Review: Failure – We Are Hallucinations

Recorded during the 2022 “Wild Type Droid” tour, Failure‘s We Are Hallucinations is the live album version of the concert film of the same name. The production is sharp as a razor, which is no surprise from Ken Andrews, Greg Edwards, and Kellii “Motherfucking” Scott.

The set covers new and classic tracks, starting with the hammering, powerful “Submarines” to knock you back in your seat. “Mercury Mouth” is just as stunning, with Andrews’ vocals filling the room during the verses and then breaking down walls on the choruses. “Macaque” is a Failure classic that always has a bit of a menacing undertone to it. “Wonderful Life” is a good example of their deceptive lyrics that often reflect themes of struggle and loneliness. It’s also a good example of how Kellii Scott locks in on a groove and will not release it for any price.

“Sent away to have my head checked, no more playing in the sands. Frogs are leaping off my brain stem. They don’t seem to understand,” Andrews sings on the walloping “Frogs” – a song about madness that is so good it’s almost frightening. All three members deliver more power than bands with twice as many members on it. Edwards and Andrews share lead verse vocals on “Atom City Queen,” and Scott’s beats on it are like a Chinese puzzle box in their complexity.

“Counterfeit Sky” is one of many Failure tracks that sounds like an alien transmission, or perhaps what you’d have playing as you entered a strange planet from orbit. The guitar work on it blends psychedelia and shoegaze with masterful skill. The opening guitar on “Force Fed Rainbow” reminds me of early 2000’s David Gilmour riffs. The guitar on “Bring Back the Sound” swirls around you like a slow-moving disco ball casting languid lights in a dark club.

The bass on “Bad Translation” is like some creature rising out of a dark pool of water at the back of a temple on a cold moon. Andrews singing “We are hallucinations.” is almost a sermon to us to remember we are more non-physical than physical. Edwards sings lead on “Half Moon,” a haunting track that seems to reveal his (and, I’m sure, the band’s) love for George Harrison. The live version of “Headstand” on this is nothing short of stunning, with the trio clicking on every level. You can’t really pick out one particular element because everything is perfect.

The last six tracks are selections from their classic album Fantastic Planet. Starting with “Segue 3” to warm up the already-frenzied crowd and then roaring into favorites like “The Nurse Who Loved Me,” “Another Space Song,” “Stuck on You,” “Heliotropic” (in which it sounds like Edwards’ guitar is going to die from exhaustion at any moment), and a crushing rendition of “Daylight.”

This is a must not only for Failure fans, but also fans of shoegaze, 1990s rock, and high-quality music in general. Do not miss it, and never miss Failure when they tour.

Keep your mind open.

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Failure to stream their first concert film on December 15, 2022.

Failure, the Los Angeles trio of Ken Andrews, Greg Edwards and Kellii Scott, have announced their first ever streaming concert film: “We Are Hallucinations.”

The concert film features a set list that spans the band’s six albums and captures the magic of Failure’s live performance.

The one-time only event debuts on Dec. 15 at 12:00 pm pacific/3:00 pm eastern/8:00 pm UK/9:00 pm EU, and remains available through Dec.18. Viewers have three full days from the time of purchase to watch the film at any time, and as often, as they would like. Tickets as well as a limited-edition commemorative poster, newly released vinyl variants for each of the band’s six albums, as well as various merch items, are available now via linktr.ee/failureband.

“This film is comprised of performances from our Summer 2022 Wild Type Droid tour of North America,” explains Greg Edwards. “It’s crazy that we have never made a concert film before, but I think this will really stand as a definitive document of the dynamic between the three of us on stage and the connection we have with our fans.”

Keep your mind open.

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[Thanks to Monica at Speakeasy PR.]