Top 30 Albums of 2018: #’s 15 – 11

We’re halfway there!

#15: MIEN – (self-tited) – This psychedelic supergroup (featuring members of the Black Angels, Elephant Stone, the Earlies, and the Horrors) had a fine debut indeed with this record that dabbles in some of the darker sides of psychedelia.

#14: Slaves – Acts of Fear and Love – How can two lads make so much punk noise?  Easy, they’re powered by anger, satire, ferocious beats, and shredding guitar.  These cats are probably the Next Big Thing, but I doubt they give a damn about that.

#13: Hprizm – Magnetic Memory – This rap record has more layers than an onion, wicked beats, philosophy, and calls for the disenfranchised of all colors, sexes, and creeds to band together.

#12: D-Tension – The Violence of Zen – Fierce hip-hop.  That’s the best way I can describe this solid record from Boston MC D-Tension.  He’s one of the wittiest rhymers out there and deserves to be heard more across the world.

#11: Caroline Rose – Loner – This pop-punk record is full of witty lyrics, sex, and snark.  Rose is like a ninja – jumping out of the shadows to wallop you and then retreating back into the rock and roll shadows to plan her next attack.

We’re into the top 10 next!

Keep your mind open.

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Top 20 Singles of 2018: #’s 10 – 6

We’re in the top 10 now. Let’s get right to it.

#10: “Never Coming Back” by A Place to Bury Strangers – I was excited to learn that Lea Braswell was the new drummer for APTBS. I thought she’d match the powerhouse duo of Oliver Ackermann and Dion Lunadon well, and this single not only proved me right, but it also heralded a new sound for the band that was outstanding.

#9: “Asia (Adrenaline)” by Hprizm – This single, and really the whole album, reveals more and more with each listen. Plus, the beats on it are great (That referee’s whistle used for timing!). It’s a song that makes you want to explore more of Hprizm‘s catalogue (as you should).

#8: “Fighting” by Here Lies Man – I was sent this by HLM‘s label, Riding Easy Records, in a clever scheme to make me fascinated with HLM’s heavy Afrobeat jams. The scheme worked, because this single was not only all over my earbuds, I even heard it on BBC 6 Music.

#7: “Great Job” by CHAI – These post-punks from Japan are fully committed to the DIY life and have serious musical chops. You can’t help but love them, especially when they make music as good as this single from their new record due later this year.

#6: “Curse of the I-5 Corridor” by Neko Case – Stunningly beautiful, this song is a prime example of Case‘s vocal wonders and songwriting skill. Few artists nowadays can write and sing a song like her, and even fewer could write and sing something like this.

Who made the top 5? That will be revealed tomorrow!

Keep your mind open.

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Review: Hprizm – Magnetic Memory

I stumbled upon Hprizm when his label, Don Giovanni Records, sent me an e-mail that more or less said, “We thought you might like this.”  It turns out that I did, as Hprizm’s Magnetic Memory is one of the most intriguing rap records I’ve heard in a long while.

Combining slick beats with electro bleeps, def(t) sampling, and assured vocals, the album covers topics ranging from waking up from illusions to economic inequality.  The opening track, “Keep Pushing,” reveals Hprizm’s MC skills in ways that will leave you dumbfounded.  Lion roars and slightly industrial synths loop throughout “Infusion” as Hprizm mentions “America’s nightmare, us waking up.”  “Resuscitate” mixes jazz saxophone and frantic, choppy beats with Hprizm unloading fierce rhymes you can barely follow because they rush by you like a speeding car.  They barely slow down on “Waking Them Up,” in which he speaks of using prayer, fasting, and meditation to move beyond his earthly trappings and how he had to cut out negative people in his life to spiritually grow.

“G11 Forever” has a ghostly tone that I like, and the message of “Break the Body Down” (how fear, depression, and hate ultimately will destroy you) is even better.  “Up from the Flames” boosts this message, bringing to mind a phoenix rising from the ashes, and the flute solo on it is outstanding.  “F08 Soul” is a psychedelic shout-out to black Americans to remember their history and to all of us non-black folks to face our history and own up to it.

The horror movie-lie organs of Asia (Adrenaline)” give way to snap-crackle-pop beats and rave whistles and Hprizm warns against those who “put fame over skill.”  “What’s Worth What” is a quick sample track that flows into “And Bet” – a track that will get your head nodding and toes tapping.  “And still I’m standing’ after the storm,” Hprizm declares at the beginning of “After the Storm.”  “Strap it, ’cause it’s a wild ride,” he says.  It’s a fitting bit of advice for the entire album, not just this song.  The closer, “Electric Ladyland,” has the distorted guitar riffs you’d expect, but lots of choppy beats and mentions of “talking heads talkin’ to the walking dead.”  It, and the album, ends with backward-looped guitar chords fading into a sharp drop.

This is a great record full of stuff that will take you months, if not years, to discover all of it.

Keep your mind open.

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