Rewind Review: Death Valley Girls – Islands in the Sky (2023)

First, how cool is that cover? I could create a full Dungeons and Dragons adventure based on that. I’m thinking it’s the palace of a Storm Giant or a Cloud Giant, possibly protected by a Sphinx and having a portal to the Astral Plane inside it. I mean, what else could that glowing circle inside it be?

Islands in the Sky by Death Valley Girls turns out to be an album about self-healing, ascension to higher states of consciousness (or, perhaps, centering oneself to the present), and preparing for possible future incarnations of ourselves in this reality or another – such as the one on the cover.

Starting with “California Mountain Shake” (which could reference a few different things in its title), the album starts with moaning chants and haunting organ from Bonnie Bloomgarden as Larry Schemel‘s guitar subtly moves around you like a wise old serpent. “Magic Powers” put bassist Sammy Westervelt on lead vocals singing about realizing through enlightenment that she, and all of us, have untapped power waiting to be rediscovered.

The beat of the title track, thanks to Rikki Styxx and guest percussionist Mark Rains, instantly gets your body moving in a happy groove while Bloomgarden encourages us to leave worry behind and pick up joy. “Sunday” is a fun, almost go-go club rocker.

“What are the odds that we live in a simulated world, and I’m a simulated girl?” Bloomgarden asks on “What Are the Odds?” as she and Schemel trade guitar licks and Styxx puts down some of the heaviest beats of the album. The odds, by the way, seem about even, as we all create our own reality.

The second side of the album starts with the transcendent “Journey to Dog Star,” and by this time I’m long overdue to mention the contributions of Gabe Flores on saxophone throughout the album. His psych-jazz honks blend perfectly with Schemel’s trippy guitar work on not only this track, but on all the songs featuring him on the record.

“Say It Too” has some desert rock and even slight surf touches throughout it, and some of Bloomgarden’s loveliest vocals on the album. “Watch the Sky” could be a warning about UFO’s (watch the original The Thing from Another World) or a song about watching clouds go by and using that as inspiration to clear one’s mind. Either way, it’s a lot of good, fuzzy rock.

Bloomgarden tells us that life can be so much more than the drudgery in which we often trap ourselves on “When I’m Free,” and on “All That Is Not of Me,” she encourages us to let go of our trappings, excesses, and self-imposed limits (“All that is not of me washes away from me.”) while Schemel’s guitar work goes into near-shoegaze territory and Westervelt’s bass keeps the song locked into a sweet groove.

Closing with “It’s All Really Kind of Amazing” is a perfect way to end such an uplifting album. Lyrics like “Wake up it’s time to be all the things you dream.” sum up Islands in the Sky with perfect energy.

As good as this album was in 2023, it’s even better and more important now in 2024 as we head toward a Presidential election featuring two choices that most of us aren’t thrilled about and people are unsure and nervous about what’s to come. Don’t worry about what’s to come, focus on now. Don’t worry about now, but be present with it. The future, when it gets here, will be now. We’re already living in the future. We can fix it now. Death Valley Girls have been telling us this before Islands in the Sky, but this album can be a great entry point for their mystical, metaphysical, marvelous sound and message.

Keep your mind open.

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