Japanese musicians – 7th Level Music

Rewind Review: Shonen Knife – Adventure (2016)

It’s amazing how relevant Shonen Knife‘s 2016 album, Adventure, is to a world emerging from a pandemic in which we were shut in our homes. Shonen Knife have always been one of the most optimistic bands on the planet, and I’ve always believed it’s impossible to be sad if one of their songs is playing. That enthusiasm is everything everyone needs as we leave our cocoons and get back to baseball games, the Dairy Queen, and hugging each other.

The album opens with “Jump into the New World,” with Naoko‘s lead guitar and bouncy vocals encouraging us to “Feel a bright light, yeh, yeh, with a happy song in your heart.” and “Challenge yourself, yeh, yeh, with a happy song in your heart.” “Rock ‘n’ Roll T-shirt” (with guest background vocals by Naru) is an ode to band shirts, and it’s amazing no one else before Shonen Knife thought to write a song about them. Naoko proudly declares that she wears them to bed, at shows, and everywhere else. “Calabash” has a great bass walk from Atsuko, and a saucy solo from Naoko.

“Dog Fight” (with Ritsuko on guest bass) is a story of Naoko visiting a beach and walking into a scene with two dogs engaged in a brawl. The beat and rhythm are too peppy to be depressing. “Wasabi,” with Atsuko on lead vocals, is one of many Shonen Knife’s songs about food; and, like so many others, it shreds. Risa (who is an absolute beast behind a drum kit) puts down a wicked surf beat and, thanks to Atsuko, I’ve learned that wasabi is good with avocado. Risa takes the lead vocals on “Green Tangerine (Kabosu),” which, on its face, is about eating the fruit, but, below the surface, is about embracing an unknown future.

“ImI (emoji)” is a salute to the “devil horn” sign of metal (“They say that it was created by DIO a long time ago. Keeping us away from evil harm. Now! You’ve got the power.”), and it appropriately rocks. Naoko sings about her dream vacation on “Hawaii” – a song that blends psychedelic surf guitar with Risa’s beach cook-out drums. Naru picks up the bass on “Tasmanian Devil,” another fun Shonen Knife song about a cute, furry animal that can be quite vicious. The album ends with “Cotton Candy Clouds” (with Ritsuko on backing vocals) – a lovely track about wanting to eat clouds because they look like the delicious fair food.

It’s a fun record, as is par for the course with a Shonen Knife album. They continue to make fun music and live the high life. We should all be so lucky to have an adventure like that.

Keep your mind open.

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Review: CHAI – Wink

It’s entirely possible that CHAI has been having more fun than anyone else in rock, Japan, or even the world for the last few years. Each of their albums, Punk, Pink, and now Wink, is pop-punk / electro perfection and all of them are brimming with positivity.

Wink continues the trend and starts a new one for the band – collaborations. Ric Wilson, YMCK, and Mndsgn all appear on the album to join the fun. The first track, “Donuts Mind If I Do” is a song about aging gracefully and eating donuts. What’s not to like (especially with that Earth, Wind & Fire-like groove)? “Maybe Chocolate Chips” (featuring Mr. Wilson, whom they met at Chicago’s Pitchfork Music Festival) posits the theory that a birthmark on your body might be a tasty treat.

“It’s okay. Everything is okay.”, CHAI sings on “ACTION” – a sharp dance track inspired by the Black Lives Matter movement that lets us know that we can change dour circumstances by, if nothing else, getting up and deciding to do something. The electro-bass slides into near-goth industrial territory for a great effect. Speaking of dancing, just keep at it during “END” – a bouncy, dance-punk cut with the band yelling “Shut up!” at their doubters and haters and throwing in rap verses because they damn well can.

“PING PONG” (with YMCK), with its video game sounds and aerobic workout beats, is one of the best dance tracks of 2021 and is a song about playing ping pong after spending a day at a spa. The world needs more songs like this, not to mention a day at the spa. I beg to differ with “Nobody Knows We Are Fun,” a song in which CHAI claims no one realizes they’re cool and worth inviting to the party, because (as I mentioned earlier) CHAI are having more fun than 90% of the planet.

