It’s not hyperbole to say that Toronto post-punks Teenager almost died while making their new album, Good Time. As the story goes, the band created it in a new space they rented for two years underneath a restaurant. Among the many things they had to deal with while working on Good Time were rats, power outages, flooding, mold, and a carbon dioxide leak that threatened everyone in the building. To then call the record that came out of this chaos “Good Time” is, I imagine, a delightful inside joke. It’s also a delightful record, so it all equals out fine.
Opening track “Beige” immediately brings early B-52’s cuts to mind with its snappy bass, swelling synths, and lyrics about everything being the same day in and day out. Teenager couldn’t have predicted two years ago how relevant this song would be in 2020. “I’m stuck in a strange wave. Everything starts to feel beige,” they sing. Everything is bland and every city neighborhood looks the same. Now, our daily routines and homes fall into this category.
The jagged angle guitars of “Trillium Song” are like a breath of fresh post-punk air in a world clogged by bro-rock smog. “Pleasure” has a bit of a Japanese punk rock vibe to it with its fun, echoing guitars and Devo-like synths as they sing, “Too much pressure for pleasure, and pleasure takes pressure.” That might be the most Zen thing I’ve read so far this month.
“Romance for Rent” is a standout. It’s a tale of a man seeking romance online since he’s incapable, or just unwilling, to find it in real life. Again, the Teenager of 2018 could not have predicted how perfect this song would be in 2020, as many of us, for the sake of our health, have to find connections online. The percussion on this track is great, mixing a full kit with conga and other hand percussion. The whole track clicks perfectly and is one of my favorite singles of the year.
“Straight to Computer” is a dire warning about the online stuff they mention in the previous track. Teenager encourage us to get outside and away from these things that are designed to keep us indoors and barraged with advertising. “Can’t remember yesterday, can’t remember what I did today,” they sing in the opening of the title track – a song about how everyone’s in the same boat and often putting on the same mask to hide that they’re miserable. It’s hard to tell where the guitars end and the synths begin in this track, which is to say that it sounds pretty neat.
The guitars on “Touching Glass” move back and forth between heavy rock riffs and bouncy post-punk grooves. The closing track, “The Drain,” could refer to cleaning out their flooded basement studio, the general feel of malaise in this day and age, or both. It’s full of bold guitars that build to a fun, hopeful energy despite its lyrics about acid rain, depression, and being in a funk. By the end you’re thinking the song isn’t about falling into a dark hole. It’s about letting negativity wash off you down the drain and away from you forever.
To put out a record this good despite all the challenges Teenager went through to complete it is damn impressive and inspirational. We all need to get off our collective keisters and do something with this bonus time we’ve been given (if, granted, we are healthy and secure enough to do so). Teenager show that we can all have a good time, a great time, if we choose to grow.
Keep your mind open.
[It would be a good time if you subscribed.]
[Thanks to Tom at Hive Mind PR.]
