
Raw Poetic will head overseas to headline the Jazz Cafe in London April 1, 2023. More European dates to be announced in the coming weeks.
Raw Poetic announces Laminated Skies, his official debut solo album out March18thonDef Pressé, and presents its lead single “Sunny Water.” Produced by Raw Poetic (aka Jason Moore) alongside friend and frequent collaborator Damu The Fudgemunk, LaminatedSkies was recorded during the sweltering summer heat of 2019 at Windom Road Studio in Brentwood, Maryland and features guest musicians Pat “P” Fritz (Panacea, Archie Shepp) on guitar and Irreversible Entanglements’ Luke Stewart on bass. Damu’s production adds a tapestry of instrumentation, including live and programmed drums, strings, vibraphone, kalimba, melodica, vinyl scratching, and synthesizers. With Moore pulling musically from myriad genres, the multidimensional work draws inspiration from several sources, including spirituals and Ralph Ellison’s novel The Invisible Man. Today’s single, “Sunny Water” is a serene introduction to Laminated Skies, swirling in hypnotic haziness.
Moore was born in Philadelphia to a rich family legacy. Both of his parents were members of the original Black Panther Party and his uncle is legendary jazz musician Archie Shepp. Before eventually settling in Northern Virginia, Moore was raised in the Washington Metropolitan area, and both Philly and DC have played a major role in his artistry. By college, Moore had founded Restoring Poetry in Music aka RPM, and became the lead MC in Panacea(Rawkus). Formed by producer/beatsmith Kyle Murdock, the duo released five albums before disbanding on a high note in 2010. Throughout his career, quality has remained synonymous with Raw Poetic’s reputation: just see the resume stacked with national tours; further collaborations with K-Def, Blu, and Kev Brown,; airplay on MTV,VH1 and BET, spins on Sirius/XM, GillesPeterson Worldwide FM/BBC 6 Music; syncs on the Showtime series Shameless,Weeds, and more.
Following 2020’s Ocean Bridges, Moore’s highly praised collaborative effort with his uncle Archie Shepp and Damu The Fudgemunk, Laminated Skies is his sixth solo album and his first official release for a label. It’s also his most personal album to date. “I still can’t fully describe what kind of album this is so I’ve now reserved myself to telling people it’s a ‘Jason’ album,” says Moore. “I wanted to tell people what the hell is going on through my head sometimes; how I feel as a guy from Northern Virginia. Sometimes it’s invisible, other times invincible. Sometimes loved, sometimes hurt. Once we got started mixing and matching ideas, well… it became something that I am very proud of.”
Damu elaborates: “I’m extremely proud of what we did on this album. When Raw asked me to get involved I was amped. I’ve watched Raw become a producer over the last ten plus years, teaching himself how to record and lay tracks. His production style is so unique, free and different from mine that I soak up a ton of inspiration from collaborating this way. With both of us usually exclusively perceived as hip hop artists (which we don’t mind), ‘Laminated Skies’ feels like a victory for us to show our appreciation while creating honest art, but escape the box without actually making a formal announcement. It’s easily one of the best things I’ve been a part of.”
London-based label Def Pressé is thrilled to announce its exclusive partnership with KPM/EMI to officially open KPM’s iconic music and sound design library for the first time ever. A production music label dating back to 1956, the KPM library contains over 30,000 original recordings of non-commercial music made for licensed use in television, film, radio, or any other media outlet. Ranging from cinematic symphonic themes to bizarre sound effects, elaborate environmental landscapes of computer-synth orchestras to film scores, these licensed recordings, commissioned without the pressure of generating commercial hits, have long been a treasure trove for producers digging for samples. This adventurous undertaking, initiated by Def Pressé in affiliation with EMI Production Music’s hip-hop outfit The Real Fifth, will see a handful of carefully selected composers and sound-excavationists creating all-new records alongside an array of featured singers, rappers, and instrumentalists, to be released by Def Pressé in two forthcoming series: KPM Crate Diggers and KPM Originals.
