In case you missed it, Nashville’s Bully were the breakout hit of the first Middle Waves Festival. Bully (Alicia Bognanno – vocals and guitar, Stewart Copeland – drums [not the guy from The Police], Reece Lazarus – bass, Clayton Parker – guitar) flattened the Maumee Stage there, which shouldn’t have surprised me since their 2015 album Feels Like is so hard-hitting.
Starting with the sizzling “I Remember,” the band comes out with fury Oliver Ackermann of A Place to Bury Strangers would envy and vocals Jennifer Finch of L7 would love. If you can imagine Joy Division being a power pop band instead of goth overlords, you might be able to imagine how they could’ve made a song like “Reason.” Parker’s guitar work on it is superb.
“Too Tough” evokes the good kind of 90’s alt-rock. The kind that made good hooks and mixed them with heavy riffs and discernable vocals instead of the just screaming about how much he hates his father. Lazarus’ bass line holds the song together. I think he’s the band’s secret weapon. “Brainfreeze” follows this trend and is one of the catchiest songs on the record. “Trying” bounces back and forth between cool catchy verses and growling, shouting choruses like a forgotten Pixies song.
Lazarus’ thick bass is front and center on “Trash,” and Bognanno’s vocals are both heartfelt and even a bit frightening. I love the way the band seems to collapse into madness during the chorus, yet holds it together with expertise. Copeland’s cymbal fills are like alarm bells going off while Parker and Lazarus’ instruments run around in near-panic.
“Six” seems to be a love song sung to someone who’s depressed over the way they’re perceived by others. “Fuck those jerks,” Bognanno sings. “They don’t know you like I do.” “Picture” has great fuzz from everyone, even Bognanno’s vocals and Copeland’s drums seem to be filtered through half-broken amplifiers.
“Milkman” was Bully’s first single (released in 2014), and I still don’t know why it didn’t race across the nation like wildfire (Screw you, corporate radio!). It’s a sharp debut that captures the band’s live energy (and tight instrumentation) well. “Bully” is another wicked cut that has some of my favorite guitar work on the record. It goes from angry fuzz to pop-punk and dips its toes into the psychedelic reverb pool now and then.
“Sharktooth” is a kiss-off to an ex that brings Copeland’s drums to the front almost like a Who record and then the rest of the band builds a wall of sound like a line of War Boys cars from Mad Max: Fury Road.
It’s a fine record, and one that was being blasted in a Ft. Wayne record store the day after their Middle Waves performance. People were buzzing about them the entire second day of the festival, myself included. They and this album do what any good band or album should, make us hungry for more.
Keep your mind open.
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