Death from Above 1979 – Live at Third Man Records

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Recorded September 30, 2015, Live at Third Man Records is a fast, furious capsule of the raw energy of Death from Above 1979 (Sebastien Granger – drums and vocals, Jesse Keeler – bass and vocals). No guitar here, folks. Drums, bass, and vocals are more than enough.

“Right on Frankenstein” has enough electro-fuzz in it to bring an animated corpse to life. “Where have all the virgins gone?” the band wonders on “Virgins,” which has a wickedly slick bass groove that’s hard to describe. The bass on “Going Steady,” however, is almost like drone synth rock. Jack White, head honcho at Third Man Records, probably loves the title of “White Is Red,” and he can’t argue with the heartfelt lyrics.

“Trainwreck 1979” is about a deadly crash of a chlorine train tanker and hits about as hard. “Gemini” hits even harder, with squeaky, almost tortured bass and race to the finish drums (which makes sense since it was the last track recorded for side A of the vinyl release).

Side B starts with “Little Girl,” a love song with doom rock bass riffs and post-punk drums. “Go Home Get Down” has freakier bass and lyrics, and “Government Trash” is appropriately trashy and loud.

I’m going to assume “Always On” refers to the distortion pedals used by the band, because the song is a cranked-up, raucous rocker that reminds me of a rocket launch in the way it constantly builds to near burn-out. They close the live session with “The Physical World.” “Oh no, not again. I get this feeling this is not the end,” Granger sings, but end it must and they go for broke and fade out in squalls of feedback.

It’s a short, but strong live recording and a must for DFA 1979 fans.

Keep your mind open.

Published by

Nik Havert

I've been a music fan since my parents gave me a record player for Christmas when I was still in grade school. The first record I remember owning was "Sesame Street Disco." I've been a professional writer since 2004, but writing long before that. My first published work was in a middle school literary magazine and was a story about a zoo in which the animals could talk.

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