Live: Death Valley Girls, Shadow Show, Waltzer – Empty Bottle – Chicago, IL – August 04, 2022

It had been two months to the day that I’d seen Death Valley Girls live, and that was at the Levitation France festival in Angers. They had recently returned from a tour of Europe and the United Kingdom and were now approaching the halfway point of a U.S. tour that would wrap up with appearances at this year’s Psycho Music Festival and Levitation Austin. They played The Empty Bottle with local garage-psych rockers Waltzer and Detroit 60s psych-pop trio Shadow Show.

Waltzer played a fun, solid rock set with a band who, if I heard the lead singer, Sophie, correctly had only been playing together for a short time and was made of members of many other cool Chicago bands. You wouldn’t have guessed they haven’t been together long, because everyone was in synch and had the audience moving. “They sound like Caroline Rose fronting L7, but with more psychedelia,” I thought at one point during their set.

Sophie of Waltzer

I was happy to hear from Shadow Show that they’re working on a new album, and equally delighted to hear their lovely psych-pop covered in lots of groovy fuzz in a live setting. They hadn’t played in Chicago since before the pandemic, so they were glad to be back on the road and playing a fun set. Afterward, I was stunned to learn that the father of bassist Kate Derringer was one of the driving forces behind the 7th Level music club I attended in Ft. Wayne, Indiana back in my high school days – and the inspiration for the name of this blog. Her father had seen my review of Shadow Show’s Silhouettes and asked her, “Who’s this guy who knows about the Level?” She’d read the review and was now just as floored to meet me in a weird “small world” moment.

Shadow Show (L-R: Ava East, Kerrigan Pearce, Kate Derringer)

Death Valley Girls came out and immediately got started with guitarist Larry Schemel and drummer Rikki Styxx creating a witch’s brew of beats and fuzz while lead singer / guitarist / keyboardist Bonnie Bloomgarden and bassist Sammy Westervelt shared a pre-set hug / meditation…and Ms. Westervelt rocked shoes that would make KISS envious.

Bonnie Bloomgarden (left) in Chuck Taylors, Sammy Westervelt (right) in shoes she might’ve stolen from Boots Collins or the David Bowie estate.

The creepy sounds soon transformed in “Abre Camino,” which only seems to get heavier every time I hear it live. They flowed right into “Street Justice” and stomped the gas pedal to the floor after that. Bonnie Bloomgarden was going into near-trances when she’d play keyboards by the time they got to “Disco.” New song “Magic Powers,” with Sammy Wetervelt on lead vocals, sounds better every time I hear it. Bloomgarden was prowling through and hugging many in the crowd as she sang “Disaster (Is What We’re After),” and they came back from the bottom of the stage stairs to play “Seis Seis Seis” as a sort-of encore.

They also hung out and chatted with anyone who wanted to chat after the show. Larry Schemel told me that this is the first tour in a long while for them for which they’ve been able to hand-pick their opening bands, so seeing them live right now gives you an insight into bands they also love.

Keep your mind open.

Death Valley Girls putting together spell components.

Keep your mind open.

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Chicago’s Empty Bottle to host Trouble in Paradise music festival this September.

Trouble in Mind & Paradise of Bachelors Present: Trouble in Paradise

September 13-15 at The Empty Bottle in Chicago, IL

Lineup Includes The Weather Station, Omni, Nap Eyes, FACS,
James Elkington, and more!

Trouble in Mind and Paradise of Bachelors, in cooperation with the venerable Chicago venue the Empty Bottle, are proud to present Trouble in Paradise, a three-day festival showcasing a simpatico sampling of both record labels’ critically acclaimed and wide-ranging international rosters.
PURCHASE TICKETS: THURSDAY ($10) | FRIDAY ($15) | SATURDAY ($15)

Over the course of several years trading records, intel, and jokes, Chicagoans Lisa and Bill Roe of Trouble in Mind and Brendan Greaves and Christopher Smith of Paradise of Bachelors (based in Chapel Hill, North Carolina) have developed an abiding appreciation for each others’ curatorial aesthetic, ethics, and shared bemusement about the shit business of music. Together they got a wild hair to hatch a plan for a festival that felt more like a party. It was, above all else, an excuse to bring together many artists who have never before graced the same stage—and to call something Trouble in Paradise.

The lineup, which features an array of artists including The Weather Station, Omni, Nap Eyes, and FACS, among many others, explores the shared terrain between the respective realms of one label named for a classic blues song and another named for a Herman Melville story. Apparently that means a dedication to compelling songwriters, guitarists, and sounds spanning unhinged rock and roll, architectonic pop, and the frontier fringes of folk and country.