“It’s Vitamin C” has a bit of a slow-jam groove to it as “It’s good for you, it’s good for me, it’s good for the body,” they sing, and I have a feeling that their lyrics about orange juice are a metaphor for…ahem, something else. “IN PINK” (with Mndsgn) blends electro-pop with P-funk. The lazy beat of “KARAAGE” is hypnotic and, let’s face it, sexy.

“Miracle” has some thick bass to go along with its booty-shaking beats and sunshine lyrics. “Wish Upon a Star” is another R&B-like jam with soft organ tones and subdued beats. The closer, “Salty,” is about fond memories – sometimes rediscovered through food (one of CHAI’s favorite subjects).

Wink is a bit stripped-down compared to CHAI’s first two records, but is no less fun than them. As always, CHAI deliver uplifting music when we need it most.

Keep your mind open.

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[Thanks to Jacob at Pitch Perfect PR.]

Nana Yamato asks “If” on her new single.

Tokyo-based musician Nana Yamato announces her debut album, Before Sunrise, out February 5th on Dull Tools, and presents the lead single/video “If.” By day, Yamato is an ordinary girl who marches anonymously between her flat, her school and her job. But by night, she becomes something else — a young artist and record collector whose urge for connection and expression has created one of the best underground pop records to come out of Japan, and elsewhere for that matter. Her calling was found when one day she entered Big Love Records in Harajuku, Tokyo to buy an Iceage album. She then began going there everyday after school, where her studies shifted to the week’s latest indie rock releases. “Everything in my life started there.”

Yamato’s brilliance lies in a profound imagination that confronts the isolation and claustrophobia of Tokyo life, without losing grasp of the whimsy and romance of girlhood. It’s hard to ignore the romance the artist has with the streets that she walks; Japanese and English vocals sing about the lights and sounds of the city, as if there’s no place else she could exist. Each song on Before Sunrise is a secret hidden in the late-night glow of a young girl’s bedroom, created in the precious witching hours of the teenage heart, before dawn returns with the tedious demands of adulthood. Dreams, and the language of living inside one’s imagination, are the prevailing theme of Before Sunrise. Yamato describes her style as “critical fantasy,” a fitting label for a sound that exists as much in a carefree daydream as they do in a crowded subway.

Throughout lead single “If,” a collage of drum machine, grungy guitar and synth are the terrain over which Nana’s voice floats. Singing in Japanese and English, her words are delivered with a cool confidence, as if fearlessly navigating a bizarre dreamscape. On “If,” Nana Yamato defines a new idiom of city music. Much in the way trip-hop articulated the nightlife of Bristol and London, she scores the soundtrack of an imaginative introvert wandering a crowded metropolis, hiding in plain sight in the hazy glow of neon. For the video, Yamato studied patterns of various animals and traced them frame by frame, making nearly 200 drawings. “The video is set up with me as an up-and-coming cartoonist who’s on deadline,” Nana explains. “She falls asleep while thinking about the comic. In her dreams, she meets the characters she created. She gets lost in her own imaginary world. My work is realistic fantasy, or critical fantasy. It’s not about fantasizing to escape reality, but about fighting reality by fantasizing.”

Nana’s debut LP, much like her previous 7” records released under the ANNA moniker, is a strictly DIY affair. Yamato sings and plays guitar, creates beats and MIDI melodies, in addition to creating the drawings and design of the LP itself. Produced by P.E.’sJonathan Schenke, who has worked with Parquet Courts, Liars, and Surfbort, among others, Before Sunrise marks the arrival of an artist who has found her voice. She is not just the pupil of the new arrivals bin, but of a life spent as a defiant dreamer, in the secret world that begins after childhood and before sunrise.
Watch Nana Yamato’s Video for “If”

Pre-order Before Sunrise
Big Cartel
Bandcamp

Before Sunrise Tracklist
1.Do You Wanna
2. If
3. Burning Desire
4. Gaito
5. Dreamwanderer
6. Fantasy
7. Polka Dot Bells
8. Before Sunrise
9. Voyage et Merci
10. Under The Cherry Moon
11. Morning Street
12. The Day Song

Keep your mind open.

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[Thanks to Jacob at Pitch Perfect PR.]