Review: Acid King – Middle of Nowhere, Center of Everywhere (2024 reissue)

First, how awesome is that cover?

Acid King‘s 2015 album, Middle of Nowhere, Center of Everywhere was their first album in nine years and would be their last until eight years later when the newest version of Acid King (with Rafael “Rafa” Martinez on bass and Bill Bowman on drums) would emerge with Beyond Vision.

Vocalist and guitarist Lori S. still had longtime Acid King drummer Joey Osbourne on drums for Middle of Nowhere, Center of Everywhere, and bassist Mark Lamb had been with the band for seven years by this point. All three were clicking and grooving and leveling everything in earshot. They wanted to create something massive for their first album in nearly a decade, and they certainly did it.

In case you’re wondering how big this album is, the “Intro” is almost four minutes long, and it sounds like something you’d hear from a distant star as you were orbiting the moon. Lori S.’s guitar on “Silent Pictures” grows like the rising sun bursting up over a desert mesa and drops you into a different mind state as Lamb’s bass groove moves like an adder across a dune.

“Coming Down from Outer Space” is wonderfully heavy and has Lori S. dropping a slick, downtempo guitar solo right in the middle of crushing riffs. It flows into “Laser Headlights” well, with Lori S.’s guitars sending you almost relentless waves of fuzz. “Red River” is solid desert rock with Osbourne’s drum work on it being some of the best of the album, and Lamb’s bass hitting even harder than Lori S.’s guitar.

If, for some reason, you think the album isn’t heavy enough, Acid King then unleashes “Infinite Skies,” which crushes you from the first notes. “Center of Everywhere” levitates off the desert sands and straight into the stars where you drift toward something that might be a black hole (“Nothing to be found in the center of everywhere.”) or a gate to another plane. The album ends on an instrumental “Outro” that might as well be titled “Outro of Gravity’s Effect on You.”

This was a great return for Acid King, and the 2024 reissue from Blues Funeral Recordings sounds excellent. Get it and get your mind altered.

Keep your mind open.

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Published by

Nik Havert

I've been a music fan since my parents gave me a record player for Christmas when I was still in grade school. The first record I remember owning was "Sesame Street Disco." I've been a professional writer since 2004, but writing long before that. My first published work was in a middle school literary magazine and was a story about a zoo in which the animals could talk.

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