The KPM Crate Diggers series will consist of new albums by select producers made entirely of samples from the KPM archives, as well as other renowned library music labels including Coloursound, SelectedSound, ThemesInternational, ConroyRecordedMusicLibrary, and Francis, Day& Hunter, all of which Def Pressé artists also have exclusive access to. These releases will be entered into the KPM archives for future use as “library music,” making these producers “KPM Artists” in their own right. The KPM Crate Diggers series will kick off with Damu The Fudgemunk, and see forthcoming releases from JazzyJeff, StroElliot (of TheRoots), J-Live, ChrisDave and many others to be announced in the coming months.
The KPM Originals series will see new albums composed of entirely new, sample-free compositions, released by Def Pressé and added into the KPM catalogue, also for future use as “library music.” Artists confirmed to participate in the KPM Originals series include BastienKeb, CoreyKing, and ChrisDave, with more to be announced in the coming months.
Kicking off the KPM Crate Diggers series is Conversation Peace (out September 3rd), a new album from Damu The Fudgemunk, the Washington, DC-based musician and producer known for his many collaborations with RawPoetic, ArchieShepp, Blu, and others, in addition to his own acclaimed solo work. “The music that would become Conversation Peace began with a trip to KPM’s London HQ in late January of 2020,” says EarlDavis (aka Damu the Fudgemunk). “I had just finished wrapping up post production on my album Ocean Bridges with Archie Shepp and Raw Poetic. As a record collector, I’m very familiar with the legacy of the KPM brand. Listening to the entire catalogue was a history lesson and the amount of great composers and compositions in the recordings was endless. As a producer looking for textures, inspiration and grooves, the abundance of those things made it extremely difficult to narrow down what I wanted to use. From drums to sound FX to orchestras to small rhythm sections to ambient noises, I heard a wide variety of things and they were all so well produced and recorded. The history of KPM and the opportunity to collaborate with the prestigious lineage made the stakes very high for me and I knew I needed to deliver a quality product. It’s an honor to be the first artist to release a KPM Crate Diggers title.”
“Damu the Fudgemunk came to our studio in London to carefully dig his way through the whole KPM 1000 series,” says Peter Clarke of EMI Production Music. “If anyone is in doubt about sampling being an artform, they just need to watch him work! It’s great to breathe new life into all these old recordings, too. And then place it straight back into library music for use in media. Exactly how it was originally intended.” Listen to “Four Better Or Worse (Pt. 1)” Feat. Nitty Scott by Damu The Fudgemunk
Developed in the mid-’60s, the now-iconic KPM 1000 series launched the golden years for KPM, with the birth of the “Greensleeves” albums (named after their consistently plain-green record covers). Currently, the classic KPM archives boast over 30,000 original recordings by acclaimed library composers such as KeithMansfield, JohnCameron, TheMohawksfounderAlanHawkshaw, TheShadowsdrummerBrianBennett, DavidBowie and The Beatles’ collaborator, Alan Parker, and ExoticapioneerLesBaxter. KPM has extensively recorded at studios such as London’s Angel and AbbeyRoad (The Beatles recorded most of their albums here during the KPM 1000 recording era).
A massive amount of work has gone into taking care of these aged reel-to-reels, vinyl records, and DATs. They have been painstakingly digitized and made available to Def Pressé and the selected artists working on these projects.
“For years, all of these old archive tracks have sat dormant on the LPs—undigitized and only discoverable by those that had copies or had enough money to get them via Discogs or Ebay,” says Paul Sandell, Senior Content and Distribution Manager at EMI Production Music. “There’s a huge amount of pride here at EMI PM about KPM, and the other archive libraries. Not only is this music an important document of television music from the time, but it has a far wider cultural impact – whether from the theme music to a cult TV show, the sleazy funk of an erotic exploitation flick or as music sampled by the likes of Jay-Z, Drake, Florence and The Machine, and many more.”
“KPM has always been there with us for as long as I collected records,” says Def Pressé founder Matt Moat. “While digging for records, it would always be a straight pick-up, no need to listen. Their records were collectibles and coveted as such. It was always a dream to somehow be connected with this library in a fuller way. The moment I met Pete and we discussed what EMI Production Music had been doing with the catalogue, I had to dream up a way Def Pressé and our friends could take this stuff, flip it, and end up as ‘Library Musicians’ ourselves. To be able to contribute to the KPM Library means the world to all of us.”
“The relationship between hip-hop and library music has always been strong,” adds Sandell. “But this project really unifies the process between the library and the creative input of the producers. It’s a high five between the two to say ‘look what’s possible’.”
