Tag: Paperkraft Not C But K

Review: Paperkraft – Not C but K

While many of his contemporaries in Japan were focusing on drum and bass and underground EDM, Paperkraft decided he was going to focus on progressive house and strive to bring it back into popularity. He’s off to a good start with his Not C but K EP.

“The Amazing Spaceman” blasts us into orbit and begs to be cranked while you’re doing a spacewalk outside the International Space Station. It will make the job of fixing that solar array go much quicker as you tap your toes inside their insulated boots to the syrupy bass and zero-gravity synths.

“Dizzy Disk” could refer to a UFO or whatever Paperkraft is spinning on his decks. It has a fun 1990s rave flair to it with the vocal sample loops and party-inducing bass riffs. Aiden Francis‘ remix of it is a nice addition.

“OK Corral” is a for-sure floor-filler. Again, Paperkraft uses vocal samples and loops to great effect and has you moving no matter where you are. Be careful with where you hear this, you might start dancing in the middle of a bus station or any other place. Aldonna‘s remix turns it into a bit of a trance track.

The EP closes with “Stella” – which is chock-full of processed drums, kitten-sneeze cymbals, and chonky cat bass lines.

The whole thing is a blast. Get in on it now!

Keep your mind open.

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[Thanks to Harbour Music Society.]

Paperkraft brings progressive house music back to the forefront on his upcoming EP.

Bubbling beneath the surface of Japan’s emerging underground scenes, Osaka based artist Paperkraft has passionately developed his craft, immersing himself in the culture and championing a new wave of Japanese artists. With the rise of genres like UKG & bass in neighboring cities like Kyoto – it’s the progressive and house movement Paperkraft is concerned about. Although more niche in his native city, developing a sustainable scene and championing the sounds he loves is the ultimate goal.
 

“UK Garage and other types of bass music music are thriving in Japan. I think the number of DJs of the younger generation has also increased.On the other hand, modern progressive house and liquid house music is a smaller scene. At least, no one around me is making similar music, so I would be happy if I could help bring some of it to Japan.”
 

First introduced to HOMAGE through friend and breakthrough producer Stones Taro, Paperkraft referenced releases like Aldonna’s Morph EP as the catalyst to send his demos, and who subsequently remixed ‘OK Corral’ on his forthcoming EP Not C But K.

Breakthrough tracks’ like Papekrafts’ ‘Dimple’ which was released by HearThug’s Are You Alien label gathered large support, and made a special appearance on Manami’s Boiler Room Debut; laying the foundations for tracks like ‘OK Corral’ to take shape. The infectious vocal sample coupled with jam-like riffs give off the vibe that it was done in one take in an act of pure enthusiasm, with that same energy lending itself to the dancefloor. Aldonna’s remix adds a balearic and emotive touch, while tracks like ‘Stella’  use a left leaning approach, perfect for low capacity clubs and sweaty, dimly-lighted rooms. Aiden Francis lends his signature sound to the remix of ‘Dizzy Disks’, with elements of breakbeat, trance and electro, showing why labels and clubgoers rate him so highly.

FORTHCOMING FEBRUARY 16TH.

PRE-ORDER

FEATURING REMIXES FROM ALDONNA & AIDEN FRANCIS.

PREVIEW

Keep your mind open.

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[Thanks to Harbour Music Society.]