Recorded before they were officially known as Vapors of Morphine, Jeremy Lyons, Dana Colley, and Jerome Dupree were playing and recording dark delta blues tracks and mixing in low rock touches. This live album, recorded twelve years ago, sounds like it was performed last week.
Their version of “Worried Life Blues” has a bit of swing to it that showcases some of Lyons’ musical influences gained while living in New Orleans. “Screamin’ and Hollerin'” is the first track to let Dana Colley’s baritone saxophone cut loose, and we’re all better for it. The groove of “Red Apple Juice / Waiting for My Baby” is downright infectious. You’ll be humming the song for days after you hear it.
“Hard Times Killing Floor” shows why low rock and blues go so well together. Colley’s saxophone puts down the rails for Lyons sad vocals and Dupree’s subtle drums keep a hint of danger floating around the room. “Ain’t Gonna Marry” has a great swing to it as Lyons sings about sending a “Dear Jane” letter to a lover as he moves on down the road. His guitar solo is also sharp as a knife on the track.
“Know” is one of my favorite Vapors of Morphine tracks, and this version is as good as any of them. All three members have a swinging good time on it. “Hurricane” is another song of theirs that’s become somewhat of a classic by now. Colley’s saxophone reverb effects bring to mind a swirling storm as Dupree’s drums roll in the thunder and Lyons’ guitar is the driving rain.
Lyons’ guitar is in full swampy blues mode for “Louisiana Blues,” which is a sizzling rocker. “Special Rider” ends the set with a true low rock tune. The drop-tuned guitar, the warped saxophone sounds, and the slow, almost buzzed-drunk drums produce a great feeling. The album ends with the soundcheck version of “Red Apple Juice,” which is a nice addition.
It’s a cool record, and like their collaboration as The Ever Expanding Elastic Waste Band, a neat piece of history in the band’s formation.
Keep your mind open.
[Stay on top of music news and reviews by subscribing.]
