Sleater-Kinney‘s newest record, The Center Won’t Hold, is, unsurprisingly, a wallop to the senses. It covers anger over the current political climate, the never-ending onslaughts of media and advertising, and the often fragile nature of relationships.
The title track starts off the record with slinking industrial beats before erupting into fiery anger and Carrie Brownstein‘s vocals reaching shriek levels. “Hurry On Home” is a sexy tune accentuated by electro beats about missing a lover and wanting something real and tangible in a world of fake social media profiles and Second Life avatars. The electro touches continue on “Reach Out.” They’re peppy and then the lyrics of “When I looked down, I was a mess.” reach you, making you wonder what’s coming. The song is another about wanting to find a human connection amid internal and external chaos. “With one sharp breath, my chest expands. My body is my own again,” Corin Tucker sings the joy of finding that connection.
“Everyone I know is tired, and everyone I know is wired to machines. I just scream ’til it don’t hurt anymore,” Brownstein sings on the excellent “Can I Go On” – a song about how easy it is to get down in this day and age. “Restless” has brutal lyrics about love like “My heart wants the ugliest things, but I’ve learned to love the ugliest things like you and me.” “Do you feast on nostalgia? Take please from pain?” Brownstein asks in “RUINS” – a near-industrial track that explores a crumbled relationship. “LOVE” starts with video game beats before Janet Weiss puts down a wicked drum groove and Brownstein sings about embracing the adventure that love can be.
“We’ve been rehearsing our whole lives,” Brownstein says on “Bad Dance.” It’s a song about the seductive worlds pushed on us by mass advertising and the idea of pushing back against them. “The Future Is Here” has Tucker wishing for a human connection in a world of online relationships. “I met my date on a tiny screen. I reach for you in the empty sheets,” she sings. Anyone who resists her is a fool. The snappy bass on “The Dog / The Body” roots the song as it swells back and forth between soft verses and big choruses.
“But I’m breaking in two, ’cause I’m broken inside.” are the last lyrics of “Broken,” which is the last song on the album. It’s a sad song about the loss of a relationship or at least a human connection in our increasingly digital world. The song and the lyrics (and the album’s title) are even more poignant now due to drummer Janet Weiss leaving the band not long after the album was released and before Sleater-Kinney started their current tour. Brownstein has said the band will continue with her and Tucker, who started the band without Weiss. At least Weiss left on a good album. She didn’t phone in anything on it, and neither did her former bandmates.
Keep your mind open.
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