Following the release of their new concept album, Hollow, Elephant Stone have announced a spring North American tour starting with a free show in Winooski, Vermont and ending in Chicago, Illinois. All tour dates are with DJ Al Lover, with whom Elephant Stone‘s lead singer / bassist / sitarist Rishi Dhir has worked in the past with their Acid House Ragas project. Tickets are available for all dates.
4/29 Winooski VT @ Foam Brewers FREE SHOW 4/30 New Haven CT @ State House TICKETS 5/1 Brooklyn NY @ The Sultan Room TICKETS 5/2 Allentown PA @ Muhlenberg College TICKETS 5/3 Washington DC @ Comet Ping Pong TICKETS 5/5 Cleveland OH @ Beachland Tavern TICKETS 5/6 Indianapolis IN @ Square Cat Vinyl TICKETS 5/7 Windsor ON @ Meteor TICKETS 5/8 Milwaukee WI @ Milwaukee Psych Fest TICKETS 5/9 Chicago IL @ Sleeping Village TICKETS
Elephant Stone has announced a new concept album, Hollow, about people fleeing the Earth after destroying it only to find the beliefs, biases, and illusions that drove them to ruin their first home have followed them to the new one. As frontman Rishi Dhir explains:
“This is a straight-up concept album. If social media has taught us anything, it’s that there are a lot of unhappy people out there who are trying to find a way out. They are looking for meaning and something to believe in… or nothing to believe in. We all want the same thing but are trying to achieve it in different ways. With this in mind, we wrote and recorded our 6th full-length, Hollow. I set forth writing a song-suite telling of a world of unhappy souls who have lost connection with each other.” The result is an ambitious, dystopian sci-fi concept album inspired by The Who’s ‘Tommy’, Pretty Things’ ‘S.F, Sorrow’ and Abbey Road side 2.
“From Side A (‘The Beginning) through to Side B (‘The Ending’), the story takes place immediately after mankind’s catastrophic destruction of the Earth and what happens when the same elite responsible for the first world-destroying climate disaster touch down on New Earth, a recently-discover planet sold with the same life of prosperity as the one they’d just destroyed. As soon as the chosen few step off the Harmonia ship built for the journey, it’s clear that all is not what it seems and humanity appears destined to make the same mistakes: the storyline touches upon the plundering/poisoning of their home, the elite, demagogues, false idols, the truth as seen by children, and, ultimately, the fight for the survival of their species.”
The album is available for pre-order with lots of neat bundles for your enjoyment (T-shirts, buttons, hot pink vinyl, and more). “Hollow World,” a new single from the album, can be heard here. The band has also announced a tour through Europe this winter, dates are below.
Keep your mind open.
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Canadian psych-rockers Elephant Stone have released “Land of the Dead,” the first single from their upcoming 2020 album. The song was premiered at Brooklyn Vegan, where you can hear it now.
The track is surprisingly heavy for an Elephant Stone tune, and frontman Rishi Dhir has admitted it’s “much heavier than anything we’ve ever done. It wasn’t intentional. I just had this sitar riff and then it evolved / devolved from there.”
Stoner metal fans rejoice!
Elephant Stone are also soon to embark on their fall tour. Dates are below.
11/5 San Diego, CA @ The Casbah 11/6 Phoenix, AZ @ Yucca Tap Room 11/8 Austin, TX @ Barracuda/Levitation 11/9 Dallas, TX @ The Foundry (FREE SHOW) 11/11 Santa Fe, NM @ Rufina Tap Room (FREE SHOW) 11/12 Denver, CO @ Hi-Dive 11/13 Fort Collins, CO @ Surfside 7 11/15 Portland, OR @ Doug Fir 11/16 Seattle, WA @ Freakout Festival 11/17 Vancouver, BC @ Wise Hall 11/19 San Francisco, CA @ The Chapel 11/20 Los Angeles, CA @ Lodge Room
Canadian psych-rockers Elephant Stone have announced their first tour in a few years, hitting many west coast cities in the U.S. and their home country beginning November 5th. The tour includes two festival stops – Levitation Austin (November 8th) and Seattle’s Freakout Festival (November 16th). All tour dates are below.
Elephant Stone have been on tour for seemingly all of 2017, and now they’ve added more tour dates throughout Europe and North America that go into the winter. They’re playing gigs with the likes of the Black Angels, A Place to Bury Strangers, and the Dream Syndicate. Any of these shows would be well worth your time and money. Here are the dates:
Elephant Stone (Rishi Dhir – lead vocals, bass, sitar, Miles Dupire – drums, vocals, Gabriel Lambert – guitar, vocals, Stephen Venkatarangam – keyboards, synths) never disappoint live. I’ve seen them three times in three different settings: A music festival attended by thousands (the main stage Levitation Austin at the Carson Creek Ranch), a mid-sized indoor / outdoor venue with a couple hundred people there (at the Mohawk in downtown Austin), and at a tiny pub with barely anyone there (Howler’s in Pittsburgh). Each show has been good and their first live EP, Live at the Verge, is a nice release that puts me in the mood to see them again.
The EP is five tracks from their latest record, Ship of Fools, starting with “The Devil’s Shelter” and plunging you straight down a rabbit hole of psychedelia. Venkatarangam’s pulsing synths meet Dhir’s echoing vocals and Joy Division-influenced bass while Dupire knocks out a beat so precise that you could knife fight to it.
Dhir breaks out the sitar on “Silence Can Say So Much.” It’s one of the loveliest songs on Ship of Fools, and the recording of it here is outstanding. Lambert plays some stadium-level riffs on “See the Light,” and the rest of the band cooks alongside him. His guitar lifts you into orbit on “Andromeda” and is something out of a groovy 1960’s sci-fi / Euro-spy film you’ve never seen.
The EP ends with “Manipulator,” which sounds even better live than you hope it will. Elephant Stone puts down a serious groove and each launch into the chorus pumps you up more. The bridge will leave you slack-jawed.
The whole EP is impressive, and I hope they release a full-length live album sometime in the future. Whoever recorded Live at the Verge deserves special credit, because it sounds fantastic. It’s only a digital release, so snag it while you can.
