She-Devils – self-titled

She-Devils(Audrey Ann Boucher and Kyle Jukka) self-titled record is a lovely blast of electro dream pop that we need more of in this world right now. The opener, “Come,” is a slightly trippy seduction and (“Don’t try to resist me,” Boucher sings) I think a salute to orgasms. It’s the best song about such subjects since Frankie Goes to Hollywood sang about them. The follow-up, “Hey Boy,” mixes shoegaze and electro so well that you can barely tell where one influence ends and the other begins. I like the low-tuned guitar throughout it by Jukka, and Boucher’s voice is playful and a little bit dangerous. It’s the kind of track the Dum Dum Girls used to make.

“Make You Pay” feels like something out of a shoegaze sweat lodge as Boucher sings about exacting revenge (via firearm) against her cheating lover. In “Darling,” however, she professes her love again as the guitars shuffle like a soft shoe dancer around her. “How Do You Feel” and “Blooming” are ethereal dream pop songs in which Boucher questions both her lover’s intentions and her desires. “I can’t do anything for you,” she sings on “You Don’t Know.” Her lover doesn’t know what love is, so she can’t help him see what’s bugging her.

On the weird and wonderful “The World Laughs,” Boucher boldly proclaims “I want to go inside of you…” Well, well, well. The guitars sound almost like something from a reggae record that’s been left out in the Jamaican sun too long. Trust me, it’s pretty neat. “Never Let Me Go” and the closer, “Buffalo,” are haunting love songs with Boucher’s vocals coming at you like incense smoke down a dimly lit hall and Jukka’s instrumentations ranging from Angelo Badalamenti influences to hints of psychedelic-era Brian Wilson.

This is the kind of album that makes you want to hear the next sooner rather than later. Improving on this already fine record will mean something stunning in the future.

Keep your mind open.

[Hey, boy, don’t forget to subscribe before you go.]

Published by

Nik Havert

I've been a music fan since my parents gave me a record player for Christmas when I was still in grade school. The first record I remember owning was "Sesame Street Disco." I've been a professional writer since 2004, but writing long before that. My first published work was in a middle school literary magazine and was a story about a zoo in which the animals could talk.

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