Details about each evening’s lineup, and tickets, are below. A limited number of discounted $30 three-day passes are available. More artists will be announced soon, so please stay tuned.

PURCHASE TICKETS: THURSDAY ($10) | FRIDAY ($15) | SATURDAY ($15)

Limited 3-Day Passes: $30 (select from within the menu of any of the day pass purchase links)

THURSDAY, SEPTEMBER 13
FACS
Ethers
James Elkington

FRIDAY, SEPTEMBER 14
The Weather Station
Gun Outfit
Olden Yolk
En Attendant Ana

SATURDAY, SEPTEMBER 15
Omni
Nap Eyes
Jake Xerxes Fussell & Nathan Bowles (collaborative set)
Itasca
David Nance

Trouble In Mind online:
troubleinmindrecs.com
facebook.com/troubleinmindrecs
twitter.com/trouble_in_mind
instagram.com/troubleinmindrecords

Paradise of Bachelors online:
paradiseofbachelors.com
facebook.com/ElParaisodelosSolteros
twitter.com/PofBachelors
instagram.com/paradiseofbachelors

Keep your mind open.

[No troubles if you subscribe, just a music news paradise.]

Live – Earthless, Ruby the Hatchet, Marmora – Chicago,IL – December 02, 2016

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Imagine you flew from Guatemala to Chicago to see a band and they only played four songs (including the encore), but you were ecstatic by the end of the show.  This is what happens at Earthless shows.

My friend, Paul, and I went to see Earthless, Ruby the Hatchet, and Marmora at the Empty Bottle.  It was my third time seeing Earthless and Paul’s first.  We hadn’t seen either of the opening acts.  Paul and I are big fans of Earthless and their mostly instrumental cosmic rock, and the Empty Bottle (which was sold out) would be the smallest venue in which I’d seen them so far.

We met a couple who drove in from Wisconsin to see them for the first time.  We all talked about the number of songs we’d get to hear from Earthless.  They played four the first two times I saw them, so Paul and I were betting on at least three.  The couple from Wisconsin hoped for four, and they were correct.

First up were Marmora – a Chicago four-piece that blended stoner rock with punk.  Paul knew we were in for something groovy when their lead guitarist came out wearing a “Got blunt?” T-shirt.

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Marmora – rocking hard despite having a rough day at the office.

Marmora had been through a rough day.  The lead singer had screwed up his ankle, they mentioned having some sort of vehicle trouble earlier, they accidentally set their gear in dog poop while loading the van, the drummer’s foot pedal broke (thankfully, they had another), and the lead singer broke a string on his guitar.  They put on a good set despite all that, and their rhythm section is particularly good.

Ruby the Hatchet put on a fine set of witchcraft rock with song titles like “Pagan Ritual” and “The Unholy.”  They have a great organ player who brings a cool 1960’s vibe to their power.  Their lead singer commands a room and her hand gestures as she soaks in the band’s sound might as well have been learned from Dr. Strange.

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Ruby the Hatchet casting spells on all of us.

Earthless walked on stage with no muss or fuss.  They said hello and then unleashed.  A brother-sister duo from Guatemala were next to me and told me how they’d come to the States to follow Earthless on their current tour.  They were big fans of stoner / doom metal.  The brother, David, told me he’s been reaching out to stoner metal bands in hopes of convincing them to tour in Guatemala, where there is no stoner metal scene according to him.  He and his sister had a great time, although his sister couldn’t understand why the audience wasn’t dancing more.  “American audiences are so fucking stiff,” she told me.

She probably changed her mind by the time a fight broke out in a mosh pit started by some dude high and / or drunk out of his mind.  I saw her grab the guy by the face while he was being dragged out by fans and security.  Earthless, meanwhile, were too busy detaching the roof from the Empty Bottle and rocketing into space to notice or care.  All three of them were on fire, but I must mention that this was the hardest I’ve seen drummer Mario Rubalcaba play so far.  He beat his kit like it stole his skateboard.

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That’s not a disco ball above Earthless. It’s a small moon they pulled down from the heavy gravity of their set.

Their first song, “Uluru Rock,” was 25 minutes long.  The second, “Violence of the Red Sea,” was 15.  The third, “Sonic Prayer,” was a half-hour.  They came back on for a quick encore – a blazing cover of Led Zeppelin’s “Communication Breakdown” that lasted under five minutes and left everyone stunned.  “I liked them before,” Paul said.  “I like them even more now.”

Walking back out into the low 30’s weather after getting our faces melted was jarring, but it felt great.  We’d been elevated.  I’ve always said that Earthless chose that name for their band because their music can’t be confined to this planet.  They proved that again in Chicago.

Keep your mind open.

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