The second of two free instrumental albums offered by Nine Inch Nails in the wake of the COVID-19 pandemic, Ghosts VI: Locusts is darker than its predecessor – Ghosts V: Together. The track titles alone don’t bring to mind hopeful images like the last album. Many of the tunes on Ghosts VI: Locusts could easily fit on a horror film score.
“The Cursed Clock” is just such an example – bleak piano and creepy timing. “Around Every Corner” brings in a lonely trumpet and sounds not unlike passing buses to remind you of a film noir. “The Worriment Waltz” is a good title for what a lot of people are doing these days. “Run Like Hell” is surprisingly subtle (and that great trumpet comes back to haunt us in it).
“When It Happens (Don’t Mind Me)” starts off with Dario Argento-film score manic percussion and synths. The sounds of “Another Crashed Car” bring to mind images of an open cell phone (probably being used pre-collision) call going unanswered and windshield wipers scraping across cracked glass. “Temp Fix” is short and…odd.
“Trust Fades” fades right into “A Really Bad Night.” The two themes go well together. “Your New Normal” is like a strange breath across your neck, and “Just Breathe” might be the creepiest song on the album. “Right Behind You” calms things down a bit.
“Turn This Off Please” is the longest track on the album (over thirteen minutes) and slinks around the room like some sort of smoky adder. The piano on “So Tired” is like something you’d hear on the score to Exorcist III. The closing track is “Almost Dawn,” which is a bit uplifting after all the doom and gloom of the previous tracks. Yes, it still has some creepy elements in it (like that warped music box) but it still conveys a sense that the sun will come out soon and we’ll all embrace the light.
Nine Inch Nails seem to be acknowledging that things look bleak, but they also encourage us to not become overwhelmed. Things will turn around in time. All things are impermanent, even suffering.
Keep your mind open.
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